Showing posts with label George Martin. Show all posts
Showing posts with label George Martin. Show all posts

June 21, 2021

Record Producers Extraordinaire

~  

 
 
Behind every great musician/group is a Record Producer who had a vision and the expertise to make the sound of that musician or group unique.           
 
 
 
 
 
 

For punk no one topped Steve Albini. He produced the albums for his bands, Big Black, Rapeman, Flour, and is a member of Shellac. He produced albums for Nirvana, Pixies, the Breeders, PJ Harvey, and former Led Zeppelin members Jimmy Page and Robert Plant, as well.
 
I'm not sure WHERE Brian Eno belongs! He's produced sound ranging from film soundtracks to ambient To experimental for John Cale, Jon Hassell and Laraaji, to new wave for Talking Heads, Ultravox and Devo, and everything in between.            
     
     
      
     
Viewfinder links:
      
Cannonball Adderley           
Chet Atkins       
David Axelrod        
all things Beatles       
Owen Bradley      
John Cale        
Glen Campbell      
George Clinton         
Al De Lory        
Devo        
Tom Dowd        
Duke Ellington      
Brian Eno        
Eurythmics           
Jackie Gleason          
Norman Granz      
Trevor Horn       
Quincy Jones           
Kitaro        
Kraftwerk    
Jeff Lynne       
Teo Macero          
Mantovani              
Arif Mardin      
George Martin           
Meat Loaf       
Mitch Miller         
Les Paul         
Conny Plank        
Todd Rundgren        
Klaus Schulze            
Billy Sherrill        
Stamatis Spanoudakis          
Phil Spector        
Jim Steinman        
Talking Heads          
Tangerine Dream       
The Temptations        
Bob Thiele         
Isao Tomita          
Bonnie Tyler         
Ultravox         
Vangelis        
Billy Vaughn         
Jimmy Webb         
Jerry Wexler         
Norman Whitfield      
Brian Wilson        
Otis Williams         
     
Net links:
     
     
     
Music Needs You ~ 7 Distinct Types of Record Producers     
Recording Connection ~ What Does a Music Producer Do?   
     
     
     
A tip of my hat to all of them!
     
     
     
Styrous® ~ Monday, June 21, 2021   



















February 21, 2021

20,000 vinyl LPs 276: The Temptations ~ Masterpiece & Norman Whitfield

 ~    
vinyl LP front cover detail 
Artwork [Sculpture] by Parvis Sadighian
detail photo by Styrous®


Of all the Motown groups my favorite is The Temptations; not because they were one of the most successful groups in music history but their albums were beautifully produced.       
 
Every great music group has a man who had a vision and the expertise to make the group's sound unique. For  The Temptations it was Norman Whitfield.           
 
 
Norman Whitfield - 1970 
photo: Michael Ochs Archives/Getty Images
 
 
My very favorite album by The Temptations is the 1973 album, Masterpiece; each and every song is outstanding; my favorite songs from the album are Hurry Tomorrow, Ma, Law of the Land and, of course, Masterpiece (links below).             
 
 

Artwork [Sculpture] by Parvis Sadighian 
photo by Styrous®
 
 
Masterpiece was released on February 21, 1973, and the title refers to the album being not the group's intended masterpiece, but that of Norman Whitfield. The album rightfully belongs in my “Just the cover, ma’am!” category (link below), which it will anyway, but the album is just too fantastic to limit this to just the cover. It definitely will go in my "Desert Island" category (link below).      

So, let's get the spectacular cover out of the way first. It features an embossed cover with the four members of the group by sculpture artist Parvis Sadighian. Sadighian also did the covers for Bachman-Turner Overdrive and Jerry Butler.   
 
              
The Temptations ~ Masterpiece
vinyl LP front cover detail 
Artwork [Sculpture] by Parvis Sadighian
detail photo by Styrous®


The cover featured a fake marble bas relief of the group’s faces in profile. Underneath, a sign said “Produced by Norman Whitfield”, which also appeared on the back. The implication was that The Temptations were an artwork sculpted by their producer, the more important figure here. While the musicians were credited on the back, the individual Temptations were not. And there was a large soft-focus image of the producer on the flip, with The Temptations emerging from his head.           
 

 The Temptations ~ Masterpiece
vinyl LP back cover 
Design by Des Strobel & Asari Graham 
photo by Jim Britt 
photo of album cover by Styrous®
 
 
Having already produced songs for the Temptations such as "Smiling Faces Sometimes" and "Papa Was a Rollin' Stone" which emphasized his instrumental tracks over the group's vocals, Whitfield went one step further with Masterpiece.        

The title track, Masterpiece, at nearly 14 minutes long, includes only three minutes of vocals from the group, who all share sections of the lead vocal. Whitfield entitled it "Masterpiece" because he felt it was a perfect blending of strings, horns, rhythm players, voices, studio tricks, and sweetening elements. However, the word 'masterpiece' does not appear in the song's lyrics, which do not point to anything obvious from which to draw a title. As with their Whitfield-produced hit from the previous year, Papa Was a Rollin' Stone, the Temptations do not make their first appearance until after a long instrumental section. This added to already building tension between the group and Whitfield and led some music writers to start referring to the group as "the Norman Whitfield Choral Singers" and other such names. Fans complained directly to the Temptations themselves.          
 
I don't care what the critics or anyone else think or say, I love this album and consider it the best one they produced. So there!    



The Temptations ~ Masterpiece
vinyl LP back cover detail
photo by Jim Britt  
detail photo of album cover by Styrous®
 
 
Masterpiece with echoey brass led by Richard Street opens the album and shares space on side one with Hey Girl (I Like Your Style), a slow classic-styled ballad.     
 
Side two of the LP opens with Ma, an ode to a hillbilly mother led by Street, Damon Harris, and Melvin Franklin with his resonnate bass. The song was recorded as the title track of the Rare Earth 1973 Whitfield-produced LP.      
 
Law of the Land, led by Edwards, with Street and Harris backing him, was a fantastic song to dance to; I loved the echoey trumpets. Law was recorded the same year by The Undisputed Truth. The song is a message track in the tradition of Don't Let the Joneses Get You Down from Puzzle People.     
 
Plastic Man, with its lead vocal shared between Edwards, Harris, Franklin and Street, disparages "plastic people" who operate in backhanded ways. It was another great song to dance to.  
 
The eight-minute album closer, Hurry Tomorrow, my favorite cut from the album, is a solo spot for Harris with his beautiful falsetto and Franklin's rich bass backing him as a counterpoint; it explores a hallucinogenic drug trip with sensational sonic effects! I remember being TOTALLY wiped out and listening to this song; it is only eight minutes long but it seemed to go on FOREVER!    

 
date & photographer unknown
 



 
 
 
 
 
 
 
 
    
             
Track list:

Side one:

  1. "Hey Girl (I Like Your Style)" – 4:36 (lead singer: Richard Street)
  2. "Masterpiece" – 13:49 (lead singers: Dennis Edwards, Otis Williams, Richard Street, Damon Harris, Melvin Franklin)

Side two:

  1. "Ma" – 4:46 (lead singers: Richard Street, Damon Harris, Melvin Franklin)
  2. "Law of the Land" – 5:08 (lead singers: Dennis Edwards, Damon Harris, Richard Street)
  3. "Plastic Man" – 5:53 (lead singers: Dennis Edwards, Damon Harris, Melvin Franklin, Richard Street)
  4. "Hurry Tomorrow" – 8:06 (lead singer: Damon Harris)

Personnel:

Companies, etc.

    Pressed By – RCA Records Pressing Plant, Indianapolis

Credits:

    Arranged By – Paul Riser
    Artwork [Sculpture] – Parvis Sadighian
    Bass – Bob Babbitt, Eddie Watkins*, Leroy Taylor
    Bells, Percussion [Gourd], Timpani, Vibraphone – Jack Brokensha
    Bongos, Congas – Eddie "Bongo" Brown
    Design – Des Strobel*
    Design [Creative Assistant] – Asari Graham
    Drums – Aaron Smith (2), Andrew Smith (4), Richard "Pistol" Allen*, Uriel Jones
    Engineer, Mastered By – Orson Lewis
    Guitar – Eddie Willis, Joe Messina, Melvin "Wah Wah" Ragin*, Paul Warren, Robert Ward, Robert White
    Harmonica – Ted Lucas
    Mastered By, Producer, Written-By – Norman Whitfield
    Organ – Johnny Griffith
    Organ, Piano – Earl Van Dyke
    Photography By [Liner Photo] – Jim Britt
    Tambourine, Maracas – Jack Ashford
    Trumpet – Maurice Davis


Notes:
 
Original release with embossed cover.

℗ 1973 Motown Record Corporation. 
 
Barcode and Other Identifiers
  • Matrix / Runout (Runout side A, variant 1): G965L-HS-2029-1 / C5RS-7533 / I / 1303105-01A / A6
  • Matrix / Runout (Runout side B, variant 1): G965L-HS-2030-2 / C5RS-7534 / I / 1303105-01B / B2
  • Matrix / Runout (Runout side A, variant 2): HS-2029-1 S-2030-2
  • Matrix / Runout (Runout side B, variant 2): S-2029-B HS-2030-2
  • Matrix / Runout (Runout side A, variant 3): G965L-HS-2029-1 C5RS-7533 I 1303105-01A A 2
  • Matrix / Runout (Runout side B, variant 3): G965L-HS-2030-2 C5RS-7534 A1 1303105-01B
  • Pressing Plant ID: I
The Temptations ‎– Masterpiece
Label: Gordy ‎– G965L, Gordy ‎– G 965L
Format: Vinyl, LP, Album
Country: US
Released: 21 Feb 1973
Genre: Funk / Soul
Style: Rhythm & Blues, Soul, Funk


     
Viewfinder links:             
          
Eddie "Bongo" Brown         
Jerry Butler           
Dennis Edwards         
Melvin Franklin        
Damon Harris         
Richard Street       
The Temptations          
The Undisputed Truth         
Norman Whitfield          
Otis Williams          
          
Net links:             
          
Let's Sing It ~ Masterpiece album lyrics        
Music Fest News ~ The Temptations’ Masterpieces      
udiscovermusic ~ Masterpiece: Norman Whitfield And The Temptations    
         
YouTube links:             
          
Rare Earth ~ Ma (17 mins., 10 secs.)        
The Temptations ~      
             Hey Girl       
             Hurry Tomorrow (8:07)         
             Law of the Land         
             Ma            
             Masterpiece (13:34)          
             Masterpiece full album (42:28)    
             Papa Was a Rolling Stone (11:50)     
             Plastic Man    
            
                        
                        
          
         
         
 
Photo: Michael Ochs Archives/Getty Images
 

 
 
 
 
 
 
 
Styrous® ~ Sunday, February 21, 2021       
       






          


















 

October 14, 2020

20,000 vinyl LPs 246: Live And Let Die & Roger Moore

~       
vinyl LP front cover detail 
Artwork by Bob McGinnis
detail photo of album cover by Styrous®


Today is the birthday of Roger Moore who was an English actor who began his career as British secret agent James Bond with the film, Live and Let Die. He would star in seven more Bond films up to 1985 when he reprized the role for the last time in A View to a Kill.      

Live And Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings.       
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover detail 
Artwork by Bob McGinnis 
detail photo of album cover by Styrous®
 
 
The music for most of the Bond films through Diamonds Are Forever had been written by John Barry, however, due to his working on a musical, and having fallen out with Bond producer Harry Saltzman, he did not score the film.        
 
George Martin, who wrote the score for Live And Let Die, was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle" because of his involvement on each of the Beatles' original albums. The orchestra was conducted by Martin and recorded at AIR Studios.                 
 
Live And Let Die was the first time a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969.   
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover
Artwork by Bob McGinnis 
photo of album cover by Styrous®

 
Bob McGinnis is a world-renowned painter whose prolific, award-winning artwork spans more than six decades. In recognition of the excellence of his paintings, in 1993 he was elected to the Society of Illustrators Hall of Fame which includes Norman Rockwell, N. C. Wyeth, Winslow Homer, Robert Peak, Frederic Remington, Frank McCarthy and Maxfield Parrish who's work was used on the cover of The Waking Hour by Dali's Car (link below).        
 
 
 
 
Live and Let Die is a 1973 spy film and the eighth film in the James Bond series produced by Eon Productions and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman. The producers had wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, Connery declined, sparking a search for a new actor to play Bond; Moore was signed for the lead role.    
 
The film is based on the Ian Fleming 1954 novel of the same name. It  was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film. It was the first James Bond film featuring an African-American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry (links to cast & plot below).     
 
 
 
 
 Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 
 
 
 
 
 
The film has two versions of the title song, Live And Let Die, in addition to the version by the  McCartneys, B. J. Arnau did a soul, sort of rock cover. My favorite cover is by Guns N' Roses, which appears on their 1991 album Use Your Illusion I; their version was nominated for the Grammy Award for Best Hard Rock Performance at the 35th Annual Grammy Awards in 1993.     
 
Live And Let Die was the first Bond theme song to be nominated for the Academy Award for Best Original Song, but lost the award to The Way We Were by Barbra Streisand. I wasn't too upset because I loved The Way We Were, it's one of my favorite, beautiful but nostalgic, songs. Live And Let Die was also nominated for the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awards in 1974.    

In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.         
         
 

 
Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 



Roger Moore was born on October 14, 1927 in Stockwell, London. His father was a policeman, his mother was born in Calcutta, India; however, she was not Indian. He was evacuated to Holsworthy in Devon during the Second World War, and attended Launceston College in Cornwall. He studied acting then, at 18, shortly after the end of the Second World War, he was conscripted for national service. On 21 September 1946, he was commissioned into the Royal Army Service Corps as a second lieutenant. He was an officer in the Combined Services Entertainment section, eventually becoming a captain commanding a small depot in West Germany. There he looked after entertainers for the armed forces passing through Hamburg.     





He did a series of minor films. In the early 1950s Moore worked as a model, appearing in print advertisements in the UK for knitwear (earning him the nickname "The Big Knit") and a wide range of other products such as toothpaste. For some reason, I find this remarkable!!!!      
 
He started his MGM contract with a small role in The Last Time I Saw Paris (1954), flirting with Elizabeth Taylor. He appeared in Interrupted Melody, a biographical movie about the recovery from polio of opera singer Marjorie Lawrence, in which he was billed third under Glenn Ford and Eleanor Parker as Lawrence's brother Cyril. That same year, he played a supporting role in the swashbuckler The King's Thief starring Ann Blyth, Edmund Purdom, David Niven and George Sanders.         




Moore's first success was playing the hero, Sir Wilfred of Ivanhoe, in the 1958–59 series, a loose adaptation of the 1819 romantic novel by Sir Walter Scott set in the 12th century during the era of Richard the Lionheart,            
 
 
 
 
 
In the sixites, Moore was cast as Beau Maverick, an English-accented cousin of frontier gamblers Bret Maverick (James Garner), Bart Maverick (Jack Kelly), and Brent Maverick (Robert Colbert) in the much more successful ABC/WB Western series Maverick. Sean Connery was flown over from Britain to test for the part, but turned it down (link below).        
 
Lew Grade cast Moore as Simon Templar in a new adaptation of The Saint, based on the novels by Leslie Charteris. The television series was broadcast by ITV in the UK between 1962 and 1969. NBC picked up the show in 1966. By early 1967, Moore had achieved international stardom.    
 
 
 
 
 
Lew Grade lured Moore to star alongside Tony Curtis in The Persuaders! in 1971. The show featured the adventures of two millionaire playboys across Europe. Moore was paid the then-unheard-of sum of £1 million for a single series, making him the highest-paid television actor in the world.        
 
Moore did not consider the possibility of taking on the role of 007 until it seemed clear that Connery had stepped down as Bond for good. At that point, Moore was approached, and he accepted the  offer by producer Albert Broccoli in August 1972. In his autobiography, Moore writes that he had to cut his hair and lose weight for the role. Although he resented having to make those changes, he was finally cast as James Bond in Live and Let Die (1973).       
          
 
 
  

Moore's family announced his death in Switzerland, on 23 May 2017 from liver cancer. He died at his home in Crans-Montana, in the presence of his family, five months short of his 90th birthday.         
      






  


   
Tracklist:

Side 1:

A3 – George Martin - Bond Meets Solitaire - 2:15
A4 – George Martin - Whisper Who Dares - 1:42
A5 – George Martin - Snakes Alive - 2:24
A6 – George Martin - Baron Samedi's Dance Of Death - 1:15
A7 – George Martin - San Monique - 1:57
    – Medley - (3:18)

Side 2:

B1-1 – George Martin - Fillet Of Soul - New Orleans - 1:07
B1-2 – BJ Arnau - Live And Let Die, Composed By – Paul & Linda McCartney - 1:07
B1-3 – George Martin - Fillet Of Soul - Harlem - 1:04
B4 – George Martin - Trespassers Will Be Eaten - 2:45
B5 – George Martin - Solitaire Gets Her Cards - 1:52
B6 – George Martin - Sacrifice - 2:30
B7 – George Martin - James Bond Theme, Composed By – Monty Norman - 1:28

Companies, etc.

    Record Company – United Artists Records, Inc.
    Manufactured By – United Artists Records, Inc.
    Phonographic Copyright (p) – United Artists Records, Inc.
    Published By – Unart Music Corp.

Credits:

    Artwork [Uncredited] – Bob McGinnis
    Composed By [Music Score] – George Martin (tracks: A3 to A7, B1 to B6)
    Conductor [Music Score], Producer – George Martin (tracks: A3 to B7)

Notes:

 Label variation combining these features:
- no spacing between "United Artists Records" and "Live And Let Die"
- equal spacing between Side & Stereo & UA-LA100-G (unlike Various - Live And Let Die (Original Motion Picture Soundtrack) or Various - Live And Let Die (Original Motion Picture Soundtrack))
- "1973" is totally under the "Unart" (unlike Various - Live And Let Die (Original Motion Picture Soundtrack))

All Compositions published by Unart Music Corporation (BMI)
Paul and Linda McCartney and Wings appear by courtesy of EMI Records.
BJ Arnau appears by courtesy of RCA Records.

Manufactured by United Artists Records, Inc., Los Angeles, California 90028. Printed in U.S.A.
Also available on United Artists Stereo-Tape Cartridge UA-EA-100-H and Cassette UA-CA-100-H.

Gatefold cover.
 
Barcode and Other Identifiers

    Matrix / Runout (runout Side A, etched): UA-LA100-G-1 X DINO 3
    Matrix / Runout (runout Side B, etched): UA-LA100-G-2 X DL 3
    Rights Society: BMI
 
Various ‎– Live And Let Die (Original Motion Picture Soundtrack)
Label: United Artists Records ‎– UA-LA 100-G, United Artists Records ‎– UA-LA100-G, United Artists Records ‎– UA-LA 100-G-698
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: Jazz, Rock, Stage & Screen
Style: Soul-Jazz, Soundtrack, Smooth Jazz, Score, Easy Listening, Lounge, Dixieland, Jazz-Funk, Classic Rock
   
         
Viewfinder links:        
        
John Barry       
all things Beatles         
Sean Connery      
Dalis Car ~ The Waking Hour        
Tony Curtis            
Glenn Ford       
George Martin          
Paul McCartney        
Roger Moore        
Elizabeth Taylor        
        
Net links:        
         
Cast         
Plot         
        
YouTube links:        
         
B J Arnau ~ Live And Let Die        
Guns N' Roses  ~ Live And Let Die          
Paul McCartney ~ Live And Let Die (film opening & credits)       
        
        
         
       
“You can either grow old gracefully or begrudgingly. I chose both.”
                                   ~ Roger Moore 
 
        
        
        
Styrous® ~ Wednesday, October 14, 2020