Showing posts with label Motown. Show all posts
Showing posts with label Motown. Show all posts

December 17, 2023

20,000 vinyl LPs 345: Eddie Kendricks ~ For You

 ~        
    
     
 
 
 
 
 
 
 
 
vinyl LP front cover  
cover photo by Jim Britt 
photo of album cover by Styrous®
 
 
 
This month, on December 17, is the birthday of Edward James Kendrick, better known as Eddie Kendricks, he was an American tenor singer and songwriter; he co-founded the Motown singing group the Temptations, and was one of their lead singers from 1960 until 1971.          
 
For You was released in December of 1974, I'd like to think it was especially for his birthday, but maybe not. Kendricks was born in Union Springs, Alabama in 1939.          
         
The Temptations began singing background for Mary Wells but became the most successful male vocal group of the 1960s. Although technically Kendricks was first tenor in the group's harmony, he often sang in the falsetto register. Among the Temptations songs Kendricks sang lead on were Dream Come True (1962), the group's first charting single; The Way You Do the Things You Do (1964), the group's first US Top 20 hit; I'll Be in Trouble (1964); The Girl's Alright With Me (1964), a popular B-side that Kendricks co-wrote; Girl (Why You Wanna Make Me Blue) (1964); Get Ready (1966); Please Return Your Love to Me (1968); and Just My Imagination (1971).              
         
With the Temptations, Kendricks was responsible for creating most of the group's vocal arrangements, and also served as wardrobe manager. He remained in the group through the rest of the decade, but a number of issues began to push him away from it in the late 1960s and early 1970s. He was uncomfortable with singing the psychedelic style that Whitfield was now crafting for the group as opposed to the romantic ballads they had sung under the direction of Smokey Robinson; his friend Paul Williams was often too ill to perform with the group; and Kendricks often found himself at odds with bandmates Otis Williams and Melvin Franklin. As he grew away from the group, Kendricks began to rekindle his friendship with ex-Temptation David Ruffin, who convinced him to leave. He also stated that his relationship with Berry Gordy was less than cordial. "Berry Gordy is a man I don't know, I only met him about three times," he said, but "I know he didn't particularly care for me." Kendricks stated that he did not agree with many decisions that were made.      
 
I wasn't knocked out by the ballads on the album but If You Think (You Can) was my favorite one. In the funk category, One Tear and If You Think (You Can) knock my socks off.   
    
   
Tracklist:
       
Side 1:
        
A1 - Please Don't Go Away, Arranged By Jimmie Haskell, Leonard Caston, Written by Leonard Caston - 4:57

A2 - One Tear, Arranged By Jimmie Haskell, Leonard Caston, Written by Leonard Caston - 4:00

A3 - Shoeshine Boy, Arranged By Jerry Long, Sanford Shire, Written by Harry Booker, Linda Allen (7) - 3:14

A4 - Deep And Quiet Love, Written by  Frank Wilson, Kathy Wakefield - 5:34
       
Side 2:
       
B1 - Let Yourself Go, Arranged By Jerry Long, Leonard Caston, Written by  Harold Clayton, Leonard Caston, Mbaji, Sigidi - 5:45

B2 - If, Arranged By Jimmie Haskell, Leonard Caston, Written by  David Gates - 3:09

B3 - If You Think (You Can), Arranged By Jimmie Haskell, Leonard Caston, Written by  Barbara Dickerson, Leonard Caston - 3:59

B4 - Time In A Bottle, Arranged By Jimmie Haskell, Sanford Shire, Written by  Jim Croce - 2:59
       
Companies, etc.
       
    Recorded At – Motown/Hitsville U.S.A. Recording Studios
    Mixed At – Motown/Hitsville U.S.A. Recording Studios
    Copyright © – Motown Record Corporation
    Phonographic Copyright ℗ – Motown Record Corporation
       
Credits:
       
    Art Direction – Katarina Petterson*
    Backing Vocals [Background] – Carolyn Hurley, Carolyn Majors, Carolyn Willis, Frank Wilson, Harry Booker, Karin Patterson, Leonard Caston, Mara Baygulow, Myrna Matthews, Wayne Cooper (2)
    Engineer [Mixing] – Angel Balestier, Frank Wilson
    Engineer [Recording] – Angel Balestier, Art Stewart, Russ Terrana
    Photography By – Jim Britt
    Producer – Frank Wilson, Leonard Caston
       
Notes:
       
Recorded and mixed at Motown Recording Studios, Hollywood, California.

℗ © 1974 Motown Record Corporation
Printed in U.S.A.
       
Barcode and Other Identifiers
       
    Matrix / Runout (Side A label): D5RS-7815
    Matrix / Runout (Side B label): D5RS-7816-2

Eddie Kendricks – For You
Label:    Tamla – T6-335S1, Tamla – T6 335S1
Format:    Vinyl, LP, Album, Gatefold
Country: US
Released: 1974
Genre: Funk / Soul
Style: Rhythm & Blues, Soul, Funk
         
Viewfinder links:        
        
Melvin Franklin                 
Eddie Kendricks         
David Ruffin         
The Temptations           
Mary Wells       
Otis Williams      
        
YouTube links:        
         
If You Think (You Can)         
Let Yourself Go           
One Tear        
        
        
         
        
        
        
Styrous® ~ Sunday, December 17, 1923       
       
 
 



















March 28, 2021

Marvin Gaye articles/mentions

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Paul Butterfield Blues Band ~ The Resurrection of Pigboy Crabshaw      
Dionne Warwick ~ Go With Love          
     

      
     
      
Marvin Gaye - 1973
photo by Jim Britt
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 

February 21, 2021

20,000 vinyl LPs 276: The Temptations ~ Masterpiece & Norman Whitfield

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vinyl LP front cover detail 
Artwork [Sculpture] by Parvis Sadighian
detail photo by Styrous®


Of all the Motown groups my favorite is The Temptations; not because they were one of the most successful groups in music history but their albums were beautifully produced.       
 
Every great music group has a man who had a vision and the expertise to make the group's sound unique. For  The Temptations it was Norman Whitfield.           
 
 
Norman Whitfield - 1970 
photo: Michael Ochs Archives/Getty Images
 
 
My very favorite album by The Temptations is the 1973 album, Masterpiece; each and every song is outstanding; my favorite songs from the album are Hurry Tomorrow, Ma, Law of the Land and, of course, Masterpiece (links below).             
 
 

Artwork [Sculpture] by Parvis Sadighian 
photo by Styrous®
 
 
Masterpiece was released on February 21, 1973, and the title refers to the album being not the group's intended masterpiece, but that of Norman Whitfield. The album rightfully belongs in my “Just the cover, ma’am!” category (link below), which it will anyway, but the album is just too fantastic to limit this to just the cover. It definitely will go in my "Desert Island" category (link below).      

So, let's get the spectacular cover out of the way first. It features an embossed cover with the four members of the group by sculpture artist Parvis Sadighian. Sadighian also did the covers for Bachman-Turner Overdrive and Jerry Butler.   
 
              
The Temptations ~ Masterpiece
vinyl LP front cover detail 
Artwork [Sculpture] by Parvis Sadighian
detail photo by Styrous®


The cover featured a fake marble bas relief of the group’s faces in profile. Underneath, a sign said “Produced by Norman Whitfield”, which also appeared on the back. The implication was that The Temptations were an artwork sculpted by their producer, the more important figure here. While the musicians were credited on the back, the individual Temptations were not. And there was a large soft-focus image of the producer on the flip, with The Temptations emerging from his head.           
 

 The Temptations ~ Masterpiece
vinyl LP back cover 
Design by Des Strobel & Asari Graham 
photo by Jim Britt 
photo of album cover by Styrous®
 
 
Having already produced songs for the Temptations such as "Smiling Faces Sometimes" and "Papa Was a Rollin' Stone" which emphasized his instrumental tracks over the group's vocals, Whitfield went one step further with Masterpiece.        

The title track, Masterpiece, at nearly 14 minutes long, includes only three minutes of vocals from the group, who all share sections of the lead vocal. Whitfield entitled it "Masterpiece" because he felt it was a perfect blending of strings, horns, rhythm players, voices, studio tricks, and sweetening elements. However, the word 'masterpiece' does not appear in the song's lyrics, which do not point to anything obvious from which to draw a title. As with their Whitfield-produced hit from the previous year, Papa Was a Rollin' Stone, the Temptations do not make their first appearance until after a long instrumental section. This added to already building tension between the group and Whitfield and led some music writers to start referring to the group as "the Norman Whitfield Choral Singers" and other such names. Fans complained directly to the Temptations themselves.          
 
I don't care what the critics or anyone else think or say, I love this album and consider it the best one they produced. So there!    



The Temptations ~ Masterpiece
vinyl LP back cover detail
photo by Jim Britt  
detail photo of album cover by Styrous®
 
 
Masterpiece with echoey brass led by Richard Street opens the album and shares space on side one with Hey Girl (I Like Your Style), a slow classic-styled ballad.     
 
Side two of the LP opens with Ma, an ode to a hillbilly mother led by Street, Damon Harris, and Melvin Franklin with his resonnate bass. The song was recorded as the title track of the Rare Earth 1973 Whitfield-produced LP.      
 
Law of the Land, led by Edwards, with Street and Harris backing him, was a fantastic song to dance to; I loved the echoey trumpets. Law was recorded the same year by The Undisputed Truth. The song is a message track in the tradition of Don't Let the Joneses Get You Down from Puzzle People.     
 
Plastic Man, with its lead vocal shared between Edwards, Harris, Franklin and Street, disparages "plastic people" who operate in backhanded ways. It was another great song to dance to.  
 
The eight-minute album closer, Hurry Tomorrow, my favorite cut from the album, is a solo spot for Harris with his beautiful falsetto and Franklin's rich bass backing him as a counterpoint; it explores a hallucinogenic drug trip with sensational sonic effects! I remember being TOTALLY wiped out and listening to this song; it is only eight minutes long but it seemed to go on FOREVER!    

 
date & photographer unknown
 



 
 
 
 
 
 
 
 
    
             
Track list:

Side one:

  1. "Hey Girl (I Like Your Style)" – 4:36 (lead singer: Richard Street)
  2. "Masterpiece" – 13:49 (lead singers: Dennis Edwards, Otis Williams, Richard Street, Damon Harris, Melvin Franklin)

Side two:

  1. "Ma" – 4:46 (lead singers: Richard Street, Damon Harris, Melvin Franklin)
  2. "Law of the Land" – 5:08 (lead singers: Dennis Edwards, Damon Harris, Richard Street)
  3. "Plastic Man" – 5:53 (lead singers: Dennis Edwards, Damon Harris, Melvin Franklin, Richard Street)
  4. "Hurry Tomorrow" – 8:06 (lead singer: Damon Harris)

Personnel:

Companies, etc.

    Pressed By – RCA Records Pressing Plant, Indianapolis

Credits:

    Arranged By – Paul Riser
    Artwork [Sculpture] – Parvis Sadighian
    Bass – Bob Babbitt, Eddie Watkins*, Leroy Taylor
    Bells, Percussion [Gourd], Timpani, Vibraphone – Jack Brokensha
    Bongos, Congas – Eddie "Bongo" Brown
    Design – Des Strobel*
    Design [Creative Assistant] – Asari Graham
    Drums – Aaron Smith (2), Andrew Smith (4), Richard "Pistol" Allen*, Uriel Jones
    Engineer, Mastered By – Orson Lewis
    Guitar – Eddie Willis, Joe Messina, Melvin "Wah Wah" Ragin*, Paul Warren, Robert Ward, Robert White
    Harmonica – Ted Lucas
    Mastered By, Producer, Written-By – Norman Whitfield
    Organ – Johnny Griffith
    Organ, Piano – Earl Van Dyke
    Photography By [Liner Photo] – Jim Britt
    Tambourine, Maracas – Jack Ashford
    Trumpet – Maurice Davis


Notes:
 
Original release with embossed cover.

℗ 1973 Motown Record Corporation. 
 
Barcode and Other Identifiers
  • Matrix / Runout (Runout side A, variant 1): G965L-HS-2029-1 / C5RS-7533 / I / 1303105-01A / A6
  • Matrix / Runout (Runout side B, variant 1): G965L-HS-2030-2 / C5RS-7534 / I / 1303105-01B / B2
  • Matrix / Runout (Runout side A, variant 2): HS-2029-1 S-2030-2
  • Matrix / Runout (Runout side B, variant 2): S-2029-B HS-2030-2
  • Matrix / Runout (Runout side A, variant 3): G965L-HS-2029-1 C5RS-7533 I 1303105-01A A 2
  • Matrix / Runout (Runout side B, variant 3): G965L-HS-2030-2 C5RS-7534 A1 1303105-01B
  • Pressing Plant ID: I
The Temptations ‎– Masterpiece
Label: Gordy ‎– G965L, Gordy ‎– G 965L
Format: Vinyl, LP, Album
Country: US
Released: 21 Feb 1973
Genre: Funk / Soul
Style: Rhythm & Blues, Soul, Funk


     
Viewfinder links:             
          
Eddie "Bongo" Brown         
Jerry Butler           
Dennis Edwards         
Melvin Franklin        
Damon Harris         
Richard Street       
The Temptations          
The Undisputed Truth         
Norman Whitfield          
Otis Williams          
          
Net links:             
          
Let's Sing It ~ Masterpiece album lyrics        
Music Fest News ~ The Temptations’ Masterpieces      
udiscovermusic ~ Masterpiece: Norman Whitfield And The Temptations    
         
YouTube links:             
          
Rare Earth ~ Ma (17 mins., 10 secs.)        
The Temptations ~      
             Hey Girl       
             Hurry Tomorrow (8:07)         
             Law of the Land         
             Ma            
             Masterpiece (13:34)          
             Masterpiece full album (42:28)    
             Papa Was a Rolling Stone (11:50)     
             Plastic Man    
            
                        
                        
          
         
         
 
Photo: Michael Ochs Archives/Getty Images
 

 
 
 
 
 
 
 
Styrous® ~ Sunday, February 21, 2021       
       






          


















 

February 13, 2021

Norman Whitfield articles/mentions

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date & photographer unknown
     
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 



November 28, 2020

Berry Gordy, Jr. ~ Motown & onward

 ~      
 Berry Gordy, Jr. - 1950's
photographer unknown

Today is the birthday of Berry Gordy III, born on November 28, 1929, and known professionally as Berry Gordy, Jr. He is best known as the founder of Motown records.      
 
As a songwriter, he composed some of my favorite tunes, Lonely Teardrops and Reet Petite both recorded by Jackie Wilson; ABC sung by The Jackson 5, and on and on.       

As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips and Stevie Wonder. He was known for carefully controlling the public image, dress, manners, and choreography of his acts. He insisted that his stars learn their trade as entertainers with mentors such as Maurice King, who taught them the rudiments of music theory, Cholly Atkins (choreography) and Maxine Powell (deportment).        

By the middle of the 1960s, Scott began turning increasingly away from recording and performing to focus on writing and inventing with his remaining years spent solely on electronic composition. One of his innovations was an early programmable polyphonic sequencer and in 1971 tapped Raymond Scott to head the label's electronic music research and development team.   
    
And incredibly, he built up the whole thing with an eight hundred dollar loan. Now, I call that remarkable! 

Gordy received the Songwriters Hall of Fame's Pioneer Award on June 13, 2013, he was the first living individual to receive the honor.            
               
In 1988, Gordy was inducted into the Rock and Roll Hall of Fame. In 2016, he was awarded the National Medal of Arts by President Barack Obama.        
 
Gordy spoke at the memorial service for Michael Jackson in Los Angeles on July 7, 2009. He suggested that "The King of Pop" was perhaps not the best description for Jackson in light of his achievements, referring to him instead as "the greatest entertainer that ever ."       
     
On Sunday, September 22, 2019, during a celebration to mark Motown label’s 60th anniversary at Orchestra Hall in Detroit, Berry Gordy announced that after 60 decades in the music business he would  be retiring (link below).      
 
 
Big Sean, Hitsville Honors - September 22, 2019
photographer unknown
 
     
There are some great photographs of Berry Gordy and his life, loves and friends on the History of Rock website (link below)  
      
      
     
Viewfinder links:
      
Cholly Atkins         
The Four Tops         
Berry Gordy, Jr.      
Michael Jackson          
Barack Obama        
Raymond Scott      
The Supremes        
The Temptations     
Stevie Wonder     
     
Net links:
     
History of Rock ~ Berry Gordy's Motown Records       
Motown Museum ~ Berry Gordy     
Nostalgia Central ~ Berry Gordy, Jr.    
     
YouTube links:
      
Berry Gordy (interview)      
Mastermind of Motown (10 mins., 24 secs.)    
To Tell the Truth ~ The Supremes and Berry Gordy (1965)    
     
     
     
     
"I'm a songwriter, that's what I love." 
                    ~ Berry Gordy
     
     
     
     
Styrous® ~ Saturday, November 28, 2020   
















The Four Tops articles/mentions

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The Four Tops - ca 1966
photographer unknown
      
     
      
     
      
     
      
     
      
     
      
     
      
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Gladys Knight & the Pips articles/mentions

 
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date & photographer unknown
      
     
      
     
      
     
      
     
      
     
      
     
      
 
 
 
 
 
 
 
 
 
 
 
 
 
 

September 22, 2020

45 RPMs 49: The Supremes ~ I Hear a Symphony

~      
45 RPM record label


It does not seem that it's been 55 years since I first heard the song I Hear a Symphony by The Supremes! Is that possible? I guess so! Where did the time go?           

I remember being totally enchanted with it; it was the complete opposite of their earlier song, Stop! In the Name of Love! (link below). Although, I will always love Stop!, Symphony will be my all-time favorite tune by them. Stop! has a very hard driving, aggressive, assertive, almost threatening feeling to it which indicates love but perhaps impending disaster as well. Symphony is ultimate love expressed (link below) to the MAX!      
 
The song was recorded on this day, September 22, in 1965 for the Motown label. It was written and produced by the Motown main production team, Holland–Dozier–Holland, it became their sixth number-one pop hit on Billboard Hot 100 pop singles chart in the United States for two weeks from November 14, 1965 through November 27, 1965.       

The background strings were arranged by American composer, pianist, arranger, conductor and record producer, Belford Hendricks. He is primarily remembered as the co-composer of numerous soft-R&B songs of the 1950s, many in collaboration with Clyde Otis and Brook Benton, and as an accomplished arranger. His versatility allowed him to write in various styles, from big band swing for Count Basie, through blues ballads for Dinah Washington and Sarah Vaughan, R&B-influenced pop for Benton and country and western numbers for Nat King Cole and Al Martino, to early soul for Aretha Franklin.
      
It's amazing how many artists have covered it (links below)! The Temptations, Stevie Wonder, The Jackson 5, The Isley Brothers (bouncey but beautiful), Leslie Uggams, Wayne Newton, and Quincy Jones have taken turns at trying it on for size. The song was covered by Hank Crawford on his album by the same title in 1975, however, it is a disco-ized version and I wasn't so keen on it. Amazingly, KC and The Sunshine Band did a version that was super! It has a great piano/trumpet then vocal 1½ minute intro then goes into a slow easy rock ballad with terrific sax work by Harry W. Casey!        
 
 
I Hear a Symphony lyrics 

You've given me a true love
And every day I thank you, love
For a feeling that's so new
So inviting, so exciting

Whenever you're near, I hear a symphony
A tender melody
Pulling me closer, closer to your arms
Then suddenly (I hear a symphony)
Ooh, your lips are touching mine
A feeling so divine
Till I leave the past behind
I'm lost in a world
Made for you and me

Whenever you're near, I hear a symphony
Play sweet and tenderly
Every time your lips meet mine, now, baby, baby, baby
You bring much joy within
Don't let this feeling end
Let it go on and on and on, now, baby, baby, baby
Those tears that fill my eyes
I cry not for myself
But for those who've never felt the joy we felt (baby)

Whenever you're near, I hear a symphony
Each time you speak to me
I hear a tender rhapsody of love now, baby, baby
As you stand holding me
Whispering how much you care
A thousand violins fill the air, now, baby, baby
Don't let this moment end
Keep standing close to me
Ooh, so close to me, baby, baby, baby, baby
I hear a symphony
A tender melody
        
           
Viewfinder links:      

Count Basie             
Nat "King" Cole      
Hank Crawford        
Aretha Franklin          
The Supremes      
Sarah Vaughan         
Dinah Washington                  
    
Net Links:      
      
Dianna Ross Project ~ I Hear A Symphony          
Fandom ~ I Hear A Symphony        
Motown Junkies ~ I Hear A Symphony         
Mountain Valley Independant ~ I Hear A Symphony      
Secondhand Songs ~ I Hear a Symphony covers             
Songfacts ~ I Hear a Symphony         
The Guardian ~ Diana Ross & the Supremes: 10 of the best         
       
YouTube links:      
     
Hank Crawford ~ I Hear a Symphony              
The Isley Brothers ~ I Hear a Symphony       
The Jackson 5 ~ I Hear a Symphony       
KC and The Sunshine Band ~ I Hear a Symphony        
The Supremes ~        
     I Hear a Symphony     
     I Hear a Symphony (live) (1965)   
     Stop! In The Name Of Love      
     Stop! In The Name Of Love (Live)    
        
         
 
Photograph: Michael Ochs Archives/Library 

 
         
To Tom 
         
        
        
Styrous® ~ Tuesday, September 22, 2020