Showing posts with label Metropolitan Opera. Show all posts
Showing posts with label Metropolitan Opera. Show all posts

November 26, 2017

Helen Hagnes ~ "Phantom of the Opera" murder @ the Met

       
        
       
       
       
While I was researching an article on Arthur Fiedler (link below), I came across an item of an incident I had completely forgotten about that happened at the prestigious Metropolitan Opera on July 23, 1980.





Helen Hagnes Mintiks   
Photo: The New York Times


Helen Hagnes Mintiks, a Canadian-born violinist, was murdered by stagehand, Craig S. Crimmins, during a performance of the Berlin Ballet. I recall the tabloid headlines that proclaimed, "Phantom of the Opera" Murder!

As music is a cherished, one could almost say, sacred subject for me, the story had quite a shocking effect on me at the time.         

Helen Hagnes Muntiks, was a violinist in an orchestra performing with the Berlin Ballet at the Metropolitan Opera House. The ballet being performed was The Idiot with music composed in 1979 by Dimitri Shostakovich. The ballet is based on the Fyodor Dostoevsky novel. The last scene is of a woman being stabbed to death.    

After the first act, Hagnes left her seat and went into the back corridors of Lincoln Center. She never told anyone where she was going. When the second act began other musicians noted her empty chair and assumed she had gotten sick.     

The "phantom" in the internationally publicized case turned out to be Craig S. Crimmins, 21, a Met stagehand. In 1981, a jury convicted him of murder, finding that after trying to rape Ms. Mintiks, 31, in a stairwell, he forced her to the roof and kicked her into the shaft.      


Craig S. Crimmins 


The Hagnes murder created a tabloid stir. Weeks passed and the investigation stalled. Old boyfriends were checked out. All of her fellow employees seemed to have good alibis. Then the detectives caught a break. A Bronx stagehand, Craig Crimmins, 21, broke under questioning. He was arrested for Hagnes’ murder.         

Crimmins was an Irish Catholic kid from the Mosholu Pkwy area in the north section of the Bronx. His babyish looks and immature demeanor were a surprise to a city expecting some kind of fiend. Crimmins went for the altar boy look during his trial.             

The story came out that on July 23 Crimmins got high at work. Booze and pot left him in a staggering state as he wandered around the back corridors of Lincoln Center. There he ran into Hagnes and propositioned her. When she blew him off he beat her, tied her up and threw her down the air shaft, where she died. Crimmins was sentenced to 20-years-to-life, making him eligible for parole in 2001 and the "Phantom of the Opera" story died.           




The description by Assistant District Attorney Roger S. Hayes during his opening statement to the jury in State Supreme Court provided the first official details of what Crimmins is said to have confessed to the police prior to his formal booking on the morning of Aug. 30. All along, the defense lawyers have contended that detectives used ''psychological threats'' to force their client to make the incriminating statements.

According to the Hayes reconstruction of the killing, on the evening of July 23, Hagnes left the orchestra pit around 9:30 P.M. and was to be free until 10:19 P.M. ''She left telling a friend that she was going to try to speak to Mr. Valery Panov about arranging a meeting with her husband,'' he said. Panov, the Russian emigre choreographer and dancer, was the guest star of the show. Hagnes's husband, Janis Mintiks, is a sculptor who later sued the Met (link below). When Hagnes entered a backstage elevator, No. 12, Hayes said, ''the defendant also got on it with her, as did a third person, Laura Cutler.''        

Cutler is an American dancer in the company of the Berlin troupe. Hayes said that the violinist asked Cutler, ''Where is Mr. Panov's dressing room?'' and that Crimmins answered, ''on three.'' At first the elevator went down to C-level, the last of 10 floors in the opera house, the prosecutor said, and there  Cutler left Crimmins and Hagnes in the elevator. The trial got bizarre as Cutler was hypnotized to aid her memory (link below).     

The jurors rejected the defense argument that Manhattan detectives had pressured Crimmins into falsely admitting he was guilty of the crime. He was sentenced to 20 years to life.        

During the trial, Ida Libby Dengrove, a New York courtroom artist, made sketches of the people involved in the trial. Her pictorial reportage won two Emmy awards, one for the "Murder at the Met" trial (1980-81) of Craig S. Crimmins, the stagehand convicted of slaying Helen Hagnes Mintiks.    


Helen Hagnes Mintiks 

Crimmins was denied parole twice and is in the Auburn Correctional Facility in Auburn, New York, with his next parole hearing scheduled for November.       

"I'm sincerely sorry for what I've done, and I wish I could take it back," he said at his last hearing, in 2002. He said nothing about his confession having been coerced, according too transcript of the hearing. "I was drank," he said. "She slapped me in the face and kneed me is the groin, and I don't know, something snapped in my brain." He maintained that he had "tried to leave her" on the roof, but "she kept jumping up and down" until he gave her "one kick" and she "just slipped, rolled right in" in the shaft. "If you feel that I ain't been in prison long enough and hit me, aube is," Crimmins said.          

So it was. Noting also that he used heroin in 2001, the parole commissioners said, "Releasing you to the community would make a mockery of the criminal justice system."      

Helen Hagnes grew up on a farm in Canada, learned to love the violin, and her parents could see that she had a gift for the notoriously difficult instrument. As Hagnes practiced, she saw herself playing at a huge opera house. The violin would take her away from beautiful yet parochial Canada.      

Hagnes earned a scholarship to North Carolina School of the Arts and graduated in 1973. She is now listed on the university’s website as one of their missing alumni. After graduating there, Hagnes went on to Europe and studied under master violinists in Switzerland and Italy. She moved back to America and married. She and her sculptor husband settled in New York City. Here her dream of playing classical music professionally came true: she earned a violin seat in the Metropolitan Opera orchestra pit.              
            
There was a book written about the event by David Black. Entitled, Murder at the Met, it is based on the exclusive accounts of Detectives Mike Struk and Jerry Giorgio of how they solved the "Phantom of the Opera" Case. It was Published in 1984 by Dial Press in Garden City, New York.        
                
Murder at the Met, by David Black
         
     
       
       
Viewfinder links:     
        
Music & Mayhem                  
Arthur Fiedler       
          
Net links:     
        
The Washington Post ~ Death Of a Violinist              
The Washington Post ~ The Berlin Ballet's Enigmatic Idiot         
NY Times ~ Confession details of Opera Murder trial      
NY Times ~ Testimony of a Hypnotized Dancer        
NY Times ~ Ida Libby Dengrove obit        
Murderpedia ~ "The Phantom of the Opera"         
UPI ~ Craig Crimmins: Stagehand convicted of murder       
Ida Libby Dengrove ~ Courtroom Sketches: Murder at the Met
Mintiks v. Metro. Opera     
The Metropolitan Opera ~ Death, Murder & Tear Gas         
         
YouTube link:    
        
The Murder of Helen Mintiks       
               
         
No Comment
             
          
Styrous® ~ Sunday, November 26, 2017       











October 29, 2016

20,000 Vinyl LPs 71: Norma ~ Maria Callas debut @ the Met

Vinyl LP box front
photo by Styrous®



Sixty years ago today, October 29, 1956, Maria Callas made her Metropolitan Opera debut in the Vincenzo Bellini  opera, Norma. The performance opened the Met's seventy-second season. She was already world-famous at the time. Everyone knew who she was.    

I was 16 and I remember that the event was marred by an unflattering cover story in Time magazine, which rehashed all of the Callas clichés, including her temper, her supposed rivalry with Renata Tebaldi (see link below) and her difficult relationship with her mother. Nothing's perfect!  

October 29, 1956



She was asked to audition for Edward Johnson, the General Manager of the Metropolitan Opera. Johnson heard her and immediately offered her the leading roles in two productions of the 1946/7 season: Fidelio by Beethoven and Madama Butterfly by Giacomo Puccini. Maria, to Johnson's surprise, turned the roles down. She didn't want to sing Fidelio in English and she felt that she was too heavy to portray the young, fragile Butterfly. This story may just be a myth, though, since the Met maintains Callas' audition was not a success and that she was never offered a contract.  



1954: The first Norma recording
 photographer unknown



Her American operatic career never approached the numbers of performances she gave in Europe. She sang only 13 performances in Chicago, 21 at the Metropolitan. The last of these was a performance of Tosca in New York in March, 1965, when her partner was tenor Richard Tucker, with whom she had sung in Verona 18 years earlier.   

After only two more performances in that same year, Callas called a final halt to her operatic career. But in 1973-1974, she sang in an extended concert tour with her longtime colleague, tenor Giuseppe di Stefano. That tour brougt Callas to Washington in February, 1974, for her only appearance in Constitution Hall.   

Maria Callas was only 42 when she stopped singing in opera.   




Maria Callas with her teacher Elvira de Hidalgo in 1954


The press exulted in publicizing Callas's temperamental behavior, the rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis.  


photographer unknown 


Onassis amassed the world's largest privately owned shipping fleet and was one of the world's richest and most famous men. He was known for his business success, his great wealth and also his personal life, including his marriage to Athina Livanos, daughter of shipping tycoon Stavros G. Livanos, his affair with Maria Callas and his marriage in 1968 to Jacqueline Kennedy, the widow of the American president John F. Kennedy.   

Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας) was born, Cecilia Sophia Anna Maria Kalogeropoulos, in New York City on December 2, 1923. She was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, Rossini, Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as La Divina

The soprano whose intensely dramatic portrayals on-stage and personal life off-stage made her the most exciting opera singer of her time, died of a heart attack on September 16, 1977, at her home in Paris, France. She was 53 years old.  



Vinyl LP label detail
detail photo by Styrous®





Bellini*, Callas*, Filippeschi*, Stignani*, Rossi-Lemeni* ‎– Norma

Label: Angel Recordings ‎– 3517 C
Format: 3 × Vinyl, LP, Album, Mono, Box Set
Country: US
Released:
 
Genre: Classical
Style: Opera, Romantic

Tracklist:

A Act 1, Part 1 (Beginning) 29:11
B Act 1, Part 1 (Continued) 24:35
C Act 1, Part 1 (Conclusion) / Part 2 (Beginning) 25:18
D Act 1, Part 2 (Conclusion) / Act 2, Part 1 (Beginning) 27:30
E Act 2, Part 1 / Part 2 (Beginning) 26:00
F Act 2, Part 2 (Conclusion) 28:11

Credits:

Notes:

In Collaborazione Con L'Ente Autonomo Del Teatro Alla Scala

A = Record 1, Side 1
B = Record 2, Side 2
C = Record 3, Side 3
D = Record 3, Side 4
E = Record 2, Side 5
F = Record 1, Side 6

Barcode and Other Identifiers

  • Matrix / Runout (Label, Side 1): XBX 143-5N
  • Matrix / Runout (Label, Side 2): XBX 144-5N
  • Matrix / Runout (Label, Side 3): XBX 145-5N
  • Matrix / Runout (Label, Side 4): XBX 146-5N
  • Matrix / Runout (Label, Side 5): XBX 147-5N
  • Matrix / Runout (Label, Side 6): XBX 148-5N



Net links:    
           
Renata Tebaldi ~ Tosca              
Metropolitan Opera Archives ~ reviews
Bellini ~ Norma: Casta Diva on YouTube     
Limelight Magazine ~ Maria Callas: Her 10 Greatest Moments
The Guardian ~ Maria Callas: The truth is she was far from perfect
Cmuse ~ 60 years since Maria Callas debuted at the Met
Opera News ~ Sweet Inspiration     
Sopranos ~ Maria Callas            
On This Day Obituary            
         


Maria Callas
photo by Cecil Beaton - 1957


"To sing is an expression of your being,
a being which is becoming."
              -Maria Callas


Styrous® ~ Saturday, October 29, 2016    
    


October 24, 2015

101 Reel-to-Reel Tapes 109: Marilyn Horne ~ Carmen

Marilyn Horne ~ Carmen
reel-to-reel tape cover detail
cover photo by Francesco Scavullo 
detail photo by Styrous®


~ ~ ~

I started the Vinyl LP series because I have a collection of over 20,000 vinyl record albums I am selling; each blog entry is about an album from my collection. The 101 Reel-to-Reel Tapes series is an extension of that collection. Inquire for information here.   

~ ~ ~

Carmen (French pronunciation: ​[kaʁmɛn]; Spanish: [ˈkarmen]) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris, on March 3, 1875.    




Marilyn Horne ~ Carmen
reel-to-reel tape box
cover photo by Francesco Scavullo
album design by Trantor/IMPAC Associates
photo of tape box by Styrous®



The opera, written in the genre of opéra comique with musical numbers separated by dialogue, is set in southern Spain, and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy, Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous toreador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial. That's some comedy!  




Marilyn Horne ~ Carmen
reel-to-reel tape box back
photo by Styrous®




The premiere on March 3, 1875, which was conducted by Adolphe Deloffre, was attended by many of Paris's leading musical figures, including Jules Massenet, Jacques Offenbach, Léo Delibes and Charles Gounod; during the performance Gounod was overheard complaining bitterly that Bizet had stolen the music of Micaëla's act 3 aria from him: "That melody is mine!"      




Marilyn Horne ~ Carmen
reel-to-reel tape box back details
detail photos by Styrous®



On 9 January 1884 Carmen was given its first New York Metropolitan Opera performance, to a mixed critical reception. The New York Times welcomed Bizet's "pretty and effective work", but compared Zelia Trebelli's interpretation of the title role unfavourably with that of Minnie Hauk. Thereafter Carmen was quickly incorporated into the Met's regular repertory. In February of 1906 Enrico Caruso sang José at the Met for the first time; he continued to perform in this role until 1919, two years before his death.  




Marilyn Horne ~ Carmen
reel-to-reel tape box back detail
detail photo by Styrous®




On 17 April 1906, on tour with the Met, Caruso sang the role at the Grand Opera House in San Francisco. Afterwards he sat up until 3 am reading the reviews in the early editions of the following day's papers. Two hours later he was awakened by the first violent shocks of the 1906 San Francisco earthquake, after which he and his fellow performers made a hurried escape from the Palace Hotel.  




Marilyn Horne ~ Carmen
reel-to-reel tape box spine
photo by Styrous®




Marilyn Horne was born in Bradford, Pennsylvania, on January 16, 1934, she is a mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She was a recipient of the National Medal of Arts in 1992 and the Kennedy Center Honors in 1995. She has won four Grammy Awards.    




Marilyn Horne ~ Carmen
reel-to-reel tape box interior
photo by Styrous®




Horne's first major professional engagement was in 1954, when she dubbed the singing voice of Dorothy Dandridge in the film Carmen Jones. Until that point, she had worked as a background singer for several TV sitcoms, as well as recorded covers of popular songs of the early 1950s, which were sold in dimestores around the country for $1.98. She made an appearance on The Odd Couple as a character named "Jackie", her own nickname, a meek and nervous would-be singer who develops into a full-blown diva and plays the role of Carmen with brilliant results; she also sang on The Tonight Show Starring Johnny Carson. She made her Los Angeles debut the same year when she performed the role of Hata in The Bartered Bride with the Los Angeles Guild Opera.




Marilyn Horne ~ Carmen
reel-to-reel tape
photo by Styrous®



Horne retired from the concert stage in 1999 with a recital at the Chicago Symphony Center. She still occasionally performs at pop concerts (most recently with Broadway star Barbara Cook). Horne has also established the Marilyn Horne Foundation to help preserve the art of vocal recitals. She teaches a series of annual Master Classes at the Oberlin Conservatory of Music; the University of Maryland, College Park; the Manhattan School of Music; and the University of Oklahoma.    



Marilyn Horne ~ Carmen
reel-to-reel tape label detail
detail photo by Styrous®



In December 2005, shortly before Horne's 72nd birthday, she was diagnosed with localized pancreatic cancer. In January 2007, she appeared at a public function for her Foundation. Interviewed by Norman Lebrecht on BBC Radio 3 on July 26, 2010, she spoke briefly about her cancer and cheerfully said, "I'm still here!"



The Marilyn Horne sings Carmen, reel-to-reel tape is for sale on eBay