August 30, 2021

20,000 vinyl LPs 304: John Phillips (John, the Wolf King of L.A.)

 ~          
vinyl LP back cover detail 
back cover photo by Tom Gundelfinger 
detail photo of cover by Styrous®


Today is the birthday of John Phillips, the leader of the vocal group The Mamas and the Papas, and one of the chief organizers of the 1967 Monterey Pop Festival. He was born on August 30, 1935, in Parris Island, South Carolina.       
       
He only had five studio albums with The Mamas and the Papas but those albums have some of the great pop songs of the era. When he went solo, he only produced two albums. The first one, John Phillips (John, the Wolf King of L.A.), was a knockout! It is on my The Viewfinder 'desert island' vinyl LP list (link below).        




It is mostly a quiet, laid back kind of album with songs that are wonderful. Some of the tunes have a country feel to them with a Pedal Steel Guitar played by Buddy Emmons and Red Rhodes helping that feeling along.        




As usual I have favorite songs; Topanga Canyon is at the top. To me Topanga Canyon is VERY much a California song with the gentle feeling of a sunny afternoon in LA. It is one of the laid back tunes but it has a bouncy, gentle beat with bass played by Joe Osborn and a beautiful back up chorus with Darlene Love, Fanita James and Jean King that make it a good song to listen to (lyrics link below).           
 
 
 
 
 
 
 

vinyl LP back cover detail 
back cover photos by Tom Gundelfinger 
detail photos by Styrous®



Mississippi a close second to Topanga. It is the most upbeat song on the album with an infectious beat that makes your feet move (lyrics link below).               





John Phillips grew up in Alexandria, Virginia. From 1942 to 1946, he attended Linton Hall Military School in Bristow, Virginia. According to his autobiography, he "hated the place," citing "inspections," and "beatings," and recalls that "nuns used to watch us take showers." He formed a musical group of teenage boys, who sang doo-wop songs. He traveled to New York to gain a record contract in the early 1960s. His first band, The Journeymen, was a folk trio, with Scott McKenzie and Dick Weissman. Phillips wrote San Francisco (Be Sure to Wear Flowers in Your Hair) in 1967 for former bandmate Scott McKenzie.       
 
He  was the primary songwriter and musical arranger of the Mamas and the Papas. Their hits were California Dreamin', Monday, Monday, I Saw Her Again, Creeque Alley, and 12:30 (Young Girls Are Coming to the Canyon).       
 
Phillips helped promote the Monterey International Pop Music Festival held June 16 to 18, 1967, in Monterey, California; he performed with the Mamas and the Papas, as part of the event as well. The festival was planned in just seven weeks, and was developed as a way to validate rock music as an art form in the way jazz and folk were regarded. It was the first major pop-rock music event in history. He also co-produced the film Monterey Pop (1968) with the group's producer Lou Adler.        

Phillips released his first solo album John, the Wolf King of L.A. in 1970 but it was not commercially successful, although Mississippi was a minor hit, and Phillips began to withdraw from the limelight as his use of narcotics increased.       

With Terry Melcher, Mike Love, and former Journeyman colleague Scott McKenzie, he co-wrote the number-one single for the Beach Boys, Kokomo.       

On March 18, 2001, Phillips died of heart failure in Los Angeles at the age of 65, days after completing recording sessions for a new album.       
 
On June 25, 2019, The New York Times Magazine listed John Phillips among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire (link  below).             





Tracklist:

Side 1:

A1 - April Anne - 3:21
A2 - Topanga Canyon - 3:52
A3 - Malibu People - 3:37
A4 - Someone's Sleeping - 2:41
A5 - Drum - 3:35

Side 2:

B1 - Captain - 3:20
B2 - Let It Bleed, Genevieve - 2:52
B3 - Down The Beach - 2:50
B4 - Mississippi - 3:36
B5 - Holland Tunnel - 3:25

Companies, etc.



Credits:

    Bass Guitar – Joe Osborn
    Design, Photography By – Tom Gundelfinger
    Dobro, Lead Guitar – James Burton
    Drums – Hal Blaine
    Engineer – Chuck Britz
    Engineer [Assitant] – Winston Wong
    Fiddle – Gordon Terry
    Guitar, Harmonica – David Cohen, Dr. Hord*, John Phillips
    Keyboards – Larry Knechtel
    Liner Notes – G.W.*
    Pedal Steel Guitar [Steel] – Buddy Emmons, Red Rhodes
    Producer – Lou Adler
    Vocals [Voices] – Darlene Love, Fanita James, Jean King
    Written-By – J. Phillips*

Notes:

 
 
Barcode and Other Identifiers

    Matrix / Runout (Hand etched): DS 50077 - A
    Matrix / Runout (Hand etched): DS 50077 - B
 
John Phillips – John Phillips
Label:  ABC/Dunhill Records – DS 50077, Warlok (2) – DS 50077
Format: Vinyl, LP, Album
Country: US
Released: 1970
Genre: Rock
Style: Pop Rock
 
   
         
Viewfinder links:        
         
2008 Universal fire              
Hal Blaine        
David Cohen               
Buddy Emmons       
Larry Knechtel         
Darlene Love          
The Mamas & the Papas         
Terry Melcher         
Joe Osborn    
John Phillips         
Red Rhodes        
Gordon Terry          
Dick Weissman       
        
Net links:        
        
The Guardian ~ King of the wild frontier        
NY Times ~ obit        
        
YouTube links:        
         
April Anne     
Captain              
Down The Beach           
Drum            
Holland Tunnel               
Let It Bleed, Genevieve        
Malibu People       
Mississippi            
Someone's Sleeping        
Topanga Canyon        
      
Complete album       

John Phillips ~    
     How The Mamas & the Papas were born!        
       
        
         
        
        
        
Styrous® ~  Monday, August 30, 2021       
       














James Burton articles/mentions


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James Burton     
date & photographer unknown     
     
      
     
           
      
     
 
 
 
 
 
 
 
 
 
 
 

Gordon Terry articles/mentions

 ~        
      
      
     
      
     
      
     
     
     
      
Gordon Terry     
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 

Red Rhodes articles/mentions

 ~        
      
     
     
      
     
      
     
     
     
      
date & photographer unknown
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 

Darlene Love articles/mentions

 ~         
      
     
     
     
     
      
     
     
     
     
     
      
     
     
     
      
date & photographer unknown
     
     
      
     
 
 
 
 
 
 
 
 
 
 

John Phillips (John, the Wolf King of L.A.) Lyrics

 ~ 
Topanga Canyon
 
Sometimes I drive out to Topanga
And I park my car in the sand
Watching and waiting for a pickup
From my man

And maybe down to Farmer's Market
Those people, they're working in the sun
Buy and sell it for a profit
To anyone

Oh Mary, I'm in the deep waters
And it's way, way over my head
Everyone thought I was smarter
Than to be this dead

You've heard of trainwrecks in the mountains
Sometimes there's shipwrecks on the sea
Mary, you must always be careful
Can't you see?

Oh Mary, I'm in the deep waters
And it's way over my head
Everyone thought I was smarter
Than to be this dead

Someone's sick in San Fransisco
Some are down in New Orleans
Others are kept in Camarillo
Picking beans

Oh Mary, I'm in deep waters
And it's way over my head
Everyone thought I was smarter
Than to be misled



Mississippi

Hit it, Hal

Early in the mornin', she hitched a ride down to Louisville
Holdin' onto a hundred dollar bill
Dressed herself like a Cajun Queen in New Orleans, baby
Yeah, she looked good, like a lady

Do it to me, James

And the Mississippi River runs like molasses in the summertime
And me, you know, I don't hardly mind

Sippin' on a beer in Bourbon Street and I'm sittin' easy
Don't get me wrong, it takes a lot to please me

Have a seat and take a load off your feet and she said, yes
So I said, I like your dress
Swamps all around make ya feel kinda funny, don't they, honey?
She crossed her legs and looked at me funny

Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?

Joseph
Early in the mornin', she hitched a ride down to Louisville
Holdin' onto a hundred dollar bill
Dressed herself like a Cajun Queen in New Orleans, baby
Yeah, she looked good, like a lady

And the Mississippi River, it runs like molasses in the summertime
And me, you know, I don't hardly mind

Sippin' on a beer in Bourbon Street and I'm sittin' easy
Don't get me wrong, it takes a lot to please me

Everybody sing

Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?

Have a seat and take a load off your feet and she said, yes
So I said, I like your dress
Swamps all around make ya feel kinda funny, don't they, honey?
She crossed her legs and looked at me funny

Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?
Down on the bayou, why, you never know just what you're doin'?

Music & Lyrics written by John Phillips   


Viewfinder link:     
     
    
     
     
     
Styrous® ~ Monday, August 30, 2021    
    





 
 
 
 

Dick Weissman articles/mentions

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mentions:      
        
     
     
     
      
photographer unknown
     

     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 

Terry Melcher articles/mentions

 ~        
      
     
      
mentions:      
     
      
     
     
     
    
     
     
      
photo by Guy Webster
     
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 

August 29, 2021

Beemer Memory 35 ~ Carol Doda, the Condor Club & a hungry i

~    
Carol Doda - 1965
photographer unknown


Today is the birthday of one of the greatest legends of San Francisco, Carol Doda who made international news, in 1964, first by dancing topless at the Condor Club, then by enhancing her bust from size 34 to 44 through silicone injections. Her breasts became known as Doda's "twin 44s" and "the new Twin Peaks of San Francisco". According to the NY Times, her bust was said to have been insured for $1.5 million.        
 
 
Carol Doda & her "twin 44s"
 photo: Jack Smith/NY Daily News
 
 
Capitalizing on her silicone injected breasts, she appeared in the 1968 film, Head, a satirical musical adventure film written and produced by Jack Nicholson (the actor) and Bob Rafelson, starring the television rock group the Monkees (Davy Jones, Peter Tork, Micky Dolenz and Michael Nesmith). She appeared as Sally Silicone. How appropriates is that?                  
 
Early in my motorcycle days I danced with Pillow at the hungry i on Broadway in the North Beach neighborhood of San Francisco for two years and they were the most intense and gratifying years of my life in so many ways.      
 
One of them was we (Pillow & I) were friends with Carol Doda who was a terrific person, kind and generous to everyone but ready to set anyone right if they crossed her and a great sense of humor. I remember between our sets (we performed 7 sets each night) walking up the block from the "i" to the Condor to watch her in her performance and a couple of times having enough time between sets, hers and ours, to visit; boy did SHE have stories to tell.   

In addition to her sizable bust line, she was famous for her various trials and a death involving of one of the girls at the Condor Club (link below).             
 
On April 22, 1965 Doda was arrested along with Pete Mattioli and Gino del Prete, owners of the Condor Club. They were cleared when two judges instructed not-guilty verdicts. Judge Friedman's memorandum to opposing attorneys reads, "Whether acts ... are lewd and dissolute depends not on any individual's interpretation or personal opinion, but on the consensus of the entire community ...".     
 
 

Carol Doda - 1965
 photographer unknown 

      
Both Doda and del Prete were arrested several times during police raids of the Condor to stop "bare-bosom" shows in North Beach.            

In 1969, over the objection of the deputy district attorney, Carol Doda danced naked during a Sacramento indecency trial over “bottomless” dancing at the Pink Pussy Kat in Orangevale, California. The judge moved the venue from the courtroom to the Chuck Landis Largo club; there Doda performed to live song and dance numbers, along with a movie titled Guru You. The trial at the Northern California beer bar exploded into national headlines after Judge Earl Warren Jr. decided that the jury needed to see the dancer "Do the Dance."         
          
A feature-length documentary film, "Do the Dance" explores the wild and impactful 1969 indecency trial to tell a broader story about the limits of sexual expression 50 years later. The film is slated for a 2019 release.     

Chris Macias, art critic:  
"During the freewheeling Summer of Love, one bottomless dancer [Doda] went to the top of the witness stand in a trial that tested the limits of free expression. 50 years later, in the midst of celebrity nude selfies and a burlesque revival, this unforgettable court case continues to shape our culture of sexual expression." 
A song written by Growwler in tribute to San Francisco dancer Carol Doda was recorded at the Great American Music Hall with the Red Beans & Rice horns on March 12, 2015 (link below); they've done better.    
 
There is a 14 minute video of an interview of Doda and the Topless Band on YouTube (link bleow); there is no audio at the first minute and a half, so, be patient.       
    
Doda was a San Francisco native, born in Solano County on August 29, 1937. According to performer Joe Wawrzyniak, at the age of 14, Doda dropped out of school and began working as a cocktail waitress. While she was attending school at the San Francisco Art Institute she began working as a waitress and entertainer at the Condor Club in North Beach to pay her bills.        

In the summer of 1964, Doda began her performance career with her first topless show, and remained an “American cultural sex icon of the 1960s,” according to Wawrzyniak. At the peak of her career, Doda was performing 12 shows each night at the Condor Club, and began performing nude until the early 1970s when the city passed a law prohibiting nude performances in venues that served alcohol.    
 
On November 9, 2015, Doda died from lung and kidney failure complications at St. Luke's Hospital (now the California Pacific Medical Center) in San Francisco, California. Doda said she was never married.     
    
    
    
Viewfinder links:    
    
Carol Doda (interview)
Hungry i articles        
The Monkees      
The Monkees ~ Head & Davy Jones 
Jack Nicholson       
Styrous®   
    
Net links:     
    
Do the Dance     
SFiST ~ Do the Dance    
SF News ~ Legendary Stripper Carol Doda Dies At 78    
    
YouTube links:     
     
AP Archives ~ Topless band & Doda interviewed        
Do the Dance movie trailer         
Carol Doda ~              
         Carol Doda ~ Do the Dance (interview)         
         All of Me     
    
"The only way I'll stop performing 
is when I can't walk anymore, honey." 
                ~ Carol Doda  
    
    
    
Styrous® ~ Sunday, August 29, 2021