Showing posts with label Twilight Zone. Show all posts
Showing posts with label Twilight Zone. Show all posts

September 16, 2025

20,000 vinyl LPs 396: The Way We Were & Robert Redford

 ~  
vinyl LP front cover detail 
 cover photo by Steve Schapiro 
detail photo of album cover by Styrous®


One of my immortals (link below), Robert Redford died today. I recall the first time I was aware of him; I had no idea who he was and it was only years later that I found out it was him. It was an episode of The Twilight Zone in 1962, he was just starting his career and he portrayed Death in the guise of a cop. He asks an old woman who is afraid of dying, "Am I really so bad? Am I really so frightening? Come, take my hand" He was stunningly handsome and totally charming!    
 
 
Robert Redford - 1962 
The Twilight Zone film still 
 
 
There are two films of his that are my favorite, both in 1973. The first at the beginning of his devastating good looks, The Way We Were and the second, when he plays a mountain man in the movie, Jeremiah Johnson (links below).        
 

vinyl LP front cover 
 cover photo by Steve Schapiro 
photo of album cover by Styrous®



vinyl LP back cover 
 back cover photo by David Bailey 
photo of album cover by Styrous®


The Way We Were also had one of the most beautiful tunes ever, the title song The Way We Were, written by Alan and Marilyn BergmanMarvin Hamlisch and brilliantly sung by Barbra Streisand (link below).            

vinyl LP back cover detail 
 back cover photo by David Bailey 
detail photo of album cover by Styrous®




vinyl LP record label 
photo by Styrous®
   
Tracklist:
       
Side 1:
        
A1 - The Way We Were Featuring – Barbra Streisand - 3:50
A2 - Red Sails In The Sunset - 1:40
A3 - Look What I've Got - 2:59
A4 - Like Pretty - 2:18
A5 - River Stay Way From My Door - 1:52
A6 - The Way We Were (Instrumental) - 2:58
       
Side 2:
       
B1 - Katie - 2:25
B2 - In The Mood - 2:38
B3 - Did You Know It Was Me? - 4:32
B4 - Remembering - 1:19
B5 - Wrap Your Troubles In Dreams (And Dream Your Troubles Away) - 2:59
B6 - The Way We Were (Finale) Featuring – Barbra Streisand - 3:47
        
Companies, etc.
       
    Manufactured By – CBS Inc.
    Manufactured By – Columbia Records
    Phonographic Copyright ℗ – CBS Inc.
    Copyright © – CBS Inc.
    Printed By – Columbia Records Pressing Plant, Pitman
        
Credits:
       
    Engineer – Dan Wallin
    Lyrics By – Alan & Marilyn Bergman
    Music By – Marvin Hamlisch
    Producer – Fred Salem
        
Barcode and Other Identifiers
       
    Matrix / Runout (Side A Label): AL 32830
    Matrix / Runout (Side B Label): BL 32830
    Matrix / Runout (Variant 1: Side A, etched): PAL 32830-1D
    Matrix / Runout (Variant 1: Side B, etched): PBL 32830-1D
    Matrix / Runout (Side A & B Stamped): P
    Matrix / Runout (Variant 2: Side A, etched): PAL 32830-1C
    Matrix / Runout (Variant 2: Side B, etched): PBL 32830-1C
    Rights Society: ASCAP
 
Marvin Hamlisch – The Way We Were (Original Soundtrack Recording)
Label: Columbia Masterworks – KS 32830
Format: Vinyl, LP, Album, Pitman Pressing
Country: US
Released: 1974
Genre: Jazz, Stage & Screen
Style: Soundtrack, Smooth Jazz, Swing
 
 
          
Viewfinder links:        
         
David Bailey          
Marvin Hamlisch        
Immortal Loves        
Jeremiah Johnson         
Robert Redford        
Steve Schapiro        
Barbra Streisand         
Twilight Zone           
        
Net links:         
 
California Museum ~ Robert Redford            
Marvin Hamlisch        
Newsweek ~ Robert Redford Dies At 89         
Robert Redford         
Barbara Streisand        
        
         
        
        
YouTube links:        
         
ABC News ~ Robert Redford dies at 89       
Jeremiah Johnson trailer          
Barbara Streisand ~ The Way We Were 
The Way We Were album       
        
         
        
        
        
Styrous® ~ Sunday, July 19, 2020       
       
 
 















February 4, 2024

20,000 vinyl LPs 353: Ida Lupino ~ Twilight Zone & The Sixteen-Millimeter Shrine

 ~   
vinyl LP front cover
photo by Styrous®


Today is the birthday of British actress, director, writer, and producer, Ida Lupino, who was born on February 4, 1918, at 33 Ardbeg Road in Herne Hill, London. She is widely regarded as the most prominent female filmmaker working in the 1950s during the Hollywood studio system. With her independent production company, she co-wrote and co-produced several social-message films and became the first woman to direct a film noir, The Hitch-Hiker, in 1953.        
 
From Wikipedia:
 
Among Lupino's other directed films, the best known are Not Wanted (1949), about unwed pregnancy; Never Fear (1950), loosely based upon her own experiences battling paralyzing polio; Outrage (1950), one of the first films about rape; The Bigamist (1953) (which was named in the book 1001 Movies You Must See Before You Die); and The Trouble with Angels (1966). Her short yet immensely influential directorial career, tackling themes of women trapped by social conventions, usually under melodramatic or noir coverings, is a pioneering example of proto-feminist filmmaking.        
 
She was the only woman to direct an episode of the original The Twilight Zone series (The Masks), and the only director to star in an episode (The Sixteen-Millimeter Shrine). There is an excellent analysis of the episode on YouTube (link below).      


vinyl LP back cover detail
detail photo by Styrous®


The score for the episode was written by veteran film composer, Franz Waxman who also scored the film Sunset Boulevard, which also dealt with the theme of aging actresses.      
 
The episode tells the story of Barbara Jean Trenton, a former silver-screen starlet whose radiant beauty and flourishing career were the envy of the 1930s. Now living in the twilight of her life, Barbara is a disillusioned actress struggling to come to terms with her faded fame and the inexorable march of time that has carried both her youth and her career away from her.

Unable to accept her current reality, Barbara secludes herself in her opulent but lonely mansion, where she spends her days in her private screening room. There, she obsessively watches her old films, living vicariously through the black and white images that capture her in her prime, a time when she was adored by fans and surrounded by the glamour of Hollywood's golden age.

The world outside of Barbara's curated screenings is jarringly different. The contemporary film industry has little interest in the aging actress, and her attempts at a comeback are met with a harsh reception—parts are scarce, and the few that come her way are demeaning and far from the leading-lady roles she once monopolized. Friends from her past have moved on or passed away, and she is left with only her loyal agent, Danny Weiss (Martin Balsam), who tries in vain to help her find a place in the changed landscape of the entertainment world.

Barbara's devotion to her past glories turns compulsive and unhealthy. The characters in her films start to seem more real to her than the people outside her projection room. She grows increasingly detached from reality, finding solace only in the flickering light of the projector that casts illusions of a past that no longer exists.

As Barbara's fixation deepens, the story takes an eerie turn, true to The Twilight Zone signature blending of reality and the supernatural. Unsettling occurrences blur the lines between the celluloid world and the physical world, suggesting that her nostalgia may have opened a door to something extraordinary. Her refusal to move forward in time sparks a mysterious chain of events that tease at the possibility of a world where time stands still, maintaining the images and emotions of one's greatest moments eternally.
      
The Sixteen-Millimeter Shrine is a contemplative episode, rich in symbolism and thematic depth. It explores the human preoccupation with the past and the sometimes-destructive nature of our yearning for days gone by. Through Barbara Jean Trenton's story, viewers are invited to consider the dangers of living in a cocoon of memory, where the comfort of nostalgia can become a trap that disconnects us from the progression of life.

The narrative is beautifully framed within Rod Serling's trademark introduction and closing monologues, which provide philosophical commentary on the tale at hand. As with all episodes of The Twilight Zone, viewers are thrust into a world that is at once familiar and unsettlingly strange. The episode examines the nature of success and the ephemeral quality of fame, highlighting the conflict between a person's inner world and the relentless forward push of time.    

The Sixteen-Millimeter Shrine uses the unique format of The Twilight Zone to delve into the human psyche, scrutinizing our attitudes towards aging and the inevitable changes that life brings. Herein lies an allegorical exploration, a tale of a woman lost in the shadows of her own life, unwilling to emerge into the stark light of the present. The story raises the question: what happens when our desire to relive the past becomes more than just a figment of our imagination? Can one ever really reclaim what has been lost to time—or does such an attempt come with an unspoken price?

While the theme of "be careful what you wish for" permeates many episodes of The Twilight ZoneThe Sixteen-Millimeter Shrine wraps this message in a hauntingly beautiful narrative that stays with the viewer long after the final credits roll. It is an episode that encapsulates the spirit of the show—a journey into another dimension, not only of sight and sound but of mind, where each twist of fate lies just beyond the borders of the known and into the shadowy outskirts of The Twilight Zone.         
 









   
Tracklist:
       
Side 1:
        
A - House In Cypress Canyon, Voice Actor – Robert Taylor - 30:00
       
Side 2:
       
B - Fugue In C Minor, Voice Actors – Ida Lupino, Vincent Price - 30:00
       
Companies, etc.
       
    Phonographic Copyright ℗ – Great American Audio Corp.
    Manufactured By – Great American Audio Corp.
    Distributed By – Great American Audio Corp.
       
Credits:
       
    Suspense Theme Written By Franz Waxman
       
Notes:
       
Original episode numbers and broadcast dates are:
Track A: Episode 222 - 12/05/1946 - The House In Cypress Canyon: A chilling story of the supernatural.
Track B: Episode 094 - 06/01/1944 - Fugue In C Minor: A story about a huge pipe organ built throughout an entire house, that tends to play itself.

"Radio's Outstanding Theatre of Thrills"
Two Complete Unedited Radio Adventures
Licensed For Home Use Only © MF Productions, Inc.

Robert Taylor (11) / Vincent Price (2) And Ida Lupino – Suspense (Original Radio Broadcast)
Label:    Nostalgia Lane – NLR-1022
Format:    Vinyl, LP
Country: US
Released: 1978
Genre: Non-Music
Style: Radioplay
   
         
Viewfinder links:        
        
Martin Balsam        
Ida Lupino        
Franz Waxman        
        
Net links:       
         
MeTV ~ Ida Lupino        
The View From the Junkyard ~ The Twilight Zone: The Sixteen-Millimeter Shrine    
Virtual Virago ~ Ida Lupino and The Twilight Zone           
        
YouTube links:        
                      
The Twilight Zone: 16mm Shrine (Episode Analysis)        
        
         
 
 
Ida Lupino 
 
 
        
Styrous® ~ Sunday, February 4, 2024    
       
 
 














Martin Balsam articles/mentions

  ~      
     
     
     
mentions:     
Bernard Herrmann ~ Psycho     
Twilight Zone ~ The Sixteen-Millimeter Shrine   
     
     
     
     
     
date & photographer unknown
     
     
     
      
     















October 4, 2023

20,000 vinyl LPs 336: A Funny Thing Happened on the Way to the Forum w/Buster Keaton

 ~   
vinyl LP, front cover detail
detail photo of album cover by Styrous®


Today is the birthday of silent film star, Buster Keaton, born on October 4, 1895, into a vaudeville family in Piqua, Kansas. His father was Joseph Hallie "Joe" Keaton who had a traveling show called the Mohawk Indian Medicine Company, which performed on stage and sold patent medicine on the side. When he was about 18 months old, Keaton fell down a long flight of stairs without injury, an actor friend remarked, "Gee whiz, he's a regular buster!" After that, Keaton's father began to use the nickname to refer to the youngster.       
 
Buster began performing with his parents as The Three Keatons when he was three years old. He first appeared on stage in 1899 in Wilmington, Delaware.
 
 
Buster Keaton ca 1897
 photographer unknown
 
The act was mainly a comedy sketch. His mother, Myra, played the saxophone on one side of the stage, while Joe and Keaton performed center stage. 
 
 
The Three Keatons
 date & photographer unknown
 
 
Keaton goaded his father by disobeying him, and the elder Keaton responded by throwing him against the scenery, into the orchestra pit, or even into the audience. A suitcase handle was sewn into Keaton's clothing to aid with the constant tossing.             
    
The act evolved as Keaton learned to take trick falls safely; he was rarely injured or bruised on stage. This knockabout style of comedy led to accusations of child abuse, and occasionally, arrest. However, Keaton was always able to show the authorities that he had no bruises or broken bones. He was eventually billed as "The Little Boy Who Can't Be Damaged", and the overall act as "The Roughest Act That Was Ever in the History of the Stage". Keaton said he had so much fun that he sometimes began laughing as his father threw him across the stage. Noticing that this caused the audience to laugh less, he adopted his famous deadpan expression when performing            
          
Keaton is best known for his silent film work in which his trademark was physical comedy accompanied by his stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". A Funny Thing Happened On The Way To The Forum was the final screen role for Buster Keaton.    
 
 
A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover detail
detail photo of album cover by Styrous®
 
 
A Funny Thing Happened On The Way To The Forum was inspired by the farce, Pseudolus, by the ancient Roman playwright Plautus (251–183 BC) and tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door.      
 
        
vinyl LP, front cover
photo of album cover by Styrous®


The film plot takes place in the city of Rome during the reign of Emperor Nero, Pseudolus is "the lyingest, cheatingest, sloppiest slave in all of Rome", whose only wish is to buy his freedom from his master's parents, the henpecked Senex and his overbearing wife, Domina.    


 A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover
photo of album cover by Styrous®
 
 
The film is a wonderful essay in raucous humor due to the cast, which was perfect! Zero Mostel was Pseudolus with Phil SilversJack Gilford and Keaton to back him up.         
 

 A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover detail
detail photo of album cover by Styrous®
 
 
In addition to an accomplished performer, he was a brilliant film maker, director and camera man. He said, "The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life."             
 

vinyl LP, back cover detail
detail photo of album cover by Styrous®


Keaton's career declined when he signed with Metro-Goldwyn-Mayer and lost his artistic independence. His wife divorced him, and he descended into alcoholism. He recovered in the 1940s, remarried, and revived his career as an honored comic performer for the rest of his life, earning an Academy Honorary Award in 1959. Late in his career, he starred in the only cinema work by Samuel Beckett, the silent and VERY surreal, Film (link below). Keaton had some great scenes in the 1965 film, Beach Blanket Bingo which starred Frankie Avalon and Annette Funicello (link below).        
 
 
Beach Blanket Bingo - 1965
 movie still
 
 
Keaton was featured in the 1961 Rod Serling television episode of Twilight Zone, Once Upon a Time, written by Sci-fi author, Richard Matheson. It is the only comedy of the series.   

He made cameos in the Billy Wilder film Sunset Boulevard and The Charlie Chaplin film Limelight  (links below). Keaton is often described as having been ahead of his time; Anthony Lane wrote "He was just too good, in too many ways, too soon."       


 date & photographer unknown


Keaton loved television and he watched everything. Though he never mentioned it by name, among his favorite shows during the 1950s must have been the pioneering sitcom I Love Lucy, starring his friend and onetime MGM protégée Lucille Ball. When asked to name the best comedians of the up-and-coming generation he would often cite Ball as one of his “pets,” calling her timing “impeccable.”          
 
Keaton had had a behind-the-scenes role in getting I Love Lucy on the air. In 1950, when CBS was trying to convince Ball to star in a sitcom based on her successful radio series My Favorite Husband, she agreed to sign on only if the show could costar her real-life husband, Cuban-American bandleader Desi Arnaz. The network balked at the idea of a domestic comedy centered around a couple of mixed race, so the two worked up a vaudeville routine to be filmed as an experimental pilot. 
 
Keaton coached Ball in the big physical comedy scene, an act borrowed from the Spanish clown Pepito that involved Ball as a dimwitted but resourceful cellist auditioning for a spot in Arnaz’s orchestra. This pilot never aired at the time (and was lost until 1989, when it was discovered and aired on CBS as part of a Lucille Ball tribute special). But it was funny enough to convince CBS to give Ball and Arnaz their own prime-time series, which would run for 180 episodes and become perhaps the most influential of all early situation comedies. A pared-down version of the cello sketch found its way into a first-season episode, so although Keaton never guest-starred on I Love Lucy, he is nonetheless there as an influential presence.       

 
Lucille Ball and Keaton - 1965 
 photo: Silver Screen Collection/Getty Images
 
 
20th Century is planning a biopic directed by James Mangold and Warner Bros. Television is in talks to develop a limited series based on the life of Keaton; the project would star Rami Malek as Keaton.        

On May 29, 1940, Keaton married Eleanor Norris. She has been credited with salvaging his life and career. The marriage lasted until his death. Keaton died of lung cancer on February 1, 1966, aged 70, in Woodland Hills, Los Angeles. Despite being diagnosed with cancer in January 1966, he was never told he was terminally ill. Keaton thought that he was recovering from a severe case of bronchitis. Confined to a hospital during his final days, he was restless and paced the room endlessly, desiring to return home. In a British television documentary about his career, his widow Eleanor told producers from Thames Television that Keaton was up out of bed and moving around, and even played cards with friends who came to visit the day before he died. He was buried at Forest Lawn Memorial Park Cemetery in Hollywood Hills, California.         
 
 
 
vinyl LP, record label details side 1 & 2
detail photos of record labels by Styrous® 


 
 
Tracklist:
       
Side 1:
        
A1 - Tiba Solo - Into - Comedy Tonight
Vocals – Zero Mostel
Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Leon Greene, Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker
3:27
A2 - Search For Mare's Sweat    0:39
A3 - Lovely
Vocals – Annette Andre, Michael Crawford
2:47
A4 - Tintinabula's Dance    0:58
A5 - Vibrata's Dance    0:45
A6 - Roman Emissary    0:35
A7 - Everybody Ought To Have A Maid
Vocals – Jack Gilford, Michael Hordern, Phil Silvers, Zero Mostel - 2:51
A8 - Riot At The Funeral    1:24
A9 - Domina Returns (Fanfare) - Into - My Bride, Vocals – Leon Greene, Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker, Zero Mostel - 2:37
       
Side 2:
       
B1 - Erronious Returns - 0:27
B2 - Orgy Music... Roman Style - 1:57
B3 - Lovely (Reprise), Vocals – Jack Gilford, Zero Mostel - 2:16
B4 - In The Arena - 1:38
B5 - The Dirge, Vocals – Leon Greene, Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker, Zero Mostel - 3:40
B6 - The Rescue Of Philia - Into - The Chase - 5:57
B7 - Comedy Tonight And Playout - 3:28
       
Companies, etc.
       
    Copyright © – United Artists Records, Inc.
    Pressed By – Columbia Records Pressing Plant, Pitman
    Mastered At – Customatrix
       
Credits:
       
    Directed By [Music Direction], Music By [Incidental Music] – Ken Thorne
    Engineer [Sound] – Eric Tomlinson
    Music By, Lyrics By – Stephen Sondheim
    Vocals [Domina] – Patricia Jessel
    Vocals [Erronius] – Buster Keaton
    Vocals [Fertilla] – Janet Webb
    Vocals [Geminae] – Jennifer Baker (2), Susan Baker
    Vocals [Gymnasia] – Inga Neilsen
    Vocals [Hero] – Michael Crawford
    Vocals [Hysterium] – Jack Gilford
    Vocals [Lycus] – Phil Silvers
    Vocals [Miles] – Leon Greene
    Vocals [Panacea] – Lucienne Bridou
    Vocals [Philia] – Annette Andre
    Vocals [Pseudolus] – Zero Mostel
    Vocals [Senex] – Michael Hordern
    Vocals [Tintinabula] – Helen Funai
    Vocals [Vibrata] – Myrna White
       
Notes:
       
    Written by K. Thorne* (tracks: A1, A2, A4 to A6, A9 to B2, B4, B6), S. Sondheim* (tracks: A1, A3, A7 to A9, B3, B5 to B7)
       
Barcode and Other Identifiers
       
    Matrix / Runout (Side A Label): UAL 4144 A
    Matrix / Runout (Side B Label): UAL 4144 B
    Matrix / Runout (Side A Runout Etched): UAL 4144A 1A
    Matrix / Runout (Side A Runout Stamped): o B P 2
    Matrix / Runout (Side B Runout Etched): UAL 4144 B 1A
    Matrix / Runout (Side B Runout Stamped): o B I P 2
 
Stephen Sondheim – A Funny Thing Happened On The Way To The Forum (Original Motion Picture Soundtrack)
Label:    United Artists Records – UAL 4144
Format:    Vinyl, LP, Album, Mono
Country: US
Released: 1966
Genre: Stage & Screen
Style: Soundtrack

         
Viewfinder links:        
         
Desi Arnaz              
Frankie Avalon               
Lucille Ball           
Samuel Beckett         
Charlie Chaplin              
Roger Ebert           
Annette Funicello             
Buster Keaton            
Rami Malek           
James Mangold           
Richard Matheson       
Zero Mostel                       
Rod Serling                          
Phil Silvers        
The Twilight Zone          
        
Net links:        
         
BAM/PFA ~ Camera Man: Buster Keaton      
Cabinet Magazine ~ Buster Keaton's Cure       
International Buster Keaton Society~ Buster Keaton            
Buster Keaton website       
LARB ~ Buster Keaton: A Timeless Comedian        
LA Times ~ Buster Keaton      
Library of Congress ~ Remembering Buster Keaton & The Navigator    
Military.com ~ Famous Veteran: Buster Keaton        
PBS ~ Buster Keaton: A Hard Act to Follow         
TSPDT ~ Buster Keaton         
UPM ~ Buster Keaton Interviews       
        
YouTube links:        
         
Beach Blanket Bingo           
Samuel Beckett ~ Film (1 hr. 4 Min.)         
Best of Buster Keaton's stunts           
Best of Buster Keaton's greatest stunts               
CBS Sunday Morning ~ the "Great Stone Face"           
Forgotten Sound Films of Buster Keaton (19 min.)           
A Funny Thing Happened on the Way to the Forum -    
              Comedy Tonight
              Keaton speaks         
              The Soothsayer Scene    
Limelight ~  (Chaplin and Keaton Violin and Piano Duet)            
Sunset Boulevard (card scene)                      
Twilight Zone ~ Once Upon a Time          
Twilight Zone ~ Once Upon a Time (review)                  
        
         
         
 
"...stuntmen don't get you laughs," 
          ~ Buster Keaton
 
 
 
        
        
Styrous® ~ Wednesday, October 4, 2023