Showing posts with label George Lucas. Show all posts
Showing posts with label George Lucas. Show all posts

February 15, 2019

Yukio Mishima - A Man of Honor

~      
Yukio Mishima (三島 由紀夫 Mishima Yukio) is the pen name of Kimitake Hiraoka (平岡 公威 Hiraoka Kimitake, who was born on January 14, 1925, in Tokyo, Japan. He was a Japanese author, poet, playwright, actor, model and film director. He is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968, instead the award went to Yasunari Kawabata.    

His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. He executed the ultimate ideology/art performance, ritual suicide by seppuku.   

I had never heard of Mishima until I saw the dazzling 1985 film, Mishima: A Life in Four Chapters, directed by Paul Schrader who also directed American Gigolo, Cat People (link below) and many other films. After I saw the film, I did a tremendous amount of research on Mishima; this was early computer days for me and knew little about researching on the Net, so, that says something about the power of this film.

The film is based on the life and work of Mishima (portrayed by Ken Ogata), interweaving episodes from his life with dramatizations of segments from his books The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. Francis Ford Coppola (link below) and George Lucas (link below) were executive producers of the film. There are surreal segments with vivid colors in the film.     

Mishima was scored by Philip Glass (link below) which ranges from full orchestra to string trio to instrumental rock; it is brilliantly dramatic at times while softly romantic at others; for me it is his best work ever. I used some of the music from the soundtrack for several Obiko fashion shows (link below).        

According to Damian Flanagan, of Nippon.com (link below), Mishima was highly influenced to perform seppuku by the images of St Sebastian and the dramatic play, Salomé, originally written by Oscar Wilde in French, and in particular the illustrations for the production by Aubrey Beardsley.  


left: St Sebastian, Guido Reni                  right: Salomé, Aubrey Beardsley


Yukio Mishima was active as a nationalist who founded his own right-wing militia, the Tatenokai. On November 25, 1970, he and four other members of his militia attempted a coup d'état when they seized control of a Japanese military base, took the commander hostage, then tried but failed to inspire a coup. With a prepared manifesto and a banner listing their demands, Mishima stepped onto the balcony to address the soldiers gathered below (YouTube link below). His speech was intended to inspire a coup d'état to restore the power of the emperor. He succeeded only in irritating the soldiers, and was mocked and jeered. Mishima then committed ritual suicide by seppuku. The coup attempt became known as the "Mishima Incident".       



Mishima delivering his speech in the failed coup attempt just prior to performing seppuku
(November 25, 1970) 
photographer unknown 


 
      
       
Viewfinder links:     
     
All things Star Wars        
Cat People & John Heard            
Francis Ford Coppola               
Philip Glass      
George Lucas     
Obiko ~ Craft of the Costume art-to-wear fashion show        
Tamotsu Yato ~ Young Samurai: Bodybuilders of Japan        
         
Net links:     
      
Culture Trip ~ Mishima: Turbulent Life Of A Conflicted Martyr  
History ~ Mishima commits ritual suicide 
The Japanese Times ~ Yukio Mishima      
Little White Lies ~ The tragic life and death of Yukio Mishima   
Nippon.com ~ The Importance of Being Mishima (Salomé)             
NY Times ~ The Life and Death of Yukio Mishima
O Magazine ~ Yukio Mishima ~ "Sun and Steel" book review     
The Paris Review ~ Yukio Mishima’s Haiku       
WXQR ~ Mishima discusses The Sailor Who Fell From Grace With the Sea 
        
YouTube links:           
           
Mishima: A Life in Four Chapters (1985) original movie trailer      
Philip Glass ~ Mishima (complete Soundtrack)  (46 min., 46 sec.)  
     Temple of the Golden Pavilion-"Kinkakuji" (9 min., 50 sec.) 
     Ranaway Hoses-HONBA      
Yukio Mishima 1969 Interview In English
       
     
     
"What transforms this world is — knowledge." 
                       ~ Yukio Mishima  
     
             
          
Styrous® ~ February 14, 2019  


           
           













George Lucas articles/mentions

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All things Star Wars       
Yukio Mishima - A Man of Honor    
      
    
      
    
      
    
      
    
      
George Lucas - 1968    
photographer unknown      
    
      
    
      
    
      
    

















January 31, 2018

20,000 Vinyl LPs 126: Philip Glass ~ Mishima


Today, January 31, is the birthday of composer, Philip Glass. I remember the first piece of music of his I heard, The Photographer, an opera based on the life and homicide trial of 19th-century English photographer Eadweard Muybridge. In the first place, the Muybridge work of photographing live figures, animals, etc. in motion had intrugued me for decades and I was amazed that he could be the subject of an opera. I had to buy the album and was totally blown away. I immediately realized the Glass music was a natural and beautiful outgrowth of the work done in the mid 60's by minimalist, Terry Riley.  

Since that time, there is not a single work by Glass I have not liked. In addition to operas, symphonic and small ensemble pieces, he has written scores for many films (link below); one of them, Mishima: A Life in Four Chapters, directed by , is in my opinion the greatest work he has done.  It won the "Best Artistic Contribution" Award at the 1985 Cannes Film Festival.    


Philip Glass ~ Mishima soundtrack
vinyl lp, front cover 
Artwork by Makoto Kumakura
photo of album cover by Styrous®


I had never heard of Yukio Mishima prior to the film; since then I have spent years researching his life. Released in 1985, Mishima was electifying for that time and on listening to it now, it still holds it's fascination after three decades. The multi-textured score for the film ranges from his trademark minimalist ensemble sound and cellular rhythms to an almost rock piece that features brilliant quitar work and a gorgeous violin floating over it all. Parts were performed by the Kronos quartet. It is available at the Nonesuch Store (link below).  

Sections from the soundtrack have been featured in other films and TV shows, including the piece, Mishima / Opening, which was used to score the end credits of Peter Weir's 1998 film The Truman Show in addition to an appearance on an episode of Mr. Robot. I used this theme for a fashion show I produced for Obiko in 1992 (link blow).          


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover 
Artwork by Makoto Kumakura
photo of album back cover by Styrous®

Paralleling the three different visual styles of the film, Glass uses different ensembles: The black-and-white biographical flashbacks are accompanied by a string quartet, whereas the realistic footage from Mishima's last day is accompanied by a string orchestra and percussion, and the stylized scenes from his novels with a large symphonic orchestra.

It was produced by Kurt Munkacsi and distributed by WEA through the Elektra Records subsidiary label Nonesuch Records. The costumes were brilliantly designed by Eiko Ishioka.   


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®



Mishima / Opening

At less than three minutes, the opening for the film is a gem of suscinct and briliant melody! With bells, chimes and swerling strings that quickly range from quietly serene to incredibly dramatic and back again in that miniscule space of time, it is amazing and brilliant (link below).

The opening is quickly followed by a rapid, driving, aggressive sounding almost militaristic deluge of orchestral sound complete with tympani. From there it goes wild (YouTube links below).       
    

Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Yukio Mishima (三島 由紀夫 Mishima Yukio) is the pen name of Kimitake Hiraoka (平岡 公威 Hiraoka Kimitake). He was born on January 14, 1925.               

Japanese writer Yukio Mishima lived a complex and controversial life, nearly winning a Nobel Prize for his fiction but also being deeply committed to Japan’s pre-war philosophy and government–so much so that, after a failed attempt at a military coup, he committed ritual suicide on November 25, 1970. There is a vivid depiction of the ritual actually performed by Mishima in the 1966 film he directed, Yukoku 憂国 (Patriotism) (YouTube link below).             



Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®



Mishima was a Japanese author, poet, playwright, actor, film director, founder of the right-wing militia, Tatenokai, and nationalist. He is considered one of the most important Japanese authors of the 20th century. He was considered for the Nobel Prize in Literature in 1968 but the award went to his countryman Yasunari Kawabata. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change.       

When he was in his thirties, in 1955, Mishima took up weight training and his workout regimen of three sessions per week was not disrupted for the final 15 years of his life. He was fascinated by physical beauty and rejected the aesthetics of intellectualism. He thought an ugly body was disgraceful, and seemed somewhat ashamed of the weak body of his youth. In his 1968 essay Sun and Steel, Mishima deplored the emphasis given by intellectuals to the mind over the body.There is an excellent review of the book on YouTube (link below).       


photo from Asahi Shimbun


In his own words:
"The muscles that I thus created were at one and the same time simple existence and works of art; they even, paradoxically, possessed a certain abstract nature. Their one fatal flaw was that they were too closely involved with the life process, which decreed that they should decline and perish with the decline of life itself.”     

On November 25, 1970, he and three other members of his militia staged an attempted coup d'état when they seized control of a Japanese military base and took the commander hostage, then tried and failed to inspire a coup to restore the Emperor's pre-war powers.     


Yukio Mishima - November 25, 1970 
attempted coup d'état
photographer unknown


Mishima then committed ritual suicide by seppuku. The coup attempt became known as the "Mishima Incident".       

 
 Samurai warrior about to perform seppuku
original work by Kunikazu Utagawa


Mishima was born in the Yotsuya district of Tokyo (now part of Shinjuku). His early childhood was dominated by the presence of his grandmother, Natsuko who was a direct descendant of Tokugawa Ieyasu. Natsuko was prone to violence and morbid outbursts, which are occasionally alluded to in Mishima's works. It is to Natsu that some biographers have traced Mishima's fascination with death. She did not allow Mishima to venture into the sunlight, to engage in any kind of sport or to play with other boys; he spent much of his time alone or with female cousins and their dolls.       


photographer unknown 


He returned to his immediate family when he was 12. His father, a man with a taste for military discipline, employed parenting tactics such as holding the young boy up to the side of a speeding train. He also raided Mishima's room for evidence of an "effeminate" interest in literature and often ripped apart the boy's manuscripts. Although his authoritarian father had forbidden him to write any further stories, Mishima continued to write every night in secret, supported and protected by his mother, who was always the first to read a new story. Mishima began to write his first stories when he was twelve.       
   

Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Mishima wrote novels, popular serial novellas, short stories and literary essays, as well as highly acclaimed plays for the Kabuki theater and modern versions of traditional Noh drama.  

Mishima began his first novel, Tōzoku (盗賊, "Thieves"), a story about two young members of the aristocracy drawn towards suicide. It was published in 1948, placing Mishima in the ranks of the Second Generation of Postwar Writers. He followed with Confessions of a Mask, a semi-autobiographical account of a young homosexual who must hide behind a mask in order to fit into society. The novel was extremely successful and made Mishima a celebrity at the age of 24. His writing gained him international celebrity and a sizable following in Europe and the United States, as many of his most famous works were translated into English.    


Philip Glass ~ Mishima soundtrack
vinyl lp, back cover detail
Artwork by Makoto Kumakura
detail photo of album back cover by Styrous®


Mishima was an actor, and had a starring role in the 1960 Yasuzo Masumura film, Afraid to Die. He also had roles in films including Yukoku (directed by himself, 1966), Black Lizard (directed by Kinji Fukasaku, 1968) and Hitokiri (directed by Hideo Gosha, 1969). He also sang the theme song for Afraid to Die (lyrics by himself; music by Shichirō Fukazawa).

Mishima was featured as a photo model in Ba-ra-kei: Ordeal by Roses by Eikoh Hosoe, as well as in Young Samurai: Bodybuilders of Japan and Otoko: Photo Studies of the Young Japanese Male by Tamotsu Yatō. American author Donald Richie gave a short lively account of Mishima, dressed in a loincloth and armed with a sword, posing in the snow for a Tamotsu Yato photoshoot.


photo by Kishin Shinoyama


Mishima also became very skilled at kendo, a modern Japanese martial art, which descended from the  traditional Japanese swordsmanship (kenjutsu) and uses bamboo swords (shinai) and protective armour (bōgu).    




Mishima married Yoko Sugiyama on June 11, 1958. While working on Forbidden Colors, Mishima visited gay bars in Japan. Mishima's sexual orientation was an issue that bothered his widow, and she always denied his homosexuality after his death. In 1998, the writer Jiro Fukushima published an account of his relationship with Mishima in 1951, including fifteen letters between himself and the famed novelist. Mishima's children successfully sued Fukushima for violation of his privacy and copyright. 




Much speculation has surrounded Mishima's suicide. At the time of his death he had just completed the final book in his Sea of Fertility tetralogy. He was recognized as one of the most important post-war stylists of the Japanese language.      



 


The 1985 biographical film by Paul Schrader titled Mishima: A Life in Four Chapters depicts his life and work; however, it has never been given a theatrical presentation in Japan.    

The Mishima Prize was established in 1988 to honor his life and works. On July 3, 1999, "Mishima Yukio Bungaku-kan" (三島由紀夫文学館, "Mishima Yukio Literary Museum") was opened in Yamanakako.     
         

     
     
         
Tracklist:

Side 1:

A1 - Mishima / Opening - 2:46
A2 - November 25: Morning - 4:08
A3 - 1934: Grandmother & Kimitake - 3:37
A4 - Temple Of The Golden Pavilion ("Like Some Enormous Music") - 3:06
A5 - Osamu's Theme: Kyoko's House - 2:58
A6 - 1937: Saint Sebastian - 1:05
A7 - Kyoko's House ("Stage Blood Is Not Enough") - 5:00

Side 2:

B1 - November 25: Ichigaya - 2:11
B2 - 1957: Award Montage - 3:56
B3 - Runaway Horses ("Poetry Written With A Splash Of Blood") - 9:09
B4 - 1962: Body Building - 1:29
B5 - November 25: The Last Day - 1:30
B6 - F-104: Epilogue From Sun And Steel - 1:59
B7 - Mishima / Closing - 2:57

Companies, etc.

    Recorded At – Greene St. Recording
    Recorded At – The Living Room (2)
    Remixed At – The Living Room (2)
    Mastered At – Masterdisk
    Published By – Dunvagen Music Publishers, Inc.
    Produced For – Euphorbia Productions Ltd.
    Phonographic Copyright (p) – Elektra/Asylum/Nonesuch Records
    Copyright (c) – Elektra/Asylum/Nonesuch Records
    Record Company – Warner Communications Inc.
    Pressed By – Specialty Records Corporation

Credits:

    Artwork By – Makoto Kumakura
    Composed By – Philip Glass
    Conductor – Michael Riesman
    Engineer [Recording] – Dan Dryden
    Mastered By – Bill Kipper
    Mixed By [Remixed] – Dan Dryden, Kurt Munkacsi, Michael Riesman
    Producer – Kurt Munkacsi
    Strings – The Kronos Quartet*

Notes:

Recorded at Greene St. Studios NY, NY and The Living Room, Inc. NY, NY.
Remixed at The Living Room, Inc. NY, NY.
Mastered by Masterdisk NY, NY.

Includes red insert with description by the film's director, Paul Schrader, which measures 6" x 6".
Barcode and Other Identifiers

    Matrix / Runout (Side A): (Scr) 79113·A·2 1-2·5M1-3 MASTERDISK·BK
    Matrix / Runout (Side B): (Scr) 79113·B·2 1-3 MASTERDISK·BK
    Barcode: 0 7599-79113-1
    Rights Society: ASCAP
         
Philip Glass ‎– Mishima
Label: Nonesuch ‎– 9 79113-1 F, Nonesuch ‎– 79113
Series: Nonesuch Digital –
Format: Vinyl, LP, Album
Country: US
Released: 1985
Genre: Electronic, Stage & Screen
Style: Soundtrack, Modern Classical
         
       
         
Viewfinder links:          
              
Philip Glass articles/mentions         
Obiko ~ Craft of the Costume art-to-wear fashion show       
Obiko articles          
          
Net links:          
              
Philip Glass ~ Compositions
                     ~ Music for film          
Best Original Scores ~ Mishima (Philip Glass)         
Mishima Plot        
Mishima Cast               
NY Times ~ The Life and Death of Yukio Mishima     
The Guardian ~ Dead writer's knife is in Japan's heart             
                       ~ The school of flesh: erotic portraits of Yukio Mishima 
Yukio Mishima ~ Major works            
Encyclopedia Britannica ~ Yukio Mishima      
History.com ~ Mishima commits ritual suicide         
letterboxd ~ Mishima: A Life In Four Chapters               
DVD Journal ~ Mishima: A Life in Four Chapters      
film.avclub.com ~ Mishima: A Life In Four Chapters         
The Culture Trip ~ The Turbulent Life Of A Conflicted Martyr      
Nonesuch Store ~ Mishima - Original Music Composed By Philip Glass
           
YouTube links:          
              
Mishima - A Life in Four Chapters. Philip Glass (Soundtrack) (46 min)
Mishima: A Life in Four Chapters (1985) Movie Trailer          
Yukio Mishima Speaking In English
The Strange Case of Yukio Mishima - 1985 BBC documentary (55 min) 
Yukio Mishima And Bodybuilding (10 min.)             
Mishima: his life and literature (三島 由紀夫 aka 平岡 公威 )   
Yukio Mishima - Sun and Steel book review         
Yukoku 憂国 (Patriotism) (ritual suicide by seppuku)       
         
        
        


“The past is reinvented and becomes the future. 
But the lineage is everything.”
                           ~ Philip Glass
        

         
        

July 1, 2017

Darth Vader Speaks ~ David Prowse 1980 interview







“Some fans are curious about certain anatomical questions. They know I’m tall, big in stature, so they figure . . . Well, you get the idea, don't you?”




Darth Vader Speaks 
photo © Lucasfilm 
courtesy 20th Century Fox
detail photo of article by Styrous®


Today, July 1, is the birthday of David Prowse. In case you don't know who that is, he portrayed the physical Darth Vader in the film Star Wars.  

In my life I have had many fictional heroes, Superman, Batman, Flash Gordon, James Bond, The Flash, etc. Not actually a hero, but still in this Pantheon, Darth Vader is one of them. My admiration extended to portraying Vader in my Love Act on Broadway (link below). Vader, also known by his birth name, Anakin Skywalker, is a fictional character from the Star Wars film series (link below).    

Originally a Jedi prophesied to bring balance to the Force, he falls to the dark side of the Force and serves the evil Galactic Empire at the right hand of his Sith master, Emperor Palpatine (also known as Darth Sidious). He is also the father of Luke Skywalker and Princess Leia Organa, grandfather of Kylo Ren, and secret husband of Padmé Amidala.          

Darth Vader was physically portrayed by David Prowse, MBE, in the original Star Wars prequel trilogy. The stunt performer Bob Anderson filled in as Vader in the lightsaber fight scenes, whereas James Earl Jones provided the voice for Vader (link below). Prowse claims he was originally told that he would be seen and heard at the end of Return of the Jedi when Vader's mask was removed. Instead, actor Sebastian Shaw was used.      

Prowse was born on July 1, 1935, and is an English bodybuilder, weightlifter and character actor in British film and television. He had a role as Julian, the bodyguard of F. Alexander (Patrick Magee), in the 1971 film A Clockwork Orange. It was this film in which he was noticed by director George Lucas. His greatest fame, however, is portraying Darth Vader.  






The David Prowse Interview
by George Haddad-Garcia 

Darth Vader Speaks
photo © Lucasfilm
courtesy 20th Century Fox
photo of article by Styrous®

Lurking behind this sinister mask of super-villain, Darth Vader, who made a welcome reappearance in the Star Wars sequel, The Empire Strikes Back, is a 6 foot, 7 inch one time British heavyweight weightlifting champion, now intent on recognition as an actor and not just a strong man.  
David Prowse, who prefers to be called Dave, is a sort of mild-mannered monolith, the original gentle giant. “the trouble is,’ he said, “because of my size I get to play all sorts of weird parts, including two different monsters in two Frankenstein movies. Producers just don't think I can play an ordinary individual, even though I am married with three children. 
Dave admits that the tall mysterious Darth Vader has his share of gay fans, and that several bars in London have featured a space-night during which patrons like to dress up in capes, leather and masks resembling the Vader mask. “It's what they call hi camp,” he smiles. “some gay fans write that Darth Vader is their ideal dream man, the Tall, Dark One. I guess that's because he's very powerful and forceful. 



Darth Vader Speaks article detail
photo © Lucasfilm
courtesy 20th Century Fox
detail photo by Styrous®

Darth Vader has become one of the most iconic villains in popular culture, and has been listed among the greatest villains and fictional characters ever. The American Film Institute listed him as the third greatest movie villain in cinema history on 100 Years... 100 Heroes and Villains, behind Hannibal Lecter and Norman Bates. However, other critics consider him a tragic hero, citing his original motivations for the greater good before his fall to the dark side.

In 2008, Prowse was one of the cast members featured in Bring Back...Star Wars by Justin Lee Collins. In the film, Prowse commented that he had a dispute with George Lucas after he allegedly leaked reports of Darth Vader's death to the press. Prowse had previously suggested that Darth Vader could be Luke Skywalker’s father in a speech he gave to UC Berkeley in 1978. However, this was shortly after the release of Star Wars and nearly two years before The Empire Strikes Back (which he considers to be his favourite of the trilogy) was released, and the script had not even been written at the time. Gary Kurtz, the producer of The Empire Strikes Back, said in the 2015 documentary I Am Your Father that Prowse's apparent plot spoiler was simply "a good guess."

Prowse claims his contract for Return of the Jedi included a share of profits on the film, and although it grossed $475 million on a $32 million budget, Prowse explained in an interview in 2009 that he has never received residuals for his performance. Due to "Hollywood accounting", the actual profits are sent as "distribution fees" to the studio, leaving nothing to distribute to others.

In July 2010, Prowse was banned by George Lucas from attending official Star Wars fan conventions. Lucas has reportedly given Prowse no reason, other than stating that Prowse "burnt too many bridges" between LucasFilm and himself. This is the subject of the mockumentary, Behind the Mask (link below).      

A 2015 Spanish documentary, by filmmaker Marcos Cabotá, entitled I Am Your Father (link below), details Prowse's current life and his blackballing by LucasFilm, which the documentary suggests is unjustified. The leaks featured in the documentary originated from a technician working on the films.
Since 2002 Prowse has been an Honorary Member / Honorary Leader of the 501st Legion, a fan group dedicated to Star Wars costuming.        


Viewfinder links:   
          
The Love Act           
All things Star Wars        
   
Net links:         
            
David Prowse Official website                  
David Prowse roles       
   
YouTube links:   
          
Darth Vaders Voice Before Voice Over            
I Am Your Father movie trailer           
Behind the Mask - The Feud Between Prowse and Lucas     
           
         
       
        
        
Happy birthday, David
The Force is with you

     
                 
Styrous® ~ Saturday, July 1, 2017