Showing posts with label Robert Palmer. Show all posts
Showing posts with label Robert Palmer. Show all posts

June 1, 2021

Marilyn Monroe ~ La Forma Divina

  ~        
     
     
     
 
     
     
           
     
     
     
 
  Norma Jeane Mortenson
  date & photographer unknown
     
     
      
    
Norma Jeane Mortenson was born on Tuesday, June 1, 1926, to Gladys Pearl Baker (née Monroe) at the Los Angeles County Hospital.  
      
On Thursday, February 23rd, 1956, Norma Jeane obtained an order from the City Court of the State of New York to legally change her name from Norma Jeane Mortenson to Marilyn Monroe.      


Marilyn Monroe - circa 1950
photographer unknown


As Marilyn Monroe, she made many films and I loved them all; but my two favorite movies of hers, one a drama the other a comedy, are Niagara in which she is, according to the movie poster, " . . . a raging torrent of emotion that even nature can't control!"     
 

Niagara ~ movie poster
 

WOW! 
Pretty heavy stuff!  

 
I was actually torn between the The Misifts and Niagara as to her dramatic roles but as the theme is "forma" I figured the latter was the best and she's totally radiant with that bloom of youth look. Don't Bother to Knock is pretty intriguing as a mid-career dramatic role. It's my favorite film of hers as it was the first time I saw her and fell completely in love with her, so, first loves, . . . .           
 
 
Don't Bother to Knock movie poster - 1952
 
 
In Niagara Monroe is Rose Loomis, the ultimate self-centered, conniving and totally irresistible Femme fatale . . .
 
"luring men to their ultimate destruction!" 
 
However, she very tenderly, (un poco dramatic, if not a bit over the top), sings the song, Kiss, which is beautifully evocative of the sound of the 50's and accentuates the look of the film. It is a lovely ballad filled with unfulfilled promises and longing for . . . what?        
 
Joseph Cotton is George Loomis, her jealous husband, with newly weds Polly Cutler (Jean Peters) and Ray Cutler (Max Showalter) her hapless husband who ogles Monroe through most of the film.        
 
There is a video with the trailer for the film (link below) that contains the key points in the film so that you don't even have to see the film, but it's well worth seeing the complete move. As the trailer says, "Niagara and Marilyn Monroe, the two most electrifying sights in the world!"    
 
~ ~ ~
     
My second favorite film by Monroe is the 1959 film, Some Like It Hot, (which she was, in Spades!) with two of the most perfectly cast actors, Tony Curtis as "Josephine" and Jack Lemmon as "Daphne". it's a delight to hear how they got the roles in the first place (link below). What a trio THEY made!!!! 


 

As I always roar with laughter and never get tired of watching Some Like It Hot, I had not realized that Monroe was not so great to work with on the film and it was not a joy for the participants. There is an excellent video, The Making of Some Like It Hot, that is pretty revealing of Monroe during the filming (link below).         



 
There have been stories about animosity between Curtis and Monroe because of something he said but that are not true. He has said that he got so tired of people asking him what it was like to kiss Monroe, that in irony he told a reporter, "Kissing Monroe was ‘Like Kissing Hitler’!" The phrase was then taken out of context.              


 
A perfectly superfluous aside which has absolutely nothing to do with the film: there is a great song by the Power Station called Some Like It Hot with a powerful vocal by Robert Palmer, but it IS a hot song and I couldn't resist mentioning it! The video for it (link below) featured model Caroline Cossey (also known as Tula).     
          
          
Viewfinder links:
           
Tony Curtis            
Jack Lemmon       
Marilyn Monroe                     
Jean Peters             
Max Slowalter         
Some Like It Hot          
          
Net links:
           
Best Movies by Farr ~  How Marilyn Monroe Almost Derailed "Some Like It Hot"       
Thelifeandtimesofhollywood ~ Curtis “Kissing Monroe like kissing Hitler”         
Haphazard Stuff ~ Niagara (1953) (review)   
Showbiz CheatSheet ~ Curtis Said Kissing Monroe was ‘Like Kissing Hitler’       
          
YouTube links:
           
Marilyn Monroe ~         
    Niagra ~       
          Theatrical Trailer        
          Kiss          
          Movie Scene and "I Stuttered" (interview)   
          "See You In Chicago"       
 
Some Like It Hot -                
          The Making of Some Like It Hot (25:46)      
          Movie Scene & Rare Onset Footage      
          Some Like It Hot movie trailer   
          Sugar Cane         
The Power Station ~ Some Like It Hot   
          
          
          
 


I've been on a calendar, but I've never been on time.
                                           ~ Marilyn Monroe
          
          
          
Styrous® ~ Tuesday, June 1, 2021 
 
 
 
 
 
 
 
 
 
 
 
 






March 23, 2021

20,000 vinyl LPs 280: The Cars ~ Ric Ocasek: Moving In Stereo

 ~ 
vinyl LP front cover detail 
front cover photo by Elliot Gilbert
detail photo of album cover by Styrous®

 
Today is the birthday of American singer, songwriter, musician, and record producer, Richard Theodore Otcasek, aka Ric Ocasek, who was also co-lead vocalist, rhythm guitarist and songwriter for the New Wave band the Cars. This was the first album I bought by the group.           


vinyl LP front cover
front cover photo by Elliot Gilbert
photo of album cover by Styrous®

 
My main shopping technique is to rummage though a record store bin without any expectation of finding anything; I usually do, though. Often I would find a record promo; those are the ones I love. Sometimes they are by groups or artists I'm not familiar with and it gives me an opportunity to hear something new without spending a bunch of money, which is good if the album turns out to be a lemon. In late 1978 I came across this demo and bought it not knowing anything about the group.    


vinyl LP promo label, side 1
photo by Styrous®


With no anticipation of a new music adventure I slapped the record on the turntable. I was snagged by the very first song and this album became one of my very favorites of the exciting New Wave movement.           
 
 

The Cars ~ The Cars
vinyl LP back cover
back cover photo by Elliot Gilbert
photo of album cover by Styrous®
 
 
The first song was, of course, Good Times Roll. What a great song! The syncopated hand clapping on the second song, My Best Friend's Girl, kept my interest going. Just What I Needed picked up the tempo and peaked my curiosity. The tom-tom, doppler opening of You're All I've Got Tonight had a great beat for dancing, so that was good.      


The Cars ~ The Cars
vinyl LP back cover detail
back cover photo by Elliot Gilbert
detail photo of back cover by Styrous®
 
   
I'm In Touch With Your World started up with its pseudo clock beat. Hesitant discordant and dysfunctional with boingy effects interested me. Don't Cha Stop came along with its driving beat and that was good.        
 
 

The Cars ~ The Cars
vinyl LP record sleeve
record sleeve photos by Elliot Gilbert
photo of record sleeve by Styrous®
 
 
You're All I've Got Tonight was ok. Bye Bye Love was another ok song and I was thinking the best was on the first side and this was going to be it.            
 
 

The Cars ~ The Cars
vinyl LP record sleeve detail
record sleeve photos by Elliot Gilbert
detail photo of record sleeve by Styrous®
 
 
Then the second to last song on the last side, Moving In Stereo, came on and totally blew me out of the water! From the first high pitched slowly warbling kazoo/siren sound on the opening to the moderately paced body of the song I was completely sold. Ocasek wrote all of the songs on the album except this one co-written by him and the band's keyboard player Greg Hawkes, and sung by bassist Benjamin Orr.     
 
What a fantastic song!!!!! It's one of my very favorite New Wave songs!!! And after 40 or more years I still love it!!!       



The Cars ~ The Cars
vinyl LP record sleeve detail
record sleeve photos by Elliot Gilbert
detail photo of record sleeve by Styrous®
 

Before the Cars, members of the band performed together in several different groups. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s after Ocasek saw Orr performing with his band the Grasshoppers on the Big 5 Show, a local musical variety program.                   
 
 

The Cars ~ The Cars
vinyl LP record sleeve
record sleeve photos by Elliot Gilbert
photo of record sleeve by Styrous®
 
 
 From Wikipedia:

"The Cars were at the forefront of merging 1970s guitar-oriented rock with the new synthesizer-oriented pop that was then becoming popular and flourishing in the early 1980s. Robert Palmer (not to be confused with singer Robert Palmer), music critic for The New York Times and Rolling Stone, described the Cars' musical style: "they have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."             

"The Cars were named Best New Artist in the 1978 Rolling Stone Readers' Poll and won Video of the Year for You Might Think at the first MTV Video Music Awards in 1984. Their debut album The Cars sold six million copies and appeared on the Billboard 200 album chart for 139 weeks. As of 2001, the Cars had sold over 23 million albums in the United States."         

             
The Cars ~ The Cars
vinyl LP record sleeve detail
record sleeve photos by Elliot Gilbert
detail photo of record sleeve by Styrous®

The Cars disbanded in 1988 and Ocasek stated that a reunion would never happen. Orr died in 2000 from pancreatic cancer. In 2005, Easton and Hawkes joined with Todd Rundgren to form the spin-off band the New Cars, which performed classic Cars and Rundgren songs along with new material. The surviving original members reunited in 2010 to record the album Move Like This, which was released in May 2011.             

In April 2018, the Cars were inducted into the Rock and Roll Hall of Fame and reunited to perform at the induction ceremony. The reunion was their final performance with Ocasek, who died on September 15, 2019 of cardiovascular disease.                    
 

The Cars ~ The Cars
vinyl LP record sleeve detail
record sleeve photos by Elliot Gilbert
detail photo of record sleeve by Styrous®


Classic Rock (link below) described The Cars first album, "Quite simply one of the best produced albums of the era, the 1978 self-titled debut album was a unique sounding breakthrough which brought the group instant worldwide attention."        






The Cars ~ The Cars
vinyl LP record, side 1
photos by Styrous®





 
The Cars ~ The Cars
vinyl LP record, side 2
photos by Styrous®
 
      

   
Tracklist:

Side 1:

A1 - Good Times Roll - 3:44
A2 - My Best Friend's Girl -    3:44
A3 - Just What I Needed - 3:44
A4 - I'm In Touch With Your World - 3:31
A5 - Don't Cha Stop - 3:01

Side 2:

B1 - You're All I've Got Tonight - 4:13
B2 - Bye Bye Love - 4:14
B3 - Moving In Stereo, written by Greg Hawkes - 5:15
B4 - All Mixed Up - 4:14

Companies, etc.

    Record Company – Warner Communications Inc.
    Manufactured By – Elektra/Asylum/Nonesuch Records
    Produced For – R.T.B. (Audio- Visual) Productions
    Phonographic Copyright ℗ – Elektra Records
    Copyright © – Elektra/Asylum Records
    Pressed By – PRC Recording Company, Compton, CA
    Published By – Lido Music
    Published By – Oversnare Music
    Mastered At – Sterling Sound

Credits:

    Art Direction – Ron Coro
    Design – Johnny Lee (4)
    Drums, Percussion, Drum Programming [Syndrums], Backing Vocals – David Robinson (3)
    Engineer – Geoff Workman
    Engineer [Second] – Nigel Walker
    Keyboards, Percussion, Saxophone, Backing Vocals – Greg Hawkes
    Lead Guitar, Backing Vocals – Elliot Easton
    Management – Fred Lewis Organization
    Mastered By – George Marino
    Photography By – Elliot Gilbert
    Producer – Roy Thomas Baker
    Vocals, Bass – Benjamin Orr
    Vocals, Rhythm Guitar, Written-By – Ric Ocasek

Notes:

 Issued with custom inner sleeve.

℗ & © 1978 Elektra/Asylum Records
 
Barcode and Other Identifiers

    Matrix / Runout (A side label): 6E-135-A
    Matrix / Runout (B side label): 6E-135-B
    Pressing Plant ID (Labels): PRC-W
    Matrix / Runout (Side A Etched): 6E-135-A1-RE-PRCW STERLING
    Matrix / Runout (Side B Etched): 6E-135-B-1-PRCW 1 RTB STERLING
    Rights Society: BMI
    Rights Society: ASCAP
 
The Cars – The Cars
Label: Elektra – 6E-135
Format: Vinyl, LP, Album, Promo, PRC Compton Press
Country: US
Released: 1978
Genre: Rock
Style: New Wave, Pop Rock, Power Pop    
         
         
         
         
         
Viewfinder links:        
         
Jeffrey Albertson         
The Cars         
Lynn Goldsmith         
Greg Hawkes      
Ric Ocasek         
Benjamin Orr         
Todd Rundgren         
        
Net links:        
         
1001 Albums You Must Hear Before You Die ~ The Cars          
Classic Rock Review ~ The Cars        
Pitchfork ~ The Cars: Deluxe Edition         
RollingStone ~ The Cars Take on Their Critics        
        
YouTube links:        
         
The Cars ~           
      Good Times Roll       
      My Best Friend's Girl         
      Just What I Needed          
      I'm In Touch With Your World        
      Don't Cha Stop            
      You're All I've Got Tonight       
      Bye Bye Love       
      Moving In Stereo         
      All Mixed Up            
        
        
        
         
        
        
        
Styrous® ~ Tuesday, March 23, 2021       
       















July 31, 2018

20,000 Vinyl LPs 142: Debbie Harry - KooKoo

vinyl LP front cover 
Cover Concept, Painting – H. R. Giger
album cover photo by Brian Aris 
photo of album cover by Styrous®

Thirty-seven years ago, on July 31, 1981, Debbie Harry released her debut solo album Koo Koo in the U. K. It had already been released four days earlier in the U. S. by Chrysalis Records.    

Koo Koo is one of those albums whose cover art snagged me immediately! The photograph by Brian Aris then rendered by H. R. Giger, who had designed the creature for the sci-fi/horror film, Alien, two years earlier, was a knock-out. How could it not! This entry is more about the album cover than the music!   


vinyl LP back cover 
Cover Concept – H. R. Giger
photo of album back cover by Styrous®


Giger created several variations of the cover (another of which is seen on the album's inner sleeve) in what Harry described as a combination of punk, acupuncture (Giger link below) and sci-fi


 
sleeve concept, painting – H. R. Giger
photo of inner sleeve by Styrous®
 

Harry stated that the album title came to her after she saw Giger's completed work, and although she had misgivings about the conceptual ideas behind the artwork (as she did not identify either the album or herself as "punk"), she was suitably impressed to use it anyway.
         
    
sleeve concept – H. R. Giger
photo of inner sleeve by Styrous®


For the promotion of KooKoo, Chrysalis Records planned to display large posters of the album cover in various stations of the London Underground. However, officials deemed the image of Harry with metal skewers going through her face and neck to be too disturbing.           


 








sleeve concept, painting – H. R. Giger
detail photo of inner sleeve by Styrous®


I have four favorites from this album, The Jam Was Moving, Chrome, Inner City Spillover and Oasis; of the four, Oasis is my favorite.    




Promo videos were made for the tracks Backfired and Now I Know You Know, both directed by Giger and filmed at his studio in Switzerland.Backfired featured a dark-haired Harry dancing superimposed over a backdrop of Giger's distinctive artwork, with Giger himself appearing in a semi-translucent face mask. Now I Know You Know featured Harry in a long black wig and a form-fitting bodysuit painted with Giger's unusual artwork, dancing around in a small set furnished with Giger's "bio-mechanical" design work (link to videos below).      




KooKoo was one of three albums to be (co)written and produced by record producer, Nile Rodgers, and Bernard Edwards, of Chic, in 1981, the other two being the Chic fifth album, Take It Off and I Love My Lady, by Johnny Mathis, which remains unreleased.                




Two singles were released from the album: Backfired, which peaked at #24 in Australia, #32 in the UK and #43 in the US in August 1981, and The Jam Was Moving which reached #82 in the US but failed to chart in the UK or Australia.       

A third single, Chrome, was only released in some parts of Europe and also failed to chart. Another track, Jump Jump, was only released as a single in Peru.       

Chrome was the flip/B-side of The Jam Was Moving only being issued in Germany as a single and in the USA as a 12" promotional single only.


vinyl LP inner sleeve back detail
sleeve concept – H. R. Giger
detail photo of inner sleeve by Styrous®
  
KooKoo showcased the early fusion of funk, rock and dance music that would become the trademark of Rodgers and Edwards, and this style would later be evident on albums such as Let's Dance, by David Bowie, Notorious, by Duran Duran, The Power Station self-titled debut album, and the Robert Palmer album, Riptide.    


vinyl LP inner sleeve back detail
sleeve concept – H. R. Giger
detail photo of inner sleeve by Styrous®


Backing vocals were provided by Mark Mothersbaugh and Gerald Casale of Devo; they are credited as Spud and Pud Devo.             
     
"Spud and Pud Devo" 
vinyl LP back cover  detail
Cover Concept – H. R. Giger
detail photo of album back cover by Styrous®
 





KooKoo reached #6 in the UK and stayed in the charts for seven weeks, being certified "Silver" by the BPI for sales in excess of 60,000 copies. The album reached #25 in the US and was certified "Gold" by the RIAA for shipments in excess of 500,000 copies.             


"Spud and Pud Devo" 
vinyl LP back cover  detail
Cover Concept – H. R. Giger
detail photo of album back cover by Styrous®





vinyl LP, side 1
photo by Styrous®








vinyl LP, side 2
photo by Styrous®




Tracklist:

Side 1:

A1 - Jump Jump, written by Chris Stein, Debbie Harry* - 4:02

A2 - The Jam Was Moving, written by Bernard Edwards & Nile Rodgers - 2:58

A3 - Chrome, written by   Chris Stein, Debbie Harry* - 4:16

A4 - Surrender, written by Bernard Edwards & Nile Rodgers - 3:36

A5 - Inner City Spillover, written by Chris Stein, Debbie Harry* - 5:02

Side 2:

B1 - Backfired, written by Bernard Edwards & Nile Rodgers - 4:52

B2 - Now I Know You Know, written by Bernard Edwards & Nile Rodgers - 5:31

B3 - Under Arrest, written by Bernard Edwards & Nile Rodgers, Chris Stein, Debbie Harry* - 2:56

B4 - Military Rap, written by Chris Stein, Debbie Harry* - 3:48

B5 - Oasis, written by Bernard Edwards & Nile Rodgers, Chris Stein, Debbie Harry* - 4:55

Personnel:    

Companies, etc.

    Phonographic Copyright (p) – Chrysalis Records
    Copyright (c) – Chrysalis Records
    Recorded At – Power Station
    Mixed At – Power Station
    Published By – Rare Blue Music, Inc.
    Published By – Easy Aire Music, Inc.
    Published By – Chic Music, Inc.
    Produced For – Chic Organization Ltd.
    Mastered At – Atlantic Studios

Credits:

    Art Direction – Peter Wagg
    Cover [Concept], Painting – H. R. Giger*
    Engineer – Bill Scheniman    Engineer [Second] – Jason Corsaro
    Liner Notes [Quote] – Poe*    Management – Alive Enterprises, Inc., Denny Vosburgh, Shep Gordon
    Mastered By – Dennis King
    Photography By – Brian Aris    Producer – Bernard Edwards & Nile Rodgers

Notes:

Issued with custom inner sleeve with additional image and credits. Some credits are marked with special characters ( ⃰, †, ⃰ ⃰) in the credit list on inner sleeve but no special character is associated to any track either in the tracklist (back cover, inner sleeve) or on labels.
℗ 1981 Chrysalis Records

On back of jacket:
Made in U.S.A.
℗ & © 1981 Chrysalis Records
On spine: Printed in U.S.A.
Barcode and Other Identifiers

    Barcode (Text): 0 7558-51347-1
    Barcode (Scanned): 075585134716
    Matrix / Runout (Label A): (CHR-1347-AS)
    Matrix / Runout (Label B): (CHR-1347-BS)
    Matrix / Runout (Runout side A variant 1): 15 CHR 1347-̶6̶ AS ⑥ SX ATLANTIC STUDIOS D.K. B
    Matrix / Runout (Runout side B variant 1): O CHR-1347-8 BS ATLANTIC STUDIOS D.K.
    Matrix / Runout (Runout side A variant 2): 15 CHR 1347-2[scratched]-AS ② SXT E4 ATLANTIC STUDIOS D.K.
    Matrix / Runout (Runout side B variant 2): IT CHR 1347-9 BS ATLANTIC STUDIOS D.K.
    Matrix / Runout (Runout side A variant 3): 15 CHR 1347 - ̷2̷ -AS ② A 3 ATLANTIC STUDIOS D.K.
    Matrix / Runout (Runout side A variant 3): 15 CHR - 1347 - ̷2̷ BS - ② ATLANTIC STUDIOS D.K. S A19
    Matrix / Runout (Runout side A variant 4): 15 CHR 1347-4[scratched]-AS 4(in a circle) ATLANTIC STUDIOS D.K.
    Matrix / Runout (Runout side B variant 4): 15 CHR 1347 - ̷5 -BS 5(in a circle) ATLANTIC STUDIOS D.K.
    Rights Society: ASCAP
    Rights Society: BMI

Debbie Harry* ‎– KooKoo
Label: Chrysalis ‎– CHR 1347
Format: Vinyl, LP, Album
Country: US
Released: 27 Jul 1981 in the U,S.
Released: 31 July 1981 in the U.K. 
Genre: Electronic, Rock, Funk / Soul
Style: Synth-pop, Disco

      
      
           

Viewfinder link:         
           
           
Net links:    
           
H. R. Geiger ~ Debbie Harry & acupuncture        
Diffuser ~ When Debbie Harry Went Solo with 'KooKoo'   
Rolling Stone ~ H.R. Giger’s Greatest Album Cover Art      
Sound Thread ~ KooKoo (1981) debut album    
Pop Matters ~ "Acufunkture" ~ Nile Rodgers Interview     
The Data Lounge ~    
      Why was Debbie Harry's 1981 solo album "KooKoo" such a disaster?
The Washington Post ~ On A 'KooKoo' Track          
          
YouTube links:
           
Jump Jump    
The Jam Was Moving       
Chrome         
Surrender
Inner City Spillover      
Backfired      
Now I Know You Know       
Under Arrest           
Military Rap          
Oasis         

   

sleeve concept, painting – H. R. Giger
photo of inner sleeve by Styrous®

   
     
            
Styrous® ~ July 21, 2018