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mentions:
Showing posts with label Jimmy Dorsey. Show all posts
Showing posts with label Jimmy Dorsey. Show all posts
August 21, 2024
July 28, 2024
Sergio Leone articles/mentions
mentions:
Jimmy Dorsey ~ Amapola
Clint Eastwood is ninety-five today
Sergio Leone - 1975
photographer unknown
February 4, 2024
February 3, 2024
78 RPMs 10: Amapola ~ Jimmy Dorsey And His Orchestra w/Bob Eberly & Helen O'Connel
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10" 78 RPM record
photo by Styrous®
On Monday, February 3, 1941, Jimmy Dorsey and his orchestra recorded Amapola with vocalists Helen O'Connell and Bob Eberly. It was a gigantic hit a decade before the concept of "Top 40" in the early 1950s.
My memories of the song are delightful! My mother and father were into swing music and loved to dance with each other, this song amongst hundreds of others. Mom sang other songs but this song stands out vividly as she sang them to me to put me to sleep.
The recorded version by Dorsey, Eberly and O'Connel was a swing version which was a 1920's tune written by Spanish American composer José María Lacalle García and adapted to the new swing era. It starts out with a languid and sensual tango rhythm with Dorsey on his clarinet.
Eberly enters and the song goes into a moderately slow ballad. O'Connel hits the scene and it's a lively, jazzy swing song. Mom only sang the ballad version to me.
Many people covered the song: Roberto Carlos with a 50's doo wop and os course, Crosby with a cha cha ballad. Haymarket Square did a Psychedelic cover in the sixties, of course. Not to be missed is The Spotnicks a Swedish group with another wacked out 60's version, space suits 'n all.
Ennio Morricone used the song in the Sergio Leone film, Once Upon s Time In America, starring Robert De Niro and James Woods.
Opera didn't shy away either, Tito Schipa (1926), Nino Martini (1941), Jan Peerce (1950), Alfredo Kraus (1959) and Luigi Alva (1963). Tatsuro Yamashita did a wonderful cover in his 1986 a cappella album On The Street Corner 2. In 1990 Amapola was sung during the first Three Tenors concert in Rome.
Tracklist:
Side 1:
A - Amapola (Pretty Little Poppy)
Vocals – Bob Eberly, Helen O'Connell
Written By Albert Gamse, Joseph M. Lacalle*
Side 2:
B - Donna Maria
Vocals – Bob Eberly
Written By Allie Wrubel
Credits:
Manufactured By – Decca Records, Inc.
Alto Saxophone [Uncredited] – Milt Yaner, Sam Rubinowitch
Bass [Uncredited] – Jack Ryan
Drums [Uncredited] – Buddy Schutz
Guitar [Uncredited] – Guy Smith (2)
Leader, Alto Saxophone [Uncredited], Clarinet [Uncredited] – Jimmy Dorsey
Piano [Uncredited] – Joe Lipman
Tenor Saxophone [Uncredited] – Charles Frazier, Herbie Haymer
Trombone [Uncredited] – Don Matteson, Nat Lobovsky, Sonny Lee
Trumpet [Uncredited] – Jimmy Campbell (6), Nate Kazebier, Shorty Solomon
Notes:
Both Sides: Fox Trot, Vocal Chorus
Recorded February 3, 1941, New York
Manufactured in U.S.A. By Decca Records, INC.
Reg. U.S. Pat. Off.
Credits from Discography of American Historical Recordings. UC Santa Barbara Library, 2022
Side 1:
A - Amapola (Pretty Little Poppy)
Vocals – Bob Eberly, Helen O'Connell
Written By Albert Gamse, Joseph M. Lacalle*
Side 2:
B - Donna Maria
Vocals – Bob Eberly
Written By Allie Wrubel
Credits:
Manufactured By – Decca Records, Inc.
Alto Saxophone [Uncredited] – Milt Yaner, Sam Rubinowitch
Bass [Uncredited] – Jack Ryan
Drums [Uncredited] – Buddy Schutz
Guitar [Uncredited] – Guy Smith (2)
Leader, Alto Saxophone [Uncredited], Clarinet [Uncredited] – Jimmy Dorsey
Piano [Uncredited] – Joe Lipman
Tenor Saxophone [Uncredited] – Charles Frazier, Herbie Haymer
Trombone [Uncredited] – Don Matteson, Nat Lobovsky, Sonny Lee
Trumpet [Uncredited] – Jimmy Campbell (6), Nate Kazebier, Shorty Solomon
Notes:
Both Sides: Fox Trot, Vocal Chorus
Recorded February 3, 1941, New York
Manufactured in U.S.A. By Decca Records, INC.
Reg. U.S. Pat. Off.
Credits from Discography of American Historical Recordings. UC Santa Barbara Library, 2022
Barcode and Other Identifiers
Matrix / Runout (Side A): 68652
Matrix / Runout (Side B): 68650
Matrix / Runout (A side stamped variant 1): 68652A 0
Matrix / Runout (B side stamped variant 1): 68650A 0
Matrix / Runout (A side stamped variant 2): 68652A X
Matrix / Runout (B side stamped variant 2): 68650A
Jimmy Dorsey And His Orchestra – Amapola / Donna Maria
Label: Decca – 3629
Format: Shellac, 10", 78 RPM
Country: US
Released: 1941
Genre: Jazz, Pop
Style: Big Band
Label: Decca – 3629
Format: Shellac, 10", 78 RPM
Country: US
Released: 1941
Genre: Jazz, Pop
Style: Big Band
Viewfinder links:
Net links:
Steemit ~ Amapola ~ Long Psychedelic Song!
Styrous® ~ Saturday, February 3, 2024
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Amapola lyrics
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Español & English
Of love in the irons of your fence
De amor en los hierros de tu reja
Of love I heard the sad complaint
De amor escuché la triste queja
Of love that rang in my heart
De amor que sonó en mi corazón
telling me like this
Diciéndome así
with your sweet song
Con su dulce canción
Poppy, beautiful Poppy
Amapola, lindísima Amapola
It will always be my soul, yours alone
Será siempre mi alma, tuya sola
I love you, my beloved girl
Yo te quiero, amada niña mía
Just as the flower loves the light of day
Igual que ama la flor la luz del día
Poppy, beautiful Poppy
Amapola, lindísima Amapola
Don't be so ungrateful and love me
No seas tan ingrata y ámame
Poppy, Poppy
Amapola, Amapola
How can you live so alone?
¿Cómo puedes tú vivir tan sola?
Poppy, beautiful Poppy
Amapola, lindísima Amapola
My soul will always be yours alone
Será siempre mi alma tuya sola
I love you, my beloved girl
Yo te quiero, amada niña mía
Just as the flower loves the light of day
Igual que ama la flor la luz del día
Poppy, beautiful Poppy
Amapola, lindísima Amapola
Don't be so ungrateful and love me
No seas tan ingrata y ámame
Poppy, Poppy
Amapola, Amapola
How can you live so alone?
¿Cómo puedes tú vivir tan sola?
Composed by José María Lacalle García
Of love in the irons of your fence
De amor en los hierros de tu reja
Of love I heard the sad complaint
De amor escuché la triste queja
Of love that rang in my heart
De amor que sonó en mi corazón
telling me like this
Diciéndome así
with your sweet song
Con su dulce canción
Poppy, beautiful Poppy
Amapola, lindísima Amapola
It will always be my soul, yours alone
Será siempre mi alma, tuya sola
I love you, my beloved girl
Yo te quiero, amada niña mía
Just as the flower loves the light of day
Igual que ama la flor la luz del día
Poppy, beautiful Poppy
Amapola, lindísima Amapola
Don't be so ungrateful and love me
No seas tan ingrata y ámame
Poppy, Poppy
Amapola, Amapola
How can you live so alone?
¿Cómo puedes tú vivir tan sola?
Poppy, beautiful Poppy
Amapola, lindísima Amapola
My soul will always be yours alone
Será siempre mi alma tuya sola
I love you, my beloved girl
Yo te quiero, amada niña mía
Just as the flower loves the light of day
Igual que ama la flor la luz del día
Poppy, beautiful Poppy
Amapola, lindísima Amapola
Don't be so ungrateful and love me
No seas tan ingrata y ámame
Poppy, Poppy
Amapola, Amapola
How can you live so alone?
¿Cómo puedes tú vivir tan sola?
Composed by José María Lacalle García
Helen O'Connell articles/mentions
mentions:
Jimmy Dorsey ~ So Rare
October 13, 2021
78 RPMs 10: Frank Sinatra & Harry James On a Little Street In Singapore
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78 RPM record
On October 13, 1939, I can’t believe that was 82 years ago, Harry James and his band, with Frank Sinatra singing, recorded On a Little Street in Singapore. This recording is a reissue as the original issue gave James top billing over Sinatra.
The
trumpet of James is beautiful, of course, as it soars through the song
and Sinatra is suave and sexy as he always was back then.
I have loved On a Little Street in Singapore with its gentle and slow but bouncy beat and romantic lyrics all my life (link below).
On A Little Street In Singapore
On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
My sails tonight are filled with perfume of Shalimar
With temple bells that guide me to her shore
And then I hold you in my arms
And love the way I loved before
On a little street in Singapore
On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
My sails tonight are filled with perfume of Shalimar
With temple bells that guide me to her shore
And then I hold you in my arms
And love the way I loved before
On a little street in Singapore
On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
It is a jazz song written by Peter DeRose and Billy Hill.
Though it's obscure now, the song was popular in the 1930s and
1940s. Other artists who
covered the tune included crooner Kenny Baker, Glenn Miller with tenor Ray Eberle and Jimmy Dorsey with Bob Eberle (Ray's brother).
Baker's
version is slower than the Sinatra/James rendition and it is oriental
sounding with minor key modulations not in the original version and when
Miller and Eberle covered the song, their tempo was faster and a bit
livelier.
In the fifties it was The Three Suns, slow, smooth and dreamy with xylophone, accordion, slide guitar and electric organ, also with an oriental flavor. Then there was Dave Brubeck with Paul Desmond on sax (jazzy, of course) with no vocal, as was Harold Land with sax and Kenny Dorham on trumpet with their version.
In the seventies Bert Kaempfert pizzscatoed his way through it, the Manhattan Transfer and even Bob Dylan covered it! (link below) Dylan! Can you believe it?
The Manhattan Transfer (Tim Hauser, Laurel Massé, Alan Paul and Janis Siegel)
1978 cover is faster than the Sinatra/James rendition and it is my
favorite version of the song; it is up to date, well, in 1978 it was (link below). The harmonizing by the group is flawless and Alan Paul has the type of tenor voice and killer looks that teenage girls swooned over in the forties.
Manhattan Transfer - 1985
(top: Tim Hauser, Alan Paul
photo by Nancy Clendaniel
Harry James was an American musician who is best known as a trumpet-playing band leader who led a big band
from 1939 to 1946. He broke up his band for a short period in 1947 but
shortly after he reorganized and was active again with his band from
then until his death in 1983. He was especially known among musicians
for his technical proficiency as well as his tone,
and was an influence on new trumpet players from the late 1930s into the
1940s. He was also an actor in a number of films that usually featured
his band.
date & photographer unknown
Harry James was a heavy smoker, drinker and gambler. In 1983 he was diagnosed with lymphatic cancer, but continued to work. He played his last professional job, with the Harry James Orchestra, on June 26, 1983 in Los Angeles, dying just nine days later in Las Vegas, Nevada on July 5, 1983; he was 67 years old. Frank Sinatra gave the eulogy at his funeral, held in Las Vegas.
Tracklist:
Side 1:
A - On A Little Street In Singapore, written by Hill*, De Rose*
Side 2:
B - Every Day Of My Life, written by Hays*, James*, Beck*
Credits:
Alto Saxophone [Uncredited] – Claude Lakey, Dave Matthews (2)
Bass [Uncredited] – Thurman Teague
Directed By – Harry James (2)
Drums [Uncredited] – Mickey Scrima (tracks: B), Ralph Hawkins (tracks: A)
Guitar [Uncredited] – Bryan Kent
Piano [Uncredited] – Jack Gardner
Tenor Saxophone [Uncredited] – Bill Luther, Drew Page
Trombone [Uncredited] – Bruce Squires (tracks: B), Dalton Rizzotto (tracks: B), Russell Brown (tracks: A), Truett Jones
Trumpet [Uncredited] – Claude Bowen, Harry James (2), Jack Palmer, Jack Schaeffer
Vocals – Frank Sinatra
Notes:
Obviously re-released, giving Frank top billing. He only sings toward the end of each song.
A side originally recorded Chicago, Oct. 13, 1939; B side originally recorded Hollywood, Nov. 8, 1939.
Performance credits from Jazz and Ragtime Records (1897-1942): A-K
Side 1:
A - On A Little Street In Singapore, written by Hill*, De Rose*
Side 2:
B - Every Day Of My Life, written by Hays*, James*, Beck*
Credits:
Alto Saxophone [Uncredited] – Claude Lakey, Dave Matthews (2)
Bass [Uncredited] – Thurman Teague
Directed By – Harry James (2)
Drums [Uncredited] – Mickey Scrima (tracks: B), Ralph Hawkins (tracks: A)
Guitar [Uncredited] – Bryan Kent
Piano [Uncredited] – Jack Gardner
Tenor Saxophone [Uncredited] – Bill Luther, Drew Page
Trombone [Uncredited] – Bruce Squires (tracks: B), Dalton Rizzotto (tracks: B), Russell Brown (tracks: A), Truett Jones
Trumpet [Uncredited] – Claude Bowen, Harry James (2), Jack Palmer, Jack Schaeffer
Vocals – Frank Sinatra
Notes:
Obviously re-released, giving Frank top billing. He only sings toward the end of each song.
A side originally recorded Chicago, Oct. 13, 1939; B side originally recorded Hollywood, Nov. 8, 1939.
Performance credits from Jazz and Ragtime Records (1897-1942): A-K
Barcode and Other Identifiers
Matrix / Runout (Side A Label): WC 2798
Matrix / Runout (Side B Label): LA 2047
Matrix / Runout (A side stamped variant 1): W2798A
Matrix / Runout (B side stamped variant 1): LA2047A
Matrix / Runout (A side stamped variant 2): WC2798A B 18 H
Matrix / Runout (B side stamped variant 2): LA2047A B J
Frank Sinatra With Harry James And His Orchestra – On A Little Street In Singapore / Every Day Of My Life
Label: Columbia – 36700
Format: Shellac, 10", 78 RPM
Country: US
Released: Apr 1944
Genre: Jazz, Pop
Style: Big Band, Vocal
Label: Columbia – 36700
Format: Shellac, 10", 78 RPM
Country: US
Released: Apr 1944
Genre: Jazz, Pop
Style: Big Band, Vocal
Viewfinder links:
Net links:
Styrous® ~ Wednesday, February 17, 2021
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Ray Eberle articles/mentions
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