Showing posts with label Terry Riley. Show all posts
Showing posts with label Terry Riley. Show all posts

November 18, 2021

Bruce Conner ~ photographer & so much more

   ~     
     
     
     
     
     
     
     
     
     
      
     
     
     
     
     
     
     
Bruce Conner     
date & photographer unknown           
     
       
      
Bruce Conner was an American artist who was born in McPherson, Kansas, on November 18, 1933; he worked with assemblage, film, drawing, sculpture, painting, collage, and photography. I could have put him in any of those categories but it is his photography that I love, so, here he is.         
 
In 1959, Conner founded what he called the Rat Bastard Protective Association. Its members included Jay DeFeo, Michael McClure (with whom Conner attended school in Wichita), Manuel Neri, Joan Brown, Wally Hedrick, Wallace Berman, Jess Collins, Carlos Villa and George Herms. Conner coined the name as a play on 'Scavengers Protective Society'.         
 
He and his wife were living in Massachusetts in 1963, when John F. Kennedy was assassinated. Conner filmed the television coverage of the event and edited and re-edited the footage with stock footage into another meditation on violence which he titled Report. The film was issued several times as it was re-edited.    

He was an active force in the San Francisco counterculture of the mid-1960s as a collaborator in light shows at the legendary Family Dog at the Avalon Ballroom. He also made a number of short films in the mid-1960s in addition to Report and Vivian. These include Ten Second Film (1965), an advertisement for the New York Film Festival that was rejected as being "too fast;" Breakaway (1966), featuring music sung by and danced to by Toni Basil . . .         
 
 
Bruce Conner ~ Breakaway - 1966
Toni Basil film still
 
 
. . .  The White Rose (1967), documenting the removal of the magnum opus by fellow artist Jay DeFeo from her San Francisco apartment, with Sketches of Spain by Miles Davis as the soundtrack; and Looking for Mushrooms (1967), a three-minute color wild ride with Tomorrow Never Knows by The Beatles as the soundtrack. (In 1996 he created a longer version of the film, setting it to music by Terry Riley). 
 
Conner was among the first to use pop music for film soundtracks. His films are now considered to be the precursors of the music video genre. They have inspired other filmmakers, such as Conner's friend Dennis Hopper, who said, “Bruce’s movies changed my entire concept of editing. In fact, much of the editing of Easy Rider came directly from watching Bruce’s films." In 1966, Hopper invited Conner to the location shoot for Cool Hand Luke which starred Paul Newman; the artist shot the proceedings in 8mm, revisiting this footage in 2004 to create his film Luke.      

Conner photographed many of the punk bands in San Francisco. During the 1970s he focused on drawing and photography, including many photos of the late 1970s West Coast punk rock scene. His 1978 film used Mongoloid by Devo as a soundtrack.     
    
The Bruce Conner papers are held by the Bancroft Library at the University of California, Berkeley. Conner's 1976 film short, Crossroads, was preserved by the Academy Film Archive, in conjunction with the Pacific Film Archive, in 1995. The film features 37 minutes of extreme slow-motion replays of the July 25, 1946, Operation Crossroads Baker  underwater nuclear test at Bikini Atoll in the Pacific. The event was captured for research purposes by five hundred cameras stationed on unmanned planes, high-altitude aircraft, boats near the blast, and from more distant points on land around the Atoll. The location was selected in part because the network of islands formed an almost complete ellipse around the detonation site, allowing for a comprehensive documentation of the event from numerous angles.   
 
 
Bikini nuclear blast - July 25, 1946  
 photographer unknown
 
 
The documentary film featured music by electronic artist Patrick Gleeson and minimalist composer, Terry Riley.     
     
Bruce Conner had twice announced his own death as a conceptual art event or prank; he died on Monday, July 7, 2008, of natural causes, the last survivor of the Bay Area Beat era art scene.      
     
From 2016 to 2017, the San Francisco Museum of Modern Art featured an exhibition of Conner's multimedia work entitled, It's All True, which was derived from a letter that the Conner wrote to his friend, collaborator and art collector, Paula Kirkeby, in 2000, listing the many ways he had been characterized in the media (link below).     
     
     
     
     
      
Viewfinder links:       
         
Toni Basil        
all things Beatles             
Bruce Conner        
Miles Davis         
Jay DeFeo                      
Devo         
Patrick Gleeson          
Dennis Hopper           
John Fitzgerald Kennedy        
Michael McClure        
Terry Riley        
     
Net links:       
        
Academia ~ Bruce Conner        
The Brooklyn Rail ~ Tribute to Bruce Conner        
Bruce Conner ~ Crossroads        
KQED ~ Artist who Twice Declared Himself Dead        
The New Yorker ~ Bruce Conner’s Crusade of Reinvention        
SFMOMA ~ It's All True         
Smithsonian ~ Bruce Conner papers        
University of Chicago ~ Bruce Conner’s thinking of you        
     
YouTube links:       
         
Atomcentral ~ Crossroads Baker         
Bruce Conner -   
          Atomic bomb (edit)      
          Breakaway (documentary)     
          Mongoloid           
          A Movie (documentary)        
          It’s All True  
Museum of Contemporary Art ~ Bruce Conner: Mongoloid documentary   
        
        
        
        
        
        
        
        
        
        
        
Styrous® ~ Thursday, November 18, 2021        
        















November 25, 2020

Morton Subotnick articles/mentions

  ~         
Silver Apples of the Moon         
  
mentions:    
Samuel Beckett ~ Waiting for Godot    
Joan La Barbara ~ Tape Songs         
Terry Riley ~     
      A Rainbow In Curved Air    
      Pipe Dreams @ the BAM/PFA  
Pamela Z ~ A Secret Code          
      
      
      
      
      
Morton Subotnick w/Buchla 200 - 1976    
photo by Lon Holmberg   
detail photo of album cover by Styrous®


















Alvin Lucier articles/mentions

 ~         

       
Terry Riley ~ A Rainbow In Curved Air   
Pamela Z ~ A Secret Code     
     
     
     
     
     
     
Alvin Lucier - 1980     
vinyl LP album cover detail
photo by Lon Holmberg   
detail photo of album cover by Styrous®


















Robert Ashley articles/mentions

   ~        
       
Joan La Barbara ~ Tape Songs            
Terry Riley ~ A Rainbow In Curved Air   
Pamela Z ~ A Secret Code     
     
     
     
     
     
Robert Ashley w/Buchla 200 - 1975    
photo by Pat Kelly  
 


















January 31, 2018

20,000 Vinyl LPs 126: Philip Glass ~ Mishima


Today, January 31, is the birthday of composer, Philip Glass. I remember the first piece of music of his I heard, The Photographer, an opera based on the life and homicide trial of 19th-century English photographer Eadweard Muybridge. In the first place, the Muybridge work of photographing live figures, animals, etc. in motion had intrugued me for decades and I was amazed that he could be the subject of an opera. I had to buy the album and was totally blown away. I immediately realized the Glass music was a natural and beautiful outgrowth of the work done in the mid 60's by minimalist, Terry Riley.  

Since that time, there is not a single work by Glass I have not liked. In addition to operas, symphonic and small ensemble pieces, he has written scores for many films (link below); one of them, Mishima: A Life in Four Chapters, directed by , is in my opinion the greatest work he has done.  It won the "Best Artistic Contribution" Award at the 1985 Cannes Film Festival.    


Philip Glass ~ Mishima soundtrack
vinyl lp, front cover 
Artwork by Makoto Kumakura
photo of album cover by Styrous®


I had never heard of Yukio Mishima prior to the film; since then I have spent years researching his life. Released in 1985, Mishima was electifying for that time and on listening to it now, it still holds it's fascination after three decades. The multi-textured score for the film ranges from his trademark minimalist ensemble sound and cellular rhythms to an almost rock piece that features brilliant quitar work and a gorgeous violin floating over it all. Parts were performed by the Kronos quartet. It is available at the Nonesuch Store (link below).  

Sections from the soundtrack have been featured in other films and TV shows, including the piece, Mishima / Opening, which was used to score the end credits of Peter Weir's 1998 film The Truman Show in addition to an appearance on an episode of Mr. Robot. I used this theme for a fashion show I produced for Obiko in 1992 (link blow).          


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover 
Artwork by Makoto Kumakura
photo of album back cover by Styrous®

Paralleling the three different visual styles of the film, Glass uses different ensembles: The black-and-white biographical flashbacks are accompanied by a string quartet, whereas the realistic footage from Mishima's last day is accompanied by a string orchestra and percussion, and the stylized scenes from his novels with a large symphonic orchestra.

It was produced by Kurt Munkacsi and distributed by WEA through the Elektra Records subsidiary label Nonesuch Records. The costumes were brilliantly designed by Eiko Ishioka.   


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®



Mishima / Opening

At less than three minutes, the opening for the film is a gem of suscinct and briliant melody! With bells, chimes and swerling strings that quickly range from quietly serene to incredibly dramatic and back again in that miniscule space of time, it is amazing and brilliant (link below).

The opening is quickly followed by a rapid, driving, aggressive sounding almost militaristic deluge of orchestral sound complete with tympani. From there it goes wild (YouTube links below).       
    

Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Yukio Mishima (三島 由紀夫 Mishima Yukio) is the pen name of Kimitake Hiraoka (平岡 公威 Hiraoka Kimitake). He was born on January 14, 1925.               

Japanese writer Yukio Mishima lived a complex and controversial life, nearly winning a Nobel Prize for his fiction but also being deeply committed to Japan’s pre-war philosophy and government–so much so that, after a failed attempt at a military coup, he committed ritual suicide on November 25, 1970. There is a vivid depiction of the ritual actually performed by Mishima in the 1966 film he directed, Yukoku 憂国 (Patriotism) (YouTube link below).             



Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®



Mishima was a Japanese author, poet, playwright, actor, film director, founder of the right-wing militia, Tatenokai, and nationalist. He is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968 but the award went to his countryman Yasunari Kawabata. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change.       

When he was in his thirties, in 1955, Mishima took up weight training and his workout regimen of three sessions per week was not disrupted for the final 15 years of his life. He was fascinated by physical beauty and rejected the aesthetics of intellectualism. He thought an ugly body was disgraceful, and seemed somewhat ashamed of the weak body of his youth. In his 1968 essay Sun and Steel, Mishima deplored the emphasis given by intellectuals to the mind over the body.There is an excellent review of the book on YouTube (link below).       


photo from Asahi Shimbun


In his own words:
"The muscles that I thus created were at one and the same time simple existence and works of art; they even, paradoxically, possessed a certain abstract nature. Their one fatal flaw was that they were too closely involved with the life process, which decreed that they should decline and perish with the decline of life itself.”     

On November 25, 1970, he and three other members of his militia staged an attempted coup d'état when they seized control of a Japanese military base and took the commander hostage, then tried and failed to inspire a coup to restore the Emperor's pre-war powers.     


Yukio Mishima - November 25, 1970 
attempted coup d'état
photographer unknown


Mishima then committed ritual suicide by seppuku. The coup attempt became known as the "Mishima Incident".       

 
 Samurai warrior about to perform seppuku
original work by Kunikazu Utagawa


Mishima was born in the Yotsuya district of Tokyo (now part of Shinjuku). His early childhood was dominated by the presence of his grandmother, Natsuko who was a direct descendant of Tokugawa Ieyasu. Natsuko was prone to violence and morbid outbursts, which are occasionally alluded to in Mishima's works. It is to Natsu that some biographers have traced Mishima's fascination with death. She did not allow Mishima to venture into the sunlight, to engage in any kind of sport or to play with other boys; he spent much of his time alone or with female cousins and their dolls.       


photographer unknown 


He returned to his immediate family when he was 12. His father, a man with a taste for military discipline, employed parenting tactics such as holding the young boy up to the side of a speeding train. He also raided Mishima's room for evidence of an "effeminate" interest in literature and often ripped apart the boy's manuscripts. Although his authoritarian father had forbidden him to write any further stories, Mishima continued to write every night in secret, supported and protected by his mother, who was always the first to read a new story. Mishima began to write his first stories when he was twelve.       
   

Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Mishima wrote novels, popular serial novellas, short stories and literary essays, as well as highly acclaimed plays for the Kabuki theater and modern versions of traditional Noh drama.  

Mishima began his first novel, Tōzoku (盗賊, "Thieves"), a story about two young members of the aristocracy drawn towards suicide. It was published in 1948, placing Mishima in the ranks of the Second Generation of Postwar Writers. He followed with Confessions of a Mask, a semi-autobiographical account of a young homosexual who must hide behind a mask in order to fit into society. The novel was extremely successful and made Mishima a celebrity at the age of 24. His writing gained him international celebrity and a sizable following in Europe and the United States, as many of his most famous works were translated into English.    


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Mishima was an actor, and had a starring role in the 1960 Yasuzo Masumura film, Afraid to Die. He also had roles in films including Yukoku (directed by himself, 1966), Black Lizard (directed by Kinji Fukasaku, 1968) and Hitokiri (directed by Hideo Gosha, 1969). He also sang the theme song for Afraid to Die (lyrics by himself; music by Shichirō Fukazawa).

Mishima was featured as a photo model in Ba-ra-kei: Ordeal by Roses by Eikoh Hosoe, as well as in Young Samurai: Bodybuilders of Japan and Otoko: Photo Studies of the Young Japanese Male by Tamotsu Yatō. American author Donald Richie gave a short lively account of Mishima, dressed in a loincloth and armed with a sword, posing in the snow for a Tamotsu Yato photoshoot.


photo by Kishin Shinoyama


Mishima also became very skilled at kendo, a modern Japanese martial art, which descended from the  traditional Japanese swordsmanship (kenjutsu) and uses bamboo swords (shinai) and protective armour (bōgu).    




Mishima married Yoko Sugiyama on June 11, 1958. While working on Forbidden Colors, Mishima visited gay bars in Japan. Mishima's sexual orientation was an issue that bothered his widow, and she always denied his homosexuality after his death. In 1998, the writer Jiro Fukushima published an account of his relationship with Mishima in 1951, including fifteen letters between himself and the famed novelist. Mishima's children successfully sued Fukushima for violation of his privacy and copyright. 




Much speculation has surrounded Mishima's suicide. At the time of his death he had just completed the final book in his Sea of Fertility tetralogy. He was recognized as one of the most important post-war stylists of the Japanese language.      



 


The 1985 biographical film by Paul Schrader titled Mishima: A Life in Four Chapters depicts his life and work; however, it has never been given a theatrical presentation in Japan.    

The Mishima Prize was established in 1988 to honor his life and works. On July 3, 1999, "Mishima Yukio Bungaku-kan" (三島由紀夫文学館, "Mishima Yukio Literary Museum") was opened in Yamanakako.     
         

     
     
         
Tracklist:

Side 1:

A1 - Mishima / Opening - 2:46
A2 - November 25: Morning - 4:08
A3 - 1934: Grandmother & Kimitake - 3:37
A4 - Temple Of The Golden Pavilion ("Like Some Enormous Music") - 3:06
A5 - Osamu's Theme: Kyoko's House - 2:58
A6 - 1937: Saint Sebastian - 1:05
A7 - Kyoko's House ("Stage Blood Is Not Enough") - 5:00

Side 2:

B1 - November 25: Ichigaya - 2:11
B2 - 1957: Award Montage - 3:56
B3 - Runaway Horses ("Poetry Written With A Splash Of Blood") - 9:09
B4 - 1962: Body Building - 1:29
B5 - November 25: The Last Day - 1:30
B6 - F-104: Epilogue From Sun And Steel - 1:59
B7 - Mishima / Closing - 2:57

Companies, etc.

    Recorded At – Greene St. Recording
    Recorded At – The Living Room (2)
    Remixed At – The Living Room (2)
    Mastered At – Masterdisk
    Published By – Dunvagen Music Publishers, Inc.
    Produced For – Euphorbia Productions Ltd.
    Phonographic Copyright (p) – Elektra/Asylum/Nonesuch Records
    Copyright (c) – Elektra/Asylum/Nonesuch Records
    Record Company – Warner Communications Inc.
    Pressed By – Specialty Records Corporation

Credits:

    Artwork By – Makoto Kumakura
    Composed By – Philip Glass
    Conductor – Michael Riesman
    Engineer [Recording] – Dan Dryden
    Mastered By – Bill Kipper
    Mixed By [Remixed] – Dan Dryden, Kurt Munkacsi, Michael Riesman
    Producer – Kurt Munkacsi
    Strings – The Kronos Quartet*

Notes:

Recorded at Greene St. Studios NY, NY and The Living Room, Inc. NY, NY.
Remixed at The Living Room, Inc. NY, NY.
Mastered by Masterdisk NY, NY.

Includes red insert with description by the film's director, Paul Schrader, which measures 6" x 6".
Barcode and Other Identifiers

    Matrix / Runout (Side A): (Scr) 79113·A·2 1-2·5M1-3 MASTERDISK·BK
    Matrix / Runout (Side B): (Scr) 79113·B·2 1-3 MASTERDISK·BK
    Barcode: 0 7599-79113-1
    Rights Society: ASCAP
         
Philip Glass ‎– Mishima
Label: Nonesuch ‎– 9 79113-1 F, Nonesuch ‎– 79113
Series: Nonesuch Digital –
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: Electronic, Stage & Screen
Style: Soundtrack, Modern Classical
         
       
         
Viewfinder links:          
              
Philip Glass articles/mentions         
Obiko ~ Craft of the Costume art-to-wear fashion show       
Obiko articles          
          
Net links:          
              
Philip Glass ~ Compositions
                     ~ Music for film          
Best Original Scores ~ Mishima (Philip Glass)         
Mishima Plot        
Mishima Cast               
NY Times ~ The Life and Death of Yukio Mishima     
The Guardian ~ Dead writer's knife is in Japan's heart             
                       ~ The school of flesh: erotic portraits of Yukio Mishima 
Yukio Mishima ~ Major works            
Encyclopedia Britannica ~ Yukio Mishima      
History.com ~ Mishima commits ritual suicide         
letterboxd ~ Mishima: A Life In Four Chapters               
DVD Journal ~ Mishima: A Life in Four Chapters      
film.avclub.com ~ Mishima: A Life In Four Chapters         
The Culture Trip ~ The Turbulent Life Of A Conflicted Martyr      
Nonesuch Store ~ Mishima - Original Music Composed By Philip Glass
           
YouTube links:          
              
Mishima - A Life in Four Chapters. Philip Glass (Soundtrack) (46 min)
Mishima: A Life in Four Chapters (1985) Movie Trailer          
Yukio Mishima Speaking In English
The Strange Case of Yukio Mishima - 1985 BBC documentary (55 min) 
Yukio Mishima And Bodybuilding (10 min.)             
Mishima: his life and literature (三島 由紀夫 aka 平岡 公威 )   
Yukio Mishima - Sun and Steel book review         
Yukoku 憂国 (Patriotism) (ritual suicide by seppuku)       
         
        
        


“The past is reinvented and becomes the future. 
But the lineage is everything.”
                           ~ Philip Glass