Showing posts with label Lena Horne. Show all posts
Showing posts with label Lena Horne. Show all posts
August 5, 2026
June 30, 2026
Lena Horn & The Cotton Club
Today is the birthday of one of the Great Entertainers in the Pantheon of Gods, Mrs. Lena Horn, who got her start at the Cotton Club at the age of sixteen and became a nightclub performer before moving on to Hollywood and Broadway.
She was a groundbreaking Black American performer who advocated for civil rights and took part in the March on Washington
in August 1963. Later she returned to her roots as a nightclub
performer and continued to work on television while releasing
well-received record albums.
Lena Horn was born in Bedford–Stuyvesant, Brooklyn to Edwin and Edna Horne on June 30, 1917. She belonged to the well-educated upper stratum of Black New Yorkers at the time. She lived the first five years of her life in a brownstone on Macon Street.
Her father, a one-time owner of a hotel and restaurant, was a gambler who left the family when Lena was three years old and moved to an upper-middle-class African-American community in the Hill District of Pittsburgh, Pennsylvania. Her mother, Edna Louise Scottron, was an actress with a Black theater troupe and traveled extensively. Edna's maternal grandmother, Amelie Louise Ashton, was from modern Senegal. Horne was raised mainly by her paternal grandparents, Cora Calhoun and Edwin Horne. From 1923 to 1927 she lived in a scattered and confusing whirl.
In 1933, Horne joined the chorus line of the Cotton Club in Harlem
(New York City), which at this time featured some black performers but a
whites-only audience. In the spring of 1934, she had a featured role in
the Cotton Club Parade starring Adelaide Hall, who took Lena under her wing. Horne made her first screen appearance as a dancer in the musical short Cab Calloway's Jitterbug Party in 1935. A few years later, she joined the Noble Sissle Orchestra, with which she toured and with whom she made her first records, issued by Decca. After she separated from her first husband, Horne toured with bandleader Charlie Barnet in 1940–41, but disliked the travel and left the band to work at the Café Society in New York. She replaced Dinah Shore as the featured vocalist on NBC's popular jazz series The Chamber Music Society of Lower Basin Street. The show's resident maestros, Henry Levine and Paul Laval, recorded with Horne in June 1941 for RCA Victor. Horne left the show after only six months when she was hired by former Cafe Trocadero (Los Angeles) manager Felix Young to perform in a Cotton Club-style revue on the Sunset Strip in Hollywood.
Lena Horn - 1947
photo by Carl Van Vechten
She made her debut at Metro-Goldwyn-Mayer in Panama Hattie (1942) and performed the title song of Stormy Weather (1943) based loosely on the life of Adelaide Hall, for 20th Century Fox, while on loan from MGM. That same year she appeared in Cabin in the Sky with an entirely African-American cast. She was not featured in a leading role because of her
ethnicity and the fact that her films were required to be re-edited for
showing in cities where theaters would not show films with black
performers. As a result, most of Horne's film appearances were
stand-alone sequences that had no bearing on the rest of the film, so
editing caused no disruption to the storytelling. One number from Cabin in the Sky was cut before release because it was considered too suggestive by the
censors: Horne singing Ain't It the Truth while taking a bubble bath.
During World War II, when entertaining the troops for the USO, she refused to perform "for segregated audiences or for groups in which German POWs were seated in front of Black servicemen." Because the US Army refused to allow integrated audiences, she staged
her show for a mixed audience of Black US soldiers and white German
POWs. Seeing the Black soldiers had been forced to sit in the back
seats, she walked off the stage to the first row where the Black troops
were seated and performed with the Germans behind her. She also worked with Eleanor Roosevelt in attempts to pass anti-lynching laws. She also worked with Eleanor Roosevelt in attempts to pass anti-lynching laws. Tom Lehrer
mentions her in his song "National Brotherhood Week" in the line "Lena
Horne and Sheriff Clark are dancing cheek to cheek" referring (wryly) to
her and to Sheriff Jim Clark, of Selma, Alabama, who was responsible for a violent attack on civil rights marchers in 1965 mentions her in his song "National Brotherhood Week" in the line "Lena
Horne and Sheriff Clark are dancing cheek to cheek" referring (wryly) to
her and to Sheriff Jim Clark, of Selma, Alabama, who was responsible for a violent attack on civil rights marchers in 1965
She was blacklisted during the 1950s for her affiliations in the 1940s with communist-backed groups. She would subsequently disavow communism.
She left Hollywood and headlined at clubs and hotels throughout the US, Canada, and Europe, including the Sands Hotel in Las Vegas, the Cocoanut Grove in Los Angeles, and the Waldorf-Astoria in New York. From the fifties to the sixties, she appeared in Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show, Harry Belafonte, Tony Bennett, he Muppet Show, Sesame Street, Sanford and Son, Peggy Lee, Vic Damone, The Bell Telephone Hour, The Judy Garland Show, The Hollywood Palace and The Andy Williams Show.
Lena Horne died of congestive heart failure at age 92 on May 9, 2010. Her funeral took place at St. Ignatius Loyola Church on Park Avenue in New York, where she had been a member. Thousands gathered and attendees included Leontyne Price, Dionne Warwick, Liza Minnelli, Jessye Norman, Chita Rivera, Cicely Tyson, Diahann Carroll, Leslie Uggams, Lauren Bacall, Robert Osborne, Audra McDonald and Vanessa Williams. Her remains were cremated.
Viewfinder links:
Lena Horn
Net links:
YouTube links:
Duke is Tops (aka Bronze Venus) 1938 Full Movie
Panama Hattie ~
Lena Horne ~ Ain't It the Truth
Styrous® ~ Tuesday, June 30, 2026
September 27, 2023
78 RPMs 10: Artie Shaw ~ Nightmare
~
Artie Shaw ~ Nightmare
78 RPM, side 1 label
photo by Styrous®
On September 27, 1938, Artie Shaw recorded Nightmare, a song totally unlike anything he'd ever recorded before. It is a slow, sinister sounding jazz piece that evokes stealth, spies, criminals and other assorted miscreants.
In 1953, Shaw and other prominent figures in the music industry were targeted, including Leonard Bernstein, Aaron Copland, Lena Horne and Pete Seeger, all of whom were named publicly as suspected Communist sympathizers, in the infamous publication Red Channels: The Report of Communist Influence in Radio. Some of them were already being denied employment because of their
political beliefs, history, or association with suspected subversives. Red Channels effectively placed the rest on a blacklist.
Indeed, it was a nightmare!!!!!
Martin Scorsese used Nightmare in his 2004 film, The Aviator which stared Leonardo DiCaprio as Howard Hughes, Cate Blanchett as Katharine Hepburn, and Kate Beckinsale as Ava Gardner.
The video for Nightmare (link below) has a stripper performing a very slow and very sensual fan dance that is PERFECT for the languid tempo of the tune as Shaw oozes and slinks along with his clarinet.
Non-Stop Flight
The "B" side of the record is a typical Shaw jazz tune; Non-Stop Flight is a bouncy, happy tune that makes you want to get up and jitterbug your ass off. Shaw wails away nicely with his clarinet and the backup band,
Artie Shaw ~ Non-Stop Flight
78 RPM, side 2 label
photo by Styrous®
My copy of the record is a repressing on the Bluebird label. Both Nightmare and Non-Stop Flight songs were written by Artie Shaw.
Tracklist:
Side 1:
Side 1:
A - Nightmare
Side 2:
B - Non-Stop Flight
Credits:
Record Company – Radio Corporation Of America
Written By Artie Shaw
Written By Artie Shaw
Notes:
Different label from Artie Shaw And His Orchestra - Nightmare / Non-Stop Flight - missing patent information.
Barcode and Other Identifiers
Matrix / Runout (Side A): B7875A T J5
Matrix / Runout (Side B): B-7875B |) 3 c
Matrix / Runout (Side B): B-7875B |) 3 c
Artie Shaw And His Orchestra – Nightmare / Non-Stop Flight
Label: Bluebird (3) – B-7875
Format: Shellac, 10", 78 RPM, Repress
Country: US
Released:
Genre: Jazz
Style: Big Band
Label: Bluebird (3) – B-7875
Format: Shellac, 10", 78 RPM, Repress
Country: US
Released:
Genre: Jazz
Style: Big Band
Viewfinder links:
Net links:
Jazz Standards ~ Artie Shaw
National Endowment for the Arts ~ Artie Shaw
YouTube links:
"In the world we live in, compulsive perfectionists finish last"
~ Artie Shaw
Styrous® ~ Wednesday, September 27, 2023
~
October 10, 2021
Giorgio di Sant' Angelo articles/mentions
July 22, 2021
Leslie Uggams articles/mentions
July 3, 2021
Jerome Kern articles/mentions
Diahann Carroll articles/mentions
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