June 21, 2021
Record Producers Extraordinaire
January 10, 2021
45 RPMs 53: Elvis Presley ~ Heartbreak Hotel: his first big hit
Well, since my baby left me
Well, I found a new place to dwell
Well, it's down at the end of Lonely Street
At Heartbreak Hotel
Where I'll be, I'll be so lonely baby
Well, I'm so lonely
I'll be so lonely, I could die
Although it's always crowded
You still can find some room
For broken-hearted lovers
To cry there in their gloom
They'll be so, they'll be so lonely baby
They get so lonely
They're so lonely, they could die
Now, the bell hop's tears keep flowin'
And the desk clerk's dressed in black
Well, they've been so long on Lonely Street
They'll never, never look back
And they get so, they get so lonely baby
Well they are so lonely
They're so lonely, they could die
Well, now, if your baby leaves you
And you got a tale to tell
Well, just take a walk down Lonely Street
To Heartbreak Hotel
Where you will be, you will be so lonely baby
Well you will be lonely
You'll be so lonely, you could die
Although it's always crowded
But you still can find some room
For broken-hearted lovers to cry there in their gloom
Where they get so, they get so lonely baby
Well they're so lonely
They'll be so lonely, they could die
Side 1:
A - Heartbreak Hotel, written by Presley*, Axton*, Durden* - 2:06
Side 2:
B - I Was The One, written by Schroeder*, Peppers*, DeMetris*, Blair* - 2:30
Companies, etc.
Notes:
No time duration on labels.
Black label RCA w/ Dog
Barcode and Other Identifiers
Matrix / Runout (B-Side label): G2WW-0218
Matrix / Runout (A-Side stamped runout): G2WW-0209
Matrix / Runout (B-Side stamped runout): G2WW-0218
Format: Vinyl, 7", 45 RPM, Single
Country: Canada
Released: Jan 1956
Genre: Rock
Style: Rock & Roll
YouTube links:
March 6, 2020
Kurt Weill song lyrics
Oh, don't ask why, oh, don't ask why!
For we must find the next whiskey bar
For if we don't find the whiskey bar
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have whiskey, oh you know why!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have whiskey, oh you know why!
Oh, show me the way to the next pretty boy
Oh, don't ask why, oh, don't ask why!
For we must find the next pretty boy
For if we don't find the next pretty boy
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have boys, oh you know why!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have boys, oh you know why!
Oh, show me the way to the next little dollar
Oh, don't ask why, oh, don't ask why!
For we must find the next little dollar
For if we don't find the next little dollar
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have dollars, oh you know why!
Oh, moon of Alabama
We now must say good-bye
We've lost our good old momma
And must have dollars, oh you know why!
The Bilbao Song
(Kurt Weill / Bert Brecht – English Lyrics by Johnny Mercer)
Recorded by: Chet Atkins; Clusone Trio; Dave Douglas; Eastside Sinfonietta; Gil Evans; Marianne Faithfull; Jacqueline François; Greta Keller; Masabumi Kiluchi; Ute Lemper; Lottie Lenya; Frank Portolese; André Previn; Martha Schlamme; Sextet of Orch. USA; Tethered Moon; Cal Tjader; Julie Wilson, Andy Williams.
That old Bilbao moon, I won't forget it soon
That old Bilbao moon, just like a big balloon
That old Bilbao moon would rise above the dune
While Tony's beach saloon rocked with an old-time tune
We'd sing a song the whole night long and I can still recall
Those were the greatest (those were the greatest)
Those were the greatest (those were the greatest)
Those were the greatest nights of them all
No paint was on the door (no paint was on the door)
The grass grew through the floor (the grass grew through the floor)
Of Tony's two by four (of Tony's two by four)
On the Bilbao shore (on the Bilbao shore)
But there were friends galore (howdy do, howdy do)
And there was beer to pour (chug-a-lug, chug-a-lug)
And moonlight on the shore (and the moon shines above)
That old Bilbao shore (on the shore, not the rug)
We'd sing all night with all our might and I can still recall
Those were the greatest (those were the greatest)
Those were the greatest (those were the greatest)
Those were the greatest nights of them all
That old Bilbao moon, I won't forget it soon
That old Bilbao moon, just like a big balloon
That old Bilbao moon would rise above the dune
While Tony's beach saloon rocked with an old-time tune
We'd sing all night with all our might and I can still recall
Those were the greatest (those were the greatest)
Those were the greatest (those were the greatest)
Those were the greatest nights of them all
(Extra verse not used by Andy Williams)
Those old Bilbao Guys, they loved to harmonize
Who stopped to realize how fast the summer flies
The moon was on the rise, we'd catch the ladies' eyes
And whisper Spanish lies, They never did get wise.
We'd sing the whole night long
And I can still recall
Those were the greatest,
Those were the greatest
Those were the greatest days of them all.
Before Lord God made the sea or the land
He held all the stars in the palm of his hand
And they ran through his fingers like grains of sand
And one little star fell alone
Then the Lord God hunted through the wide night air
For the little dark star on the wind down there
And he stated and promised he'd take special care
So it wouldn't get lost no more
Now, a man don't mind if the stars get dim
And the clouds blow over and darken him
So long as the Lord God's watching over them
Keeping track how it all goes on
But I've been walking through the night and the day
Till my eyes get weary and my head turns gray
And sometimes it seems maybe God's gone away
Forgetting his promise and word he'd say
And we're lost out here in the stars
Little stars, big stars, blowing through the night
And we're lost out here in the stars
I was young, I was just sixteen then,
when you came up from Burma one day.
And you told me to pack up my suitcase,
and I did, and you took me away.
I said, "Do you work nice and steady,
or do you go sailing and roving out to sea?"
And you said, "I have a job on the railroad,
and baby, how swell it's all gonna be."
You said a lot, Johnny. It was all lies.
You sure had me fooled, right from the start.
I hate you when you laugh at me like that.
Take that pipe out of your mouth, Johnny.
Surabaya Johnny. Is it really the end?
Surabaya Johnny. Will the hurt ever mend?
Surabaya Johnny. Ooh, I burn at your touch.
You got no heart, Johnny, but oh, I love you so much.
Oh, at first you were kind and gentle,
'til I packed up and went off with you.
And it lasted two weeks until one day
you laughed at me and hit me too.
You dragged me all over the city,
up the river and down to the sea.
Now I look at myself in the mirror
and some old woman looks back at me.
You didn't want love, Johnny, you wanted money.
I gave you all I had. You wanted more.
Oh, don't look at me that way.
I'm only trying to talk to you.
Wipe that grin off your face, Johnny.
Surabaya Johnny. Is it really the end?
Surabaya Johnny. Will the pain never mend?
Surabaya Johnny. How I burn at your touch.
You got no heart, Johnny, but oh, I love you so much.
When we met I forgot to ask you
why they called you that funny name,
but in every hotel on the seacoast
I found out, and I loved you all the same.
I'm tired. I'm worn out.
The sea's pounding in my ears.
And I reach out my arms to hold you.
You're not here and who even cares?
You got no heart, Johnny. You're just no good.
You going now? Oh, tell me why.
I love you after all, Johnny, like that very first day.
Don't laugh at me no more, Johnny.
Surabaya Johnny. Is it really the end?
Surabaya Johnny. Will the hurt ever mend?
Surabaya Johnny. Oh, I burn at your touch.
You got no heart, Johnny, but oh, I love you,
I love you, I love you so much.
December 22, 2019
45 RPMs 36: Hawkshaw Hawkins ~ Ling Ting Tong a Honky Tonk song
'way back in old Hong Kong
To get some Egg Foo Yung
And then I heard a gong
Ling ting tong tried to sing that song
Called Tie-ess-a mo-cum boo-die-ay
Tie-ess-a mo-cum boo
Ling ting tong, he would never be wrong
Go on and sing your song, a-ling ting tong
And I looked around
The lights were going down
And this is what I found
A back in Chinatown
The first music genre to be commonly known as honky tonk was a style of piano playing related to ragtime but emphasizing rhythm more than melody or harmony; the style evolved in response to an environment in which pianos were often poorly cared for, tending to be out of tune and having some nonfunctioning keys. This honky tonk music was an important influence on the boogie-woogie piano style. Before World War II, the music industry began to refer to hillbilly music being played from Texas and Oklahoma to the West Coast as "honky tonk" music. In the 1950s, honky tonk entered its golden age, with the popularity of Webb Pierce, Hank Locklin, Lefty Frizzell, Ray Price, Faron Young, George Jones, and Hank Williams.
Tracklist:
Side 1:
A – Hawkshaw Hawkins - Ling Ting Tong, written by Mable Goodwin
Side 2:
B – Hawkshaw Hawkins, and Rita Robbins - Ko Ko Mo (I Love You So), written by Levy*, Forest Gene Wilson*, Porter*
Musicians:
Hawkshaw Hawkins [vcl]
Chet Atkins [ld gt]
Eddie Hill [rh gt]
Bob Foster [steel]
Bob Moore [bass]
Buddy Harman [drums]
Tommy Jackson [fiddle]
Owen Bradley [piano]
Notes:
RCA Victor Black label with Silver lettering.
Barcode and Other Identifiers
Matrix / Runout (A side label): F2WW-0235
Matrix / Runout (B side label): F2WW-0234
Hawkshaw Hawkins, Rita Robbins – Ling Ting Tong / Ko Ko Mo
Label: RCA Victor – 47-6022
Format: Vinyl, 7", 45 RPM
Country: US
Released: 1955
Genre: Folk, World, & Country
Style: Country, Vocal
Viewfinder links:
Net links:
Discography
honky tonk Etymology
honky tonk History
YouTube links:
Hawkshaw Hawkins ~ Ling Ting Tong
Hawkshaw Hawkins with Jean Shepard ~ Ko Ko Mo
Styrous® ~ Sunday, December 22, 2019
January 28, 2019
Chickens on Wood String Band ~ Freight Train
The 1956 UK recording of the song by Chas McDevitt and Nancy Whiskey was a major hit and is credited as one of the main influences for the rise of skiffle in the UK.
Chickens on Wood String Band
Chickens on Wood String Band
Scott Peterson, band leader -- banjo
Brian Glueck -- mandolin, resonator guitar, cello
Brian Kilrain -- double bass
Alison Limoges -- acoustic, rhythm guitar
The Local
1333 Park Street
Alameda, CA 94501
Telephone: (510) 523-2116
Viewfinder links:
Chickens on Wood String Band
Alison Limoges
MOOvin' 'n GROOvin' @ The Local
20,000 Vinyl LPs
Net link:
Chickens on Wood String Band on Facebook
YouTube links:
Freight Train ~
Chet Atkins
Joan Baez
Elizabeth Cotton
Styrous® ~ Monday, January 28, 2019




















