~
To
watch her in action is to hear and see a sonic/visual wonder. I've seen
her a few times, the first was about twenty years ago (YIKES!) at
Project Artaud, and I had
that pleasure again a few days ago in the privacy of my very own studio
when she
performed on line with her production of A Secret Code. I could
have watched in my PJs but opted instead for a t-shirt, sweat pants and slippers;
how much more comfortable can you get? I took some photos of my computer screen during
her performance.
She
has an exquisite voice of operatic quality and uses it to the best
advantage along with electronic augmentation and manipulations as
demonstrated in her work
Badagada (
YouTube link below). The electronics she uses are quite fascinating as well, right out of 50's
Sci-Fi.
She
is not just a sound artist, however, she has a keen sense of the visual
aspects of what she is doing. This was demonstrated quite nicely in the
piece she calls, Blink. When she started Blink I thought she
was holding a mirror which was reflecting someone in the studio there with
her then realized she was holding an iPad or tablet which was set in
selfie mode and I was actually seeing parts of her face; a terrific mind bending shift of perception.
After
the performance Pamela talked about her processes and the electronic
devices she uses and answered question from members of the "audience".
The devices operated in a manner similar to the
theremin
in that movement is involved without actually touching them, however,
the similarity ends there. They are far more sophisticated in that it is
not only movement but the shape of her hands and other elements that determine the sound,
pitch, key and tone emitted. She has an amazing array of sound
generating gadgets. Two of them were on plastic bands that fit around
the palms of her hands.
She
processes/samples multiple versions of her voice on the spot and
loops/modifies each version then sings, vocalizes or reads in harmony
with them using a computer modular program,
MAX MSP, the same program
Tom White used in his Butohdrawing performances on
Cyprus in 2000, with
Betty Jo Costanzo.
She uses blocks of prefabricated sound blocks she creates but then
ad libs
as the occasion requires; sometimes one work may sound the same at
times, sometimes not. This happened during the show when one of the
apparatus did not work. She explained that the programming is sensitive
to the lighting; there was some kind of light in the studio that blocked
it. She had to substitute with another work.
She
doesn't just sing/vocalize she also does her magic while reading. She
spoke words, processed them then, when she had what she wanted, she
began reading while they played. I found this totally amazing as I
cannot read anything if there is someone talking or something going on.
To be able to focus like that was fascinating.
She
did a piece with one of her electronics where she was dictating while
typing a letter to a pen pal with total ancient typewriter sounds and movements. It
as well as some of the works she did for this performance are parts of
the solo voice & electronics piece on YouTube (link below).
At
one point she walked off camera and returned with her hair messed up! I
figured something must be up so I just decided to wait before passing
judgment. I was focusing on the sounds she was making but after a few seconds
it dawned on me she had put sensors in her hair and they were lighting up. That was a great surprise!
She
ended the program with a sparse yet intricate work entitled Other Rooms
that sent shivers down my spine and made the hair on my arms stand
up!
All in all it was a pretty wonderful experience that I will remember for many years to come. Well done, Pamela!!!!!
She was kind enough to sent the Set List for the evening to me:
Flare Stains
Typewriter
Declaratives
Broom
Syrinx
Blink
Quatre Couches
Badagada
Pop Titles ‘You’
Breathing (from Carbon Song Cycle)
Unknown Person (from Baggage Allowance)
Hairlight
Other Rooms
