December 31, 2025

New Year's Eve 2025

 ~        
 
 
 
 
 
photo by Styrous®
 
 
        
        
        
        
        
        
         
        
        
         
        
        
Viewfinder links:        
        
New Year articles        
The Yobs - Auld Lang Syne                 
         
Net links:        
        
         
Youtube links:        
         
BBC ~ London Fireworks 2026      
Global News ~ Dubai puts on elaborate fireworks show       
The Yobs - Auld Lang Syne        
         
         
         
        
         
Styrous® ~ Wednesday, December 31, 2025        
      











Jack Gilford articles/mentions

  ~        
     
     
     
mentions:      
Of Thee I Sing      
     
     
      
     
     
     
date & photographer unknown 
     
     
     
      
     












December 26, 2025

One week on . . .

 ~        
 
 
October 19, 1939 
~ 
December 19, 2025 
  
photo by Styrous®
 
 
        
        
 Gone but forever in my heart. 
         
        
        
Viewfinder links:        
         
Immortal Loves           
Tom White        
         
Net link:        
        
Tom White        
         
Youtube link:        
        
         
        
        
                 
         
        
        
        
        
         
        
         
Styrous® ~ Friday, December 26, 2025        
      














20,000 vinyl LPs 405: George Gershwin ~ Of Thee I Sing

 ~   
vinyl LP front cover 
photo of album cover by Styrous®


On December 26, 1931, the George Gershwin musical, Of Thee I Sing, with lyrics by Ira Gershwin, opened at the Music Box Theatre in New York City. In 1932, it was the first musical to win the Pulitzer Prize for Drama; the musical lampoons American politics.  

Morrie Ryskind and George S. Kaufman wrote the book for the musical focusing on satire about rival political parties battling over a new national anthem. Kaufman and Ryskind realized that their concept did not provide sufficient plot for a musical. They crafted a libretto inspired by the timeless battle of political idealism with corruption and incompetency, creating the first American musical with a consistently satiric tone. The writers and the cast were unsure of what the public's reception would be, prompting Kaufman's now-famous retort: "Satire is what closes on Saturday night."     

                
 George GershwinOf Thee I Sing
vinyl LP back cover 
photo of album cover by Styrous®
 
 
 




The album is a gatefold format, thus, great information and photographs.    


























   
Tracklist:
       
Side 1:
        
        Of Thee I Sing    
A1 - Overture - 4:29

        Act I    
A2 - Wintergreen For President - 1:30

A3 - Who Is The Lucky Girl To Be - 1:28

A4 - The Dimple On My Knee / Because, Because / Never Was There A Girl So Fair / Some Girls Can Bake A Pie - 6:44

A5 - Love Is Sweeping The Country - 3:36

A6 - Of Thee I Sing - 2:05

A7 - Finale (Act I): Supreme Court Judges / A Kiss For Cinderella / Some Girls Can Bake A Pie (Reprise) / Of Thee I Sing (Reprise) - 11:49
       
Side 2:
        
        Act II    

B1 - Hello, Good Morning - 3:37

B2 - Who Cares? - 2:21

B3 - The Illegitimate Daughter / Because, Because (Reprise) / Who Cares? (Reprise) - 7:25

B4 - The Senator From Minnesota - 2:19

B5 - The Senate / Jilted / I'm About To Be A Mother - 7:48

B6 - Posterity Is Just Around The Corner - 1:15

B7 - Trumpeter Blow Your Golden Horn - 4:00

B8 - Finale Ultimo /Of Thee I Sing (Reprise) - 5:20
        Let 'Em Eat Cake    

Side 3:
        
1 - Overture - 7:12

        Act I    
C2 - Tweedledee For President - 4:42

C3 - Union Square - 4:34

C4 - Store Scene: Shirts By The Millions / Comes The Revolution / Mine - 8:28

C5 - Climb Up The Social Ladder - 2:08

C6 - The Union League - 2:39

C7 - On And On And On - 2:52

C8 - Finale Act I (Beginning): Introduction / I've Brushed My Teeth - 4:18
       
Side 4:
       
D1 - Finale Act I (Conclusion): The General's Gone To A Party / Mothers Of The Nation / Let 'Em Eat Cake - 8:55

        Act II    

D2 - Blue, Blue, Blue / Who's The Greatest? - 5:12

D3 - The League Of Nations / No Comprenez, No Capish, No Versteh! / When Nations Get Together / Why Speak Of Money? / Who's THe Greatest (Reprise) - 6:33

D4 - Up And At 'Em - 1:45

D5 - The Trial Of Throttlebottom: That's What He Did / I Know A Foul Ball / Throttle Throttlebottom - 3:32

D6 - The Trial Of Wintergreen: It Isn't What You Did / Mine (Reprise - 3:32

D7 - First Lady And First Gent - 1:43

D8 - Hanging Throttlebottom In The Morning - 1:56

D9 - Fashion Show - 2:16

D10 - Finale Ultimo: Of Thee I Sing (Reprise) - 1:21
        
        
Companies, etc.
       
    Phonographic Copyright ℗ – CBS Inc.
       
Credits:
       
    Chorus – New York Choral Artists
    Conductor, Music Director – Michael Tilson Thomas
    Liner Notes – Tommy Krasker
    Lyrics By – Ira Gershwin
    Music By – George Gershwin
    Orchestra – Orchestra Of St. Luke's
    Orchestrated By [Let 'Em Eat Cake] – Russell Warner
    Orchestrated By [Of Thee I Sing] – George Gershwin, Robert Russell Bennett, William Daly (2)
    Script By [Book by] – George S. Kaufman, Morrie Ryskind
    Vocals [Alexander Throttlebottom] – Jack Gilford
    Vocals [Diana Devereaux / Trixie Flynn] – Paige O'Hara
    Vocals [Francis X. Gilhooley] – Frank Kopyc
    Vocals [French Ambassador / General Adam Snookfield / France / China] – Jack Dabdoub
    Vocals [John P. Tweedledee] – Haskell Gordon
    Vocals [John P. Wintergreen] – Larry Kert
    Vocals [Kruger] – David Garrison
    Vocals [Louis Lippman] – Merwin Goldsmith
    Vocals [Mary Turner] – Maureen McGovern
    Vocals [Matthew Arnold Fulton] – Raymond Thorne
    Vocals [Miss Benson] – Louise Edeiken
    Vocals [Sam Jenkins / Chief Flunkey / Speaker / Doctor / Lieutenant / Dignitary] – George Dvorsky
    Vocals [Senator Carver Jones] – Mark Zimmerman
    Vocals [Senator Robert E. Lyons] – Walter Hook
    Vocals [The Chief Justice] – Casper Roos
        
Notes:
       
Comes with insert containing liner notes & synopses in English, German & French.
Gatefold sleeve.
       
Barcode and Other Identifiers
        
    Barcode: 5 099704 252216
    Label Code: LC 0149

George & Ira Gershwin - Maureen McGovern, Larry Kert, Jack Gilford, Michael Tilson Thomas – Of Thee I Sing / Let 'Em Eat Cake
Label: FM (3) – S2M 42522, FM (3) – SM 42638
Format: 2 x Vinyl, LP, Album
Country: UK
Released: 1987
Genre: Stage & Screen
Style: Musical 
         
Viewfinder links:        
        
Jack Gilford         
Larry Kert         
Maureen McGovern    
Michael Tilson Thomas         
        
Net links:        
        
         
        
        
         
        
        
YouTube links:        
        
         
        
        
         
        
        
        
Styrous® ~ Friday, December 26, 2025        
       
 
 















December 25, 2025

Alfred Schnittke ~ Sieben Stücke

 ~     
     
     
     
     
     
     
I'm feeling out of tune this Christmas! 
      
Alfred Scke hnitt~ Sieben Stücke
      
     
     
Viewfinder links:       
        
Christmas stuff(ings)         
Tom White        
           
YouTube link:       
        
Alfred Scke hnitt~ Sieben Stücke         
        
        
        
        


        
         
        
Styrous® ~ Christmas, Thursday, December 25, 2025         
        
















December 22, 2025

20,000 vinyl LPs 404: Mormon Tabernacle Choir – The Spirit Of Christmas

 ~  
Mormon Tabernacle Choir  ~ The Spirit of Christmas
vinyl LP front cover 
 cover photo by 
photo of album cover by Styrous®


On December 22, 1885, American composer, radio commentator, music critic, and author Joseph Deems Taylor was born. Despite minimal musical training he took to music composition. The result was a series of works for orchestra and/or voices. In 1916 he wrote the cantata The Chambered Nautilus, followed by Through the Looking-Glass (for orchestra) in 1918, earning him public praise and recognition. He acquired several students, including composer Mary Watson Weaver.          
 
 
Mormon Tabernacle Choir  ~ The Spirit of Christmas
vinyl LP front cover 
 cover photo by 
photo of album cover by Styrous®
 
 
In 1921 he secured a job as music critic for the New York World, a post he held until 1929. When approached by the Metropolitan Opera to suggest a composer to write a new opera. He put forth his own name, and was accepted, the result being The King's Henchman, with the libretto by Edna St. Vincent Millay. Peter Ibbetson followed in 1929. He was a promoter of classical music throughout his life.           
He appeared in the Walt Disney 1940 film Fantasia as the film's Master of Ceremonies, and was instrumental in selecting the musical pieces that were used in the film, including the then-controversial Sacre du Printemps by Igor Stravinsky. That same year, he served the same role as Master of Ceremonies for the classical portion of a Carousel of American Music, a famous concert series held in San Francisco on September 24. The concert had Irving Berlin, George M. Cohan, Jerome Kern, Hoagy Carmichael, WC Handy, Johnny Mercer, and many more of America's top songwriting talents performing their own compositions.     
 

 
Mormon Tabernacle Choir  ~ The Spirit of Christmas
vinyl LP Side 1 & 2 
photo by Styrous®


   
Tracklist:
       
Side 1:
        
A1 - Lo, How A Rose E'er Blooming, Arranged By [Harmonized By] – Michael Praetorius - 2:32

A2 - Tell Us, Shepherd Maids, Arranged By – Mary E. Caldwell - 2:16

A3 - O Little Town Of Bethlehem, Music By – Lewis H. Redner*, Written-By – Phillips Brooks - 1:44

A4 - The Snow Lay On The Ground, Arranged By – Leo Sowerby - 3:38

A5 - The Shepherds' Story, Lyrics By – William Morris (9), Written-By – Clarence Dickinson - 4:32

A6 - For Christ Is Born, Arranged By – R. Crawford*, Written-By – K. Aiken*, Mary E. Crawford* - 4:12

A7 - Hark! The Herald Angels Sing!, Adapted By – W. H. Cummings*, Music By – Felix Mendelssohn*, Words By – Charles Wesley - 1:42

A8 - While Shepherds Watched Their Flocks, Arranged By – Arthur Warrell - 2:12

A9 - The Coventry Carol, Arranged By – Bryceson Treharne - 3:32
       
Side 2:
       
B1 - Silent Night, Holy Night, Music By – Franz Gruber, Words By – Josef Mohr* - 3:15

B2 - Carol Of The Bells, Arranged By – Peter J. Wilhousky*, Written-By – M. Leontovich* - 1:30

B3 - Glory To God In The Highest, Written-By – Giovanni B. Pergolesi* - 3:28

B4 - The Three Kings, Lyrics By – Rev. Lluis Romeu, Translated By – Deems Taylor, Written-By – Kurt Schindler - 2:30

B5 - Break Forth, O Beauteous Heavenly Light (Christmas Oratorio), Written-By – Johan S. Bach* - 1:50

B6 - Bethlehem Night, Lyrics By – W. Leslie Nicholls, Music By – Arthur Warrell - 1:55

B7 - What Perfume Is This? O Shepherds, Say!, Arranged By – Samuel Liddle - 2:12

B8 - Christmas Day, Written-By – Gustav Holst - 7:06

B9 - O Come, All Ye Faithful, Written-By – F. Oakley* - 1:40
         
Credits:
       
    Choir – Mormon Tabernacle Choir
    Directed By – Richard P. Condie
    Directed By [Assistant] – Jay Welch
    Liner Notes – Jay Welch
    Organ – Alexander Schreiner, Frank W. Asper
        
Notes:
       
Columbia gray, black and white Six Eye label
Track A7 - William Cummings (2) -> William Hayman Cummings
       
Barcode and Other Identifiers
        
    Matrix / Runout (Runout, Side A, Stamped (Except after H, inscribed)): XXSM47847-1AC H11//\-L
    Matrix / Runout (Runout, Side B, Stamped (Except H, inscribed)): XXSM47848-1CB H

Mormon Tabernacle Choir – The Spirit Of Christmas: Christmas Carols Sung By The Mormon Tabernacle Choir
Label: Columbia Masterworks – MS 6100
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1959
Genre: Classical
Style: Renaissance, Baroque, Classical, Romantic, Modern, Choral
         
Viewfinder links:        
         
Irving Berlin                
Hoagy Carmichael           
George M. Cohan        
WC Handy          
Johnny Mercer        
        
YouTube link:        
        
Mormon Tabernacle Choir – The Spirit Of Christmas (complete album)         
        
        
         
        
        
        
Styrous® ~ Monday, December 22, 2025        
       
 
 















December 21, 2025

Winter Solstice - 2025

 ~        
 
 
 
 
 
photo by Styrous®
 
 
        
        
        
        
        
        
         
 
Long before written record, winter celtic music was shaped not for celebration, but for endurance. In Ireland’s valleys and high ground, voices rose softly against the cold — not to banish the night, but to witness it. This is the spirit carried here, drawn from the deep well of irish music and gaelic songs that have endured through frost, famine, and time.

The song moves with restraint, echoing the quiet strength found in traditional celtic music. It reflects the feeling of gaelic winter chill — still, honest, and unadorned — where silence is as important as sound. Listeners familiar with irish songs and celtic woman songs will recognize the reverence in its pacing: nothing rushed, nothing forced.

At the heart of this gaelic song is the turning itself. The solstice was never about sudden brightness, but about certainty. The knowledge that even at its deepest, the dark has reached its limit. This is the promise remembered in gaelic music, passed from voice to voice through generations who lived close to land and season.

“Casadh an tSolais” belongs to the lineage of gaelic winter music that listens more than it speaks. It is a song for the still hours, for stone and frost, for waiting without fear. The light does not arrive loudly — but it does return.    


Casadh an tSolais lyrics:  
 
Longest night upon the land, 
Hills in shadow, cold and still. 
The sun waits beyond the dark, 
Earth holds breath in silence deep.  
 
Faoi shneachta ciúin, 
casann an solas, 
I ndorchadas, 
tosaíonn an lá.  
 
 Fire fades to glowing ash, 
Stars keep watch above the stone. 
Time bends slow in frozen air, 
Old hearts know the light returns.  
 
Faoi shneachta ciúin, 
casann an solas, 
I ndorchadas, 
tosaíonn an lá.  
 
Dark is not the end of all, 
But the door the dawn walks through.  
 
Faoi shneachta ciúin, 
fillfidh an solas, 
Ón oíche fhada, 
éiríonn an lá. 
        
        
        
Viewfinder link:        
        
         
Youtube links:        
         
Gaelic Whispers ~ Casadh an tSolais             
World History ~ Ancient History of Winter Solstice Traditions  (16 mins.)    
         
        
        
        
        
         
        
         
Styrous® ~ Sunday, December 21, 2025        
      














December 19, 2025

Tom White

 ~        
 
 
October 19, 1939 
~ 
December 19, 2025 
  
photo by Styrous®
 
 
        
        
 I will always remember the feeling of my hand in yours. 
         
        
        
Viewfinder links:        
         
Immortal Loves           
Tom White        
         
Net link:        
        
Tom White        
         
Youtube link:        
        
         
        
        
                 
         
        
        
        
        
         
        
         
Styrous® ~ Friday, December 19, 2025        
      













Zoltán Kodály articles/mentions

 ~        
Zoltán Kodály ~ Psalmus Hungaricus      
     
     
mentions:     
       
     
     
     
     
     
     
date & photographer unknown 
     
     
     
     
     
     
     
     
     
 
 
 
 
 
 

December 17, 2025

20,000 vinyl LPs 403: Zoltán Kodály ~ Psalmus Hungaricus

 ~  
vinyl LP front cover 
 cover photo by 
photo of album cover by Styrous®


This month is the birthday of Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher, Zoltán Kodály who was born on December 16, 1882, in Kecskemét, Kingdom of Hungary, Austria-Hungary. He is known as the creator of the Kodály method of music education.         
 
 
 
The Psalmus Hungaricus, Op. 13, is a choral work for tenor, chorus and orchestra by Zoltán Kodály, composed in 1923. The Psalmus was commissioned to celebrate the fiftieth anniversary of the unification of Buda, Pest and Óbuda for a gala performance on 19 November 1923 along with the Dance Suite by Béla Bartók.         
 
Where the Psalmus Hungaricus is reverent, regal and serious, the Dance Suite is full of life, fun, light and joyous. The text is based on the gloss of Psalm 55, "Give ear to my prayer, oh God", by 16th-century poet, preacher, and translator Mihály Vég (hu). libretto's passages of despair and call to God provide opportunities for the composer to address Hungary's tragic past and disastrous post-Trianon Treaty predicament, when it lost over 70% of its national territory. The music reflects the nation's crisis during and after World War I (the partition of the historical Hungary), and the text draws a parallel between the sorrows of King David and the suffering of the Magyars in Ottoman Hungary. Thus, the Psalmus Hungaricus encompasses two and a half millennia of political distress.     
 
The work opens with a terse orchestral prelude Then the solo tenor follows with the aria, Oh, that I had wings like a dove. The chorus responds with a brief, gentle passage, followed by a wordless female choral lamentation, and their cries arfe joined by the tenor's part to the climactic choral assertion that  God shall hear, and afflict them. A dramatic monologue sung by the tenor ensues, continuing nearly to the movement's finale, when the chorus erupts into a joyous declaration.         
 
The first performance outside Hungary of the Psalmus Hungaricus took place with Volkmar Andreae conducting in Zürich on June 18, 1926, This marked a turning point in the international recognition of Kodály as a composer, beyond his renown as an ethnomusicologist and music educator.        
 

 
 
 
 


 
   
Tracklist:
       
Side 1:
        
A - Psalmus Hungaricus, Op. 13
       
Side 2:
       
B - Dance Suite
       
Companies, etc.
       
    Copyright © – Belock Instrument Corporation
       
Credits:
       
    Choir – The London Philharmonic Choir* (tracks: A)
    Composed By – Bartók* (tracks: B), Kodály* (tracks: A)
    Conductor – Janos Ferencsik*
    Design [Album] – Alex Steinweiss
    Directed By [Technical Director] – Robert Engler
    Engineer [Recording] – Joe Kane (4)
    Liner Notes – Paul Affelder
    Orchestra – The London Philharmonic Orchestra*
    Recorded By [Director] – Raoul Poliakin
    Tenor Vocals – Raymond Nilsson (tracks: A)
        
Notes:
       
This is the first US version for this cat#.

LABELS:
- Silver/turquoise labels with deep groove
- Black and Silver "Everest" & "Stereo" upper arc on either side of the mountain,
- A Certified Stereo-Master Recording
- • T.M. • A Product of Belock Recording Co. • Division of Belock Instrument Corporation

SLEEVE:
- Silver back outer sleeve with dowel rod
- A Certified Stereo-Master Recording
- A Product of Belock Recording Co. • Division of Belock Instrument Corporation
- Printed in U.S.A. *T.M. © 1959 Belock Instrument Corp.

CATALOG NUMBERS:
- SDBR 3022 on front of sleeve, spine (dowel rod) and labels
- SDBR-3022 on back of sleeve and spine (dowel rod)
       
Barcode and Other Identifiers
        
    Other (Catalog No. on Label): SDBR 3022
    Matrix / Runout (Side A Runout): SDBR 3022-1 T1 V
    Matrix / Runout (Side B Runout): SDBR 3022-2 T2 V
 
Kodály* / Bartók*, Janos Ferencsik*, London Philharmonic Orchestra – Psalmus Hungaricus / Dance Suite
Label: Everest – SDBR 3022, Everest – SDBR-3022
Format: Vinyl, LP, Stereo, Silver Back, Dowel Rod
Country: US
Released: 1959
Genre: Classical
Style: Modern, Classical 
           
           
Viewfinder links:        
        
Béla Bartók         
Zoltán Kodály        
        
YouTube links:        
        
Zoltán Kodály ~ 
          Psalmus Hungaricus         
          Tänze aus Galánta    
        
        
         
        
        
        
Styrous® ~ Tuesday, December 16, 2025