Showing posts with label Michelle Vignes. Show all posts
Showing posts with label Michelle Vignes. Show all posts

October 30, 2021

Angela Davis articles/mentions

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Mentions:     
Michelle Vignes ~ Photographs          
Dionne Warwick ~ Go With Love     
     
     
     
     
     
     
Angela Davis - 1968
photographer unknown



        
       
       
       
        
       
















July 22, 2021

Harold “Slim” Jenkins ~ the "Mayor" of West Oakland

 ~     
date & photographer unknown
     
     
Today is the birthday of Harold “Slim” Jenkins who was born on July 22, 1890, in Monroe, Louisiana, and moved to Oakland shortly after World War I, where he found work as a waiter. He was a successful businessman, owning and operating several West Oakland restaurants, liquor stores, and night clubs which earned him the title of the "Mayor" of West Oakland and whose Slim Jenkins Cafe was popular in that area from the 1930s to the 1960s.
 
Jenkins opened his club at 1748 - 7th Street in West Oakland on December 5, 1933, the day Prohibition was repealed with the passage of the 21st Amendment
 
 
 Slim Jenkins nightclub and coffee shop 
E. F. Joseph Photograph Collection
 
 
 
 
Slim Jenkins Cafe 
photo: African American Museum &
 Library at Oakland
dare & photographer unknown
 
 
For many years, it was the premiere nightclub in Oakland and called the "Harlem of the West". From the thirties and into the forties, the Club featured many musicians including Bob Lewis (bass), Jimmy Buchanan (sax), Earl Watkins (drums), Eric Miller (guitar), Commodore Lark (bass) and Norvell Randall (piano).         


photos: African American Museum and Library at Oakland
 
Buchanan, Watkins, Randall, Miller & Lark
date & photographer unknown


Miller, Lewis and Randall
date & photographer unknown


Miller, Lewis and Randall
date & photographer unknown




saxophone players 
date & photographer unknown
















 
In the fifties and sixties it featured black musical icons such as Nat King Cole, Aretha Franklin, B.B. King, the Ink Spots, Earl Hines, Louis Jordan, Linda Hopkins, Dinah Washington performing for the racially mixed middle class audience. President Franklin D. Roosevelt visited Slims, and William Knowland, publisher of the Oakland Tribune, was a frequent customer at the supper club.
     
Harold “Slim” Jenkins was a charter member of the Port of Oakland Community Club, and a member of the Men of Tomorrow, the Oakland Chapter of the NAACP and the Boys Club of Oakland. He was also active in a number of social and civic organizations.        
 
French photographer Michelle Vignes shot many of the musicians performing in the West Oakland night clubs in the sixties and published, The Blues (link below), a book of those and other amazing images of America, which was published by artist/photographer, Lon Clark, Jr. (link below).    
 
The Seventh Street district was forever altered during the 1960s when the United States Postal Service demolished twelve blocks of property to erect a new postal facility and even more was destroyed in the 1970s, through eminent domain, with the arrival of BART, Oakland’s public transit system.    
 
It is interesting that after destroying a whole way of life and culture; the directors of BART renamed the West Oakland station, Oakland West (to make it sound more aristocratic or high-toned, maybe?) This raised the hackles of Oakland residents who protested the name, created a furor and the signs on the station were changed back to West Oakland.      
 
After the Slim Jenkins Cafe in West Oakland was razed in 1962, Jenkins opened Slim Jenkins Cafe at 310 Broadway, also in Oakland, which he ran until his death in 1967.        
     
     
     
     
     
Viewfinder links:       
        
Lon Clark, Jr.        
Nat "King" Cole                 
Aretha Franklin         
Linda Hopkins      
Ink Spots         
Harold “Slim” Jenkins     
B.B. King         
Michelle Vignes ~ The Blues       
Dinah Washington        
     
Net links:       
         
African American Museum at Oakland ~ Collection         
Black Past ~ Harold “Slim” Jenkins             
Calisphire ~ Slim Jenkins Cafe patrons        
Geoffreys Live ~ Slim Jenkins, Oakland Black Entrepreneur        
Local News Matters ~ ‘Harlem of the West’        
        
        
        
        
        
        
        
        
Styrous® ~ Thursday, July 22, 2021        
        















 
 
 
 
 
 
 
 

December 12, 2017

December 9, 2017

The San Francisco Civic Auditorium, Motorama & Arthur Fiedler

date & photographer unknown


104 years ago this month, in 1913, ground was broken for construction of the San Francisco Civic Center Auditorium.












The auditorium had a huge pipe organ. The Opus 500 was built for the 1915 Panama Pacific International Exhibition in San Francisco.         




The organ stood majestically at the World’s Fair and then the Civic Center Auditorium, until the 1989 Loma Prieta Earthquake, when it was damaged and dismantled.     
           






Motorama

I saw various events at the Civic Center Auditorium (now called the Bill Graham Civic Auditorium) on Grove Street in San Francisco. I only remember two, one of which was an annual presentation by General Motors called the Motorama.     

The General Motors Motorama was an auto show staged by GM from 1949 to 1961. These automobile extravaganzas were designed to whet public appetite and boost automobile sales with displays of fancy prototypes, concept vehicles and other special or halo models. Motorama grew out of the Alfred P. Sloan yearly industrial luncheon at the New York City Waldorf Astoria, beginning in 1931. They were almost invariably held in conjunction with the New York Auto Show, that for many years was held traditionally in the first week of January.            

There was a live musical number staged at various times during the day. I remember one year the performance was set in the future with all the gadgets it was imagined we would have. They had no idea how far off but at the same time right on target they were.           

This performance had a man and a woman, each on a small raised stage on opposite sides of the main floor of the auditorium. They sang back and forth to each other with what were supposed to be wrist watch radios. As there was no such thing at the time except for in the Dick Tracy comic book . . .  

 
Dick Tracy USA stamp - 1995

. . . (and DECADES before iPhones) the music and vocal was prerecorded and lipped-synced, of course. I can still hear the song in my mind . . . 

🎵"My heart calling your heart, over"🎵




Arthur Fiedler @ the Civic

The other event I remember because I attended many of them and have fond memories of going to the Auditorium in the late fifties, early 60's to hear Arthur Fiedler as he led the San Francisco Pops Orchestra on wild and thrilling orchestral rides.


date & photographer unknown 


Most of the music was in the "Pop" vein of classical music: Ravel's Bolero, or the Tchaikovsky "Pop" works: the 1812 Overture (with no cannons) or the Capriccio Italien (links below) . . . 




. . . and other chestnuts like the William Tell Overture, Orpheus In The Underworld (which evolves into the notorious but energetic Can-Can at the end), the Sorcerer's Apprentice, the Maple Leaf Rag, orchestral covers of Beatles songs, etc. You get the idea!    

He would occasionally break into more serious work; he did perform a pretty spectacular version of the 1924 work for piano and orchestra, Rhapsody in Blue, by George Gershwin: it never failed to bring down the house. One of his concert favorites was Jalousie by Jacob Gade. However, Gade once presented Fiedler with a score for a symphony which Fiedler recalled as "one of the worst pieces of music I ever looked at." More on this Fiedler attitude by his daughter in the "Pop" King entry (link below)     


The San Francisco Civic Auditorium

The physical layout of the audience was unique for a concert venue. In the balcony overlooking the main floor of the San Francisco Civic Auditorium (now named the Bill Graham Civic Auditorium) there were typical, permanent theater seats.     
 
During the Fiedler concerts, however, the main floor was a different story; there were large tables covered in linen table cloths and napkins, candles and maybe even flowers (but I'm not certain about that). I tried to find a shot of the main floor during one of his concerts but couldn't. Drinks and dinner to enjoy during the concert was available. It was tons of fun!  

The auditorium was designed by Bay Area architects John Galen Howard, Frederick Meyer and John W. Reid, Jr. and built in 1915 as part of the Panama–Pacific International Exposition.    


photographer unknown


In 1992, the San Francisco Board of Supervisors voted to rename the auditorium after the rock concert impresario Bill Graham, who had died the previous year in a helicopter crash.     


Bill Graham - 1966 
             

     
       
Viewfinder link:               
                
         
Net links:               
                
PBS ~ Evening At the Pops with Arthur Fiedler          
         
YouTube links:               
                
Arthur Fiedler & the Boston Pops ~          
      Tchaikovsky ~ Capriccio Italien          
      Rosini ~  William Tell Overture    
      My Fair Lady!
      Sound Of Music Medley         
      Sousa ~ Stars and Stripes Forever               
      The Beatles ~ Eleanor Rigby     
                          ~ Let It Be      
      Gade ~ Jalousie   
      Gershwin / Earl Wild piano ~ Rhapsody in Blue - 1959     
         
     
           
All in all, it was a fun time!
      
   
  
Styrous® ~ Saturday, December 9, 2017       

















July 29, 2017

Lon Clark, Jr. articles/mentions

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The art of Lon Clark, Jr.       
Lon Clark, Sr. 
Michelle Vignes      
      
     
    
         
    
   
Lon Clark, Jr.  
photographer unknown 
          



































Lon Clark, Jr. ~ Itinerary, a photographic journey

Lon Clark ~ Itinerary
1985 exhibition catalogue
Copyright © 1985Northbeach Press, San Francisco
photos of catalogue by Styrous®

Mr. Clark is primarily an artist (link below) who has taken beautiful photographs of the everyday things around us.    

He has also published a book with photographs by Michelle Vignes entitled, The Blues (link below). They are brilliant photographs of the jazz scene, primarily in the Oakland part of the San Francisco Bay Area, in the 60's - 70's.

He is the son of the New York City actor of stage and radio, Lon Clark, Sr. who had the title role in the radio series, Nick Carter, Master Detective (link below).    





 



 













 





 







Lon Clark ~ Itinerary



Viewfinder links:   
        
Michelle Vignes         
The art of Lon Clark, Jr.          
Lon Clark, Sr.            
         
            
Net links:   
        
                 
            

Styrous® Styrous® ~ Friday, July 28, 2017