Showing posts with label H. G. Wells. Show all posts
Showing posts with label H. G. Wells. Show all posts

May 6, 2021

Orson Welles & his productions

 ~     
film still
photo: Cohen Media Group


Today, May 6, is the birthday of Orson Welles who was born in 1918. He was an American actor, director, screenwriter and producer who is remembered for his innovative work in radio, theatre and film. He is considered one of the greatest filmmakers of all time.        
 
Orson Welles is primary remembered for his infamous radio broadcast on October 30, 1938, when he and his Mercury Theatre actors terrified the nation with their broadcast on CBS of a dramatization of the H. G. Wells 1898 novel, The War of the Worlds. The Mercury Theatre on the Air became The Campbell Playhouse in December 1938.        
 
The event has been documented, written about and recreated on radio with the production by The Lux Radio Theater as well as on television with a production by Studio One on CBS (link below).         

But Welles produced and directed many other brilliant shows for theater with an amazing variety of talent!   












Faustus - 1937



The Columbia Workshop broadcast of the Archibald MacLeish radio play The Fall of the City (April 11, 1937) made Welles an overnight star.        





  


Citizen Kane - 1941












The Stranger - 1946








Macbeth - 1948


       
      
Viewfinder links:       
       
Lux Radio Theater        
Archibald MacLeish         
The Mercury Theater        
William Shakespeare       
Orson Welles       
       
Net links:       
       
The Boston Globe ~ Magician      
       
       
       
       
       
Styrous® ~  Wednesday, May 5, 2021      
      











May 3, 2021

H. G. Wells articles/mentions

  ~      
 
The War of the Worlds (1953 film)     
Jeff Wayne ~ The War of the Worlds     
Orson Welles & his productions     
     
      
     
     
     
     
H. G. Wells - 1920 

        
       
       
       
        
       

















August 30, 2020

Raymond Massey ~ Thespian Extraordinare

~     
date & photographer unknown


Today is the birthday of radio, stage and screen actor, Raymond Massey. His most dramatic roles were his portrayals of the eighteenth president of the United States, Abraham Lincoln.         
      


Abraham Lincoln - 1857 



 
photographer unknown


Massey scored a great triumph on Broadway in the Robert E. Sherwood Pulitzer Prize-winning play Abe Lincoln in Illinois despite reservations about Lincoln's being portrayed by a Canadian. He repeated his role in the 1940 film version, for which he was nominated for the Academy Award for Best Actor. Massey again portrayed Lincoln in The Day Lincoln Was Shot on Ford Star Jubilee (1956), a silent appearance in How the West Was Won (1962), and two TV adaptations of Abe Lincoln in Illinois broadcast in 1950 and 1951. He once complained jokingly that he was "the only actor ever typecast as a president." His preparation for the role was so detailed and obsessive that one person commented that Massey would not be satisfied with his Lincoln impersonation until someone assassinated him. On stage in a dramatic reading of John Brown's Body, by Stephen Vincent Benét (1953), Massey, in addition to narrating along with Tyrone Power and Judith Anderson, took on the roles of both John Brown and Lincoln.           

My favorite role of his was when he starred in Things to Come, in 1936, a film adaptation by H. G. Wells of his own speculative novel The Shape of Things to Come (1933). The cultural historian Christopher Frayling called Things to Come "a landmark in cinematic design". The film also starred, Ralph Richardson, Cedric Hardwicke and Ann Todd.        


Things to Come UK poster


Massey became an American citizen in 1944. After he became an American citizen, he continued to work in Hollywood. Memorable film roles included the husband of Joan Crawford during her Oscar-nominated role in Possessed (1947) and the doomed publishing tycoon Gail Wynand in The Fountainhead (1949), with Patricia Neal and Gary Cooper. In 1955, he starred in East of Eden as Adam Trask, father of Cal, played by James Dean, and Aron, played by Richard Davalos.      

But Massey had a good sense of humor: he played Jonathan Brewster in the movie version of Arsenic and Old Lace which is proof Massey could take a joke. Brewster was created for Boris Karloff, who played the part on Broadway, but was unavailable for the movie. The character required Massey to look like the Frankenstein monster. A running gag in the play and the film was the character's resemblance to Karloff. It was an American black comedy film directed by Frank Capra and starring Cary Grant, Peter Lorre, Jack Carson; the score for the film was written by Max Steiner of King Kong fame.    


 movie poster


Massey was born in Toronto, Ontario, on August 30, 1896. He was the great-grandson of founder Daniel Massey, whose branch of the Massey family emigrated to Canada from New England a few years before the War of 1812, their ancestors having migrated from England to the Massachusetts colony in the 1630s.         

Massey joined the Canadian Army at the outbreak of World War I, and served on the Western Front in the Royal Regiment of Canadian Artillery. Lieutenant Massey returned to Canada after being wounded at Zillebeke in Belgium during the Battle of Mont Sorrel in 1916 and was engaged as an army instructor for American officers at Yale University. In 1918, he was recalled to active service and joined the Canadian Siberian Expeditionary Force that went to Siberia during the Allied intervention in the Russian Civil War. On the orders of his commanding general, he organized a minstrel show troupe with himself as end man in blackface to bolster morale of allied troops on occupation duty in Vladivostok.           

In 1942, during World War II, Massey rejoined the Canadian Army and served as a major in the adjutant general's branch. After being wounded, he was invalided from the Canadian Army in 1943.
Raymond Massey died of pneumonia in Los Angeles, California on July 29, 1983, he was 86 years old. His death came on the same day as that of David Niven, with whom he had co-starred in The Prisoner of Zenda and A Matter of Life and Death. Massey is buried in Beaverdale Memorial Park in New Haven, Connecticut.         
      

     

Viewfinder links:     
    
Judith Anderson       
Gary Cooper     
Joan Crawford        
James Dean   
Sir Cedric Hardwicke           
Grace Kelly     
Raymond Massey           
Patricia Neal         
David Niven            
Tyrone Power       
Sir Ralph Richardson         
Max Steiner           
     
Net links:     
     
Filmography     
Radio appearances     
Major Smolinski ~ Raymond Massey: Did not suffer fools     
     
     
YouTube links:     
     
Raymond Massey ~      
    Abe Lincoln in Illinois (excerpt) 
    Arsenic and Old Lace (1944) scene with Peter Lorre     
    Arsenic and Old Lace ~"He Looks Like Boris Karloff!"         
     
     
     
photographer unknown
     
     
     
     
     
Styrous® ~ Sunday, August 30, 2020    















May 6, 2015

20,000 Vinyl LPs 38: The War of the Worlds ~ Orson Welles @ 100

The War of the Worlds vinyl LP recording
the 1938 radio broadcast of 
Orson Welles and the Mercury Theatre actors
front cover 
photo of album cover by Styrous®


Orson Welles was born one hundred years ago today on May 6, 1915, in Kenosha, Wisconsin. He began his career in the theater and his stage manner of acting in his films gave him a hammy style by today's standards but I consider him a brilliant director; his filmography is astounding (link below).    


Orson Welles on March 1, 1937 (age 21)
photo by Carl Van Vechten
(click on any image to enlarge)




His most famous (notorious) oeuvre was on October 30, 1938, when Orson Welles and his Mercury Theatre actors terrified the nation with their broadcast on CBS of a dramatization of the H. G. Wells 1898 novel, The War of the Worlds.

Orson Welles, October 30, 1938
CBS radio broadcast 
Associated Press photo


Orson Welles & cast, October 30, 1938
CBS radio broadcast 
Associated Press photo



It was the most infamous radio broadcasts of all time; delivered as a news bulletin, it sent thousands of people into a panic. By today's standard of lightning-fast communication and multiple sources of information it may seem impossible such a thing can happen but it was a simpler time and such an event really did take place (link below to the broadcast on YouTube).

The first two thirds of the one-hour broadcast were presented as a series of simulated news bulletins, which suggested an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a sustaining show without commercial interruptions, adding to the program's realism. Much of the radio audience was listening to Edgar Bergen and only tuned in to "The War of the Worlds" during a musical interlude, thereby missing the introduction that proved the show was a drama.  

After the broadcast, Welles met with reporters in an effort to explain that no one connected with the War of the Worlds radio broadcast had any idea the show would cause panic. 


Welles with reporters
13 December 1938
Acme News Photos 
Prints & Photographs Division, 
[reproduction number, e.g., LC-USZ62-123456]



Headline for The New York Times, Oct 31, 1938


Editorial cartoon by Les Callan (1905–1986), 
reprinted from The Toronto Star in Radio Digest (February 1939)





Orson Welles actually met H.G. Wells in San Antonio, Texas, on October 28, 1940, two years after his notorious radio broadcast. Local radio station KTSA recorded the conversation. That conversation can be heard on YouTube (link below).

Orson Welles, left, and H.G. Wells, right, Nov. 30, 1940 




The Grover's Mill, New Jersey, landing site is marked by a monument at the current day Van Nest Park in West Windsor Township, New Jersey.


Grover's Mill landing site monument
Van Nest Park 
photo by ZeWrestler



Title page of the original typescript for The War of the Worlds, used in the actual broadcast and featured on the front cover of the catalog for Sotheby's auction of Fine Books, Manuscripts and Original Drawings, dated December 14, 1988.

front cover, Sotheby's catalog
Wednesday, December 14, 1988



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About Orson Welles 

Welles first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in as Charles Foster Kane; now, that's impressive. He was an outsider to the studio system and directed only 13 full-length films in his career. Because of this, he struggled for creative control from the major film studios, and his films were either heavily edited or remained unreleased. His distinctive directorial style featured layered and nonlinear narrative forms, innovative uses of lighting such as chiaroscuro, unusual camera angles, sound techniques borrowed from radio, deep focus shots, and long takes

On September 15, 1926, he entered the Todd Seminary for Boys in Woodstock, Illinois. At Todd School, Welles came under the influence of Roger Hill, a teacher who was later Todd's headmaster. Hill provided Welles with an ad hoc educational environment that proved invaluable to his creative experience, allowing Welles to concentrate on subjects that interested him. Welles performed and staged theatrical experiments and productions there. 

Welles had a troubled and difficult childhood. "In some ways, he was never really a young boy, you know," said Roger Hill, who became a lifelong friend.  

His most famous film was his first one, Citizen Kane (1941). This was followed by The Magnificent Ambersons in 1942 and Touch of Evil in 1958. He directed The Lady from Shanghai (1947) and Chimes at Midnight (1966); Shanghai starred his ex-wife, Rita Hayworth.   

On the evening of October 9, 1985, Welles recorded his final interview on the syndicated TV program, The Merv Griffin Show, appearing with biographer Barbara Leaming. "Both Welles and Leaming talked of Welles's life and the segment was a nostalgic interlude," wrote biographer Frank Brady. Welles returned to his house in Hollywood and worked into the early hours typing stage directions for the project he and Gary Graver were planning to shoot at UCLA the following day. Welles died sometime on the morning of October 10, following a heart attack. He was found by his chauffeur at around 10 a.m.

"We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone."
- Orson Welles


~ ~ ~


The album


The War of the Worlds vinyl LP recording
the 1938 radio broadcast of 
Orson Welles and the Mercury Theatre actors
album interior detail
detail photo by Styrous®




The War of the Worlds vinyl LP recording
the 1938 radio broadcast of 
Orson Welles and the Mercury Theatre actors
back cover 
photo of album back cover by Styrous®




The album design is a gatefold format. A gatefold cover, when folded, is the same size as a standard LP cover (i.e. a 12½ inch, or 32.7 centimetre, square). The larger gatefold cover provided a means of including artwork, liner notes, and/or song lyrics which would otherwise not have fit on a standard record cover. It is a Duophonic processing of a monaural recording. 



The War of the Worlds vinyl LP recording
gatefold album open (front & back)
photo of album by Styrous®



The War of the Worlds vinyl LP recording
gatefold album open (interior)
photo of album by Styrous®



The War of the Worlds vinyl LP recording
album interior detail
detail photo by Styrous®







The War of the Worlds vinyl LP
photo by Styrous®



The War of the Worlds vinyl LP label detail
detail photo by Styrous®


Tracklist:

A War Of The Worlds (Part 1) 13:18
B War Of The Worlds (Part 2) 15:55
C War Of The Worlds (Part 3) 14:06
D War Of The Worlds (Part 4) 14:17

Credits


Label: Evolution (3) ‎– 4001, Stereo Dimension Records ‎– 4001
Format: 2 × Vinyl, LP, Album, Stereo, Gatefold 
Country: US
Released: 1969
Genre: Non-Music
Style: Radioplay

Released by arrangement with Manheim Fox Enterprises, Inc.
This album has been rechanneled to simulate stereo.

Barcode and Other Identifiers

  • Matrix / Runout (Side I: Center Label): 36101
  • Matrix / Runout (Side II: Center Label): 36102
  • Matrix / Runout (Side III: Center Label): 36103
  • Matrix / Runout (Side IV: Center Label): 36104
  • Matrix / Runout (Side I: Run-Out Etched): SE 36101
  • Matrix / Runout (Side II: Run-Out Etched): SE - 36102
  • Matrix / Runout (Side III: Run-Out Etched): SE-36103
  • Matrix / Runout (Side IV: Run-Out Etched): SE-36104




Net links:
  
Complete 1938 Radio Broadcast  on YouTube  (57 minutes)   

H.G. Wells and Orson Welles Radio KTSA interview on YouTube    

The War Of The Worlds on Film   

The War of the Worlds ~ Jerzy Maksymiuk & Józef Skrzek      

Orson Wells Filmography    

Orson Wells in the theater   

 

Articles on Orson Welles: 

Rethinking Oson Welles: Wall Street Journal    

How Orson Welles’ narcissism sabotaged his career: New York Post                



He was bigger than life! 
  
Happy birthday, Mr. Welles, Orson, that is!


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I started the Vinyl LPs series because I have a collection of over 20,000 vinyl vinyl LP albums I am selling; each blog entry is about an album from my collection. Inquire for information here.   
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Styrous® ~ Wednesday, May 6, 2015