Showing posts with label Mina. Show all posts
Showing posts with label Mina. Show all posts

April 17, 2022

Music Notes ~ vinyl LP cover graphics

   ~      
I will have to fess up to what people may call idiotic, silly, stupid or even a crime! Many of my record purchases over the years was influenced by the graphics of the cover, such as the album by Mina, Salomé, on the right. As I said in the article I wrote about this album (link below), "How could you pass up a cover like this?"     .   
 
Although I bought albums unknown or unheard just from the information (performers, style, etc.) on the back of the album cover (one of the reasons I will always love a vinyl LP as opposed to a  CD), it was the graphics of some of them that snagged me.     

Some of those albums have been featured on the Viewfinder; there will be many more to come.  
     
     
     
     
Links to those albums (in no particular order):  
        
Mina ~ Salomé        
Goblin ~ Suspiria        
Jack Scott        
The Family Dogg        
The Residents ~ Not Available        
Dave Greenslade ~ The Pentateuch of the Cosmogony        
Jeff Wayne ~ The War of the Worlds        
Stan Freberg ~ the United States of America      
Master/Slave Relationship ~ This Lubricious Love        
King Crimson ~ In the Court of the Crimson King        
Betty Davis ~ They Say I'm Different        
Earth, Wind & Fire ~ Last Days and Time        
Klaus Nomi        
Gabor Szabó ~ Dreams        
Eraserhead        
The Rolling Stones ~ Some Girls        
Carl Orff ~ Carmina Burana á la Manzarek        
Stan Kenton ~ City of Glass        
Die Dreigoschenoper        
Al Stewart - Past, Present and Future   
Chuy Reyes ~ Rumba de Cuba        
Adam & The Ants ~ Kings of the Wild Frontier        
The Story Of Star Wars picture disc        
Gil Mellé ‎– The Andromeda Strain        
Orchestral Manoeuvres in the Dark (OMD) ~ Dazzle Ships        
The Nails ~ Hotel For Women        
Guns N' Roses ‎– Appetite For Destruction        
Debbie Harry - KooKoo       
Leonard Bernstein ~ Trouble In Tahiti    
Kiss X Four       
Divine ~ Greatest Hits        
Hawkwind ~ Warrior on the Edge of Time         
Mick Ronson ~ Slaughter on 10th Ave.         
Jobriath     
Alice Cooper ~ Killer Vinyl       
        
       
        
        
        
        
Styrous® ~ Sunday, April 17, 2022        
        















January 24, 2020

20,000 vinyl LPs 203: Jack Scott in Velvet Stereo

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Jack Scott was born Giovanni Domenico Scafone, Jr., on January 24, 1936, in Windsor, Ontario, Canada. He is a Canadian/American singer and songwriter and was inducted into Canadian Songwriters Hall of Fame in 2011. He has been called "undeniably the greatest Canadian rock and roll singer of all time."            
     
The was the very first stereo album I bought in the late 50's. It was a big deal back then; up to that point all recordings were monophonic. It was such a big deal that Carlton took the mono cover and applied STEREO in black felt letters vertically on the left front of the cover.       


photos by Styrous®
     


 
Jack Scott vinyl LP front cover w/flock letters
cover photo photographer unknown
photo of album cover by Styrous®


Jack Scott was an incredible singer and musician. The album cover liner notes describe the twenty-two year old as the “Melting-Pot” miracle; A Canadian born, Italian hillbilly who worshiped Hank Williams and will take his place in the recorded Hall of Fame along with the Presleys, Boones and Comos. But it never happened; I never understood why he never became a popular icon of music. Some of the links below shine some light on that.     


Jack Scott vinyl LP front cover detail w/black flock letters
cover photo photographer unknown
detail photo of album cover by Styrous® 


All the songs on the album were terrific but, of course, I had my favorites; Goodbye Baby, The Way I walk, the VERY swooney My True Love, his Indiana Waltz and I'm Dreaming Of You are beautiful love songs; then there is Midge, a great song to dance to. He had a rich voice that promised a world of exciting adventures.         
  

Jack Scott vinyl LP front cover w/flock letters
back cover photo photographer unknown
photo of album cover by Styrous®


Jack Scott was voted into Michigan Rock and Roll Legends in 2007. The Way I Walk was voted a Legendary Michigan Song in 2010. The Legends site has some really great information about Scott that I found fascinating (link below).            


Jack Scott vinyl LP back cover detail w/flock letters
back cover photo photographer unknown
detail photo of album back cover by Styrous®
 

The Way I Walk was covered by Robert Gordon and The Cramps in 1977, Swamp Zombies in 1993, Danny Gatton in 1996 and 68, Comback and The Vees (formally the Jale) in 1998. My True Love was covered by Mina (link below) in 1999.       
     



Jack Scott vinyl LP labels
photo by Styrous®
 
Tracklist:

Side 1:

A1 - Save My Soul    
A2 - With Your Love    
A3 - Leroy    
A4 - No One Will Ever Know    
A5 - Geraldine    
A6 - I Can't Help It    

Side 2:

B1 - Indiana Waltz    
B2 - Midgie    
B3 - My True Love    
B4 - The Way I Walk    
B5 - I'm Dreaming Of You    
B6 - Goodby Baby    

Credits:

    Backing Vocals – The Chantones (tracks: The Chantones)

Notes:

This is the first Stereo issue of this release from 1958. The label has the white circle with the black small C around the center hole. Also has the bold STEREO print on the left side of the label. Carlton took the mono covers and applied STEREO in black felt letters vertically on the left front of the cover. STLP 12/107 is also stamped in black ink on the bottom edge.
http://www.cvinyl.com/labelguides/carlton.php

Barcode and Other Identifiers

    Matrix / Runout: (A-Side Runout Stamped) STLP 12/107
    Matrix / Runout: (B-Side Runout Stamped) STLP 12/107

Jack Scott ‎– Jack Scott
Label: Carlton ‎– STLP 12/107
Format: Vinyl, LP, Stereo
Country: US
Released: 1958
Genre: Rock
Style: Rockabilly
       
     
       
        
Viewfinder links:      
      
'desert island' vinyl LP       
Mina           
Jack Scott articles/mentions       
       
Net links:      
      
The Audiophile Man ~ Jack Scott: A struggle with stardom  
Jack Scott Discography   
Michigan Rock and Roll Legends ~ Jack Scott    
Rockabilly Hall of Fame ~ Jack Scott       
Rockabilly Hall of Fame ~ Jack Scott mentions       
   
YouTube links:      
   
Indiana Waltz        
Goodbye Baby        Goodbye baby (live)     
I'm Dreaming Of You       
Midge        
My True Love       
The Way I Walk   
The Way I Walk (live)                 
The Cramps ~ The Way I Walk (video)           
Robert Gordon ~ The Way I walk     
Mina ~ My True Love        
     
     
      
        
Happy birthday, Jack.
61 years later, still lovin' the way you walk!
            
   
          
           
Styrous® ~ January 24, 2020      

January 12, 2020

45 RPMs 39: Elvis Presley ~ All Shook Up & Otis Blackwell

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7" 45 RPM record sleeve
     cover photographer unknown         
photo of record sleeve by Styrous®


On January 12, 1957 Elvis Presley recorded All Shook Up and shook almost everybody up, including ME! The bouncy, happy-to-be-in-love song was composed by Otis Blackwell.      

Otis Blackwell, born on February 16, 1931, was an African-American songwriter, singer, and pianist, whose work influenced rock and roll. His compositions include Fever; Great Balls of Fire and Breathless, recorded by Jerry Lee Lewis (link below); Don't Be Cruel, All Shook Up and Return to Sender (with Winfield Scott), recorded by Elvis Presley; and Handy Man, recorded by Jimmy Jones.     
                   
7" 45 RPM record sleeve back
photo by Styrous®


Blackwell was born in Brooklyn, New York, on February 16, 1931. His first success was winning a local talent contest ("Amateur Night") at the Apollo Theater, in Harlem, in 1952. This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition Daddy Rolling Stone, which became a favorite in Jamaica, where it was recorded by Derek Martin.         

His first successes as a songwriter came in 1956, with the Little Willie John sultry R&B hit, Fever, which was an even bigger pop success for Peggy Lee (link below). Then Don't Be Cruel began a highly profitable association with Elvis Presley (link below).       


 date & photographer unknown


According to legend, “Goldie" Goldhawk, one of the owners of a songwriting firm called Shalimar Music, vigorously shook a bottle of Pepsi and dared Blackwell to write a song about it. Blackwell polished off the now famous track in nothing flat.           

All Shook Up has been covered by The Beatles (link below), Jim Dale in 1957, Suzi Quatro in 1973 (link below), Billy Joel (link below) and in 1991 as a derivative piece, entitled, All Choked Up, in the original 1971 musical Grease at the Kingston Mines nightclub in Chicago.    

Blackwell was also a record producer, having helped turn out hits for artists as diverse as Connie Francis, Mahalia Jackson and Sal Mineo.     


photographer unknown

        

7" 45 RPM record, side 1
photo by Styrous®



The "B" side of the record has the slow ballad, That's When Your Heartaches Begin, a 1937 song written by Fred Fisher, William Raskin and Billy Hill. The song first became popular following a 1941 recording by The Ink Spots (link below).  
       
This song has been covered by British tenor David Whitfield, Italy's Mina (link below), and even Andy Kaufman.             



7" 45 RPM record, side 2
photo by Styrous®




Personnel:

The Blue Moon Boys
The Jordanaires
  • Gordon Stoker – harmony and backing vocals
  • Hoyt Hawkins – backing vocals, piano
  • Neal Matthews, Hugh Jarrett – backing vocals[9]
 

Viewfinder links:      
  
The Beatles       
Connie Francis          
The Ink Spots         
Billy Joel          
Peggy Lee         
Jerry Lee Lewis           
Mina          
Elvis Presley          
Suzy Quatro        
       
Net links:      
  
Elvis History blog ~ Otis Blackwell Fueled the Elvis Machine in the Fifties      
Live Mint ~ Songs for a king       
      
YouTube links:       
         
          
         
         
        
         
Styrous® ~ Sunday, January 12, 2020      


















April 4, 2018

78 RPMs 5: Glenn Miller And His Orchestra ~ Moonlight Serenade

side 1 
78 RPM 10" Shellac disc


On April 4, 1939, Glenn Miller recorded what would becom his theme song, Moonlight Serenade. It is an American swing ballad composed by Miller with lyrics later added by Mitchell Parish.    

The recording used a clarinet-led saxophone section, which is widely considered the classic Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed Moonlight Serenade.    

In the UK, Moonlight Serenade was released as the A-side of a 78 on His Master's Voice, with American Patrol as the B-side. However, in the US, Moonlight Serenade was on the B-side with Sunrise Serenade as the A-side.  



side 1 
78 RPM 10" Shellac disc& sleeve 


Sunrise Serenade is a jazz song written by Frankie Carle with lyrics by Jack Lawrence. It was first recorded in 1939 by Glen Gray and the Casa Loma Orchestra with Carle on piano as Decca 2321. It soon became Carle's signature piece. Glenn Miller released his famous recording of Sunrise a few months later, arranged by Bill Finnegan, with Moonlight Serenade on the backside (Bluebird 10214).      
       


side 2 
78 RPM 10" Shellac disc& sleeve

 
Frank Sinatra sang Moonlight Serenade on his album, Moonlight Sinatra, which was released in 1965 on Reprise Records. Each and every song title on the album had the word "Moon" in it. The album was arranged and conducted by Nelson Riddle. But the most beautiful interpretations have to be by Ella Fitzgerald and Thelma Houston.   

Then came disco! The Ventures (1976),  Tuxedo Junction (1978) and the Charlie Calello Orchestra (1979), gave it the get-down-and-boogy beat while Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, did a samba-tempo disco complete with strings doing weird things. Laurin Rinder and W. Michael Lewis followed along in the same vein a year later. Deodato, who predated them all in 1974 and reached number 18 on the Billboard Easy Listening Chart, had a mellow disco-funk tempo that was kind of nice while going to sleep.    

The intro to the song by Mina has to be the weirdest one ever; it does go into a traditional tempo with a great clarinet during the instrumental.                 


Glenn Miller - May 16, 1942
Ad on page 27 of Billboard magazine
photographer unknown
 
        
Moonlight Serenade has been covered by Barry Manilow, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Carol Burnett, Toots Thielemans, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Iracundos, Los Indios Tabajaras, David Rose of The Stripper fame, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco whose big hit was Puttin' On the Ritz, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler had to ham it up a little, John Williams, and Keith Lockhart, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, Archie Bleyer, Mantovani, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band, Robson & Jerome. Even Carly Simon tried to give it a shot.              
          
        
         
       
Tracklist:

Side 1:
Sunrise Serenade, written by Frankie Carl

Side 2:
    
Moonlight Serenade, written by Glenn Miller
   
Companies, etc.

    Manufactured By – RCA Manufacturing Co., Inc.

Notes:

Fox Trots

Label variation: Another versions exists with "For best results use Victor Needles." printed on the labels.
This version does not have this message.

Recorded on July 1, 1939
Barcode and Other Identifiers

    Matrix / Runout (Label A): B-10214-A
    Matrix / Runout (Label B): B-10214-B
    Matrix / Runout (Runout Side A): :B-10214A
    Matrix / Runout (Runout Side B): B-10214B

Glenn Miller And His Orchestra ‎– Sunrise Serenade / Moonlight Serenade
Label: Bluebird (3) ‎– B-10214
Format: Shellac, 10", 78 RPM
Country: US
Released: 1939
Genre: Jazz
Style: Big Band


Viewfinder links:     
       
Chet Baker         
Count Basie         
Arthur Fiedler       
Ella Fitzgerald           
Gene Krupa        
Mina - Salomé       
Frank Sinatra     
John Williams       
       
YouTube links:     
       
Glenn Miller & His Orchestra -    
                    Moonlight Serenade           
                    Sunrise Serenade                  
Frankie Carle ~ Sunrise Serenade - 1953 RCA Victor 78       
Glen Gray & The Casa Loma Orchestra - Sunrise Serenade (1939)  
Moonlight Serenade       
       Ella Fitzgerald          
       Thelma Houston     
       Frank Sinatra         
       Ray Anthony          
       Arthur Fiedler  
       The New Ventures ~ disco (1976)                
       Tuxedo Junction ~ disco (1978)      
       Charlie Calello Orchestra
       Rinder & Lewis ~ disco (1978)             
       Bobby Vinton       
       Deodato      
       Mina    
         
       

"I haven't a great Jazz band and I don't want one." 
                        ~ Glenn Miller  


       
Styrous® ~ Wednesday, April 4, 2018             
          
        
















October 3, 2012

July 16, 2012

20,000 vinyl LPs 3: Mina - Salomé

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I started the Vinyl LP series because I have over 20,000 albums I am selling; each blog entry is about an album from my collection. Inquire for more information.

I remember my first trip to Italy in July of 1997. I had been in Barcelona for a while, when close friends rented an apartment in Rome and invited us to spend a long weekend. Since it was a quick, inexpensive flight we went.

I don't remember the street the beautiful, three-level apartment was on but it was in a fantastic location a couple of blocks from the Roman Forum. It was at the top of a building built in the 18th century with furniture also from that period. The bed was a disaster, however; the springs were like a steel hammock so we had to take the mattress from the bed and put it on the floor at night to sleep in comfort. But the apartment had an incredible 360° view from the roof which I could get to from the terrazza. It was right out of a movie set and it was spectacular!

I have so many wonderful memories of that trip: the sound of the bells of the churches (there were five) surrounding the apartment joining with sounds of church bells in areas further away echoing our near-by bells. Each bell unique-sounding in its own right so that a beautiful symphonic tintinnabulation was performed every hour on the hour.

I remember the incredible heat during the day (I almost fainted in the Forum); the lovely warm evenings and delicious dinners; a mid-afternoon lunch with the most incredible pizza I've EVER tasted (porcini mushrooms, onions, delicate spices and olive oil on a very thin, cracker-like crust, no tomato sauce) at Ristorante Al Gladiatore across from the Colosseum.

And, of course, I remember the one and only record album I bought during my brief stay there.

Where ever I travel, in addition to photographing, I search for new music; it is a given. Not only do I discover exciting music but it is my souvenir of where I was. I don't buy T-shirts or other paraphernalia (well, I may as presents to give to friends, um, except one I pinched from the restaurant). For me the music I buy is my memory marker for a particular trip.

On this occasion in Rome, an album called Salomé, by Mina (born Anna Maria Mazzini in 1940), . . .


 . . . caught my eye.



How could you pass up a cover like this?
cover photo by Mauro Balletti
photo of Salomé front cover by Styrous®


Well, could you?

(click on any image to see larger size)

I turned it over . . .


back cover photo by Mauro Balletti
photo of Salomé back cover by Styrous®

. . . and discovered it was a gatefold album
photo of Salomé cover by Styrous®

As it was a used copy, I could open the album
 and found a 22" x 22" poster folded in the jacket cover.
poster photo by Mauro Balletti
photo of Salomé poster by Styrous®

I had no idea what the music sounded like; I understood no Italian (still don't) so the text gave me no clue. It was the cover that sold me. The imagery of Salomé, the Daughter of Herodias, and John the Baptist united in one individual was more than I could resist. 

I could not play the music until I got back to the US but I was not disappointed and have since bought other albums by Mina. Samples of music from Salomé can be heard at CD Universe.

I discovered Mina was a dominant figure in Italian pop music from the mid-1960's to the 1970's combining traditional Italian songs, swing and rock. The public labeled her the "Tiger of Cremona" and the "Queen of Screamers". Mina's act combined sex appeal with public smoking, dyed blond hair, and shaved eyebrows to create a "bad girl" image with a three-octave vocal range (Wikipedia). Shirley Bassey (remember Goldfinger?) covered Mina's ballad, "Grande Grande Grande".

Because of her pregnancy and affair with a married actor, Mina was banned from Italian radio and TV in 1963. She was also heavily censored by the Roman Catholic Church.

She stopped public appearances in 1978 but continues to release new albums on a yearly basis.

Amazing!


This is the cover of her latest album, 
Piccolino, released in 2011.
photographer unknown


Videos of Mina's music can be found on uTube.

So ends my tale of the album, Salomé, by Mina.

An aside: when I was researching info for this article I came across a link to Mina Salomé a section of the MTI Blog (Mineralogía Topográfica Ibérica) which is about Iberian Topographic mineralogy. The site has NOTHING to do with Mina and is not in English but, if you search around the different blog entries, you can find interesting and sometimes stunning photographs. Check it out, if you have time to spend and just want something beautiful and unexpected to see.


The entire collection is for sale. Interested? Contact Styrous®


Styrous® - July 16, 2012
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