Showing posts with label Frankie Laine. Show all posts
Showing posts with label Frankie Laine. Show all posts

August 22, 2021

RCA Victor & Nipper

 ~      
RCA Victor record sleeve detail 
detail photo by Styrous®
 
      
One hundred and fifteen years ago, on August 22, 1906, The Victor Talking Machine Company of Camden, New Jersey., began to manufacture the Victrola. The hand-cranked unit, with horn cabinet, sold for $200.       
 


In 1929, the Radio Corporation of America (RCA) purchased the Victor Talking Machine Company, then the world's largest manufacturer of phonographs (including the famous "Victrola") and phonograph records. The company then became RCA Victor. In absorbing Victor, RCA acquired the New World rights to the famous Nipper/"His Master's Voice" trademark.        
 
 
RCA Record's Nipper logo
 
 
Nipper was a real dog born in 1884 in Bristol, England, who served as the model for an 1898 painting by Francis Barraud titled His Master's Voice. This image was the basis for one of the world's best known trademarks, the famous dog-and-gramophone that was used by several record companies and their associated company brands.            
 
Nipper was likely a mixed-breed dog, although most early sources suggest that he was a Smooth Fox Terrier, a Jack Russell Terrier, or possibly "part Bull Terrier". He was named Nipper because he would often "nip" at the backs of visitors' legs.         
 
Nipper originally lived with his owner, Mark Henry Barraud, in the Prince's Theatre located on Shaftesbury Avenue, in the London Borough of Camden where Barraud was a scenery designer. When Barraud died in 1887, his brothers Philip and Francis took care of the dog, then Francis took Nipper to Liverpool, and later to Mark's widow in Kingston upon Thames, Surrey.          
 
When he was eleven years old Nipper died of natural causes in September of 1895 and was buried in a small park surrounded by magnolia trees at Kingston upon Thames, Greater London, England. In 1898, three years after Nipper's death, Francis Barraud, his last owner and brother of his first owner, painted a picture of Nipper listening intently to a wind-up Edison-Bell cylinder phonograph.      
     
      
painting by Francis Barraud

Francis Barraud . . . 

"It is difficult to say how the idea came to me beyond the fact that it suddenly occurred to me that to have my dog listening to the phonograph, with an intelligent and rather puzzled expression, and call it 'His Master's Voice' would make an excellent subject. We had a phonograph and I often noticed how puzzled he was to make out where the voice came from. It certainly was the happiest thought I ever had."   
       
date & photographer unknown


Thinking the Edison-Bell Company located in New Jersey, USA, might find it useful, Barraud offered the painting to chairman James E. Hough who replied, "Dogs don't listen to phonographs"! Not a big fan of Thomas Edison, I have more on the failings of him and his company in a blog on Nikola Tesla (link below).    
 
On the 31st of May, 1899, Barraud showed His Master's Voice to the general manager of the Gramophone Company in London. The Company paid £50 for the picture and £50 for the copyright, on condition that Barraud paint a gramophone over the phonograph; it hangs in the EMI London office today and has become one of the most famous trademarks in the world.              
 
Since then, Nipper had been a major image for the RCA Victor company in many ways in addition to the albums and labels.    
 
 

RCA Victor record sleeve 
photo by Styrous®
 
 
 
 
 
Nipper stain glass window
RCA Victor Company, Camden Plant 
Camden, NJ Building 17
 
 
 

Nipper is a globe-trotter:    
 
 Argentina
 
 



Sweden




Germany





France




Canada


      

Russia




The Netherlands by way of England




China




 
 
 
On the subject of China, Spike Jones had his off-beat, not so PC say about it with a parody of a song by Frankie Laine . . .

Spike Jones ~ Chinese Mule Train


Nipper was hot stuff during the Roaring Twenties spinning the latest dances, the Charleston, the Black Bottom and especially the suavay dance invented in the 1910s, reaching its height of popularity in the 1930s and remains practiced today, the Foxtrot . . .    


Victor Arden & Phil Ohman ~ Funny Face (foxtrot)
 
 
 


He spun with Elvis







 
 
Sung with Caruso . . .  




 
 
And encouraged Charles Laughton to narrate the story of The Night of the Hunter on the soundtrack album of the film that he directed.        
 






But wait! There's more!  
Dozens of clocks featuring Nipper were manufactured over the decades.      
     

 
 

 
 
 
 









 
 



 
 
 
 
 
 
 

 
 
 
 
 
 
As time progressed, the area where Nipper was buried built up, and a branch of Lloyds Bank now occupies the site.            
     
      
Time marches on but Nipper lives forever!
     
     
Viewfinder links:       
         
Enrico Caruso        
Thomas Edison        
Spike Jones       
Frankie Laine       
Charles Laughton       
Nikola Tesla        
     
Net links:       
        
American Antiquities ~ His Master’s Voice         
American Kennel Club ~ Once Upon a Dog: Nipper, the RCA dog  
Please Pass the Salt ~ Dogs Don’t Listen to Phonographs         The Streatham Society ~ Nipper the dog         
Vintage News ~ “His master’s voice”        
     
YouTube & audio  links:       
        
Victor Arden & Phil Ohman ~ Funny Face        
Karel Burian ~ Ó Elso        
Ada Jones - Has Anybody Here Seen Kelly?        
Spike Jones ~ Chinese Mule Train    
Frankie Laine ~ Mule Train        
Ed Morton ~ Don't Take Me Home
Elvis Presley ~     
        All Shook Up    
        Don't Be Cruel           
        Heartbreak Hotel     
Jack Smith ~ Ich Küsse ihre Hand, Madame             
Mizzi Zwerenz & Josef KÖNIG ~ Busserl-Walzer        
        
        
        
        
        
        
Dedicated to Lisa who kept Nipper at my  heels.
        
        
        
        
        
        
        
        
Styrous® ~ Sunday, August 22, 2021        
        
 
 
 
 
 
 

July 21, 2020

Kay Starr ~ A shimmering light

~
date & photographer unknown


Kay Starr (Catherine Laverne Starks) was born on this date in 1922. I enjoyed listening to her sing for decades. She had a voice that thrilled me to the core. She could belt out a tune from any musical genre whether it was pop, blues, jazz, or country. Her voice captivated listeners for over forty years.

She was born on a reservation in Dougherty, Oklahoma. Her father, Harry, was an Iroquois native American; her mother, Annie, was of mixed Irish and Native American heritage. I did not know any of these facts until I researched for this article. 

When the family moved to Dallas. Her mother raised chickens that Starr serenaded in their coop. Her aunt Nora was impressed by her 7-year-old niece's singing and arranged for her to sing on a Dallas radio station, WRR. Starr finishing 3rd one week in a talent contest and placed first every week thereafter. She was given a 15-minute radio show. She sang pop and country songs with a piano accompaniment. By age 10 she was making $3 a night, good pay during the Great Depression.  

When the family moved again, to Memphis, she continued performing on the radio. She sang Western swing music, still mostly a mix of country and pop. While working for Memphis radio station WMPS, misspellings in her fan mail inspired her and her parents to change her name to "Kay Starr".         

date & photographer unknown 


In 1939, she worked with Bob Crosby and Glenn Miller, who hired her to replace Marion Hutton who was ill. With Miller she recorded Baby Me and Love with a Capital You. The songs were not a great success, in part because the band played in a key that, while appropriate for Hutton, did not suit Kay's vocal range.     

She moved to Los Angeles and signed with the Wingy Manone band. From 1943 to 1945 she sang with the Charlie Barnet ensemble, retiring for a year after contracting pneumonia and later developing nodes on her vocal cords as a result of fatigue and overwork.  


Kay Starr - 1946
photo Metronome Getty Images


In 1946 Starr became a soloist and a year later signed a contract with Capitol Records. The label had a number of female singers signed up, including Peggy Lee, Ella Mae Morse, Jo Stafford, and Margaret Whiting, so it was hard to find her a niche of her own. In 1948 when the American Federation of Musicians was threatening a strike, Capitol wanted to have each of its singers record a back list for future release. Being junior to all these other artists meant that every song Starr wanted to sing was taken by her rivals on the label, leaving her a list of old songs which nobody else wanted to record.  


Kay Starr - 1946 
photographer unknown


In 1950 she returned home to Dougherty, Oklahoma, and heard a fiddle recording of Bonaparte's Retreat by Pee Wee King. She liked it so much that she wanted to record it. She contacted the publishing house for  Roy Acuff in Nashville and spoke to Acuff directly. He was happy to let her record it, but it took a while for her to make clear that she was a singer, not a fiddler, and therefore needed to have some lyrics written. Acuff came up with a new lyric, and Bonaparte's Retreat became her biggest hit up to that point, with close to a million sales.    


date & photographer unknown


In 1955, she signed with RCA Victor Records, however, at that time, rock-and-roll was displacing the existing forms of pop music and Kay had only two hits, the aforementioned, which is sometimes considered her attempt to sing rock and roll, and sometimes as a song poking fun at it, The Rock and Roll Waltz. She stayed at RCA until 1959, hitting the top ten with My Heart Reminds Me, then returned to Capitol.    


Kay Starr -1956
Evertt Collection

Most of Starr's songs had jazz influences. Like those of Frankie Laine and Johnnie Ray, they were sung in a style that anticipated rock and roll songs. These included her hits Wheel of Fortune (her biggest hit, No. 1 for 10 weeks), Side by Side, The Man Upstairs, and Rock and Roll Waltz. One of her biggest hits was her version of (Everybody's Waitin' For) The Man with the Bag, a Christmas song that became a holiday favorite.   


date & photographer unknown

After leaving Capitol for a second time in 1966, Starr continued touring in the US and the UK. She recorded several jazz and country albums on small independent labels, including How About This, a 1968 album with Count Basie.      


Frank Carroll/NBCU Photo


In the late 1980s she performed in the revue 3 Girls with Helen O'Connell and Margaret Whiting, and in 1993 she toured the United Kingdom as part of the Pat Boone April Love Tour. Her first live album, Live at Freddy's, was released in 1997. She sang with Tony Bennett on his album Playin' with My Friends: Bennett Sings the Blues (2001). Two of her songs, Powder Your Face with Sunshine and It's a Good Day, appeared in the 2007 movie Fido.  


date & photographer unknown


In her later years, she sang a duet with Tony Bennett for his 2001 album Playin’ With My Friends: Bennett Sings the Blues.          


vinyl LP front cover


Starr was married six times, including a brief marriage to bandleader Vic Schoen who later married Marion Hutton.          


Kay Starr - 2006
Fred Prouser/Reuters


Kay Starr died from complications of Alzheimer's disease on November 3, 2016 in Los Angeles at the age of 94.           

On June 25, 2019, The New York Times Magazine listed Starr among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire (links below).       







Viewfinder links:                 
               
Roy Acuff           
Allez-Vous-En & Half a Photograph        
Count Basie         
Tony Bennett 
Pat Boone       
Bob Crosby   
Marion Hutton       
Frankie Laine         
Peggy Lee       
Glenn Miller         
Johnnie Ray           
Frank Sinatra     
Kay Starr                
     
Net links:                 
        
Afterglow ~ Swingin’ With Kay Starr    
Billboard ~ Universal Fire Destroyed 500,000 Iconic Master Recordings     
Express UK ~ Kay Starr 1922 -2016: The ‘hillbilly’ who could sing it all    
LA Times ~ Kay Starr, who lit up 1950s pop radio dies at 94      
Kay Starr Discography        
     
YouTube links:                 

KTLA ~ 2008 Universal fire: 500,000 Master Recordings Lost   
Perry Como Show Guest Kay Starr (video) (1952)       
Kay Starr
         Interview (1993)      
         The Rock And Roll Waltz, Rockin' Chair (video) (1952)     
         Tribute to Kay Starr (video) (1952)        
         Wheel Of Fortune (1951)      
         Wheel Of Fortune (video) (1952)  
TV Hit Medley Kay Starr, Tyrone Power (video) (1955)    
      
       
   
   
“ . . . the only white woman who could sing the blues.”       
                       ~ Billie Holiday
   
   
   
      
Styrous® ~ Tuesday, July 21, 2020       
   





       











February 26, 2020

Paul Weston articles/mentions

~ 
Crescent City (The Moods Of New Orleans)  
Liberace & Weston ~ Concertos for You  
  
mentions:        
Frankie Laine ~ The Girl In the Wood           
Hue Lee ~ Rose, Rose, I Love You      
    
            
  
  
    
         
Paul Weston - ca 1940 
Capitol publicity photo 
    
                 
    
         







January 26, 2020

Vaughn Monroe articles/mentions

 ~    
    
    
 
mentions:         
       
  
   
       
   
    
         
  

Vaughn Monroe - 1943       
Ad, page 65, Billboard Music Yearbook   
photographer unknown