Showing posts with label Joe Dallesandro. Show all posts
Showing posts with label Joe Dallesandro. Show all posts

April 23, 2024

Music Note: Stickey Fingers Fifty-Five Years Zippered

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I can't believe it was 55 years ago, on April 23, 1971, that the Rolling Stones released their phenomenal album, Sticky Fingers. It has lived with me all those years and I have written about it with great images (link below), so, I wont go into that again; I'll go into what I didn't before.       
     
Sticky Fingers was the group's first release on its newly-formed label, Rolling Stones Records.           

     
The album cover design was by Andy Warhol, and when you're Andy Warhol, you’re going to go over the top and above. He made it advertising magic and art all wrapped up in one. So what did Warhol do? He gave the record a denim fly to unzip. The whole thing was like an in-your-face closeup of the hip-swinging band frontman Mick Jagger—though the cover is said to be model Joe Dallesandro.        
  
Sticky Fingers was the first album cover to feature a working zipper, and a blind alley for those who wanted to believe that was Jaggger’s enormous dong in those jeans. But the real owner of said penis giganticus remains a matter of some conjecture, but it can safely be said that it belonged to one of Warhol’s stable boys or hangers on.     
 
The zipper was a bit of a nightmare for both retailers and the record label, as when a stack of the album was boxed up or smashed together in an album bin the little zip/unzip tabby would damage the album.  This was later resolved by shipping the album with the zipper down so that the tab was only rubbing against the center of the album, where no music was contained.  Eventually the real zipper was omitted, replaced by an image of a zipper.       


 
 
I love every single track on the album but, as with all albums I love, I have a favorite and Moonlight Mile is IT! Moonlight Mile is really an under-appreciated work by the band, however, music critics Bill Janovitz and Robert Christgau are on record for praising the track's composition. On the subject of composition, it was the fruit of an all-night session between Mick Jagger and guitarist Mick Taylor.   
     
       
 
 
When the wind blows and the rain feels coldWith a head full of snow, with a head full of snowIn the window, there's a face you knowDon't the nights pass slow, don't the nights pass slow
 
The sound of strangers sending nothing to my mindJust another mad, mad day on the roadI am just living to be lying by your sideBut I'm just about a moonlight mile on down the road
 
Made a rag pile of my shiny clothesGonna warm my bones, gonna warm my bonesI got silence on my radioLet the air waves flow, let the air waves flow
 
Oh, I'm sleeping under strange, strange skiesJust another mad, mad day on the roadMy dreams is fading down the railway lineI'm just about a moonlight mile down the roadYeah-yeah, yeah-yeah-yeah
 
I'm hiding, sister, and I'm dreamingI'm riding down your moonlight mileI'm hiding, baby, and I'm dreamingI'm riding down your moonlight mileI'm riding down your moonlight mile
 
Let it go now, come on up, babeYeah, let it go nowYeah, flow now, babyYeah, home now, yeah
 
Yeah, I'm coming home'Cause I'm just about a moonlight mile on down the roadDown the road, down the road, yeahYeah-yeah-yeah, baby
 
 
      
     
     
Viewfinder links:       
        
Joe Dallesandro        
The Rolling Stones        
Rolling Stones ~ Stickey Fingers        
Mick Taylor        
Andy Warhol        
     
Net links:       
        
Amateur Photographer ~ Greatest album photography: Sticky Fingers      
UCR ~ Inspiration for Moonlight Mile            
     
YouTube links:       
        
 Rolling Stones ~.  
        Stickey Fingers       
        Moonlight Mile                
        
        
        
        
        
        
Styrous® ~ Tuesday, April 23, 2024        
        















Joe Dallesandro articles/mentions

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mentions:     
The Rolling Stones ~ Sticky Fingers   
     
     
     
     
     
     
     
Joe Dallesandro - ca 1960
photo by Jack Robinson
     
     
     
      
     















April 23, 2019

20,000 vinyl LPs 180: The Rolling Stones ~ Sticky Fingers

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vinyl LP front cover with working zipper
conceived by Andy Warhol, design by Craig Braun 
album cover photo by Billy Name
photo of album cover by Styrous®


Sticky Fingers was released on this date, April 23, in 1971, 48 years ago! WOW! I just can't believe it! I have loved every album The Rolling Stones have produced, some more, some less but Sticky Fingers is at the top and on my 'desert isle' list (link below). 

Each song is outstanding in one way or another. What is a better song to dance to than Brown Sugar? For psychedelic drug trips, Moonlight Mile is among the best there is. And has there ever been a more beautiful song of devotion to love than Wild Horses?    

Then there is the cover! The original cover artwork was conceived by Andy Warhol and photographed and designed by members of his art collective, The Factory.    

Sticky Fingers sits quite firmly in my, "Just the cover, Ma'am" category as well (link below). The album's artwork emphasizes the suggestive innuendo of the Sticky Fingers title, showing a close-up of a jeans-clad male crotch with the visible outline of a large penis.


vinyl LP front cover detail with working zipper
conceived by Andy Warhol, design by Craig Braun 
album cover photo by Billy Name
detail photo of album cover by Styrous®


The cover of the original vinyl LP release featured a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of cotton briefs. The vinyl release displayed the band's name and album title along the image of the belt; behind the zipper the white briefs were seemingly rubber stamped in gold with the stylized name of American pop artist Andy Warhol, below which read "THIS PHOTOGRAPH MAY NOT BE—ETC."


vinyl LP gatefold cover interior with working zipper
conceived by Andy Warhol, design by Craig Braun 
album cover photo by Billy Name
photo of album cover interior by Styrous®



vinyl LP gatefold cover interior detail with working zipper
conceived by Andy Warhol, design by Craig Braun 
album cover photo by Billy Name
detail photo of album cover interior by Styrous®

vinyl LP gatefold cover interior detail
conceived by Andy Warhol, design by Craig Braun 
album cover photo by Billy Name
detail photo of album cover interior by Styrous®


The artwork was conceived by Warhol, the photography was by Billy Name and the design was by Craig Braun (link below). Braun and his team had other ideas, such as wrapping the album in rolling paper - a concept later used by Cheech & Chong in Big Bambu - but Jagger was enthused by Warhol's cover with a zipper. Execution was then handled as Warhol sent Braun Polaroid pictures of a model in tight jeans.    


vinyl LP back cover 
conceived by Andy Warhol, design by Craig Braun 
album back cover photo by Billy Name
photo of album back cover by Styrous®


The cover photo of a male model's crotch clad in tight blue jeans was assumed by many fans to be an image of Mick Jagger, but the people actually involved at the time of the photo shoot claim that Warhol had several different men photographed (Jagger was not among them) and never revealed which shots he used. Among the candidates, Jed Johnson, Warhol's lover at the time, denied it was his likeness, although his twin brother Jay is a possibility. Those closest to the shoot, and subsequent design, name Factory artist and designer Corey Tippin (link below) as the likeliest candidate. Warhol "superstar" Joe Dallesandro claims to have been the model.      

After retailers complained that the zipper was causing damage to the vinyl (from stacked shipments of the record), the zipper was "unzipped" slightly to the middle of the record, where damage would be minimized.        
The album features the first usage of the "tongue & lips" logo of Rolling Stones Records, originally designed by John Pasche in 1970 and modified by Craig Braun (link below) in 1971. Jagger suggested to Pasche that he copy the outstuck tongue of the Hindu goddess Kali, and while Pasche first felt it would date the image back to the Indian culture craze of the 1960s, seeing Kali made him change his mind. Before the end of that year his basic version was faxed to Craig Braun by Marshall Chess.     
      
  
original "tongue & lips" logo
designed by Craig Braun 


The black and white copy was then modified by Braun and his team, resulting in today's most popular red version, the slim one with the two white stripes on the tongue.   


new "tongue & lips" logo
designed by John Pasche
       
     
The "tongue & lips" logo was used for the vinyl LP record sleeve and the record labels.


record sleeve with Rolling Stones logo
photo of record sleeve by Styrous®










Critic Sean Egan has said of the logo, "Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own ... It quickly and deservedly became the most famous logo in the history of popular music." The tongue and lips design was part of a package that, in 2003, VH1 named the "No. 1 Greatest Album Cover" of all time.     




record sleeve with Rolling Stones
photo of record sleeve by Styrous®
 

For the initial vinyl release the album title and band name is smaller and at the top on the American release. In the UK release the title and band name are in bigger letters and on the left.
     

The Rolling StonesSticky Fingers ad with the original artwork - 1971
left to right: Charlie Watts, Mick Taylor, Bill Wyman,
Keith Richards, and Mick Jagger


         
Viewfinder links:                      
       
“Just the cover, ma’am!”        
Mick Jagger          
      
Net links:        
       
Craig Braun
Festival Peak ~ How an Album Cover Defined the Rolling Stones  
RolllingStone Magazine ~ Sticky Fingers 1971 review    
Corey Tippin           
        
YouTube links:        
       
Brown Sugar   
Moonlight Mile       
Wild Horses       
     
       
       
     
Styrous® ~ Tuesday, 23, April, 2019