Showing posts with label Jaws. Show all posts
Showing posts with label Jaws. Show all posts

April 6, 2018

1,001 LaserDiscs 1: In the beginning

      
     



 





  

     
     The LaserDisc came on the scene 40 years ago . . . .   


                                       Jaws LaserDisc      
  

I have a collection of LaserDiscs that I will be selling, so, I decided to start a series on the discs I have in my collection.           
          
The LaserDisc (abbreviated as LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in North America in 1978.         
 
Although the format was capable of offering higher-quality video and audio than its consumer rivals, VHS and Betamax videotape, the LaserDisc never managed to gain widespread use in North America, largely due to high costs for the players and video titles themselves and the inability to record TV programs.

Optical video recording technology, using a transparent disc, was invented by David Paul Gregg and James Russell in 1958 (and patented in 1961 and 1990). The Gregg patents were purchased by MCA in 1968. By 1969, Philips had developed a videodisc in reflective mode, which has advantages over the transparent mode. MCA and Philips then decided to combine their efforts and first publicly demonstrated the video disc in 1972.      

The format was first available on the market, in Atlanta, Georgia, in 1978, two years after the introduction of the VHS VCR, and four years before the introduction of the CD (which is based on laser disc technology). Initially licensed, sold, and marketed as MCA DiscoVision (also known as simply "DiscoVision") in North America in 1978, the technology was previously referred to internally as Optical Videodisc System, Reflective Optical Videodisc, Laser Optical Videodisc, and Disco-Vision (with a dash), with the first players referring to the format as "Video Long Play". The first LaserDisc title marketed in North America was the MCA DiscoVision release of Jaws.      

Pioneer Electronics purchased the majority stake in the format and marketed it as both LaserVision (format name) and LaserDisc (brand name) in 1980, with some releases unofficially referring to the medium as "Laser Videodisc". Philips produced the players while MCA produced the discs.


Pioneer LaserDisc player    


The Philips-MCA cooperation was not successful, and discontinued after a few years. Several of the scientists responsible for the early research (Richard Wilkinson, Ray Dakin and John Winslow) founded Optical Disc Corporation (now ODC Nimbus).   

In 1984, Sony introduced a LaserDisc format that could store any form of digital data, as a data storage device similar to CD-ROM, with a large capacity 3.28 GiB, comparable to the later DVD-ROM format.   

The standard home video LaserDisc was 30 cm (12 in) in diameter and made up of two single-sided aluminum discs layered in plastic. Although appearing similar to compact discs or DVDs, LaserDisc used analog video stored in the composite domain (having a video bandwidth approximately equivalent to the 1-inch (25 mm) C-Type VTR format) with analog FM stereo sound and PCM digital audio. The LaserDisc at its most fundamental level was still recorded as a series of pits and lands much like CDs, DVDs, and even Blu-ray Discs are today. However, while the encoding is of a binary nature, the information is encoded as analog pulse-width modulation with a 50% duty cycle, where the information is contained in the lengths and spacing of the pits.


disk storage comparison

  
By the early 2000s, LaserDisc was completely replaced by the DVD in the North American retail marketplace, as neither players nor software were then produced. Players were still exported to North America from Japan until the end of 2001. The format has retained some popularity among American collectors, and to a greater degree in Japan, where the format was better supported and more prevalent during its life. In Europe, LaserDisc always remained an obscure format.       


     
Net links:         
   
LaserDisc formats   
LaserDisc sizes  
       
    
    
Styrous® ~ Friday, April 6, 2018          



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May 19, 2017

John Williams ~ A Soundtrack King

John Towner Williams was born on February 8, 1932. His career spans over six decades and he has composed some of the most popular and recognizable film scores in cinematic history, to many of the highest-grossing films of all time, including Jaws, the Star Wars series, Superman, E.T. the Extra-Terrestrial, the Indiana Jones series, Jurassic Park, Schindler's List, the first two Home Alone movies, and the first three Harry Potter films.              
     
Williams has won five Academy Awards, four Golden Globe Awards, seven British Academy Film Awards, and 23 Grammy Awards. He has had 50 Academy Award nominations. In 2005, the American Film Institute selected Williams' score to 1977's Star Wars as the greatest American film score of all time. The soundtrack to Star Wars was additionally preserved by the Library of Congress into the National Recording Registry, for being "culturally, historically, or aesthetically significant." Williams was inducted into the Hollywood Bowl's Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004 and the AFI Life Achievement Award in 2016. Williams composed the score for eight movies in the Top 20 highest-grossing films at the U.S. box office.         
    
Williams's style has been described as a form of neoromanticism, inspired by the late 19th century's large-scale orchestral music, in the style of Tchaikovsky or Richard Wagner compositions and their concept of leitmotif, that inspired his film music predecessors. He composed music for various television programs in the 1960s: the pilot episode of Gilligan's Island, Bachelor Father (1959-1960), the Kraft Suspense Theatre, Lost in Space (1965–68), The Time Tunnel (1966–67), and Land of the Giants (the last three created by TV producer, Irwin Allen). 
     
Williams has written many concert pieces, including a symphony; a Concerto for Horn written for Dale Clevenger, the Principal Hornist for the Chicago Symphony Orchestra; a Concerto for Clarinet written for Michele Zukovsky (the Principal Clarinetist for the Los Angeles Philharmonic) in 1991; a sinfonietta for wind ensemble; a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994; concertos for the flute and violin recorded by the London Symphony Orchestra; and a trumpet concerto, which was premiered by The Cleveland Orchestra and their principal trumpet player, Michael Sachs, in September 1996.      
 
His bassoon concerto, The Five Sacred Trees, which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. Williams was the subject of an hour-long documentary for the BBC in 1980, and was featured in a report on 20/20 in 1983.      
      
From 1980–93, Williams succeeded Arthur Fiedler as the Boston Pops Orchestra's Principal Conductor. His arrival as the Pops' new leader in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back.     
    
Williams almost ended his tenure with the Pops in 1984. Some players hissed while sight-reading a new Williams composition in rehearsal; Williams abruptly left the session and turned in his resignation. He initially cited mounting conflicts with his film composing schedule, but later admitted a perceived lack of discipline in, and respect from, the Pops' ranks, culminating in this latest instance. After entreaties by the management and personal apologies from the musicians, Williams withdrew his resignation and continued as principal conductor for nine more years. In 1995, he was succeeded by Keith Lockhart, the former associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra.
     
Williams is now the Pops' Laureate Conductor, thus maintaining his affiliation with its parent, the Boston Symphony Orchestra (BSO). Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He conducts an annual Film Night at both Boston Symphony Hall and Tanglewood.




  
John Williams Net links:             
          
  Website            
  Discography               
  Concert works    
  Awards      
          
YouTube links:        
         
  Concerto for Horn  
  Concerto for Clarinet        
  Cello Concerto      
  Concerto For Flute And Violin      
  Concerto for Trumpet   
  Sinfonietta for Wind Ensemble   
  The Five Sacred Trees    
         
            
Styrous® ~ Friday May 19, 2017