Showing posts with label Nicky Hopkins. Show all posts
Showing posts with label Nicky Hopkins. Show all posts

May 12, 2021

20,000 vinyl LPs 290: The Rolling Stones ~ Exile on Main St.

~       
vinyl LP gatefold interior 
photos by Robert Frank
photo of album interior by Styrous® 


On May 12th in 1972, the Rolling Stones released their album, Exile on Main St. It was the band's tenth studio album released in the United Kingdom, as well as their twelfth American album.      
 
 
vinyl LP front cover
photos by Robert Frank
photo of album interior by Styrous® 
 
 
Recording for the album began in 1969 in England during sessions for Sticky Fingers (link below) and continued in the summer of 1971 at a rented villa in the South of France named Nellcôte.       
 
 
Rolling Stones, Gram Parsons & Anita Pallenberg 
Villa Nellcote, France, 1971
 photo by Dominique Tarle
 

A collage of various images, the album's artwork, according to frontman Mick Jagger, reflects the Stones as "runaway outlaws using the blues as its weapon against the world", showcasing "feeling of joyful isolation, grinning in the face of a scary and unknown future"; forty-nine years later the future is even more scary and unknown.      
     

vinyl LP back cover
photos by Robert Frank
photo of album interior by Styrous® 

 
The photographs used on the album were by Swiss-American photographer and documentary filmmaker, Robert Frank. His most notable work, the 1958 book titled The Americans (link below), earned Frank cudos for his fresh and nuanced outsider's view of American society.      
 
 
 
vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 
 
 
Richards' substance abuse frequently prevented him from attending the sessions that continued in his basement, while Jagger and Wyman were often unable to attend sessions for other reasons. This often left the band in the position of having to record in altered forms. A notable instance was the recording of one of Richards' most famous songs, Happy. Recorded in the basement, Richards said in 1982, "'Happy' was something I did because I was for one time early for a session. There was Bobby Keys and Jimmy Miller. We had nothing to do and had suddenly picked up the guitar and played this riff. So we cut it and it's the record, it's the same. We cut the original track with a baritone sax, a guitar and Jimmy Miller on drums. And the rest of it is built up over that track. It was just an afternoon jam that everybody said, 'Wow, yeah, work on it'."   
 
  
  
vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 


Working with a mobile recording studio, the loose and unorganised sessions went on for hours into the night, with personnel varying greatly from day to day. The recording was completed with overdub sessions at Sunset Sound in Los Angeles and included additional musicians such as pianist Nicky Hopkins, saxophonist Bobby Keys, drummer Jimmy Miller and horn player Jim Price. The resulting music was rooted in blues, rock and roll, swing, country and gospel, while the lyrics explored themes related to hedonism, sex and time. These newly recorded tracks were combined with some tracks recorded at earlier sessions from 1969–1971, resulting in the Stones' first double album.     


vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 


The album was originally met with mixed reviews before a positive critical reassessment during the 1970s. It has since been viewed by many critics as the Rolling Stones' best work and a culmination of a string of the band's highly critically successful albums, following the releases of Beggars Banquet (1968) (link below), Let It Bleed (1969) and Sticky Fingers (1971) (link below). Rolling Stone has ranked Exile on Main St. number 7 on its list of the 500 Greatest Albums of All Time in 2003 and 2012, and dropping to number 14 in the 2020 edition, the highest Rolling Stones album ranked on the list. In 2012, the album was inducted into the Grammy Hall of Fame, the band's fourth album to be inducted.
        

vinyl LP record sleeve
photos by Robert Frank
photo of album interior by Styrous® 

A set of postcards came with the album (link below
 
 

 
       
   
Tracklist:

Side 1:

A1 - Rocks Off, written by Jagger-Richard* - 4:33

A2 - Rip This Joint
Double Bass [Uprite Bass] – Bill Plummer
Written by Jagger-Richard* - 2:24

A3 - Shake Your Hips
Harmonica – M. Jagger*
Piano – I. Stewart*
Written by James Moore A.K.A. Slim Harpo* - 2:58

A4 - Casino Boogie
Bass – K. Richards*
Written by Jagger-Richard* - 3:30

A5 - Tumbling Dice
Backing Vocals [Background Vocal] – Clydie King, Friend*, Vanetta*
Bass – M. Taylor*
Guitar – M. Jagge*

Side 2:
 
B1 - Sweet Virginia
Harmonica – M. Jagger*
Piano – I. Stewart*
Written by Jagger-Richard* - 4:25

B2 - Torn And Frayed
Bass – M. Taylor*
Organ – J. Price*
Steel Guitar – Al Perkins
Written by Jagger-Richard* - 3:40

B3 - Sweet Black Angel
Blues Harp [Harp] – M. Jagger*
Marimba [Marimbas] – Amyl Nitrate
Percussion – J. Miller*
Written by Jagger-Richard* - 3:05

B4 - Loving Cup
Percussion – Jimmy Miller
Written by Jagger-Richard* - 4:22

Side 3:
 
C1 - Happy
Drums – J. Miller*
Lead Vocals, Bass – K. Richard*
Percussion – B. Keys*
Written by Jagger-Richard* - 3:00

C2 - Turd On The Run
Blues Harp [Harp] – M. J.*
Double Bass [Bass Uprite] – Bill Plummer
Written by Jagger-Richard* - 2:33

C3 - Ventilator Blues, written by Richard*, Jagger*, Taylor* - 3:20

C4 - I Just Want To See His Face
Backing Vocals [B. Vocals] – Clydie King, Jerry Kirkland, Vanetta*
Bass – B. Plummer*, M. Taylor*
Percussion – J. Miller*
Piano – K. Richards*
Written by Jagger-Richard* - 3:15

C5 - Let It Loose
Backing Vocals [B. Vocals] – Clydie King, Joe Green*, Mac Rebennack, Shirley Goodman, Tammi Lynn*, Vanetta*
Written by Jagger-Richard* - 5:17
 
Side 4:
 
D1 - All Down The Line
Backing Vocals [Backing Vocal] – Kathi McDonald
Double Bass [Standup Bass] – Bill Plummer
Percussion – J. Miller*
Written by Jagger-Richard* - 3:50

D2 - Stop Breaking Down
Arranged By – Wyman*, Watts*, Richard*, Jagger*, Taylor*
Guitar, Blues Harp [Ha
Written by Trad.* - 4:34

D3 - Shine A Light
Backing Vocals [Background Vocal] – Clydie King, Jerry Kirkland, Joe Green*, Vanetta*
Bass – M. Taylor*
Drums – J. Miller*
Organ, Piano – B. Preston*
Written by Jagger-Richard* - 4:15

D4 - Soul Survivor
Bass – K. Richards*
Written by Jagger-Richard* - 3:50

Companies, etc.

    Record Company – Musidor N.V.
    Record Company – Atlantic Recording Corporation
    Distributed By – Atlantic Recording Corporation
    Phonographic Copyright ℗ – Musidor N.V.
    Copyright © – Rolling Stones Records
    Recorded By – Rolling Stones Mobile
    Mixed At – Sunset Sound
    Lacquer Cut at – Artisan Sound Recorders
    Pressed By – PRC Recording Company, Richmond, IN
    Made By – Shorewood Packaging
    Published By – Promopub B.V.
    Published By – Excellorec
    Published By – ABKCO Music
    Published By – Promoright B.V.

Credits:

    Bass – B. Wyman*
    Design [Postcards] – J.V.H.*
    Drums – C. Watts*
    Engineer – Andy Johns, Glyn Johns, Jeremy Gee, Joe Zaganno*
    Guitar – M. Taylor*
    Guitar, Vocals – K. Richards*
    Layout, Design – John Van Hamersveld, Norman Seeff
    Liner Notes [Story Dialogue, Postcards] – Kendrew Lascelles
    Photography By [Cover], Design Concept [Cover] – Robert Frank (3)
    Photography By [Postcards], Directed By [Postcards] – Norman Seeff
    Piano – N. Hopkins*
    Producer – Jimmy Miller
    Saxophone [Sax] – B. Keys*
    Trumpet, Trombone – J. Price*
    Vocals – M. Jagger*

Notes:

PRC pressing variant nearly identical to Exile On Main St. (1297607), but with UNIPAK patent # 3,426,960 inside spine instead of "Patent Pending."

Another similar PRC pressing variant, with Atco distribution on Side A label, at Exile On Main St..

"RI" matrix suffix on labels and "PR" etched in runouts denotes PRC Recording Company, Richmond, IN, pressing. Single 70mm pressing ring.

Issued in Unipak gatefold jacket with single compartment for both records, and heavy-stock printed inner sleeves with credits and photographs, and an insert of 12 perforated postcards.

Label rimtext:
Side A:
Dist. by Atlantic Recording Corporation, 1841 Broadway, New York, New York 10023
Sides B, C, D, in small-sized text:
Rolling Stones Records, TM Musidor N.V., Dist. by Atlantic Recording Corp., 1841 Bway., N.Y., N.Y.

Label "Stereo" and side indicator type face is serif text.

On labels:
P 1972
MUSIDOR N.V.

On jacket back:
Rolling Stones Records TM Musidor N.V. Distributed by Atlantic Recording Corporation 1841 Broadway, New York, New York 10023 ℗ 1972 Musidor N.V. Printed in U.S.A.
Unipak U.S. Patent No. 3,426,960

On jacket inner spine:
UNIPAK U.S. Patent No. 3,426,960 Printed in U.S.A.

On inner sleeves:
Shorepak-U.S. Patent No. 3,301,467
Rolling Stones Records TM Musidor N.V. Distributed by Atlantic Recording Corporation 1841 Broadway, New York, New York 10023 ℗ 1972 Musidor N.V. Printed in U.S.A.

Inner sleeve title variations:
A3 as "Hip Shake"
B2 as "Torn & Frayed"
B3 as "Black Angel"
C4 as "Just Wanna See His Face"

Title on jacket front, labels: "Exile On Main St"
Title on spine: Exile On Main Street
Artist on jacket front, labels: "Rolling Stones"
Artist on spine: The Rolling Stones

First cat. # on jacket, inner sleeves
Second cat. # on labels

Recorded with Rolling Stones Mobile Unit.
Mix at Sunset Sound, Hollywood.

All tracks (Promopub B.V., ASCAP)
except A3 (Excellorec, BMI)
B1, B4, D1 to D3 (Abkco Music, BMI)
C3 (Promopub B.V.-Promoright B.V., ASCAP)

Postcards:
© Rolling Stones Records printed in U.S.A.

Special thanks to Ian Stewart: Everyone at Nellcote, Villefrenche for help in recording, feeding etc.
Rolling Stones available only on Rolling Stones records.
 
Barcode and Other Identifiers

    Matrix / Runout (Side A label): ST-RS-722507RI
    Matrix / Runout (Side B label): ST-RS-722508RI
    Matrix / Runout (Side C label): ST-RS-722509RI
    Matrix / Runout (Side D label): ST-RS-722510RI
    Matrix / Runout (Side A runout, variant 1): ST-RS-722507-DDD-1 ROLLING STONES RECORDS PR D [Artisan logo]
    Matrix / Runout (Side B runout, variant 1): ST-RS-722508BBB-1-111 ROLLING STONES RECORDS D PR [Artisan logo]
    Matrix / Runout (Side C runout, variant 1): ST-RS-722509- BBB-1-1-11111 ROLLING STONES RECORDS PR D [Artisan logo]
    Matrix / Runout (Side D runout, variant 1): ST-RS-722510 DDD-1 ROLLING STONES RECORDS [Artisan logo] PR D A
    Matrix / Runout (Side A runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORD ST-RS-722507-CCC﹢﹢-1-11 PR [Artisan logo]
    Matrix / Runout (Side B runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722508 DDD﹢-1-1 PR [Artisan logo]
    Matrix / Runout (Side C runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722509-BBB﹢1-111 PR [Artisan logo]
    Matrix / Runout (Side D runout, etched (Artisan logo stamped), variant 2): ROLLING STONES RECORDS ST-RS-722510 FFF-11 PR [Artisan logo] B
    Matrix / Runout (Side A runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722507-BBB--1-11 PR D [Artisan logo]
    Matrix / Runout (Side B runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722508 BBB-1-1111 PR [Artisan logo]
    Matrix / Runout (Side C runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722509 CCC-1-111 PR D [Artisan logo]
    Matrix / Runout (Side D runout, etched, variant 3): ROLLING STONES RECORDS ST-RS-722510 DDD-1-11 [Artisan logo] PR D
    Pressing Plant ID (On labels): RI
    Other (Unipak patent #, jacket): 3,426,960
    Other (Shorepak patent #, inner sleeves): 3,301,467
    Rights Society (A1, A2, A4, A5, B2, B3, C1 to C5, D4): ASCAP
    Rights Society (A3, B1, B4, D1 to D3): BMI
 
 Rolling Stones* – Exile On Main St
Label: Rolling Stones Records – COC-2-2900, Rolling Stones Records – COC 2-2900
Format: 2 x Vinyl, LP, Album, Stereo, RI - PRC Pressing, Unipak
Country: US
Released: May 22, 1972
Genre: Rock
Style: Blues Rock, Classic Rock
 
  
         
Viewfinder links:        
         
Beggar's Banquet (vinyl LP)          
Beggar's Banquet (R 2 R tape)          
Robert Frank                
Robert Frank ~ The Americans      
Nicky Hopkins           
Jimmy Miller        
Keith Richards        
Sticky Fingers         
Charlie Watts       
Ronnie Wood    
        
Net links:        
         
RPM Life In Analog ~ Still a nice buzz: Strolling Down Exile On Main St.       
        
YouTube links:        
         
The Rolling Stones ~ Exile on Main St. in track order      
Rocks Off         
Rip This Joint         
Shake Your Hips       
Casino Boogie       
Tumbling Dice      
Sweet Virginia      
Torn And Frayed       
Sweet Black Angel        
Loving Cup         
Happy                 
Turd On The Run           
Ventilator Blues                    
Let It Loose         
All Down The Line          
Stop Breaking Down           
Shine A Light       
Soul Survivor         
        
        
         
        
        
        
Styrous® ~ Sunday, July 19, 2020       
       
















 

Nicky Hopkins articles/mentions


 ~        
      
     
L. Ron Hubbard ~ Battlefield Earth  
The Rolling Stones ~   
  Beggar's Banquet R 2 R tape  
  Beggar's Banquet vinyl LP   
  Exile on Main St.        
The Who ~ Tommy (soundtrack)     
     
      
     
     
     
     
      
Nicky Hopkins     
date & photographer unknown     
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 

March 19, 2020

20,000 vinyl LP 215: The Who ~ Tommy (the soundtrack)

~   
The Who ~ Tommy (the soundtrack)
vinyl LP front cover detail
detail photo by Styrous®


On March 19, 1975, the movie version of Tommy, based on the rock opera by The Who, opened in New York City.                         


The Who ~ Tommy (the soundtrack)
vinyl LP front cover
photo by Styrous®


The movie was directed by Ken Russell. Russel is responsible for some pretty amazing and surreal films; Tommy is right up there at the top of them.              


The Who ~ Tommy (the soundtrack)
vinyl LP back cover
photo by Styrous®


The music world people in the film is outstanding: Pete Townshend, Roger Daltrey, Keith Moon, John Entwistle, all Who members, of course, as well as, Caleb Quaye, Phil Chen, Eric Clapton, Arthur Brown, Nicky Hopkins, Ann-Margret, Tina Turner, Ronnie Wood, Elton John and many others.         
                                  

The Who ~ Tommy (the soundtrack)
vinyl LP gatefold cover interior
photo by Styrous®


The Theater and film world was well represented by amazing talent as well: Oliver Reed, Jack Nicholson, Robert Powell, Paul Nicholas and Ben Aris.           


The Who ~ Tommy (the soundtrack)
vinyl LP back cover detail
detail photo by Styrous®


Russell admitted he did not like the music - he disliked rock music in general - but he loved the theme of the film, being about a messiah. Russell and Townshend worked on the film together for a year. Russell had been working on a script called The Angels which was to star Mia Farrow about a pop star called Poppy Day who becomes a messianic figure, and reworked some of that script's sequences for Tommy. He also used scenes from another unfilmed script of his, Music Music Music about a composer who writes music for TV commercials (this turned into what became known as the "baked beans" scene with Ann Margret (link below).       


The Who ~ Tommy (the soundtrack)
vinyl LP back cover detail
detail photo by Styrous®


Mick Jagger was reportedly offered the role of The Acid Queen but insisted on singing three of his own songs so the role was given to Tina Turner. What a fantastic stroke of fortune. Turner's perfomance absolutey MADE the film stunning. Of course, Elton John as the Pin Board Wizard was an extraordinary stroke of luck. Russell says Pete Townshend wanted Tiny Tim to play Pinball Wizard but Stigwood overruled him. Elton John initially turned down the role of the Pinball Wizard and among those considered to replace him was David Essex, who recorded a test audio version of the Pinball Wizard song. However, producer Robert Stigwood held out until John agreed to take the part, reportedly on condition that he could keep the gigantic Dr. Martens boots he wore in the scene. 


The Who ~ Tommy (the soundtrack)
vinyl LP record sleeve
detail photo by Styrous®


Tommy was written in 1968 and recorded by The Who in 1969. Three years later a version of the opera was recorded by the London Symphony Orchestra. The two albums sold ten million copies between them.          
       
Tracklist:

Side 1:

A1     Prologue - 1945 - 3:00
A2     Captain Walker/ It's A Boy - 2:37
A3     Bernie's Holiday Camp - 3:43
A4     1951/ What About The Boy? - 2:49
A5     Amazing Journey - 3:19
A6     Christmas - 3:39
A7     Eyesight To The Blind, written by Sonny Boy Williamson - 3:21

Side 2:

B1     Acid Queen - 3:47
B2     Do You Think It's Alright - 0:56
B3     Cousin Kevin, written by John Entwistle - 3:07
B4     Do You Think It's Alright - 0:45
B5     Fiddle About, written by John Entwistle - 1:40
B6     Do You Think It's Alright - 0:30
B7     Sparks - 3:05
B8     Extra, Extra, Extra - 0:45
B9     Pinball Wizard, Producer – Gus Dudgeon - 5:14
C1     Champagne - 4:42
C2     There's A Doctor - 0:22
C3     Go To The Mirror - 3:57
C4     Tommy Can You Hear Me? - 0:56
C5     Smash The Mirror - 1:22
C6     I'm Free - 2:36
C7     Mother And Son - 3:26
C8     Sensation - 2:49
D1     Miracle Cure - 0:23
D2     Sally Simpson - 5:13
D3     Welcome - 4:15
D4     T.V. Studio - 1:15
D5     Tommy's Holiday Camp, arranged by Martyn FordOrgan – Gerald Shaw, written by Keith Moon - 1:30
D6     We're Not Gonna Take It - 5:47
D7     Listening To You / See Me, Feel Me - 3:13

Companies, etc.

    Manufactured By – Polydor Incorporated
    Phonographic Copyright (p) – Polydor Incorporated
    Mastered At – The Mastering Lab
    Published By – Track Music, Inc.

Credits:

    Acoustic Guitar – Alan Ross (2) (tracks: A5, B2, B4, B6, B8, C2, C4 to C5, C8 to D1, D6), Chris Stainton (tracks: C4)
    Arranged By – Nicky Hopkins
    Arranged By [Assistant] – Nicky Hopkins
    Bass – Calvin "Fuzzy" Samuels (tracks: D6), David Wintour* (tracks: B3), Dee Murray (tracks: B9), John Entwistle (tracks: A6 to B1, C5), Phil Chen (tracks: A5, B2, B4, B6, C3, C8, D2), Tony Stevens (tracks: B8, D1)
    Brass – John Entwistle (tracks: A1, B5, C6)
    Co-producer – Ken Russell (tracks: A1 to B8, C1 to D7), Pete Townshend (tracks: A1 to B8, C1 to D7)
    Drums – Graham Deakin (tracks: B2, B4, B6, D2), Keith Moon (tracks: A6), Kenny Jones (tracks: A7 to B1, B8, C2, C5 to C6, D1), Mike Kelly (tracks: A4, D6), Nigel Olsson (tracks: B9), Richard Bailey (tracks: C3), Tony Newman (tracks: A5, B3, C8)
    Featuring – Pete Townshend (tracks: A1 to A2, C7, D3 to D4), The Who (tracks: A3, B5, B7, C1, D7)
    Guitar – Caleb Quaye (tracks: A4, C3, D6), Davey Johnstone (tracks: B9), Eric Clapton (tracks: A7, D2), Mick Ralphs (tracks: A4), Ronnie Wood* (tracks: B1, C2)
    Horns – John Entwistle (tracks: C8, D6 to D7)
    Keyboards – Pete Townshend
    Organ – Chris Stainton (tracks: A4, D6 to D7)
    Percussion – Ray Thomas (tracks: B9)
    Piano – Chris Stainton (tracks: C2), Elton John (tracks: B9), Nicky Hopkins (tracks: A4 to A6, B1 to B2, B4, B6, C3 to C4, C6, C8, D2, D6 to D7), Pete Townshend (tracks: B8, D1)
    Producer – Kit Lambert
    Synthesizer [Arp] – Pete Townshend
    Vocals – Alison Dowling (tracks: A3, A6), Ann Margret (tracks: A3 to A4, A6, B2, B4, B6, C1, C3 to C5, D3 to D4), Elton John (tracks: B9), Eric Clapton (tracks: A7), Jack Nicholson (tracks: C3), Keith Moon (tracks: B5, D5), Margo Newman (tracks: A2), Oliver Reed (tracks: A3 to A4, A6, B2, B4, B6, C2 to C3, D3 to D4), Paul Nicholas (tracks: B3), Pete Townshend (tracks: A2, A5, D2), Roger Daltrey (tracks: C1, C3, C6 to C8, D2 to D3, D6 to D7), Simon Townshend (tracks: B8, D1), Tina Turner (tracks: B1), Vicki Brown (tracks: A2)
    Vocals [Choral] – Alison Dowling (tracks: D6 to D7), Billy Nicholls (tracks: D6 to D7), Helen Shappell (tracks: D6 to D7), Jess Roden (tracks: D6 to D7), John Entwistle (tracks: D6 to D7), Kit Trevor (tracks: D6 to D7), Liza Strike (tracks: D6 to D7), Margo Newman (tracks: D6 to D7), Mylon La Fevre* (tracks: D6 to D7), Paul Gurvitz (tracks: D6 to D7), Pete Townshend (tracks: D6 to D7), Sarah McIntosh (tracks: D6 to D7), Simon Townshend (tracks: D6 to D7), Vicki Brown (tracks: D6 to D7)
    Written-By – Pete Townshend (tracks: A1 to A6, B1 to B2, B4, B6 to D4, D6 to D7)

Notes:

Very similare to Monarch Pressing Various - Tommy (Original Soundtrack Recording) but with a "R" on the label which notes a different pressing plant.

Gatefold cover with color inner sleeves with lyrics.
Barcode and Other Identifiers

    Matrix / Runout (Side A ): PD2-9502-1 TML-M #88
    Matrix / Runout (Side B ): PD2-9502-1 TML-M #JP
    Matrix / Runout (Side C ): PD2-9502-3 TML-S #8b
    Matrix / Runout (Side D ): PD2-9502-4 TML-S #3
    Pressing Plant ID (Printed on labels): R

Various ‎– Tommy (Original Soundtrack Recording)
Label: Polydor ‎– PD 2-9502
Format: 2 × Vinyl, LP, Album, Gatefold
Country: US
Released: 1975
Genre: Rock, Stage & Screen
Style: Soundtrack, Classic Rock, Mod

       



The Who ~ Tommy (the soundtrack)
vinyl LP record sides 1 & 2
detail photo by Styrous®






The Who ~ Tommy (the soundtrack)
vinyl LP record sides 3 & 4
detail photo by Styrous®


     



Viewfinder links:    
     
Eric Clapton        
Roger Daltrey            
David Essex          
Mick Jagger        
Elton John          
Jack Nicholson       
Tommy: 50 years on        
Tina Turner       
The Who       
        
Net links:    
        
Rolling Stone ~ Tommy (Original Soundtrack Recording)     
The Who website         
       
YouTube links:    
       
Elton John ~ Pinball Wizard      
Ann Margret - Tommy (Smash the mirror)            
Tina Turner ~ The Acid Queen (good audio)     
Tina Turner ~ The Acid Queen (bad audio. gppd video)     
          
       
     
       
          
        
          
         
Styrous® ~ Thursday, March 19, 2020       
        
        
        
        














May 9, 2017

20,000 Vinyl LPs 86: Battlefield Earth ~ L. Ron Hubbard & Scientology

Battlefield Earth
illustration by Gerry Grace
Vinyl LP album cover detail
detail photo by Styrous®


Today, May 9, 2017, is the birthday of Scientology, a body of religious beliefs and practices created in 1954 by American author L. Ron Hubbard.  More specifically, the process is called, Dianetics.  

Battlefield Earth is a music album and soundtrack companion to the novel Battlefield Earth by L. Ron Hubbard, released in 1982. Hubbard composed the music for the album. It is a 1984 Re-Issue of the album, Space Jazz, originally issued on December 23, 1982.  

The album features the jazz greats, Chick Corea and Stanley Clarke; also performing are Fernando Gamboa, Tomo Alllison, Charlie Rush, Nicky Hopkins, Rick Cruzen and Tamia Arbuckle. The album features music performed on the Fairlight CMI synthesizer played by Nicky Hopkins.     

The album was recorded in Los Angeles in 1982 and released by Applause Records. A 1983 press release put out by the Church of Spiritual Technology subsidiary company Author Services Inc. marketed the concept album as "the only original sound track ever produced for a book before it becomes a movie".    



Battlefield Earth
illustration by Gerry Grace
Vinyl LP album front cover 
photo by Styrous®


The film, Battlefield Earth, was released on May 12, 2000. Battlefield Earth (also referred to as Battlefield Earth: A Saga of the Year 3000) is an American science fiction action film based upon the first half of the L. Ron Hubbard 1982 novel of the same name. Directed by Roger Christian and starring John Travolta, Barry Pepper and Forest Whitaker, the film depicts an Earth that has been under the rule of the alien Psychlos for 1,000 years and tells the story of the rebellion that develops when the Psychlos attempt to use the surviving humans as gold miners   




Battlefield Earth
Vinyl LP album back cover  photo by Styrous®



Travolta, a long-time Scientologist, had sought for years to make a film of the novel by Hubbard, the founder of Scientology. He was unable to obtain funding from any major studio due to concerns about the film's script, prospects, and connections with Scientology.       




Battlefield Earth
Vinyl LP album gatefold cover  photo by Styrous®


Battlefield Earth was released on May 12, 2000. The film was a critical and commercial failure, and has been called one of the worst films of all time. Reviewers panned the film, criticizing virtually every aspect of the production including Travolta's acting, overuse of angled shots and slow-motion, poor script, several plot holes and narrative inconsistencies, art direction, and dialogue. Audiences were reported to have ridiculed early screenings and stayed away from the film after its opening weekend, which led to Battlefield Earth failing to recoup its costs.    

The film went on to receive a total of eight Golden Raspberry Awards, which until 2012 was the most Razzie Awards (link below) given to a single film, additionally winning Worst Picture of the Decade in 2010. It has since become a cult film. There is a link below to a delightful video on "The Making of a RAZZIE".   





Battlefield Earth
Vinyl LP album gatefold interior photo by Styrous®



from Wikipedia:

Travolta had converted to Scientology in 1975 and subsequently became one of the Church of Scientology's most prominent supporters. Hubbard sent him an autographed copy of Battlefield Earth when the book was first published in 1982; he reportedly hoped that Travolta would turn the book into a film "in the vein of Star Wars and Close Encounters of the Third Kind". While Travolta was interested, his influence in Hollywood at the time was at a low after participating in a series of flops. He gained renewed influence with the success of the 1994 film Pulp Fiction, which garnered Travolta an Academy Award nomination for Best Actor.    

He had not forgotten Hubbard's wishes to see the book on the big screen and took on the task of making Battlefield Earth into a movie. Travolta described the book in interviews as "like Pulp Fiction for the year 3000" and "like Star Wars, only better". He lobbied influential figures in Hollywood to fund the project and was reported to have recruited the aid of fellow Scientologists in promoting it. According to Bill Mechanic, the former head of 20th Century Fox, "John wanted me to make Battlefield Earth. He had Scientologists all over me. They come up to you and they know who you are. And they go, 'We're really excited about Battlefield Earth.'" This did not impress Mechanic: "Do you think in any way, shape, or form that weirding me out is going to make me want to make this movie?" 





Battlefield Earth
Vinyl LP, side 1
photo by Styrous®


Battlefield Earth
Vinyl LP, label detail, side 1
photo by Styrous®


Ronald DeWolf, the son of Hubbard, filed a probate case in November 1982, after his father had not made any public appearances since 1980, requesting to be appointed trustee of Hubbard's estate on the grounds that his father was missing or dead. In 1983, attorneys representing Hubbard produced a letter in Hubbard's handwriting and with his fingerprints, in which he wrote that he had not had a leadership role in the Church of Scientology for "nearly 17 years", and mentioned his new novel Battlefield Earth, his recently released album Space Jazz, and 10-volume novel Mission Earth. "I am actively writing, having published Battlefield Earth, and my Space Jazz album; a projected ten-volume work, Mission Earth, is in the pre-publication stage at the moment", according to Hubbard's statement. In conjunction with the release of Hubbard's letter, Church of Scientology President Heber Jentzsch told the press that Hubbard had produced Space Jazz around December 1982, and wrote the majority of songs and lyrics for the computer-based music on the album.  




Battlefield Earth
Vinyl LP, side 2
photo by Styrous®



Battlefield Earth
Vinyl LP, label detail, side 1
photo by Styrous®





According to a 1987 statement from Norman F. Starkey, the executor of Hubbard's estate, the copyright to Hubbard's works passed to the Church of Scientology after his death.    




Tracklist:

Side 1:

A1     Golden Era Of Sci Fi     3:27
A2     Funeral Of A Planet     3:25
A3     March Of The Psychlos     3:14
A4     Terl, The Security Director     3:20
A5     Jonnie     3:38
A6     Windsplitter     3:11
A7     The Mining Song     3:12

Side 1:

B1     The Drone     3:06
B2     Mankind Unites     2:59
B3     Alien Visitors Attack     3:38
B4     The Banker     3:19
B5     Declaration Of Peace     4:24
B6     Earth, My Beautiful Home     3:17

Credits:

    Acoustic Bass – Stanley Clarke (tracks: A2, A6, A7, B4, B6)
    Composed By – L. Ron Hubbard (tracks: A1-A3, A5-B2, B4-B6), Leon Klatzkin (tracks: A1), Nacio Herb Brown (tracks: A4), Tamia Arbuckle (tracks: A1, A3, B3, B4)
    Composed By, Lyrics By – Rick Cruzen (tracks: A4)
    Computer [Fairlight Cmi], Piano, Synthesizer [Mini Moog] – Chick Corea (tracks: A5, A6, B4, B6)
    Computer [Fairlight Cmi], Synthesizer, Arranged By, Mixed By – Rick Cruzen
    Drums, Percussion – Fernando Gamboa, Tomo Allison (tracks: A1, A2, A6, B2-B6)
    Engineer – Bernie Kirsh
    Guitar, Bass, Voice – Tamia Arbuckle (tracks: A5, B1, B2, B4)
    Lyrics By – L. Ron Hubbard
    Percussion – Charlie Rush (tracks: A2, A5, B2, B3, B5)
    Piano, Computer [Fairlight Cmi] – Nicky Hopkins (tracks: A7, B4)
    Vocals – Paulette Otten (tracks: A2)
    Vocals, Chorus – Gayle Moran (tracks: A2, A5, B2, B5, B6)
    Voice – Mike Lemeron (tracks: A2), Ron Clifford (tracks: A2)
    Voice [Narration] – Norman Starkey (tracks: B5)

Notes:

The Dynamic Music Soundtrack of the Book!

For the first time ever, a soundtrack is created from a book: L.Ron Hubbard's internationally bestselling novel, Battlefield Earth.

Recorded and Mixed at Mad Hatter Recording Studios in Los Angeles.
Gatefold Cover
(p)1982 L. Ron Hubbard
(c)1982, 1984 L. Ron Hubbard
Barcode and Other Identifiers

    Barcode (Scanned): 025259150115

L. Ron Hubbard ‎– Battlefield Earth
Label: BPI Records ‎– BPILP01
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: Electronic, Jazz, Stage & Screen
Style: Soundtrack, Jazz-Rock, Synth-pop, Ambient




Net links:      
          
Battlefield Earth Plot      
Battlefield Earth Cast        
      
YouTube links:           
Battlefield Earth:         
The Making of a RAZZIE®               
        
       
         
Styrous® ~ Tuesday, May 9, 2017