Showing posts with label Robert Frank. Show all posts
Showing posts with label Robert Frank. Show all posts

June 9, 2021

SFMOMA articles/mentions

   ~            
Robert Frank ~ The Americans        
Nam June Paik     
Nam June Paik & Erina Alejo     
The Styrous Viewfinder at 5           
     
     
     
     
     
     
     
     
     
     
     
SFMOMA   
photo by Henrik Kam 
      
     
     
      
     
        
        
        
        














May 12, 2021

20,000 vinyl LPs 290: The Rolling Stones ~ Exile on Main St.

~       
vinyl LP gatefold interior 
photos by Robert Frank
photo of album interior by Styrous® 


On May 12th in 1972, the Rolling Stones released their album, Exile on Main St. It was the band's tenth studio album released in the United Kingdom, as well as their twelfth American album.      
 
 
vinyl LP front cover
photos by Robert Frank
photo of album interior by Styrous® 
 
 
Recording for the album began in 1969 in England during sessions for Sticky Fingers (link below) and continued in the summer of 1971 at a rented villa in the South of France named Nellcôte.       
 
 
Rolling Stones, Gram Parsons & Anita Pallenberg 
Villa Nellcote, France, 1971
 photo by Dominique Tarle
 

A collage of various images, the album's artwork, according to frontman Mick Jagger, reflects the Stones as "runaway outlaws using the blues as its weapon against the world", showcasing "feeling of joyful isolation, grinning in the face of a scary and unknown future"; forty-nine years later the future is even more scary and unknown.      
     

vinyl LP back cover
photos by Robert Frank
photo of album interior by Styrous® 

 
The photographs used on the album were by Swiss-American photographer and documentary filmmaker, Robert Frank. His most notable work, the 1958 book titled The Americans (link below), earned Frank cudos for his fresh and nuanced outsider's view of American society.      
 
 
 
vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 
 
 
Richards' substance abuse frequently prevented him from attending the sessions that continued in his basement, while Jagger and Wyman were often unable to attend sessions for other reasons. This often left the band in the position of having to record in altered forms. A notable instance was the recording of one of Richards' most famous songs, Happy. Recorded in the basement, Richards said in 1982, "'Happy' was something I did because I was for one time early for a session. There was Bobby Keys and Jimmy Miller. We had nothing to do and had suddenly picked up the guitar and played this riff. So we cut it and it's the record, it's the same. We cut the original track with a baritone sax, a guitar and Jimmy Miller on drums. And the rest of it is built up over that track. It was just an afternoon jam that everybody said, 'Wow, yeah, work on it'."   
 
  
  
vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 


Working with a mobile recording studio, the loose and unorganised sessions went on for hours into the night, with personnel varying greatly from day to day. The recording was completed with overdub sessions at Sunset Sound in Los Angeles and included additional musicians such as pianist Nicky Hopkins, saxophonist Bobby Keys, drummer Jimmy Miller and horn player Jim Price. The resulting music was rooted in blues, rock and roll, swing, country and gospel, while the lyrics explored themes related to hedonism, sex and time. These newly recorded tracks were combined with some tracks recorded at earlier sessions from 1969–1971, resulting in the Stones' first double album.     


vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 


The album was originally met with mixed reviews before a positive critical reassessment during the 1970s. It has since been viewed by many critics as the Rolling Stones' best work and a culmination of a string of the band's highly critically successful albums, following the releases of Beggars Banquet (1968) (link below), Let It Bleed (1969) and Sticky Fingers (1971) (link below). Rolling Stone has ranked Exile on Main St. number 7 on its list of the 500 Greatest Albums of All Time in 2003 and 2012, and dropping to number 14 in the 2020 edition, the highest Rolling Stones album ranked on the list. In 2012, the album was inducted into the Grammy Hall of Fame, the band's fourth album to be inducted.
        

vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 

A set of postcards came with the album (link below
 
 

 
       
   
Tracklist:

Side 1:

A1 - Rocks Off, written by Jagger-Richard* - 4:33

A2 - Rip This Joint
Double Bass [Uprite Bass] – Bill Plummer
Written by Jagger-Richard* - 2:24

A3 - Shake Your Hips
Harmonica – M. Jagger*
Piano – I. Stewart*
Written by James Moore A.K.A. Slim Harpo* - 2:58

A4 - Casino Boogie
Bass – K. Richards*
Written by Jagger-Richard* - 3:30

A5 - Tumbling Dice
Backing Vocals [Background Vocal] – Clydie King, Friend*, Vanetta*
Bass – M. Taylor*
Guitar – M. Jagge*

Side 2:
 
B1 - Sweet Virginia
Harmonica – M. Jagger*
Piano – I. Stewart*
Written by Jagger-Richard* - 4:25

B2 - Torn And Frayed
Bass – M. Taylor*
Organ – J. Price*
Steel Guitar – Al Perkins
Written by Jagger-Richard* - 3:40

B3 - Sweet Black Angel
Blues Harp [Harp] – M. Jagger*
Marimba [Marimbas] – Amyl Nitrate
Percussion – J. Miller*
Written by Jagger-Richard* - 3:05

B4 - Loving Cup
Percussion – Jimmy Miller
Written by Jagger-Richard* - 4:22

Side 3:
 
C1 - Happy
Drums – J. Miller*
Lead Vocals, Bass – K. Richard*
Percussion – B. Keys*
Written by Jagger-Richard* - 3:00

C2 - Turd On The Run
Blues Harp [Harp] – M. J.*
Double Bass [Bass Uprite] – Bill Plummer
Written by Jagger-Richard* - 2:33

C3 - Ventilator Blues, written by Richard*, Jagger*, Taylor* - 3:20

C4 - I Just Want To See His Face
Backing Vocals [B. Vocals] – Clydie King, Jerry Kirkland, Vanetta*
Bass – B. Plummer*, M. Taylor*
Percussion – J. Miller*
Piano – K. Richards*
Written by Jagger-Richard* - 3:15

C5 - Let It Loose
Backing Vocals [B. Vocals] – Clydie King, Joe Green*, Mac Rebennack, Shirley Goodman, Tammi Lynn*, Vanetta*
Written by Jagger-Richard* - 5:17
 
Side 4:
 
D1 - All Down The Line
Backing Vocals [Backing Vocal] – Kathi McDonald
Double Bass [Standup Bass] – Bill Plummer
Percussion – J. Miller*
Written by Jagger-Richard* - 3:50

D2 - Stop Breaking Down
Arranged By – Wyman*, Watts*, Richard*, Jagger*, Taylor*
Guitar, Blues Harp [Ha
Written by Trad.* - 4:34

D3 - Shine A Light
Backing Vocals [Background Vocal] – Clydie King, Jerry Kirkland, Joe Green*, Vanetta*
Bass – M. Taylor*
Drums – J. Miller*
Organ, Piano – B. Preston*
Written by Jagger-Richard* - 4:15

D4 - Soul Survivor
Bass – K. Richards*
Written by Jagger-Richard* - 3:50

Companies, etc.

    Record Company – Musidor N.V.
    Record Company – Atlantic Recording Corporation
    Distributed By – Atlantic Recording Corporation
    Phonographic Copyright ℗ – Musidor N.V.
    Copyright © – Rolling Stones Records
    Recorded By – Rolling Stones Mobile
    Mixed At – Sunset Sound
    Lacquer Cut at – Artisan Sound Recorders
    Pressed By – PRC Recording Company, Richmond, IN
    Made By – Shorewood Packaging
    Published By – Promopub B.V.
    Published By – Excellorec
    Published By – ABKCO Music
    Published By – Promoright B.V.

Credits:

    Bass – B. Wyman*
    Design [Postcards] – J.V.H.*
    Drums – C. Watts*
    Engineer – Andy Johns, Glyn Johns, Jeremy Gee, Joe Zaganno*
    Guitar – M. Taylor*
    Guitar, Vocals – K. Richards*
    Layout, Design – John Van Hamersveld, Norman Seeff
    Liner Notes [Story Dialogue, Postcards] – Kendrew Lascelles
    Photography By [Cover], Design Concept [Cover] – Robert Frank (3)
    Photography By [Postcards], Directed By [Postcards] – Norman Seeff
    Piano – N. Hopkins*
    Producer – Jimmy Miller
    Saxophone [Sax] – B. Keys*
    Trumpet, Trombone – J. Price*
    Vocals – M. Jagger*

Notes:

PRC pressing variant nearly identical to Exile On Main St. (1297607), but with UNIPAK patent # 3,426,960 inside spine instead of "Patent Pending."

Another similar PRC pressing variant, with Atco distribution on Side A label, at Exile On Main St..

"RI" matrix suffix on labels and "PR" etched in runouts denotes PRC Recording Company, Richmond, IN, pressing. Single 70mm pressing ring.

Issued in Unipak gatefold jacket with single compartment for both records, and heavy-stock printed inner sleeves with credits and photographs, and an insert of 12 perforated postcards.

Label rimtext:
Side A:
Dist. by Atlantic Recording Corporation, 1841 Broadway, New York, New York 10023
Sides B, C, D, in small-sized text:
Rolling Stones Records, TM Musidor N.V., Dist. by Atlantic Recording Corp., 1841 Bway., N.Y., N.Y.

Label "Stereo" and side indicator type face is serif text.

On labels:
P 1972
MUSIDOR N.V.

On jacket back:
Rolling Stones Records TM Musidor N.V. Distributed by Atlantic Recording Corporation 1841 Broadway, New York, New York 10023 ℗ 1972 Musidor N.V. Printed in U.S.A.
Unipak U.S. Patent No. 3,426,960

On jacket inner spine:
UNIPAK U.S. Patent No. 3,426,960 Printed in U.S.A.

On inner sleeves:
Shorepak-U.S. Patent No. 3,301,467
Rolling Stones Records TM Musidor N.V. Distributed by Atlantic Recording Corporation 1841 Broadway, New York, New York 10023 ℗ 1972 Musidor N.V. Printed in U.S.A.

Inner sleeve title variations:
A3 as "Hip Shake"
B2 as "Torn & Frayed"
B3 as "Black Angel"
C4 as "Just Wanna See His Face"

Title on jacket front, labels: "Exile On Main St"
Title on spine: Exile On Main Street
Artist on jacket front, labels: "Rolling Stones"
Artist on spine: The Rolling Stones

First cat. # on jacket, inner sleeves
Second cat. # on labels

Recorded with Rolling Stones Mobile Unit.
Mix at Sunset Sound, Hollywood.

All tracks (Promopub B.V., ASCAP)
except A3 (Excellorec, BMI)
B1, B4, D1 to D3 (Abkco Music, BMI)
C3 (Promopub B.V.-Promoright B.V., ASCAP)

Postcards:
© Rolling Stones Records printed in U.S.A.

Special thanks to Ian Stewart: Everyone at Nellcote, Villefrenche for help in recording, feeding etc.
Rolling Stones available only on Rolling Stones records.
 
Barcode and Other Identifiers

    Matrix / Runout (Side A label): ST-RS-722507RI
    Matrix / Runout (Side B label): ST-RS-722508RI
    Matrix / Runout (Side C label): ST-RS-722509RI
    Matrix / Runout (Side D label): ST-RS-722510RI
    Matrix / Runout (Side A runout, variant 1): ST-RS-722507-DDD-1 ROLLING STONES RECORDS PR D [Artisan logo]
    Matrix / Runout (Side B runout, variant 1): ST-RS-722508BBB-1-111 ROLLING STONES RECORDS D PR [Artisan logo]
    Matrix / Runout (Side C runout, variant 1): ST-RS-722509- BBB-1-1-11111 ROLLING STONES RECORDS PR D [Artisan logo]
    Matrix / Runout (Side D runout, variant 1): ST-RS-722510 DDD-1 ROLLING STONES RECORDS [Artisan logo] PR D A
    Matrix / Runout (Side A runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORD ST-RS-722507-CCC﹢﹢-1-11 PR [Artisan logo]
    Matrix / Runout (Side B runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722508 DDD﹢-1-1 PR [Artisan logo]
    Matrix / Runout (Side C runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722509-BBB﹢1-111 PR [Artisan logo]
    Matrix / Runout (Side D runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722510 FFF-11 PR [Artisan logo] B
    Matrix / Runout (Side A runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722507-BBB--1-11 PR D [Artisan logo]
    Matrix / Runout (Side B runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722508 BBB-1-1111 PR [Artisan logo]
    Matrix / Runout (Side C runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722509 CCC-1-111 PR D [Artisan logo]
    Matrix / Runout (Side D runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722510 DDD-1-11 [Artisan logo] PR D
    Pressing Plant ID (On labels): RI
    Other (Unipak patent #, jacket): 3,426,960
    Other (Shorepak patent #, inner sleeves): 3,301,467
    Rights Society (A1, A2, A4, A5, B2, B3, C1 to C5, D4): ASCAP
    Rights Society (A3, B1, B4, D1 to D3): BMI
 
 Rolling Stones* – Exile On Main St
Label: Rolling Stones Records – COC-2-2900, Rolling Stones Records – COC 2-2900
Format: 2 x Vinyl, LP, Album, Stereo, RI - PRC Pressing, Unipak
Country: US
Released: May 22, 1972
Genre: Rock
Style: Blues Rock, Classic Rock
 
  
         
Viewfinder links:        
         
Beggar's Banquet (vinyl LP)          
Beggar's Banquet (R 2 R tape)          
Robert Frank                
Robert Frank ~ The Americans      
Nicky Hopkins           
Jimmy Miller        
Keith Richards        
Sticky Fingers         
Charlie Watts       
Ronnie Wood    
        
Net links:        
         
RPM Life In Analog ~ Still a nice buzz: Strolling Down Exile On Main St.       
        
YouTube links:        
         
The Rolling Stones ~ Exile on Main St. in track order      
Rocks Off         
Rip This Joint         
Shake Your Hips       
Casino Boogie       
Tumbling Dice      
Sweet Virginia      
Torn And Frayed       
Sweet Black Angel        
Loving Cup         
Happy                 
Turd On The Run           
Ventilator Blues                    
Let It Loose         
All Down The Line          
Stop Breaking Down           
Shine A Light       
Soul Survivor         
        
        
         
        
        
        
Styrous® ~ Sunday, July 19, 2020       
       
















 

Exile on Main St. postcards

 ~   
As the Rolling Stones finished Exile on Main St. in Los Angeles, they approached designer John Van Hamersveld and his photographer partner Norman Seeff, and also invited documentary photographer Robert Frank. The same day Seeff photographed the Stones at their Bel Air mansion, Frank took Jagger for photographs at Los Angeles' Main Street. The location was the 500 block near the Leonide Hotel. At the time there was a pawnshop, a shoeshine business and a pornographic theatre (The Galway Theatre) at the location. Still, Van Hamersveld and Jagger chose the cover image from an already existing Frank photograph, an outtake from his seminal 1958 book The Americans. Named "Tattoo Parlor" but possibly taken from Hubert's Dime museum in New York City, the image is a collage of circus performers and freaks, such as "Three Ball Charlie", a 1930s sideshow performer from Humboldt, Nebraska who holds three balls (a tennis ball, a golf ball, and a "5" billiard ball) in his mouth; Joe "The Human Corkscrew" Allen, pictured in a postcard-style advertisement, a contortionist with the ability to wiggle and twist through a 13.5-inch (34 cm) hoop; and Hezekiah Trambles, "The Congo Jungle Freak", a man who dressed as an African savage, in a picture taken by the then recently deceased Diane Arbus. The Seeff pictures were repurposed as 12 perforated postcards inside the sleeve, while Frank's Main Street photographs were used in the gatefold and back cover collage made by Van Hamersveld, which features other pictures Frank took of the band and their crew—including their assistant Chris O'Dell, a former acquaintance of Van Hamersveld who brought him to the Stones and other The Americans outtakes.           










      
       
      
       
      
      
     
      
     
Viewfinder links:
     
     
Net link:
     
Turchese Art ~ The Rolling Stones, Exile on Main St., Pt I”         
     
     
     
     
     
     
Styrous® ~ Wednesday, May 14, 2021   















February 18, 2018

Robert Frank articles/mentions

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John Barry ~ King Kong & Jessica Lange      
       

    
     
      
    
    
Robert Frank - July 17, 1975     
photo by Richard Avedon   
    
    
     

    
    
     



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June 18, 2017

Photographers on the Viewfinder

~        
 photo by Styrous® 
Jeffrey Abrahams      
Ansel Adams
Jules Alexander      
Ted Allan      
Richard Avedon        
Sid Avery     
Al Aumuller        
Jo Babcock
George Charles Beresford   
Bruno Bernard (aka Bernard of Hollywood)  
Christoph Braun      
Joel Brodsky        
Étienne Carjat       
Lon Clark, Jr.        
Ari Seth Cohen       
Bruce Conner             
Niall David          
Larry Davidson   
Loomis Dean     
Tony Deifell
Robert Doisneau     
Robert Frank 
Robert Freeman  
Lee Friedlander       
Carol Friedman        
Leo Friedman       
H. R. Giger    
J. M. Golding      
Lisa Toby Goodman       
Marsha Guggenheim       
Najib Joe Hakim    
Michael Halsband          
Robert "Bob" Hartman       
Matt Herron           
Carol Highsmith       
Phillip Hofstetter             
Eikoh Hosoe                            
George Hurrell         
Judi Iranyi       
Robert John       
Pearl Jones-Tranter          
Nadav Kander                  
Yousuf Karsh            
Annie Leibovitz    
Charles J. Mack        
Sheila Rock       
Charlie Rotkin         
Jenny Sampson           
Richelle Semenza         
Matthew Shallenberger 
Howard Sooley         
Pete Souza        
Phil Stern                          
Jim Stewart       
Carl Van Vechten           
Ken Van Sickle
Bert Verhoeff         
Michelle Vignes   
Allan Warren       
Jan Watten      
Gene Weber         
Heinz Weissenstein     
Jon Wessel   
Thomas Whiteside        
Stephanie Williamson     
Bob Willoughby       
Karyn Yandow       
Tamotsu Yato        
William S. (Simrell) Young       
         
           
         
        
            
              







June 4, 2014

The Styrous Viewfinder at 5





Today is the fifth anniversary of the Viewfinder. When I started this blog I never dreamed I'd be at it all these many years.

I used to write a monthly newsletter for the San Francisco Fashion Forum in the '90's called the Fashion Forum News which covered things fashion and art related; so, this blog is, I suppose, an online extension of it separated by twenty years or so. 

It's been a long journey since my first entry in The Viewfinder, Robert Frank at SFMOMA, on June 4th, 2009, exactly five years ago today. I had no intention of going to many of the places I have in the blog;  they just seemed appropriate at the moment. And that's been my modus operandi; writing about what interests me at the moment. However, none of the blog entries have been written 'spur of the moment'. Each and every one has been carefully thought out and researched; each has links to more info if one is interested in knowing more. I've throughly enjoyed the researching as I have learned an enormous amount of 'stuff' in the process; some of it useful, some of it not, all of it interesting.

When I started the Viewfinder, its focus was to be about photography with some art thrown in. Then music and fashion entered; things Ive been involved with professionally. It has kind of branched out from there and one might even say it's gotten out of hand. Well, that's the way it's developed and there's nothing to do about it now except enjoy it for what it's worth. 

The Viewfinder has also turned out to be tiny glimpses of my life. I didn't intend that either, it just kind of happened; my life was a part of the subject written about. These glimpses are sporadic, not in any kind of order and definitely NOT chronological. It reminds me of the journeys/adventures of the character, Billy Pilgrim, in the Kurt Vonnegut novel, Slaughterhouse-Five. It randomly bounces around from one time/place/event to another.

I don't have any children (at least none I am aware of) to pass along stories of the crazy and the not-so-crazy times or the people and events in my life; so, this is it. They say before you die your life flashes before you in an instant. Well, I've had the fantastic luxury of the flashing happening for five years so far and I love it. I've remembered some of those people, places and events; sparkling and beautiful gems that have brightened my life as I've traveled down its road. Writing about them has brought them back to life and they now live on through this blog.


I can hardly wait to see what the next five years will bring as I am having the time of my life on my very own Magical Mystery Tour.

Come, join me on the journey.


June, 1946
photo by Angel Morales



Styrous© ~ Wednesday, June 4th, 2014 


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July 4, 2009

Robert Frank, Georgia O'Keeffe & Ansel Adams

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This is an update to the article I posted in June, Robert Frank: The Americans.
Along with the Robert Frank exhibition, the San Francisco Museum of Modern Art SFMOMA is showing, Natural Affinities: Georgia O'Keeffe and Ansel Adams.

quietAction has done a brief comparison on the show with a couple of good photographs.

Both exhibitions will run until August 23, 2009.


Styrous© - July 4, 2009
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