Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

August 27, 2021

Tracey Snelling ~ Mäusebunker & Hygieneinstitut

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Mäusebunker - 2021 
mixed media sculpture with video
sculpture by Tracey Snelling
photo by Peter Rosemann
 
      
Today, Jingletown artist, Tracey Snelling, will be showing her work in an exhibition that opens in the Venice Biennale in Italy and she will be there in person both for today's opening and Biennale Days.    
     
     
Exhibition: 27th of August – 24th of September 2021
      
Location: 

IUAV di Venezia - Cotonificio Veneziano 

Sala Espositivo Gino Valle Dorsoduro 2196 30123 Venezia


Opening hours: Monday – Friday 9 – 19 h

Opening: 27th of August 2021 17:30 h


     
     
Viewfinder links:       
         
Jingletown Art       
Tracey Snelling        
     
Net links:       
         
bdagalerieberlin          
Blog BDA Berlin        
     
YouTube links:      
        
Bund Deutscher Architektinnen und Architekten BDA         
         
         
         
        
        


 
         
         
         
        
        
Styrous® ~ Tuesday, August 27, 2021        














December 21, 2020

Tracey Snelling ~ Lost Year Motel: 2020 & COVID-19

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Lost Year Motel - 2020 
Wood, plaster, paint, metal, lights, fabric, lcd screens, 
media players, electroluminescent wire, water, speakers, transformer. 
24 x 50 x 24 in.
photo by Tracey Snelling
      
   
Our hometown gal and Jingletown based resident, Tracey Snelling has done it again! She won the New York based Foundwork Artist Prize, an annual juried award to recognize outstanding practice by contemporary artists. As honoree, she will receive an unrestricted USD 10,000 grant and studio visits with each of the distinguished curators, gallerists, and artists on Foundwork’s 2020 jury.    

Although it's never stated, I've no doubt Lost Year Motel references the horrid pandemic that has destroyed so many lives this year and revealed the inadequacies of our government, COVID-19!     

The jury for the 2020 Foundwork Artist Prize included esteemed curators, gallerists, and artists based in Berlin, Omaha, Los Angeles, Tulsa, and Mexico City: 
Rachel Adams, Chief Curator and Director of Programs, Bemis Center for Contemporary Arts 

Anat Ebgi, Owner and Director, Anat Ebgi Gallery 

Natasha Ginwala, Artistic Director, 13th Gwangju Biennale; Associate Curator, Gropius Bau 

Kalup Linzy, performance and video artist 

Humberto Moro Deputy Director and Senior Curator, El Museo Tamayo; Adjunct Curator, SCAD Museum of Art 

Michael Ruiz, Founder and Managing Director, Future Gallery  
Foundwork was established by Adam Yokell, a former Brooklyn gallerist, after experiencing the limitations that artists and exhibitors face trying to find and connect with one another. Foundwork currently features artists in more than thirty countries, including self-taught artists together with those from academic studio backgrounds.  
     
Foundwork hosts programs including their Guest Curators program, ‘Dialogues’ interview series and the Foundwork Artist Prize.     
     
Her work Lost Year Motel was presented for the first time in Verona, Italy, in the spaces of the Studio la Città on the occasion of the exhibition La Musée 2, which ended on 21 November 2020.     
     
Foundwork statement:    
“We’re thrilled to honor Tracey Snelling, whose practice has the capacity to connect with many communities around the world, and speaks about the turbulence of urban anxiety and the extenuating living conditions experimented by many,” says juror Humberto Moro. “In the midst of an art world which is increasingly sanitized, it’s fundamental to highlight the practices—like Snelling’s—that deal with these subjects from a generous and empathic point of view.”

“Tracey makes us reconsider the relationship between identity and place—the way we so often project narratives onto one another based on the environments we’re used to,” says Adam Yokell, Foundwork’s Director. “We’re thrilled to help propel her socially resonant work during these polarized times.”     
      
      
Viewfinder link:       
        
Tracey Snelling        
     
Net links:       
         
Berlin Art Link ~ Tracey Snelling Awarded 2020 Foundwork Art Prize        
Contemporary Art Daily ~ Tracey Snelling Awarded Foundwork Artist Prize   
Foundwork     
Foundwork Artist Prize        
Studio La Città ~ Tracey Snelling – Foundwork Artist Prize 2020    
Tracey Snelling website        
     
YouTube links:      
        
Tracey Snelling links        
         
        
         
         
        
        
Way to go, Tracey!
        
         
        
Styrous® ~ Winter Solstice, Monday, December 21, 2020        
        















July 16, 2012

20,000 vinyl LPs 3: Mina - Salomé

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I started the Vinyl LP series because I have over 20,000 albums I am selling; each blog entry is about an album from my collection. Inquire for more information.

I remember my first trip to Italy in July of 1997. I had been in Barcelona for a while, when close friends rented an apartment in Rome and invited us to spend a long weekend. Since it was a quick, inexpensive flight we went.

I don't remember the street the beautiful, three-level apartment was on but it was in a fantastic location a couple of blocks from the Roman Forum. It was at the top of a building built in the 18th century with furniture also from that period. The bed was a disaster, however; the springs were like a steel hammock so we had to take the mattress from the bed and put it on the floor at night to sleep in comfort. But the apartment had an incredible 360° view from the roof which I could get to from the terrazza. It was right out of a movie set and it was spectacular!

I have so many wonderful memories of that trip: the sound of the bells of the churches (there were five) surrounding the apartment joining with sounds of church bells in areas further away echoing our near-by bells. Each bell unique-sounding in its own right so that a beautiful symphonic tintinnabulation was performed every hour on the hour.

I remember the incredible heat during the day (I almost fainted in the Forum); the lovely warm evenings and delicious dinners; a mid-afternoon lunch with the most incredible pizza I've EVER tasted (porcini mushrooms, onions, delicate spices and olive oil on a very thin, cracker-like crust, no tomato sauce) at Ristorante Al Gladiatore across from the Colosseum.

And, of course, I remember the one and only record album I bought during my brief stay there.

Where ever I travel, in addition to photographing, I search for new music; it is a given. Not only do I discover exciting music but it is my souvenir of where I was. I don't buy T-shirts or other paraphernalia (well, I may as presents to give to friends, um, except one I pinched from the restaurant). For me the music I buy is my memory marker for a particular trip.

On this occasion in Rome, an album called Salomé, by Mina (born Anna Maria Mazzini in 1940), . . .


 . . . caught my eye.



How could you pass up a cover like this?
cover photo by Mauro Balletti
photo of Salomé front cover by Styrous®


Well, could you?

(click on any image to see larger size)

I turned it over . . .


back cover photo by Mauro Balletti
photo of Salomé back cover by Styrous®

. . . and discovered it was a gatefold album
photo of Salomé cover by Styrous®

As it was a used copy, I could open the album
 and found a 22" x 22" poster folded in the jacket cover.
poster photo by Mauro Balletti
photo of Salomé poster by Styrous®

I had no idea what the music sounded like; I understood no Italian (still don't) so the text gave me no clue. It was the cover that sold me. The imagery of Salomé, the Daughter of Herodias, and John the Baptist united in one individual was more than I could resist. 

I could not play the music until I got back to the US but I was not disappointed and have since bought other albums by Mina. Samples of music from Salomé can be heard at CD Universe.

I discovered Mina was a dominant figure in Italian pop music from the mid-1960's to the 1970's combining traditional Italian songs, swing and rock. The public labeled her the "Tiger of Cremona" and the "Queen of Screamers". Mina's act combined sex appeal with public smoking, dyed blond hair, and shaved eyebrows to create a "bad girl" image with a three-octave vocal range (Wikipedia). Shirley Bassey (remember Goldfinger?) covered Mina's ballad, "Grande Grande Grande".

Because of her pregnancy and affair with a married actor, Mina was banned from Italian radio and TV in 1963. She was also heavily censored by the Roman Catholic Church.

She stopped public appearances in 1978 but continues to release new albums on a yearly basis.

Amazing!


This is the cover of her latest album, 
Piccolino, released in 2011.
photographer unknown


Videos of Mina's music can be found on uTube.

So ends my tale of the album, Salomé, by Mina.

An aside: when I was researching info for this article I came across a link to Mina Salomé a section of the MTI Blog (Mineralogía Topográfica Ibérica) which is about Iberian Topographic mineralogy. The site has NOTHING to do with Mina and is not in English but, if you search around the different blog entries, you can find interesting and sometimes stunning photographs. Check it out, if you have time to spend and just want something beautiful and unexpected to see.


The entire collection is for sale. Interested? Contact Styrous®


Styrous® - July 16, 2012
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