Showing posts with label Joan Crawford. Show all posts
Showing posts with label Joan Crawford. Show all posts

July 14, 2022

Leroy E. Burney & Camel Cigarettes ~ A youthful reminiscence

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Sixty-five years ago, in July of 1957, The U.S. surgeon general, Leroy E. Burney, reported that there was a direct link between smoking and lung cancer.         
            
            
            
Was anybody listening to him?               
 
 
 
date & photographer unknown 
 
 
 
     
 
Ten years later, fifty-five years ago, it was about this time of the year I did listen to what he had to say and indeed, quit smoking the dreadful cancer sticks.       
 
I recall as far back to the forties hearing adults who smoked them saying, "These cigarettes are going to be the death of me!" A couple of slang terms for them was cancer sticks and "coffin nails." So, everybody knew WAY before 1957!      
         
I started to smoke when I was 13. All the cool guys in school smoked; I wanted to be cool, so, I lit up with the rest of them.              

Of course, I was not old enough to actually buy cigarettes so I stole what my father smoked. He smoked unfiltered Camels! When I remember that now I think to myself, "Yech!" This iconic style of Camel is the original unfiltered cigarette sold in a soft pack, known as "Camel Straights" or Regulars.        
 
 

Camel cigarette package front
 
 

Camel cigarette package top & back
 
 
Camel is an American brand of cigarettes, currently owned and manufactured by the R. J. Reynolds Tobacco Company in the United States and by Japan Tobacco outside the U.S. Winston-Salem, North Carolina, the city where R. J. Reynolds was founded, is nicknamed "Camel City" because of the brand's popularity.        
 
The photograph used for the Camel design was taken on September 29, 1913, by Andrew Jackson Farrell, a Winston-Salem based photographer. Farrell and Mr. R. C. Haberkern of the R. J. Reynolds Tobacco Company went to the Barnum & Bailey Circus to photograph a camel and a dromedary to use in the design for a "brand of Turkish Cigrettes which we [Reynolds Tobacco] are about to put on the market." "The label's background of temples, minarets, an oasis, and pyramids was much like it is today, but the camel in the foreground was a pathetic, one-humped beast with short, pointed ears, two-pronged hoofs and a drooping neck.                     
 
Its popularity peaked through the brand's use by famous personalities such as news broadcaster Edward R. Murrow, whose usage of them was so heavy and so public that the smoking of a Camel no-filter became his trademark. But there were many other celebrities who promoted the brand . . . 
 
 
American professional baseball players . . .  
 
 
 
 
 
 
Hank Aaron        
 
 
 . . . movie stars . . .
 
 
 
 
 

 
 
. . . singers . . . 
 
 
 

 
 
 . . . and even DOCTORS!
 
 
 
 

In 1946, Camel advertised their cigarettes as being the favorite choice among doctors "from every branch of medicine", making smokers believe it was safe to smoke them. The slogan "More doctors smoke Camels than any other cigarette" became the mainstay of Camel advertising until 1952.      

Ads featuring the slogan were seen in a range of media, including medical journals such as the Journal of the American Medical Association, television commercials, popular radio programs such as Abbott and Costello and magazines such as Life and Time. The slogan was claimed to be based on surveys by "three leading independent research organizations"; however, these surveys were conducted by RJ Reynolds's advertising agency, the William Esty Company, and included free cigarettes for the doctors who were interviewed.           
       
In late 1987, RJ Reynolds created "Joe Camel", a totally sleazy character, as a brand mascot to attract a younger generation as the current one was dying off. "Joe Camel always had a sexy woman in the ad some where.   
 
 

 
The New York Times reported: 
 
Joe Camel was actually born in Europe. The caricatured camel was created in 1974 by a British artist, Nicholas Price, for a French advertising campaign that subsequently ran in other countries in the 1970s. Indeed, [advertising executive John E.] O'Toole recalled a visit to France many years ago during which he glimpsed Joe Camel wearing a Foreign Legion cap. The inspiration behind Mr. Price's cartoon was the camel, named Old Joe, that has appeared on all Camel packages since the brand's initial appearance in 1913.         
 
But RJ Reynolds didn't ignore the ladies; the company used men in sensual and erotic situations in their ads to lure the fair creatures with the come-on, "One of a kind."    



 
 
In 1991, the American Medical Association published a report stating that 5- and 6-year-olds could more easily recognize Joe Camel than Mickey Mouse, Fred Flintstone, Bugs Bunny, or even Barbie. This led the association to ask RJR to terminate the Joe Camel campaign. RJR declined, but further appeals followed in 1993 and 1994. On July 10, 1997, the Joe Camel campaign was retired and replaced with a more adult campaign which appealed to the desires of its mid-20s target market. Camel paid millions of dollars to settle lawsuits accusing them of using Joe Camel to market smoking to children.              


Camel facts

 
In 1913, Richard Joshua "R. J." Reynolds, founder of the company, innovated packaged cigarettes. Prior cigarette smokers rolled their own, this tended to obscure the potential for a national market for a pre-packaged product. Reynolds worked to develop a more appealing flavor, creating the Camel cigarette, which he so named because it used Turkish tobacco in imitation of then-fashionable Egyptian cigarettes. Reynolds priced them below competitors, and within a year, he had sold 425 million packs.              

Camel cigarettes contain a blend of Turkish tobacco and Virginia tobacco to have a milder taste than established brands. They were advance-promoted by a careful advertising campaign that included "teasers" simply stating "the Camels are coming", a play on the old Scottish folk song The Campbells Are Coming. Another promotion was "Old Joe", a circus camel driven through towns to attract attention and distribute free cigarettes. The brand's slogan, used for decades, was "I'd walk a mile for a Camel!"         
 
The Reynolds marketing gave the impression all was homey, safe and sound when smoking cigarettes.   





 
 
 
Natasha Lyonne, of Orange Is the New Black and Russian Doll fame, and Chloe Fineman did a great send up about the dying art of smoking cigarettes on Saturday Night Live earlier this year (link below).               
According to Harry Berkowitz of the Seattle Times, in the early nineties Nicolas Price, the British artist who created the tremendously successful Joe Camel caricature says he is "mortified" that the advertising campaign appears to have enticed youths into smoking, and he would stop the ad campaign if he could. "On one level it's flattering that the character has been effective," Price said. "But on a more personal level, because of the way it was used, I am mortified." (link below)           

All aspects of life and the working condition were utilized for the ad promotions.
 
 











And there were urban legends that grew from the brand; such as the ones about the image of Mae West, a lion or a naked man sporting an erection that was supposedly secretly embedded in the image of the camel on the pack.   






 
 
            
Viewfinder links:         
        
Joan Crawford        
Angel Morales         
Edward R. Murrow           
Maureen O'Sullivan        
Mark Twain        
Mae West        
        
Net links:          
        
Leroy E. Burne         
The Easter Egg Archive ~ Camel Cigarette Packs Easter Egg      
Smoking Room ~ Hidden Message Behind Camel Cigarette Logo        
         
YouTube links:         
         
Camel cigarettes ad        
"I'd Walk a Mile for a Camel"  (1970)        
Joe Camel         
        
        
        
        
"Giving up smoking is the easiest thing in the world. 
 I know because I've done it thousands of times." 
           ~ Mark Twain 
        
        
         
Styrous® ~ Thursday, July 14, 2022       






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History









March 7, 2020

20,000 vinyl LPs 213: Miklós Rózsa ~ The Lost Weekend & Ray Milland

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photos by Styrous®





 













Until I started working on this particular entry, it never occurred to me that my mother took me to some pretty weird movies when I was a kid. They were strange in some way, Snakepit with Olivia de Havilland is a good example (link below), but never sexy in any way, as with The Outlaw (link below)  

On March 7, 1946,  Joan Crawford, Ray Milland and Miklós Rózsa won an Academy Award; Crawford, Best Actress went to Crawford for her incredible role in the film Mildred Pierce. Milland won Best Actor for his stunning portrayal of an alcoholic in The Lost Weekend. Best Film Score went to Rózsa for his electrifying, pun intended, score for the soundtrack of Weekend. The film and director Billy Wilder received awards as well.    


The Lost Weekend movie poster


It is one of the rare times I've totally concurred with the choice of a winner and have always treasured the score for the soundtrack of the film on this limited edition vinyl LP I have.   

One of the scenes I will never forget is when the character, Don Birnam (Milland), is in the depths of having the DT's and sees a bat fly through the window to the wall across from him where a rat is crawling through a crack in it. The bat pounces on the rat and blood runs down the wall.      


       


It is a good thing the film is in black and white. As it is, it really makes your skin crawl! The only film to ever match up to Weekend on the subject of alcoholism and its destruction of lives is Days of Wine and Roses, which starred Jack Lemmon and Lee Remick, directed by Blake Edwards. Although both films end on a positive note, they are very depressing.   


vinyl LP front cover
image: film still
photo of album cover by Styrous®


For its time, it was ground breaking and it was the first of what I think of as the "Modern-day" film scores, if for nothing else, for the use, for the first time, of the theremin.

OH, MA GOSH! 

I still get shivers up and down my spine when I listen to it! It was the first time I'd heard the instrument; I was captivated and wanted to know more about it, what it was, how the sound was made. As it was decades before the Internet, it was years before I found anything about it.    



 

 


Rózsa used the theremin for two other film scores: later that year for Spellbound, which starred Ingrid Bergman and Gregory Peck, directed by Alfred Hitchcock, then in 1947 for The Red House, starring Edward G. Robinson and Judith Anderson, with Julie London in a minor role. It was directed by Delmer Daves.        


         
vinyl LP back cover
image: film still
photo of album cover by Styrous®


Marty Manning & His Orchestra does a VERY strange lounge cover of the main theme from Weekend (link below).          







 



Miklós Rózsa was born on April 18, 1907, in Budapest, and was introduced to classical and folk music by his mother, Regina Berkovits, a pianist who had studied with pupils of Franz Liszt, and his father, Gyula, a well-to-do industrialist and landowner who loved Hungarian folk music.              




Ray Milland was born on January 3, 1905, in Neath, Wales, in the UK. Beside the film, The Lost Weekend, his other major films were Reap the Wild Wind, Dial M for Murder, in which he plays a villainous husband out to kill wife Grace Kelly. I found this film not in the slightest bit believable as who in the would would want to kill Grace? Then there was Love Story in which once again he is up to no good. 
        







Ray Milland died of lung cancer at the Torrance Memorial Medical Center in Torrance, California, on March 10, 1986. He was 79 years old. In line with his instructions, no funeral was held. His body was cremated and his ashes were scattered into the Pacific Ocean off the coast of Redondo Beach, California.   

Miklós Rózsa died on July 27, 1995, of myasthenia gravis, a nerve and muscle disorder, and is buried at Forest Lawn in the Hollywood Hills.      


vinyl LP labels
photo details by Styrous®


       
Tracklist:

Side 1: The Lost Weekend (Part One)     16:32
Side 2: The Lost Weekend (Part Two)     16:28

Credits:

    Conductor, Composed By – Miklós Rózsa
    Liner Notes, Producer – Tony Thomas (5)

Notes:

This is a limited edition recording, produced for the promotional purposes of the composer and is not licensed for public sale. The music was transferred to tape from the original acetate masters.

A custom product of Tony Thomas Production, P.O. Box 1662, Burbank, CA 91507

One of the first film scores to feature a theremin.
          
Miklós Rózsa ‎– The Lost Weekend (The Classic Film Score)
Label: Tony Thomas Productions ‎– TT-MR-2
Format: Vinyl, LP, Album
Country: US
Released:
Genre: Electronic, Classical, Stage & Screen
Style: Score, Soundtrack
         
       
         
        
Viewfinder links:         
       
Ingrid Bergman         
Joan Crawford          
Alfred Hitchcock           
Olivia de Havilland      
Jack Lemmon      
Franz Liszt     
Julie London           
Ray Milland            
The Outlaw       
Gregory Peck        
Miklós Rózsa         
Snake Pit    
Spellbound           
      
YouTube links:                             

28th Academy Awards 21 March 1956 Newsreel (7 mins. 30 secs.) 
Academy Awards 1945           
The Lost Weekend (original trailer)        
           
           
     
      
      
           
            
Styrous® ~ Saturday, March 7, 2020       
        
        
           
            









Joan Crawford articles/mentions

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Chuy Reyes ~ Rumba de Cuba @ 10"    
The Lost Weekend                
     
    
        
     
    
        
     
    
        
Joan Crawford - 1936        
photographer unknown