Showing posts with label Faust. Show all posts
Showing posts with label Faust. Show all posts

April 8, 2024

20,000 vinyl LPs 361: Giuseppe Tartini ~ The Devil's Trill Sonata

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vinyl LP front cover 
 cover photo by 
photo of album cover by Styrous®


Today is the birthday of Italian composer and violinist of the Baroque era, Giuseppe Tartini, who was born on April 8, 1692, in Pirano (today part of Slovenia), a town on the peninsula of Istria, in the Republic of Venice. He is known for his output of over a hundred pieces for the violin, the majority of them violin concertos, but primarily for his Violin Sonata in G Minor (the Devil's Trill Sonata).        
 
This is one of the finest recordings of the Sonata by Jewish Austrian violinist, Erica Morini; she was accompanied by Pollish-born American pianist, Leon Pommers.     
 
American violinist, teacher, and musicologist, Boris Schwarz has said of Morini:
"Morini's right arm was a model of smoothness, yet it was incisive when energy was required; her left hand was a miracle of pure intonation, using a narrow vibrato that never obscured the core of the note, producing a tone of bell-like clarity. Watching Morini play, one felt that she was completely oblivious to the outside world; she seemed mesmerized by her own sounds."     
Unfortunately, this recording was recorded in 1956 long before the digital age, thus, it is a mono recording.                 

Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, he also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711.      

Tartini's most famous work is the Devil's Trill Sonata, a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards. According to a legend embroidered upon by Russian and American mystic, Madame Blavatsky, Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin. The legend infers Tartini sold his sold to the Devil; a legend handed down through the centuries in various cultures.           
 
Tartini allegedly told the French astronomer Jérôme Lalande that he dreamed that The Devil appeared to him and asked to be his servant. At the end of their lessons Tartini handed the devil his violin to test his skill—the devil immediately began to play with such virtuosity that Tartini felt his breath taken away. When the composer awoke he immediately jotted down the sonata, desperately trying to recapture what he had heard in the dream. Despite the sonata being successful with his audiences, Tartini lamented that the piece was still far from what he had heard in his dream. What he had written was, in his own words: "So inferior to what I had heard, that if I could have subsisted on other means, I would have broken my violin and abandoned music forever."   

The folklore of the "Devil's violin", classically exemplified by a similar story told of Niccolò Paganini, is widespread; it is an instance of the deal with the devil. A deal with the Devil (also called a pact with the Devil, Faustian bargain, or Mephistophelian bargain) is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions. According to traditional Christian belief about witchcraft, the pact is between a person and the Devil or another demon, trading a soul for diabolical favors, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power.          
 
A modern variant is the country song written and recorded by American music group Charlie Daniels Band, The Devil Went Down to Georgia; in 1986, the film Crossroads was inspired by the legend of blues musician Robert Johnson. It starred Ralph Macchio, Joe Seneca and Jami Gertz, the film was written by John Fusco and directed by Walter Hill and an original score by Ry Cooder featuring classical guitar by William Kanengiser and harmonica by Sonny Terry. Steve Vai appears in the film as the devil's virtuosic guitar player in the climactic guitar duel (link below). I think it's the best film Macchio ever made. In 2001 PBS presented a segment on violin in its series "Art" titled Art of violin: the devil's instrument.         

  
    
Tracklist:
       
Side 1:
        
        Sonata In G Minor ("Devil's Trill")   
A1 - 1. Larghetto Affetuoso   
A2 - 2. Allegro   
A3 - 3. Grave - Allegro Assai   
A4 - Variations On A Theme Of Corelli
       
Side 2:
       
Sonata In G Minor ("Didone Abbandonata")   

B1 - 1. Adagio   
B2 - 2. Non Troppo Presto   
B3 - 3. Largo   
B4 - 4. Allegro Commodo   
       
Credits:
       
    Composed By – Giuseppe Tartini
    Piano – Leon Pommers
    Sleeve Notes – Irving Kolodin
    Violin – Erica Morini
       
Notes:
       
    Made in U.S.A.
       
Barcode and Other Identifiers
 
    Matrix / Runout (Side A Label): H8-OP-5007
    Matrix / Runout (Side A Deadwax): H8 OP5007- 1A A2 R
    Matrix / Runout (Side B Label): H8-OP-5008
    Matrix / Runout (Side B Deadwax): H8 OP5008- 1A A1 R
 
Tartini*, Erica Morini – Devil's Trill Sonata
Label:    Westminster – XWN 18594
Format:    Vinyl, LP, Mono
Country: US
Released:    
Genre: Classical
Style: Baroque        

         
Viewfinder links:        
         
Ry Cooder       
Crossroads          
Jérôme Lalande         
Ralph Macchio        
Erica Morini        
Leon Pommers         
Antonio Stradivari         
Giuseppe Tartini         
Sonny Terry       
        
YouTube links:        
         
The Charlie Daniels Band ~ The Devil Went Down to Georgia       
Crossroads (movie) (1 hr. 38 miins.)
Giuseppe Tartini ~ Violin Sonata in G Minor (14 mins., 25 secs.)       
        
        
         
        
        
        
Styrous® ~ Monday, April 8, 2024       
       
 
 
















May 5, 2021

20,000 vinyl LPs 289: Damn Yankees & Gwen Verdon

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vinyl LP front cover   
cover photo by Gene Cook 
photo of album cover by Styrous®
 

Sixty-six years ago today the Broadway musical Damn Yankees opened in 1955. I have loved this show for decades; the songs have become classics because of their beauty, creativity and even humor.          

Goodbye Old Girl is among my top favorite songs; it is one of love and hope for the future with a touch of wistfulness. The plot is based on the legend of Faust. Robert Shafer (Joe Boyd) sells his soul to Mr. Applegate, (really the Devil) played by Ray Walston who is billed as the star of the musical, in exchange for youth; Stephen Douglass (Joe Hardy) is the youth he becomes (plot below). The song is occurs during the transformation scene. In the 1958 film version, Walston & Shafer reprise their roles but Joe Hardy is played and the song sung (slightly off key) by Tab Hunter. Who wouldn't sell their soul to look like him?    
 
 
 

Another reason I love this show is Gwen Verdon. What a treasure she was. In Yankees she plays the role of Lola, with a capitol LA. She is the devil's familiar sent by him to seduce Joe so he won't break his bond; she sings and made a huge hit of the song, Whatever Lola Wants. Can-Can made her a star but Lola made her a legend!         


Damn Yankees - 1955
photographer unknown


The dance numbers choreographed by Bob Fosse are a bunch of fun. There is Shoeless Joe from Hannibal, Mo., a rollicking hoedown led by Rae Allen, with the Baseball Players cast. 
 
Verdon and Fosse team up on the song, Who's Got the Pain (When They Do the Mambo)?.  Then there is Two Lost Souls both with gestures that would become signature Fosse moves.          
 
 
Damn Yankees - Two Lost Souls
photographer unknown
 
 
Fosse met Verdon in this show; they would go on to become a fantastic dance team known as the "Dynamic Duo of Broadway" and they even married.         


Damn Yankees -Who's Got the Pain 
photographer unknown

  
The songs are great! Heart is a bouncy, joyous and inspiring tune sung by baseball team members, Russ Brown, Jimmie Komack, Nathaniel Frey and Albert Linville.        
 
 
Russ Brown, Jimmie Komack, Nathaniel Frey and Albert Linville 
Damn Yankees - 1955
photographer unknown
 
 
Damn Yankees - entire cast 1955
photographer unknown
 
            
Damn Yankees won the Tony Award for Best Musical, both Douglass and Walston for Best Performance By a Leading Actor in a Musical, Verdon for Best Performance by a Leading Actress in a Musical and Fossie for Best Choreography; it won many other awards as well as.          


vinyl LP back cover
photo by Styrous®


Damn Yankees ran for 1,019 performances in the original Broadway production. Adler and Ross's success with it and The Pajama Game (link below) seemed to point to a bright future for them, but Ross suddenly died of chronic bronchiectasis at age 29, several months after Damn Yankees opened.   




vinyl LP, side 1
photo by Styrous®

 

   
Tracklist:

Side 1:

A1 - Shannon Bolin, Robert Shafer, Baseball Fans*, Baseball Widows* – 
               Overture: Six Months Out Of Every Year - 4:40
A2 - Robert Shafer, Stephen Douglass – Goodbye, Old Girl - 3:12
A3 - Russ Brown (3), Jimmie Komack*, Nathaniel Frey, Albert Linville – Heart - 4:34
A4 - Rae Allen, Baseball Players* – Shoeless Joe From Hannibal, Mo. - 3:40
A5 - Gwen Verdon – A Little Brains - A Little Talent - 3:35
A6 - Stephen Douglass, Shannon Bolin – A Man Doesn't Know - 3:07

Side 2:

B1 - Gwen Verdon – Whatever Lola Wants - 3:05
B2 - Jean Stapleton, Ronn Cummins, Jackie Scholle, Cherry Davis – Heart (Reprise) - 1:22
B3 - Gwen Verdon, Eddie Phillips (2) – Who's Got The Pain? - 2:50
B4 - Jimmie Komack*, Nathaniel Frey, Baseball Players* – The Game - 4:24
B5 - Stephen Douglass, Shannon Bolin – Near To You - 5:27
B6 - Ray Walston – Those Were The Good Old Days - 2:32
B7 - Gwen Verdon, Stephen Douglass – Two Lost Souls - 2:15
B8 - Shannon Bolin, Robert Shafer – A Man Doesn't Know (Reprise) - 1:22
B9 - The Entire Company* – Finale - 0:55

Companies, etc.

    Copyright © – RCA
    Pressed By – RCA Records Pressing Plant, Indianapolis

Credits:

    Arranged By [Dance Music Arrangements] – Roger Adams
    Choreography – Bob Fosse
    Directed By [Production Directed By] – George Abbott
    Leader [Musical Direction By], Written-By [Book by] – Hal Hastings*
    Lyrics By – Richard Adler
    Music By – Jerry Ross (2)
    Orchestrated By [Orchestrations By] – Don Walker (3)
    Other [Based On The Novel, "The Year The Yankees Lost The Pennant" By], Written-By [Book by] – Douglass Wallop
    Other [Lola] – Gwen Verdon
    Other [Starring] – Ray Walston, Stephen Douglass
    Other [with] – Eddie Phillips (2), Jimmie Komack*, Jean Stapleton, Nathaniel Frey, Rae Allen, Richard Bishop (3), Robert Shafer (6), Russ Brown (3), Shannon Bolin
    Photography By [Cover Photo] – Gene Cook
    Presenter – Frederick Brisson, Harold Prince, Robert E. Griffith
    Presenter [in association with] – Albert B. Taylor
    Set Designer [Scenery], Design [Costumes Designed By] – Jean Eckart, William Eckart (2)

Notes:

 
 
Barcode and Other Identifiers

    Matrix / Runout (Side A label): F2PP-3748
    Matrix / Runout (Side B label): F2PP-3748
    Matrix / Runout (Side A stamped [var. 1]): F2 PP3748-17S
    Matrix / Runout (Side B stamped [var. 1]): F2PP-3749-14S
    Matrix / Runout (Side A stamped [var. 2]): F2 PP3748-12S A2
    Matrix / Runout (Side B stamped [var. 2]): F2 PP 3749 6Ⓢ E1
    Pressing Plant ID (Both sides stamped; RCA Indy): I
 
Various – Damn Yankees - Original Cast Recording
Label: RCA Victor – LOC-1021
Format: Vinyl, Album, LP, Mono
Country: US
Released: 1955
Genre: Stage & Screen
Style: Musical
 
   
         
Viewfinder links:        
         
Stephen Douglass         
Bob Fosse        
Tab Hunter        
Gwen Verdon         
Ray Walston               
        
Net links:        
        
         
        
        
Plot        
        
        
YouTube links:        
        
Damn Yankees ~               
Cast ~ Shoeless Joe from Hannibal, Mo. (original cast)        
Shafer & Douglass ~ Goodbye Old Girl (original cast)   
Shafer & Douglass ~ Goodbye Old Girl (film version)        
Gwen Verdon ~ Whatever Lola Wants, Lola Gets (original cast)   
Gwen Verdon ~ Whatever Lola Wants, Lola Gets (film version)    
Verdon & Fosse ~ Who's Got the Pain? (film version)              
Verdon & Hunter ~ Two Lost Souls (film version)              
        
        
        
        
        
        
        
        
Styrous® ~ Wednesday, May 5, 2021       
       
















 

January 20, 2021

Joan Sutherland articles/mentions

  ~    
Donizetti ~ La fille du régiment     
Gounod ~ Faust
     
Mozart ~ Don Giovanni       
 
mentions:    
Leontyne Price ~ the ultimate Aida      
     
    
      
       
Joan Sutherland        
Date & photographer unknown    
 
  
      
  
  














October 29, 2015

101 Reel-to-Reel Tapes 112: Joan Sutherland sings excerpts from Gounod ~ Faust





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I started the Vinyl LP series because I have a collection of over 20,000 vinyl record albums I am selling; each blog entry is about an album from my collection. The 101 Reel-to-Reel Tapes series is an extension of that collection. Inquire for information here.   

~ ~ ~


Faust is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play, Faust et Marguerite, which was based on Johann Wolfgang von Goethe's Faust, Part 1. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on March 19, 1859.

The Devil has a great aria in Faust, Le veau d'or est toujours debout! (Song of the Golden Calf). The Soldier's Chorus is fun, happy and full of life; there is a video of the Kremlin Guard performing it and it is an interesting interpretation. It is slower, aggressive and threatening, almost scary.  

But neither the Devil's song nor the Chorus are my favorites in this opera. My favorites are, Alerte ! alerte!, the final scene, and the finale which follows. They are outstanding! The final scene has the singers dramatically, constantly, shifting  from one key to the next with intense emotion until you think they can't possibly get any more intense or go any higher. But they do and you go out of your mind with the beauty of the music! And if you're lucky enough to see a production that uses an organ in ADDITION to the orchestra, well . . . (links to music on YouTube below).      




Faust was rejected by the Paris Opera, on the grounds that it was not sufficiently "showy", and its appearance at the Théatre-Lyrique was delayed for a year because Adolphe d'Ennery's drama Faust was playing at the Porte St. Martin. When it was finally staged, in 1859, it was not well received. 

However, when it was revived in Paris in 1862, it was a hit. A ballet had to be inserted before the work could be played at the Opéra in 1869: it became the most frequently performed opera at that house and a staple of the international repertory, which it remained for decades, being translated into at least 25 languages.   

Its popularity and critical reputation have declined somewhat since around 1950. A full production, with its large chorus and elaborate sets and costumes, is an expensive undertaking, particularly if the act 5 ballet is included. However, it appears as number 35 on the Operabase list of the most-performed operas worldwide.   





photo by Styrous®



It was Faust with which the Metropolitan Opera in New York City opened for the first time on October 22, 1883. It is the eighth most frequently performed opera there, with 747 performances through the 2011-2012 season. It was not until the period between 1965 and 1977 that the full version was performed (and then with some minor cuts), and all performances in that production included the Walpurgisnacht and the ballet.                  




reel-to-reel tape box back detail
detail photo by Styrous®



Synposis

The action takes place in 16th Century Germany. during the German Renaissance. It is the story of of a man who sells his soul to the Devil in exchange for knowledge and power. Gounod’s opera does not attempt to match the thematic breadth or the philosophical sophistication of Goethe’s sprawling masterpiece, concentrating instead on Faust’s romantic encounter with Marguerite (Gretchen in Goethe’s drama) and the tragic results of their liaison (link to complete synopsis below).  

 


reel-to-reel tape box back detail
detail photo by Styrous®






reel-to-reel tape spine 
photo by Styrous®






reel-to-reel tape box open 
photo by Styrous®


photo by Styrous®

The copy of the libretto that came with the tape has yellowed with age with the form of the reel emblazoned on it which gives it a strange depth effect.    


photo by Styrous®






The miscreant tape reel

reel-to-reel tape label detail
detail photo by Styrous®




Joan Sutherland first sang the role of Marguerite on March 9, 1965, with the Connecticut Opera, a professional, non-profit, opera company based in Hartford, Connecticut, and a member of OPERA America. The company closed in February of 2009, after 67 seasons.  


Credits:  
      
    Baritone Vocals – Raymond Myers, Robert Massard     
    Bass Vocals – Nicolai Ghiaurov     
    Contralto Vocals – Monica Sinclair
    Mezzo-soprano Vocals – Margreta Elkins
    Soprano Vocals – Joan Sutherland
    Tenor Vocals – Franco Corelli
    Choir – The Choir Of Highgate School
    Chorus – The Ambrosian Opera Chorus
    Chorus Master – John McCarthy
    ConductorRichard Bonynge
    OrchestraThe London Symphony Orchestra
         

Label: London Records ‎– L 90172
Format: reel-to-reel tape
Country: USA
Released: 1970
Genre: Classical
Style: Opera        


libretto detail
detail photo by Styrous®
  



 

 

Links on the Net:           
           
Joan Sutherland ~ excerpts from Donizetti ~ La fille du régiment    
Joan Sutherland ~ excerpts from Mozart ~ Don Giovanni         
  
Faust ~ Synopsis                          
Faust ~ Roles                        
    





Links to music on YouTube:         
         
Joan Sutherland ~ Jewel Song
Joan Sutherland ~ Alerte ! alerte! & Finale     
         
Soldiers Chorus         
Kremlin Guard ~ Soldiers' Chorus          
Le veau d'or est toujours debout!          
final scene (Alerte! alerte!)              
Finale             
Complete Faust opera           



The Joan Sutherland ~ Faust, reel-to-reel tape is for sale on eBay      



Styrous® ~ Thursday, October 29, 2015