Showing posts with label Giuseppe di Stefano. Show all posts
Showing posts with label Giuseppe di Stefano. Show all posts

December 22, 2018

20,000 Vinyl LPs 161: Puccini ~ Tosca à la Price

~
     original Tosca poster 
illustration by Adolfo Hohenstein


Today is the birthday of Giacomo Antonio Domenico Michele Secondo Maria Puccini aka Puccini, the composer of some of the greatest operas ever.       
     





As my tribute to Puccini (link below) I've selected my favorite opera by him, Tosca, sung by my favorite soprano, Leontyne Price (link below).      

Tosca premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on the Victorien Sardou, 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples control of Rome threatened by the Napoleonic invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.     

With one exception, which will come later, this entry does not focus on the composer, the music, the singers nor the qualities of the recording but rather the album itself. It is an issue of excellent quality that has rarely been surpassed.       

The records come in a textured box with embossed gold ink. Included is a full color, soft cover, 12" x 12" book with historical information along with photos and libretto. The art work and album design was by Rita Thermes. 




The book includes a reproduction of the original poster by Adolfo Hohenstein for the opera (below and above): Tosca standing over Scarpia's body, about to lay a crucifix on his chest. The text reads: "Tosca: libretto di V Sardou, L Illica, G Giacosa. Musica di G Puccini. Riccardi & C. editori"        


 


The album is part of the Soria Series set up by Dorle J. Soria with her husband. Soria was a journalist, writer and publicist, born December 14, 1900; died July 7, 2002.        





Here is the exception. The two big "Hits" from Tosca are Vissi d'arte (link below), sung by Tosca in act two, scene one, and E lucevan le stelle (link below), sung by her lover, Mario Cavaradossi, in act three, scene one. Both arias are without a doubt incredibly beautiful, I don't deny that. But for me the gem of the opera is sung by the villain of Tosca, Baron Scarpia, at the finale of the first act. Va Tosca (link below) is sung during the Te Deum of a mass being performed in the church of Sant'Andrea della Valle with the congregation praising the Lord while Scarpia sings of his lust for Tosca and his plans to kill her lover. The sheer sacrilege of this action is astounding when considering the opera was written in the 1800's when the Roman Catholic Church was still all powerful in Italy.   

I've only seen Tosca once and the San Francisco Opera production I saw showcased the raw power of Scarpia's bold baritone voice in rutting heat counterpointed by the sincere and fervent devotional chorus of the congregation, white both are accompanied by a pipe organ, the bells in the church ringing out the mass and cannons firing in the square!      

It was absolutely breathtaking! It's a scene only out done by the Temple of Vulcan scene in act one, scene two of Verdi's, magnificent opera, Aida (link below).     



Inside the church of Sant'Andrea della Valle
set design by Adolfo Hohenstein 


The Te Deum scene which concludes act 1.          

SCARPIA
Go, Tosca!
Now Scarpia digs a nest within your heart!
Go, Tosca! Scarpia now sets loose
the soaring falcon of your jealousy!
How great a promise in your quick suspicions!
Now Scarpia digs a nest within your heart!
Go, Tosca!
(Scarpia kneels and prays as the cardinal passes.)

CHORUS
Adjutorum nostrum in nomine Domini
qui fecit coelum et terram.
Sit nomen Domini benedictum
et hoc nunc et usque in saeculum.


SCARPIA
My will takes aim now at a double target,
nor is the rebel's head the bigger prize...
Ah, to see the flame of those imperious eyes
grow faint and languid with passion...
For him, the rope,
and for her, my arms...

CHORUS
Te Deum laudamus:
Te Dominum confitemur!
(The sacred chant from the back of the church
startles Scarpia, as though awakening him from a
dream. He collects himself, makes the Sign of the
Cross.)

SCARPIA
Tosca, you make me forget God!
(He kneels and prays devoutly.)

CHORUS, SCARPIA
Te aeternum
Patrem omnis terra veneratur!
























Front cover of the original 1899 libretto


selected libretto pages

     























Vinyl LP, side 1




Vinyl LP, side 2




Vinyl LP, side 3




Vinyl LP, side 4



Tracklist:

Side 1:
A1 - Act I (Part 1)   

Side 2:
B1 - Act I (Concluded)   
B2 - Act II (Part 1)   

Side 3:
C1 - Act II (Concluded)   

Side 4:
D1 - Act III   

Credits:

    Artwork [Cover Painting] – Rita Thermes
    Baritone Vocals, Performer [Baron Scarpia] – Giuseppe Taddei
    Bass Vocals, Performer [Cesare Angelotti] – Carlo Cava
    Bass Vocals, Performer [Kerkermeister] – Alfredo Mariotti
    Bass Vocals, Performer [Mesner] – Fernando Corena
    Bass Vocals, Performer [Sciarrone] – Leonardo Monreale
    Chorus – Wiener Staatsopern-Chor*
    Chorus Master – Roberto Benaglio
    Composed By – Giacomo Puccini
    Conductor – Herbert Von Karajan
    Libretto By – Giuseppe Giacosa, Luigi Illica
    Orchestra – Wiener Philharmoniker
    Soprano Vocals, Performer [Floria Tosca] – Leontyne Price
    Soprano Vocals, Performer [Hirtenknabe] – Herbert Weiss
    Tenor Vocals, Performer [Mario Cavaradossi] – Giuseppe Di Stefano
    Tenor Vocals, Performer [Spoletta] – Piero Di Palma*

Notes:

Textured box with embossed gold ink. Full color booklet with historical information along with photos and libretto.

Leontyne Price / Giuseppe Di Stefano / Giuseppe Taddei / Herbert Von Karajan ‎– Puccini - Tosca
Label: RCA Victor Red Seal ‎– LDS 7022
Series: Soria Series –
Format: 2 × Vinyl, LP, Album, Stereo
Box Set
Country: US
Released: 1964
Genre: Classical
Style: Opera
     

     
              
Viewfinder links:
          
Giacomo Puccini        
Leontyne Price
Giuseppe Di Stefano        
Giuseppe Verdi       
Herbert von Karajan     
       
Net links:
          
Tosca Synopsis      
 
YouTube links:
    
Leontyne Price ~ Vissi D´arte        
Giuseppe di Stefano - E lucevan le stelle        
Ruggero Raimondi - Tosca - Va, Tosca (Te Deum)        
          
           
      
       
         
         
           
     


"Tosca, you make me forget God!"
                     ~ Baron Scarpia
        
         
         
Styrous® ~ Saturday, December 22, 2018             
              
         
            













October 29, 2016

20,000 Vinyl LPs 71: Norma ~ Maria Callas debut @ the Met

Vinyl LP box front
photo by Styrous®



Sixty years ago today, October 29, 1956, Maria Callas made her Metropolitan Opera debut in the Vincenzo Bellini  opera, Norma. The performance opened the Met's seventy-second season. She was already world-famous at the time. Everyone knew who she was.    

I was 16 and I remember that the event was marred by an unflattering cover story in Time magazine, which rehashed all of the Callas clichés, including her temper, her supposed rivalry with Renata Tebaldi (see link below) and her difficult relationship with her mother. Nothing's perfect!  

October 29, 1956



She was asked to audition for Edward Johnson, the General Manager of the Metropolitan Opera. Johnson heard her and immediately offered her the leading roles in two productions of the 1946/7 season: Fidelio by Beethoven and Madama Butterfly by Giacomo Puccini. Maria, to Johnson's surprise, turned the roles down. She didn't want to sing Fidelio in English and she felt that she was too heavy to portray the young, fragile Butterfly. This story may just be a myth, though, since the Met maintains Callas' audition was not a success and that she was never offered a contract.  



1954: The first Norma recording
 photographer unknown



Her American operatic career never approached the numbers of performances she gave in Europe. She sang only 13 performances in Chicago, 21 at the Metropolitan. The last of these was a performance of Tosca in New York in March, 1965, when her partner was tenor Richard Tucker, with whom she had sung in Verona 18 years earlier.   

After only two more performances in that same year, Callas called a final halt to her operatic career. But in 1973-1974, she sang in an extended concert tour with her longtime colleague, tenor Giuseppe di Stefano. That tour brougt Callas to Washington in February, 1974, for her only appearance in Constitution Hall.   

Maria Callas was only 42 when she stopped singing in opera.   




Maria Callas with her teacher Elvira de Hidalgo in 1954


The press exulted in publicizing Callas's temperamental behavior, the rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis.  


photographer unknown 


Onassis amassed the world's largest privately owned shipping fleet and was one of the world's richest and most famous men. He was known for his business success, his great wealth and also his personal life, including his marriage to Athina Livanos, daughter of shipping tycoon Stavros G. Livanos, his affair with Maria Callas and his marriage in 1968 to Jacqueline Kennedy, the widow of the American president John F. Kennedy.   

Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας) was born, Cecilia Sophia Anna Maria Kalogeropoulos, in New York City on December 2, 1923. She was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, Rossini, Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as La Divina

The soprano whose intensely dramatic portrayals on-stage and personal life off-stage made her the most exciting opera singer of her time, died of a heart attack on September 16, 1977, at her home in Paris, France. She was 53 years old.  



Vinyl LP label detail
detail photo by Styrous®





Bellini*, Callas*, Filippeschi*, Stignani*, Rossi-Lemeni* ‎– Norma

Label: Angel Recordings ‎– 3517 C
Format: 3 × Vinyl, LP, Album, Mono, Box Set
Country: US
Released:
 
Genre: Classical
Style: Opera, Romantic

Tracklist:

A Act 1, Part 1 (Beginning) 29:11
B Act 1, Part 1 (Continued) 24:35
C Act 1, Part 1 (Conclusion) / Part 2 (Beginning) 25:18
D Act 1, Part 2 (Conclusion) / Act 2, Part 1 (Beginning) 27:30
E Act 2, Part 1 / Part 2 (Beginning) 26:00
F Act 2, Part 2 (Conclusion) 28:11

Credits:

Notes:

In Collaborazione Con L'Ente Autonomo Del Teatro Alla Scala

A = Record 1, Side 1
B = Record 2, Side 2
C = Record 3, Side 3
D = Record 3, Side 4
E = Record 2, Side 5
F = Record 1, Side 6

Barcode and Other Identifiers

  • Matrix / Runout (Label, Side 1): XBX 143-5N
  • Matrix / Runout (Label, Side 2): XBX 144-5N
  • Matrix / Runout (Label, Side 3): XBX 145-5N
  • Matrix / Runout (Label, Side 4): XBX 146-5N
  • Matrix / Runout (Label, Side 5): XBX 147-5N
  • Matrix / Runout (Label, Side 6): XBX 148-5N



Net links:    
           
Renata Tebaldi ~ Tosca              
Metropolitan Opera Archives ~ reviews
Bellini ~ Norma: Casta Diva on YouTube     
Limelight Magazine ~ Maria Callas: Her 10 Greatest Moments
The Guardian ~ Maria Callas: The truth is she was far from perfect
Cmuse ~ 60 years since Maria Callas debuted at the Met
Opera News ~ Sweet Inspiration     
Sopranos ~ Maria Callas            
On This Day Obituary            
         


Maria Callas
photo by Cecil Beaton - 1957


"To sing is an expression of your being,
a being which is becoming."
              -Maria Callas


Styrous® ~ Saturday, October 29, 2016