Showing posts with label Dave Brubeck. Show all posts
Showing posts with label Dave Brubeck. Show all posts

October 13, 2021

78 RPMs 10: Frank Sinatra & Harry James On a Little Street In Singapore

 ~  
78 RPM record
 
    
On October 13, 1939, I can’t believe that was 82 years ago, Harry James and his band, with Frank Sinatra singing, recorded On a Little Street in Singapore. This recording is a reissue as the original issue gave James top billing over Sinatra.          

The trumpet of James is beautiful, of course, as it soars through the song and Sinatra is suave and sexy as he always was back then.        
     
I have loved On a Little Street in Singapore with its gentle and slow but bouncy beat and romantic lyrics all my life (link below). 
 
 
 On A Little Street In Singapore

On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace

My sails tonight are filled with perfume of Shalimar
With temple bells that guide me to her shore
And then I hold you in my arms
And love the way I loved before
On a little street in Singapore

On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
 
 
It is a jazz song written by Peter DeRose and Billy Hill. Though it's obscure now, the song was popular in the 1930s and 1940s. Other artists who covered the tune included crooner Kenny Baker, Glenn Miller with tenor Ray Eberle and Jimmy Dorsey with Bob Eberle (Ray's brother).      
 
Baker's version is slower than the Sinatra/James rendition and it is oriental sounding with minor key modulations not in the original version and when Miller and Eberle covered the song, their tempo was faster and a bit livelier.  
 
 

Glenn Miller & Ray Eberle
 date & photographer unknown
 
 
In the fifties it was The Three Suns, slow, smooth and dreamy with xylophone, accordion, slide guitar and electric organ, also with an oriental flavor. Then there was Dave Brubeck with Paul Desmond on sax (jazzy, of course) with no vocal, as was Harold Land with sax and Kenny Dorham on trumpet with their version.      
 
In the seventies Bert Kaempfert pizzscatoed his way through it, the Manhattan Transfer and even Bob Dylan covered it! (link below) Dylan! Can you believe it?         
 
The Manhattan Transfer (Tim Hauser, Laurel MasséAlan Paul and Janis Siegel) 1978 cover is faster than the Sinatra/James rendition and it is my favorite version of the song; it is up to date, well, in 1978 it was (link below). The harmonizing by the group is flawless and Alan Paul has the type of tenor voice and killer looks that teenage girls swooned over in the forties.             
 
 
photo by Nancy Clendaniel 
 
 
Harry James was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his tone, and was an influence on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band.                 
     
      
Harry James and his band 
date & photographer unknown
 
 
Harry James was a heavy smoker, drinker and gambler. In 1983 he was diagnosed with lymphatic cancer, but continued to work. He played his last professional job, with the Harry James Orchestra, on June 26, 1983 in Los Angeles, dying just nine days later in Las Vegas, Nevada on July 5, 1983; he was 67 years old. Frank Sinatra gave the eulogy at his funeral, held in Las Vegas.         
          
         
         
   
    
   
   
Tracklist:

Side 1:

A - On A Little Street In Singapore, written by Hill*, De Rose*

Side 2:

B - Every Day Of My Life, written by Hays*, James*, Beck*

Credits:

    Alto Saxophone [Uncredited] – Claude Lakey, Dave Matthews (2)
    Bass [Uncredited] – Thurman Teague
    Directed By – Harry James (2)
    Drums [Uncredited] – Mickey Scrima (tracks: B), Ralph Hawkins (tracks: A)
    Guitar [Uncredited] – Bryan Kent
    Piano [Uncredited] – Jack Gardner
    Tenor Saxophone [Uncredited] – Bill Luther, Drew Page
    Trombone [Uncredited] – Bruce Squires (tracks: B), Dalton Rizzotto (tracks: B), Russell Brown (tracks: A), Truett Jones
    Trumpet [Uncredited] – Claude Bowen, Harry James (2), Jack Palmer, Jack Schaeffer
    Vocals – Frank Sinatra

Notes:

Obviously re-released, giving Frank top billing. He only sings toward the end of each song.
A side originally recorded Chicago, Oct. 13, 1939; B side originally recorded Hollywood, Nov. 8, 1939.

Performance credits from Jazz and Ragtime Records (1897-1942): A-K

Barcode and Other Identifiers

    Matrix / Runout (Side A Label): WC 2798
    Matrix / Runout (Side B Label): LA 2047
    Matrix / Runout (A side stamped variant 1): W2798A
    Matrix / Runout (B side stamped variant 1): LA2047A
    Matrix / Runout (A side stamped variant 2): WC2798A B 18 H
    Matrix / Runout (B side stamped variant 2): LA2047A B J

Frank Sinatra With Harry James And His Orchestra – On A Little Street In Singapore / Every Day Of My Life
Label: Columbia – 36700
Format: Shellac, 10", 78 RPM
Country: US
Released: Apr 1944
Genre: Jazz, Pop
Style: Big Band, Vocal





Viewfinder links:       
        
Dave Brubeck        
Jimmy Dorsey         
Bob Dylan          
Bob Eberly        
Ray Eberle         
Harry James         
Bert Kaempfert          
Manhattan Transfer        
Glenn Miller        
Alan Paul        
Frank Sinatra        
       
Net links:       
        
        
        
        
        
        
        
       
YouTube links:       
        
On a Little Street in Singapore ~                 
        
Kenny Baker        
Dave Brubeck & Paul Desmond            
Bob Dylan           
Bert Kaempfert      
Manhattan Transfer      
Manhattan Transfer (TV)     
The Three Suns     
        
       
        
        
        
        
        
        
Styrous® ~ Wednesday, February 17, 2021       
       
 
 
 
 
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January 27, 2021

Dave Brubeck articles/mentions

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Dave Brubeck - 1954   
photo by Carl van Vechten      
      
     
      
     
           
      
     
 
 
 
 
 
 
 
 
 
 
 
 

March 12, 2017

20,000 Vinyl LPs 82: Al Jarreau ~ Breakin' Away & scat


Al Jarreau ~ Breakin' Away
vinyl LP, front cover
cover photo by Susan Jarreau
art design by Christine Sauers
photo of cover by Styrous®


Al Jarreau was born on this day, March 12, in 1940. He died last month on Sunday, February 12, 2017, exactly one month short of his birthday. He would have been 77 years old.     


Al Jarreau ~ Breakin' Away
vinyl LP, back cover
back cover photo by Susan Jarreau
art design by Christine Sauers 
photo of back cover by Styrous®



My favorite song from his album, Breakin' Away, is his translation of the 1959 jazz classic by Dave Brubeck, Blue Rondo à la Turk. I don't call it a cover or a rendition as the song is originally an instrumental piece of music to which Jarreau wrote lyrics.  

Blue Rondo à la Turk is a jazz standard composition which appeared on the album by Brubeck, Time Out. It is written in 9
8
time, with one side theme in 4
4
, and the choice of rhythm was inspired by the Turkish aksak time signatures. It was originally recorded by the Dave Brubeck Quartet with Brubeck on piano, Paul Desmond playing alto saxophone, Eugene Wright on bass, and Joe Morello doing some really cool drum work.  

Jarreau's version is as fast and syncopated but more erratic, jerky and not as smooth as the original version by Brubeck. However, his incorporation of scat with his lyrics is astounding.   



Al Jarreau ~ Breakin' Away
vinyl LP, record sleeve front
art design by Christine Sauers
photo by Styrous®


A little scat

The 1926 recording by Louis Armstrong of Heebie Jeebies is often cited as the first song to employ scatting but there are earlier examples. One early master of ragtime scat singing was Gene Greene who recorded scat choruses in his song King of the Bungaloos and several others between 1911 and 1917. Al Jolson scatted through a few bars in the middle of his 1911 recording of That Haunting Melody. The 1917, From Here to Shanghai, by Gene Green featured faux-Chinese scatting, and in 1924, Scissor Grinder Joe and Some of These Days by Gene Rodemich pre-date Armstrong. Cliff "Ukulele Ike" Edwards scatted an interlude on his 1923, Old Fashioned Love, in lieu of using an instrumental soloist. Harry Barris, one of Paul Whiteman's "The Rhythm Boys", along with Bing Crosby, scatted on several songs, including Mississippi Mud, which Barris wrote in 1927. One of the early female singers to use scat was Aileen Stanley, who included it at the end of a duet with Billy Murray in their hit 1924 recording of It Had To Be You (Victor 19373).   

Jelly Roll Morton credited Joe Sims of Vicksburg, Mississippi, as the creator of scat around the turn of the 20th century.     



Al Jarreau ~ Breakin' Away
vinyl LP, record sleeve back
art design by Christine Sauers
photo by Styrous®


However, my very most favorite scat song EVER is the incredible, How High the Moon, by the Queen of Jazz, none other than Lady Ella, Ella Fitzgerald from her 1960 live concert album, Ella in Berlin: Mack the Knife. Oh, my lord! It is an amazing feat of 7 minutes of vocal gymnastics!  

Ella starts out with a traditional jazz vocal in a fast tempo that is truly beautiful and graceful, as only she could do, with improvisation that is marvelous. Suddenly she breaks into scat then swoops and soars like a humming bird at breakneck speed! It is astonishing!   

The performance was on February 13, 1960, at the Deutschlandhalle in Berlin, Germany. To have been there to hear it live must have been a fantasy ride to heaven. Those lucky people!   

Ella in Berlin was inducted into the Grammy Hall of Fame in 1999, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." And significance this album has a-plenty. There has never been an album like this one and I doubt there ever will.    



Al Jarreau ~ Breakin' Away
vinyl LP, back cover detail
art design by Christine Sauers
detail photo by Styrous®










Jarreau was born in Milwaukee, Wisconsin. Jarreau attended Ripon College, where he also sang with a group called the Indigos. He graduated in 1962 with a Bachelor of Science in psychology. Two years later, in 1964, he earned a master's degree in vocational rehabilitation from the University of Iowa. Jarreau also worked as a rehabilitation counselor in San Francisco, and moonlighted with a jazz trio headed by George Duke. In 1967, he joined forces with acoustic guitarist Julio Martinez. The duo became the star attraction at a small Sausalito night club called Gatsby's.   





In 1969, Jarreau and Martinez went to Los Angeles and Jarreau appeared at Dino's, The Troubadour, and Bitter End West. He made television appearances with Johnny Carson, Mike Douglas, Merv Griffin, Dinah Shore and David Frost. He performed at The Improv between the acts of rising-star comics as Bette Midler, Jimmie Walker, and John Belushi. During this period, he became involved with the United Church of Religious Science and the Church of Scientology, but he later dissociated from Scientology. Also, roughly at the same time, he began writing his own lyrics, finding that his Christian spirituality began to influence his work.   



Al Jarreau ~ Breakin' Away
vinyl LP, back cover detail
art design by Christine Sauers
detail photo by Styrous®


Al Jarreau received a total of seven Grammy Awards and was also nominated for over a dozen others. 





Al Jarreau ~ Breakin' Away
vinyl LP label, side 1
photo by Styrous®




Al Jarreau ~ Breakin' Away
vinyl LP label, side 2
photo by Styrous®


On February 8, 2017, in Los Angeles, Jarreau cancelled his remaining 2017 tour dates. He died of respiratory failure, at the age of 76, just two days after announcing his retirement.    


Tracklist:
 
Side 1:

1 - Closer To Your Love - written by Al Jarreau, Jay Graydon, Tom Canning - 3:54

2 - My Old Friend - written by John Lang (2), Richard Page, Steve George - 4:26

3 - We're In This Love Together - written by Keith Stegall, Roger Murrah - 3:44

4 - Easy - written by Al Jarreau, Jay Graydon, Tom Canning - 5:23

5 - Our Love - written by Al Jarreau, Jay Graydon, Tom Canning - 3:53

Side 2:

1 - Breakin' Away - written by Al Jarreau, Jay Graydon, Tom Canning - 4:12

2 - Roof Garden - written by Al Jarreau, Jay Graydon, Tom Canning - 6:19

3 - (Round, Round, Round) Blue Rondo à la Turk, Lyrics By Al Jarreau, Music By Dave Brubeck - 4:44

4 - Teach Me Tonight - written by Gene De Paul*, Sammy Cahn - 4:13

Al Jarreau ~ Breakin' Away       
Label: Warner Bros. Records ‎– BSK 3576
Format: Vinyl, LP, Album, Jacksonville Pressing
Country: US
Released: 1981
Genre: Jazz, Funk
Style: Soul

Companies, etc.

    Pressed By – Capitol Records Pressing Plant, Jacksonville
    Recorded At – Dawnbreaker Studios
    Recorded At – Sunset Sound
    Recorded At – The Pasha Music House
    Overdubbed At – Garden Rake Studio
    Mixed At – Garden Rake Studio
    Mastered At – A&M Studios
    Phonographic Copyright (p) – Warner Bros. Records Inc.
    Copyright (c) – Warner Bros. Records Inc.
    Published By – Aljarreau Music
    Published By – Desperate Music
    Published By – Garden Rake Music, Inc.
    Published By – Warner-Tamerlane Publishing Corp.
    Published By – Entente Music
    Published By – Blackwood Music Inc.
    Published By – Magic Castle Music, Inc.
    Published By – Derry Music
    Published By – MCA Music
    Published By – Cahn Music Co.
    Published By – Hub Music Co.

Credits:

    Alto Saxophone – Lon Price (tracks: A3, B4)
    Arranged By [Horns] – Jerry Hey (tracks: B1, B2)
    Arranged By [Rhythm] – Al Jarreau (tracks: A1 to B2, B4), Jay Graydon (tracks: A1 to B2, B4), Tom Canning (tracks: A1 to B2, B4)
    Arranged By [Rhythm], Piano – Milchio Leviev* (tracks: B3)
    Arranged By [Strings] – Billy Byers (tracks: B4), David Foster (tracks: A5)
    Arranged By [Vocals] – Al Jarreau (tracks: B3), Jay Graydon (tracks: B3), Tom Canning (tracks: B3)
    Art Direction, Design – Christine Sauers
    Backing Vocals – Al Jarreau (tracks: A1, A3 to B2, B4), Bill Champlin (tracks: B2), Richard Page (tracks: A2, A5, B2), Steve George (tracks: A2, A5, B2)
    Bass – Abe Laboriel* (tracks: A1 to A5, B2 to B4), Neil Steubenhaus* (tracks: B1)
    Contractor – Frank De Caro*
    Drums – Jeff Porcaro (tracks: B1), Steve Gadd (tracks: A1 to A5, B2 to B4)
    Electric Guitar – Dean Parks (tracks: B4), Jay Graydon (tracks: A1 to B2, B4), Steve Lukather (tracks: A2, A3)
    Electric Piano [Fender Rhodes] – David Foster (tracks: A2,), David Foster (tracks: A5, B1), George Duke (tracks: B2), Michael Omartian (tracks: A3), Tom Canning (tracks: A1, A4, B4)
    Engineer – Joe Bogan
    Engineer [Second On "breakin' Away"] – Csaba Petocz, Mikey Davis
    Engineer [Second] – Debbie Thompson
    Flugelhorn – Jerry Hey (tracks: A2)
    Horns – Tom Scott (tracks: A1)
    Mastered By – Bernie Grundman
    Mixed By – Jay Graydon
    Percussion – Bob Zimmitti (tracks: A4)
    Photography By – Susan Jarreau
    Piano – David Foster (tracks: A2), David Foster (tracks: A5, B1), Tom Canning (tracks: A1)
    Producer – Jay Graydon
    Producer [Associate] – Tom Canning
    Programmed By – Jay Graydon (tracks: A1, A2), Michael Boddicker (tracks: A2, B3)
    Recorded By [Basic Track] – Larry Brown (tracks: B1)
    Recorded By [Strings] – Humberto Garcia*
    Synthesizer – David Foster (tracks: A2, A5, B1), Larry Williams (tracks: A4), Michael Boddicker (tracks: A3 to B1, B3), Michael Omartian (tracks: A3), Peter Robinson (tracks: A4), Tom Canning (tracks: A1, A2, A4, B3)
    Trombone – Bill Reichenbach (2) (tracks: B1, B2)
    Trumpet – Chuck Findley (tracks: B1, B2), Jerry Hey (tracks: B1, B2)
    Vocals [Uncredited] – Al Jarreau

Notes:

Lyrics and credits on inner sleeve.
Basic tracks recorded at Dawnbreaker Studios, San Fernando, Calif. Overdubs and mixing at Garden Rake Studios, Studio City, Calif. Strings Recorded at Sunset Sound, Hollywood, Calif. Basic track for Breakin' Away recorded at Pasha Music, Hollywood, Calif. Mastered at A&M Studios, Hollywood, Calif.

© & ℗ Warner Bros. Records Inc.
All songs published by Aljarreau Music/Desperate Music/Garden Rake Music BMI except
A2 published by Warner-Tamerlane Publishing Corp/Entente Music BMI
A3 published by Blackwood Music, Inc/Magic Castle Music, Inc. BMI
B3 published by Derry Music Co/Aljarreau Music BMI
B4 published by MCA Music/Cahn Music Co./Hub Music Co. ASCAP
Barcode and Other Identifiers

    Barcode (Text): 0 7599-23576-1
    Barcode (Scanned): 075992357616
    Matrix / Runout (Etched Side One 0 Stamped, Variant 1): BSK-1-3576-JW5 0
    Matrix / Runout (Etched Side Two 0 Stamped, Variant 1): BSK-2-3576-JW3 0
    Matrix / Runout (Etched Side One 0 Stamped, Variant 2): BSK-1-3576-JW6 #2
    Matrix / Runout (Etched Side Two 0 Stamped, Variant 2): BSK-2-3576-JW3 #3


Net links:          
             
Al Jarreau Discography 
Blue Rondo A La Turk (Round, Round, Round) lyrics           
Grammy Awards          
      
YouTube links:    
Al Jarreau - Blue Rondo à la Turk      
Dave Brubeck - Blue Rondo à la Turk on      
Louis Armstrong ~ Heebie Jeebies 1926     
Gene Greene ~ King of the Bungaloos       
Al Jolson ~ That Haunting Melody        
Billy Murray & Aileen Stanley ~  It Had To Be You       
Ella Fitzgerald ~ How High the Moon    
        
            
                














Al Jarreau ~ Blue Rondo A La Turk (Round, Round, Round) lyrics

"Blue Rondo A La Turk (Round, Round, Round)"

Round, round, round a melody
Round, round, round a harmony
Round, round, round a melody,
harmony, melody-steadily

Round, round, round a melody
Round, round, round a memory
Round, round, round a melody,
memory, melody, merrily.

There's a melody I used to play
Counterpoint every yesterday.
Swiftly up and down I hasten and
chasten my fingers and heart to play.

Round, round, round a melody
Round, round, round a memory
Round, round, round a melody
memory, harmony-steadily

Round, round, round a melody
Round, round, round a mystery
Round, round, round a melody,
mystery, mirror of history.

Taking over all my reveries
Hearing passions in the melodies
Play it up and down so wearily-
Stumbling, fumbling, tumbling.

Round, round, round a melody
Round, round, round a harmony
Round, round, round a melody
Harmony, melody, memory

Round, round town I follow you.
Round, round town I'm calling you.
Round, round town I hasten to do
all the chasing you want me to.

Open up an opportunity,
For I know that you will be
Truly happy and content with me.
Measure me, treasure me, pleasure me.

Open up an opportunity.
Open up an offer. You will be
Truly happy and content with me.
Measure me, treasure me, pleasure me.

Round, round, round a melody
Round, round, round a you and me.
Round, round, round a melody
you and me, melody and harmony.

Round, round, round a melody
Round, round, round a harmony
Round, round, round a melody,
harmony, mystery-you and me.

Don't you see
That we were meant to be,
One and the same.
Melody, married to harmony,
One and the same.
Change the score
We will be ever more
One and the same.
Melody, married to harmony
One and the same.

Here it comes, our symphony,
measure by measure.
A melody and harmony,
you and me in harmony.
You and me so happy
we're making it
Shaking the blues ain't bothering me.

Here it comes, our symphony,
measure by measure,
a pleasure.
A melody and harmony,
you and me in harmony
You and me so happy
we found a new rondo,
To end the blue rondo today.

Writer(s): Al Jarreau, Dave Brubeck
(Round, Round, Round) Blue Rondo A La Turk lyrics © Universal Music Publishing Group