Showing posts with label Meco. Show all posts
Showing posts with label Meco. Show all posts

May 25, 2024

101 Reel-to-Reel Tapes 124: Star Wars Episode IV ~ A New Hope

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Reel-to-Reel front cover 
 cover design by Theodor Lloyd Glazer
photo of album cover by Styrous®


Forty-seven years ago today, on May 25, 1977, the blockbuster film, Star Wars Episode IV - A New Hope, was released and Sci-Fi films would never be the same again.          
 
I vividly remember standing in line with thousands of other Sci-Fi fanatics to see this new marvel, not really knowing what was in store for me (link below). It seems it was only yesterday that I watched the opening of the film crawl which was a throw back to the old 1930's Flash Gordon series (link below) as the film began and I heard the dramatic music of John Williams explode then slowly dwindle out and the huge Empire warship slowly emerge from the top of the screen; I can still feel the goose bumps that popped out on my arms.    
 
 
Flash Gordon poster -1936
 
        
I was completely sucked in and have written extensively about the film, it's participants and, certainly not least, it's marketing items (link below) for the last few decades.       
 

Reel-to-Reel front cover detail
 cover design by Theodor Lloyd Glazer
detail photo of album cover by Styrous®


Star_Wars  ~ Episode IV – A New Hope was the first film released in the Star Wars film series and the fourth chronological chapter of the "Skywalker Saga".           


Reel-to-Reel back cover 
 cover design by Theodor Lloyd Glazer
photo of album back cover by Styrous®




Reel-to-Reel back cover detail
 cover design by Theodor Lloyd Glazer
photo of album back cover detail by Styrous®



I think the score for the film, by John Williams, is one of the greatest film scores ever written, surpassed only by Bernard Herman for The Day the Earth Stood Still. Actually, I think Star_Wars is the greatest score Williams EVER wrote; he never surpassed it.       




Other collaborations with Spielberg include Close Encounters of the Third Kind (1977), the Indiana Jones franchise (1981–2023), Jurassic Park (1993), Saving Private Ryan (1998), Catch Me If You Can (2002), War Horse (2011), Lincoln (2012), and The Fabelmans (2022). His work as a film composer includes Valley of the Dolls (1967), Goodbye, Mr. Chips (1969), The Cowboys (1972), The Long Goodbye (1973), and The Towering Inferno (1974). He received five Academy Awards for Best Original Score for Fiddler on the Roof (1971), Jaws (1975), Star Wars (1977), E.T.: The Extra Terrestrial (1982), Schindler's List (1993), Superman (1978) and the first three Harry Potter films (2001–2004).        
                  

Reel-to-Reel box cover interior
photo by Styrous®


With Henry Mancini, he recorded the scores of Peter Gunn (1959), Breakfast at Tiffany's (1961), Days of Wine and Roses (1962), and Charade (1963), and played the piano part of the guitar-piano ostinato in Mancini's Peter Gunn title theme.              


Reel-to-Reel box cover interior
photo by Styrous®


The music from Star_Wars has been covered dozens of times. The film came out at the height of the disco era so, of course, there is a disco version by Meco (Domenico Monardo) (link below) and the latest iteration I know of is a hard rock cover by Galactic Empire with a really fun video for the song on YouTube (link below).              
        

Reel-to-Reel box cover interior detail
photo by Styrous®






   
Tracklist:
       
Side 1:
        
A1 - Main Title
A2 - Imperial Attack
A3 - Princess Leia's Theme
A4 - The Desert And The Robot Auction
A5 - Ben's Death And The Tie Fighter Attack
A6 - The Little People Work
A7 - Rescue Of The Princess
A8 - Inner City
A9 - Cantina Band
       
Side 2:
       
B1 - The Land Of The Sandpeople
B2 - Mouse Robot And Blasting Off
B3 - The Return Home
B4 - The Walls Converge
B5 - The Princess Appears
B6 - The Last Battle
B7 - The Throne Room And End Title
       
Companies, etc.
       
    Recorded At – Soundstream, Inc.
    Mastered At – Soundstream, Inc.
    Mastered At – Sheffield Lab Matrix
       
Credits:
       
    Composed By, Conductor – John Williams (4)
    Design [Cover Design, Illustration] – Theodor Lloyd Glazer
    Orchestra – Boston Pops Orchestra
    Photography By – William Shisler
    Producer – George Korngold
       
Notes:
       
℗ 1977 20th Century Records
CRC denotes Columbia House club edition
"For The United Kingdom, licenses for the use of recordings for public performances may be obtained from Phonographic Performance Ltd., Ganton House, 14-22 Ganton Street, London.

London Symphony Orchestra – Star Wars
Label:    20th Century Records – 1R2 6693
Format:    Reel-To-Reel, 3 ¾ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album, Club Edition
Country: US
Released: 1977
Genre: Classical, Stage & Screen
Style: Modern Classical, Contemporary, Soundtrack

         
Viewfinder links:        
        
All things Star Wars         
The Day the Earth Stood Still          
Carrie Fisher        
Harrison Ford         
Bernard Herrmann            
Henry Mancini          
Meco           
Star Wars (the movie)         
John Williams             
        
Net links:        
        
Galactic Empire         
Star_Wars site        
        
         
        
        
YouTube links:        
         
Flash Gordon/Star Wars crawl           
Galactic Empire ~ Star Wars          
Meco ~ Star Wars   
Star Wars ~               
         Opening Crawl        
         Cantina       
        
         
           

         
        
        
Styrous® ~ Saturday, May 25, 2024       
       
 
 














May 5, 2020

Meco (Domenico Monardo) articles/mentions

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Casablanca Records      
Patrick Gleeson's Star Wars 
       
    
      
       
    
      
            

Meco - 1978
Superman album cover detail
   
       














May 4, 2020

20,000 vinyl LP 220: Gleeson's Star Wars ~ Disco Daze 6

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Today, May 4, 2020, is Star Wars Day. Star Wars emerged at the dawning of the age of disco in 1977, so, I considered using the Meco disco version of the soundtrack but settled on this not-quite-so-disco electronic version by Patrick Gleeson instead. In addition to cuts from the original soundtrack from the film, I used cuts from this version and others in my Star Wars act at the Hungry i (links below).   
      

vinyl LP album front cover design by Peter Lloyd
photo of album cover by Styrous®


The first recorded reference was the phrase being first used on May 4, 1979, the day Margaret Thatcher took the job as as Prime Minister of the United Kingdom. An online news article from the Danish public broadcaster says her political party, the Conservatives, placed a congratulatory advertisement in The London Evening News, saying "May the Fourth Be with You, Maggie. Congratulations,"         


vinyl LP album back cover design by Peter Lloyd
photo of album cover by Styrous®



The saying was used in a UK Parliament defence debate on May 4, 1994.      

Astrophysicist and author Jeanne Cavelos used the saying on page 94 of her 1999 book The Science of Star Wars.           

In 2008, the first Facebook groups appeared, celebrating Luke Skywalker Day, with the same catchphrase.          

In 2011, the first organized celebration of Star Wars Day took place in Toronto, Ontario, Canada at the Toronto Underground Cinema. Produced by Sean Ward and Alice Quinn, festivities included an Original Trilogy Trivia Game Show; a costume contest with celebrity judges; and the web's best tribute films, mash-ups, parodies, and remixes on the big screen. The second annual edition took place on Friday, May 4, 2012.             
           

vinyl LP record sleeve
photo by Styrous®


Patrick Gleeson was born on November 9, 1934. He came to San Francisco in the 1960s to teach in the English Department at San Francisco State. He began experimenting with electronic music in the mid-'60s at the San Francisco Tape Music Center using a Buchla synth and other devices. He resigned his teaching position to become a full-time musician. In 1968, "upon hearing Switched-On Bach" by Wendy Carlos (at that time Carlos was still Walter Carlos), he bought a Moog synthesizer and opened the Different Fur recording studio in San Francisco.  

He worked with Herbie Hancock in the early 1970s, touring with Hancock – thus pioneering the use of synthesizers outside the studio – and appearing on the albums Crossings and Sextant. Hancock has credited Gleeson with introducing him to synthesizers and teaching him technique. Sextant and Headhunters were both recorded in part at Different Fur studios. Gleeson has worked with many other Jazz musicians, including Lenny White, Freddie Hubbard, Charles Earland, Eddie Henderson and Joe Henderson.

Gleeson has had a varied career in music (link below); he  even had a shot at new wave when he worked as an engineer on the 1978 Devo album Q: Are We Not Men? A: We Are Devo!, part of which was recorded at Different Fur.        


vinyl LP record sleeve
photo by Styrous®




vinyl LP record label, side 1
photo by Styrous®



vinyl LP record label, side 2
photo by Styrous®



       
Tracklist:

Side 1:

A1 - Star Wars Theme (Luke's Theme) - 5:49
A2 - The Tatooine Desert - 6:25
A3 - Death Star - 5:29

Side 2:


B1 - Star Wars Cantina Music - 3:15
B2 - Princess Leia's Theme - 4:03
B3 - Droids - 2:18
B4 - Ben Kenobi's Theme - 7:07

Companies, etc.

    Recorded At – Different Fur Studios
    Mixed At – Different Fur Studios
    Mastered At – Kendun Recorders
    Manufactured By – Phonogram, Inc.
    Distributed By – Phonodisc, Inc.

Credits:

    Arranged By – Andy Narrel*, Charles Mims*
    Artwork – Peter Lloyd (4)
    Composed By – John Williams (4)
    Drums – Billy Cobham, Harvey Mason, James Levi, Ronnie Beck*
    Engineer – Pete Chaikin, Peter Granet, Seth Dworken, Skip Shimmin
    Lyricon – Lenny Picket*
    Producer, Keyboards, Performer [Breath Controller], Arranged By, Conductor, Engineer – Patrick Gleeson
    Vocals – Sarah Baker

Notes:

"Selections from the film performed on the world's most advanced synthesizer".
"Patrick Gleeson's stunning and surreal interpretation of the music from the film".

This abum was recorded on an MCI24 Track with DBX Noise Reductionn and mixed on Different
Fur's Harrison console with Allison 65K automation.
Recorded and mixed at Different Fur, San Francisco, July 1977.
Mastered at Kendun Recording, Burbank.

Album includes a two-sided 12" insert with credits and program notes by Patrick Gleeson.
        
Patrick Gleeson ‎– Patrick Gleeson's Star Wars
Label: Mercury ‎– SRM-1-1178
Format: Vinyl, LP, Album
Country: US
Released: 1977
Genre: Electronic
Style: Synth-pop

          
Viewfinder links:           
       
All things Star Wars     
Herbie Hancock       
Leatherneck, Pillow, a Hungry i     
Meco (Domenico Monardo)         
Star Wars         
John Williams        
      
Net links:           

Patrick Gleeson Discography          
Star Wars.com ~ Star Wars Day ~ May the Fourth Be With You     
John Williams website                     
      
YouTube link:           
       
Patrick Gleeson's Star Wars (33 mins. 16 secs.)  
            
       
          
           
May the Fourth Be With You
          
            
       
Styrous® ~ Monday, May 4, 2020          
        
   

       
       






February 14, 2018

Casablanca Records ~ Disco Daze 3





        


Casablanca was the major label for disco music in the late 70's.




Casablanca record sleeve
photo by Styrous®
 

         
Casablanca Records was an American recording label owned by Universal Music Group and operated under Republic Records. It was founded in 1973 by former Buddah Records executive Neil Bogart, who named the label in homage to the classic film, Casablanca, and was based in Los Angeles in Southern California, The label became most successful as a disco label in the 1970s and currently operates as an electronic dance music label under the direction of Tommy Mottola.    
               
The Casablanca Label launched the careers of KISS, Donna Summer*†, Meco*†, Parliament, The Funkadelics*†, Angel and the Village People. It also recorded Cher, The Sylvers, Buddy Miles, Giorgio Moroder*†, Santa Esmeralda*† and many others.




Kiss was the first group to be signed by Casablanca. It released three albums by the group: Kiss (1974), Hotter Than Hell (1974), and Dressed to Kill (1975), but all failed to make an impact on the charts, however, the glam rock band did amass a following. However, it was NOT a disco album.  


Kiss - Kiss (1974)
vinyl LP cover 
 cover photo by Joel Brodsky
photo of album cover by Styrous®


Although the band's studio albums had not been strong sellers, the band had a reputation for performing exciting live shows. Casablanca decided to try to capitalize on that reputation by releasing the double-live Alive! (1975) album. It became both Casablanca's and Kiss's first top ten album, being certified gold.     

The Kiss follow-up studio albums to Alive! were better sellers than its previous studio albums. Destroyer (1976), Rock and Roll Over (1976), and Love Gun (1977) were all certified platinum in the United States. The band would release several more albums, with its last studio album on Casablanca being Creatures of the Night (1982).      




In 1975, Casablanca signed a new artist named Donna Summer and released her album entitled Love to Love You Baby which was certified gold. I will never forget this song; it was my introduction to the world of DISCO!  


vinyl LP cover 
 cover photo/art direction by Stephen Lumel
photo of album cover by Styrous®

The title song, written by Giorgio Moroder and Pete Bellotte, is over 17 minutes long, and Casablanca released the song in its entirety as a single (a shorter version was also promoted for radio). In releasing the 17 minute version as a single, Casablanca would help make popular a format that would become known as the 12 inch. The song,  featured Summer seductively moaning and groaning, it was banned by some American radio stations (as it was in Europe) but made its way to #2 on the US Hot 100. Summer had several gold and platinum albums on Casablanca from 1975–1979, and became the label's most successful act on the singles chart. At one point, she scored eight US top 5 singles within a 19-month period. Summer had 10 gold singles (1 million), 2 went platinum (2 million) and a gold maxi-single while with Casablanca.




In 1979 Lipps Inc., with Steven Greenberg as writer, producer, and musician, and Cynthia Johnson on lead vocals, signed with Casablanca. Soon the single Rock It was released, followed by the album Mouth to Mouth. The album included the #1 smash hit Funkytown. A totally bubble-gum tune, it's one of my all-time favorite hits.     


Lipps Inc. - Mouth To Mouth
vinyl LP cover  
Illustration by Jan Kovaleski & Michael Kevin Lee
 photo of album cover by Styrous®
Parliament with group leader George Clinton was signed to the Casablanca label in late 1973. Their  first official release for the label was in 1974 with the album Up for the Down Stroke.


vinyl LP cover 
 cover photo by Leandro Correa
photo of album cover by Styrous®

The title song from the album gave Parliament its first top ten R&B hit. Their next album, Chocolate City sold approximately 150,000 albums in the Washington, D.C. area alone. But it would be their next release, Mothership Connection, that would give the group its first gold and, eventually, platinum album. Parliament would achieve either gold or platinum status with each album release up until 1980, as well as scoring hit singles with Give Up the Funk (Tear the Roof off the Sucker), Flash Light (Casablanca's first R&B #1 hit) and Aqua Boogie (A Psychoalphadiscobetabioaquadoloop). The success of Parliament allowed George Clinton to develop another P-Funk spin off act known as Parlet.         

Casablanca also financed the various extravagant P-Funk stage shows, including the "Mothership Connection/P-Funk Earth Tour" of 1976-77; as well as the Motor Booty Affair underwater tour of 1979. Parliament were later inducted into the Rock and Roll Hall of Fame. Parliament also gave Casablanca Records a much needed presence in the R&B/Soul market.     
        
The Casablanca film division produced the films, The Deep, Midnight Express*†, Foxes and The Hollywood Knights. Casablanca Records was purchased by PolyGram after which the label went into decline. Visit the Casablanca website to see more Casablanca Records videos. Be warned, however, it takes forever to get the pages to open.            

*† future article      

        



        
Viewfinder links:       
       
Disco Daze                          
KISS        
Record Labels        
Santa Esmeralda
Donna Summer        
Village People           

Net links:       
        
       
        
         
          
            
           
           
          
        
Styrous® ~ Wednesday, February 14, 2018