Showing posts with label mono. Show all posts
Showing posts with label mono. Show all posts

December 5, 2025

20,000 vinyl LPs 401: Duke Ellington & His Orchestra – Otto Preminger's Anatomy Of A Murder

 ~  
vinyl LP front cover 
 cover design by Saul Bass
photo of album cover by Styrous®


Today is the birthday of Austrian-American film and theater director, film producer and actor, Otto Preminger who was born on December 5, 1905, in Wischnitz, Bukovina, Austria-Hungary (present-day Vyzhnytsia, Ukraine), into a Jewish family. He directed more than 35 feature films in a five-decade career after leaving the theater, and was one of the most influential directors in Hollywood during the 1940s and 1950s.         
 
After achieving theatrical prominence in Vienna, Preminger emigrated to the United States in the mid-1930s, working as a director for 20th Century Fox. He first gained attention for film noir mysteries such as Laura (1944) and Fallen Angel (1945). Several of his later films pushed the boundaries of censorship by dealing with themes which were then taboo in Hollywood, such as premarital sexuality The Moon Is Blue (1953), drug addiction The Man with the Golden Arm (1955) (link below), rape Anatomy of a Murder (1959) and homosexuality Advise & Consent (1962).         
 
The screenplay for Anatomy of a Murder by Wendell Mayes was based on the 1958 novel of the same name written by Michigan Supreme Court Justice John D. Voelker under the pen name of Robert Traver. Voelker based the novel on a 1952 murder case in which he was the defense attorney.     
 
 
There are two cuts from the album I particularly like; one is Midnight Indigo, a dreamy tune with a great chime intro and end. The second is Flirtibird, a song with a classic strip beat that I used with one of the girls I worked with at the Hungry i on Broadway in San Francisco (link below).     
 
The film stars James Stewart, Lee Remick, Ben Gazzara, Eve Arden, George C. Scott, Arthur O'Connell, Kathryn Grant, Brooks West (Arden's husband), Orson Bean, and Murray Hamilton. The judge was played by Joseph N. Welch, a real-life lawyer famous for dressing down Joseph McCarthy during the Army–McCarthy hearings. It has a musical score by Duke Ellington, who also appears in the film. It has been described by Michael Asimow, UCLA law professor and co-author of Reel Justice: The Courtroom Goes to the Movies (2006), as "probably the finest pure trial movie ever made".        
 
 
Duke Ellington And His Orchestra  ~ Anatomy Of A Murder
vinyl LP back cover 
 cover design by Saul Bass
photo of album cover by Styrous®
 
 
In 2012, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". 


 
Duke Ellington And His Orchestra  ~ Anatomy Of A Murder
vinyl LP labels side 1 & side 2 
photo of album cover by Styrous®
  
 
   
Tracklist:
       
Side 1:
        
A1 - Main Title And Anatomy Of A Murder, Featuring – Jimmy Hamilton, Ray Nance
A2 - Flirtibird, Featuring – Johnny Hodges
A3 - Way Early Subtone, Featuring – Russell Procope
A4 - Hero To Zero, Featuring – Harry Carney, Paul Gonzalves*
A5 - Low Key Lightly, Featuring – Ray Nance
A6 - Happy Anatomy, Featuring – Clark Terry, Paul Gonzalves*
       
Side 2:
       
B1 - Midnight Indigo, B2 - Almost Cried
Featuring – Shorty Baker*, B3 - Sunswept Sunday
Featuring – Jimmy Hamilton, B4 - Grace Valse
B5 - Happy Anatomy, Featuring – The P. I. Five
B6 - Haupé, Featuring – Johnny Hodges
B7 - Upper And Cutest, Featuring – Cat Anderson
        
Companies, etc.
       
    Pressed By – Columbia Records Pressing Plant, Terre Haute
    Printed By – Imperial Packing Co., Inc.
        
Credits:
       
    Composed By, Music By – Duke Ellington
    Design – Saul Bass
    Written By D. Ellington*
        
Notes:
       
"T" stamped in runouts denotes Columbia Records Pressing Plant, Terre Haute, pressing. Remainder of runouts stamped, plating hashes etched.

On front cover:
Music By Duke Ellington • From The Sound Track Of The Motion Picture
Otto Preminger's Anatomy Of A Murder

On back cover:
Music By Duke Ellington
From The Sound Track Of The Motion Picture
Anatomy Of A Murder
An Otto Preminger Film

On spine:
Anatomy Of A Murder | Music By Duke Ellington From The Sound Track Of The Motion Picture

On labels:
Recorded directly from the Sound Track of Otto Preminger's
Anatomy Of A Murder
(A Columbia Pictures Release)
Duke Ellington and his Orchestra
       
Barcode and Other Identifiers
       
    Other (Jacket back bottom right): 6
    Pressing Plant ID (In runouts): T
    Matrix / Runout (Side A label): x"Lp" 47374
    Matrix / Runout (Side B label): x"Lp" 47375
    Matrix / Runout (Side A runout, variant 1): XLP47374-1F T E IIII IIII
    Matrix / Runout (Side B runout, variant 1): XLP47375-1E T A IIIII IIIII
    Matrix / Runout (Side A runout, variant 2): XLP47374-1F T A IIIIII/
    Matrix / Runout (Side B runout, variant 2): XLP47375-1AB T C /
 
Duke Ellington And His Orchestra – Otto Preminger's Anatomy Of A Murder (From The Sound Track Of The Motion Picture)
Label: Columbia – CL 1360
Format: Vinyl, LP, Album, Mono, Terre Haute Pressing
Country: US
Released: Jun 1959
Genre: Jazz, Stage & Screen
Style: Soundtrack, Big Band, Swing 
          
Viewfinder links:        
         
Eve Arden      
Ben Gazzara         
Johnny Hodges        
Hungry i          
Otto Preminger        
George C. Scott            
Joseph N. Welch          
        
Net links:        
      
Anatomy Of A Murder ~ Anatomy Of A Murder      
Art of the Title ~ Anatomy Of A Murder          
Classic Film TV Cafe ~ The Case for Anatomy of a Murder          
Criterion ~ Anatomy Of A Murder               
EBSCO ~ Anatomy Of A Murder        
        
YouTube links:        
        
        
        
         
        
        
        
Styrous® ~ Friday, December 5, 2025        
       
 
 






December 30, 2023

20,000 vinyl LPs 348: André Messager ~ Véronique

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vinyl LP box cover detail
detail photo by Styrous®


Today is the birthday of French composer, organist, pianist and conductor, André Charles Prosper Messager. His compositions include eight ballets and thirty opéras comiques, opérettes and other stage works, among which his ballet Les Deux Pigeons (1886) and opéra comique Véronique (1898) have had lasting success; Les p'tites Michu (1897) and Monsieur Beaucaire (1919) were also popular internationally. André Messager was born on December 30, 1911, in Cadegliano-Viconago, Italy, near Lake Maggiore and the Swiss border. He is primarily known for his output of 25 operas.         
 
This recording of Véronique was housed in a boxed set of two records with a 12" x 12" libretto with info and photos included.           
 



Messager studied composition with Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End and some on Broadway; the most successful had long runs and numerous international revivals. He wrote two operatic works in English, and his later output included musical comedies for French stage and film actor, director, screenwriter, and playwright, Sacha Guitry and French singer and actress, Yvonne Printemps.           
























Véronique is an opéra comique in three acts with music by André Messager and words by Georges Duval and Albert Vanloo. The opera, set in 1840 Paris, depicts a dashing but irresponsible aristocrat with complicated romantic affairs, who is eventually paired with the resourceful heroine, Véronique. It premiered in Paris in 1898. The "Hit" from the show is De-ci, de là which predates the Gilbert & Sullivan patter songs by twenty years.              
 
 
Véronique poster - 1898 
illustration by René Pean


 
 
 
 
 
 
 
 
 
 

 
 
 
 











Tracklist:
       
Side 1:
        
A1 - Ouverture    2:25
A2 - Quelle Fraîcheur Délicieuse - 1:35
A3 - Ah! La Charmante Promenade - 2:15
A4 - Vrai Dieu! Mes Bons Amis - 2:10
A5 - Alors Tout Est Fini - 3:30
A6 - Petite Dinde - 1:40
A7 - Final Du 1er Acte - 6:50
       
Side 2:
       
B2 - Ah Méchante, Vous Voulez Rire (Duo De L'Escarpolette) - 4:40
B3 - Une Grisette Mignonne - 1:1 - 2:00
B5 - Puisque L'Ingrate Véronique - 2:00
B6 - Voyons, Ma Tante - 2:10
B8 - Ma Foi Pour Venir De Province - 1:50
B9 - Eh Bien, Par Ordre Procédons - 3:00
B10 - Final: Par Une Faveur Insigne - 1:15
       
Credits:
       
    Artwork – OKley*
    Conductor – Jacques Météhen
    Lyrics By – A. Vanloo*, G. Duval*
    Music By – André Messager
    Orchestra, Choir – L'Orchestre De Jacques Météhen
    Photography By – C.M. Benoit
       
Notes:
       
Printed in France - Made in France

Gatefold sleeve
       
Barcode and Other Identifiers
 
    Matrix / Runout: CBS 63646 A
    Matrix / Runout: CBS 63646 B
    Rights Society: BIEM
 
André Messager – Véronique
Label:    CBS – S 63 646
Series:    Opérettes Célèbres
Format:    Vinyl, LP, Album, Reissue, Stereo, Gatefold
Country: France
Released: 1969
Genre: Classical
Style: Operetta
        


         
Viewfinder links:        
        
Gabriel Fauré       
André Messager        
Yvonne Printemps        
Camille Saint-Saëns        
        
Net links:        
        
         
        
        
         
        
        
YouTube links:        
        
Véronique         
Véronique ~ De-ci, de là          
        
        
         
        
        
        
Styrous® ~ Sunday, July 19, 2020       
       
 
 














October 18, 2021

20,000 Vinyl LPs 316: Kurt Weill ~ The Seven Deadly Sins

 ~  
vinyl LP front cover detail
painting by Tom Allen 
detail photo of album cover by Styrous®


Today, Monday, October 18, is the birthday of Lotte Lenya who was born in 1898. She was an Austrian-American singer, diseuse and actress, based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill.         
Lenya's voice is not what one would call pretty, it is dark, grating, raspy, almost out of tune. When you listen to her singing you can almost smell stale cigarette smoke and taste late nights of drinking whiskey in shabby bars and feel tales of lost loves; it is a voice that comes from the real world perhaps even the slums. It is beautiful in its own gravely way!    
 
In 1957 Lenya recorded one of the theater works by her husband, The Seven Deadly Sins (German: Die sieben Todsünden, French: Les sept péchés capitaux). It is a satirical ballet chanté ("sung ballet") in seven scenes (nine movements, including a Prologue and Epilogue) composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman and more recently by Michael Feingold. It was the last major collaboration between Weill and Brecht.       
 
 

vinyl LP front cover detail
painting by Tom Allen 
detail photo of album cover by Styrous®


 
This album is one of my purchases because of the cover, as stated in previous articles, I did that a lot. I had only known of Die Dreigroschenoper (The Threepenny Opera) by Kurt Weill and had fallen in love with it but this was completely unknown to me.   
 
       
vinyl LP front cover
painting by Tom Allen 
photo of album cover by Styrous®


I got it home and listened to it, heard how beautiful the music is, especially the Prolog, and I was a Kurt Weill devotee from that very day and went on to buy every album I could find by him. And through this album and Threepenny discovered the amazing treasures of his collaborator Bertolt Brecht as well as his wife, Lotte Lenya.      


vinyl LP front cover detail
painting by Tom Allen 
detail photo of album cover by Styrous®
 
 
photographer unknown

 

The Seven Deadly Sins tells the story of two sisters, Anna I and Anna II. Anna I, the singer, is the principal vocal role. Anna II, the dancer, is heard only infrequently and the text hints at the possibility that the two Annas are the same person:
 
"She's the one with the looks. I'm realistic. She's just a little mad, my head is on straight. But we're really one divided being, even though you see two of us. And both of us are Anna. Together we've but a single past, a single future, one heart and one savings account and we only do what suits each other best. Right Anna?"
        
"The Family", a male quartet, fills the role of a Greek chorus. They refer to Anna as a single daughter of the family, making a verbal allusion to her divided nature: "Will our Anna pull herself together?" The sisters set out from the banks of the Mississippi River in Louisiana to find their fortune in the big cities, intending to send their family enough money to build a little house on the river. After the prologue, in which Anna I introduces the sisters and their plans, each of seven scenes is devoted to one of the seven deadly sins, each encountered in a different American city:         
 
  1. Prologue
  2. Faulheit / Sloth (city unnamed)
  3. Stolz / Pride (Memphis)
  4. Zorn / Wrath (Los Angeles)
  5. Völlerei / Gluttony (Philadelphia)
  6. Unzucht / Lust (Boston)
  7. Habsucht / Greed (Tennessee, in posthumous versions Baltimore)
  8. Neid / Envy (San Francisco)
  9. Epilogue (home, in the new little house)


vinyl LP back cover 
back cover photo by Louise Dahl-Wolfe
photo of album cover by Styrous®
 
 
It's really interesting to see how different groups have interpreted the work. The first link  (link below) is the version "By sin" with Peter Sellars & Teresa Stratas, there is emphasis on the singing; in the second link (link below) with the Opera de Paris it is the dancing and movement that predominates. Both versions are stunning in totally different ways!!!
          


vinyl LP back cover details
back cover photo by Louise Dahl-Wolfe
detail photos of album cover by Styrous®





vinyl LP back cover detail
back cover photo by Louise Dahl-Wolfe
detail photo of album cover by Styrous®


vinyl LP back cover detail
photos by Styrous®



vinyl LP back cover details
detail photos by Styrous®














 


   
Tracklist:
       
Side 1:
        
A1 - Prolog
A2 - Faulheit
A3 - Stolz
A4 - Zorn
       
Side 2:
       
B5 - Völlerei
B6 - Unzucht
B7 - Habsucht
B8 - Neid
B9 - Epilog
       
Credits:
       
    Bass Vocals – Ernst Poettgen, Sigmund Roth
    Conductor – Wilhelm Brückner-Rüggeberg
    Lyrics By – Bert Brecht*
    Music By – Kurt Weill
    Painting – Tom Allen*
    Tenor Vocals – Fritz Göllnitz, Julius Katona
    Vocals – Lotte Lenya
       
Barcode and Other Identifiers
       
    Matrix / Runout (Label side A): x"LP"39510
    Matrix / Runout (Label side B): x"LP"39511
    Matrix / Runout (Runout side A - stamped - variant 1): XLP39510-1A
    Matrix / Runout (Runout side B - stamped - variant 1): XLP39511-1D
    Matrix / Runout (Runout side A - stamped - variant 2): XXLP-39510-1D
    Matrix / Runout (Runout side B - stamped - variant 2): XXLP-39511-1AA
 
Lotte Lenya – Kurt Weill's The Seven Deadly Sins
Label: Columbia Masterworks – KL 5175
Format: Vinyl, LP, Album
Country: US
Released: 1957
Genre: Classical, Stage & Screen
Style: Modern
 
 

         
Viewfinder links:        
         
Bertolt Brecht          
Lotte Lenya        
Peter Sellars        
Teresa Stratas        
Kurt Weill        
        
Net links:        
        
        
YouTube links:        
        
Kurt Weill ~      
     The Seven Deadly Sins (by sin) (47 mins.)   
     The Seven Deadly Sins (dance) (39 mins., 36 secs.)  
        
        
         
        
        
        
Styrous® ~ Monday, October 18, 2021