Cover Art – Anthony Martin
Cover, Design – William S. Harvey
photographer unknown
Buchla's synthesizers experimented in control interfaces, such as
touch-sensitive plates. In 1969 the Series 100 was briefly sold to
CBS Musical Instruments, who soon after dropped the line, not seeing the synthesizer market as a profitable area (
silly wabbits).
1970 saw the release of the
Buchla 200 series Electric Music Box, which was manufactured until 1985 (
link below to YouTube). Almost every parameter can be controlled from an external control voltage.
Buchla created the
Buchla Series 500, the first digitally controlled analog synthesizer, in 1971. It is possible there were only three ever in existence.
Shortly after, the
Buchla Series 300 was released, which combined the Series 200 with
microprocessors.
The Music Easel, a small, portable, all-in-one synthesizer was released
in 1972. The Buchla Music Easel, an instrument combining the 208 Stored
Program Sound Source and 218 Touch Activated Voltage Source in an
aluminum case with power supply.

In 2015, various websites, including FACT,
reported that Don Buchla had taken the owners of BEMI to court, citing
health problems due in part to unpaid consulting fees and asserting a
claim to his original intellectual property.
In 2016, BEMI and Don Buchla settled all issues prior to any Court or Arbitration proceedings.
Don Buchla died on September 14, 2016; he was 79. His influence and contribution to the field of music has
been profound and completely underrated. The entire genre of electronic
music owes Buchla a great debt, but it goes even deeper and wider
than that. The technological advancements made by Buchla &
Associates is unparalleled in so many ways, and no
one did it with as much style and grace as Buchla.
Subotnick preforms the Buchla syntheziser on the
Silver Apples of the Moon. The work is in two parts: the first is slow, sparse and spacey for over a quarter of an hour. What it really means to "trip out".
The second
half slowly develops a
pulse then eventually "rocks" out and develops into an almost
disco/
jazz piece (
disco was ten years in the future). I remember being on another planet far out in the universe and hearing the work for the first time. Oh, my goodness!
The album's trippy title is perhaps a little less trippy than it appears: Subotnick took it from
Yeats's poem The Song of Wandering Aengus:
"The silver apples of the moon, the golden apples of the sun."
Subotnick said, "It doesn't really mean anything. I just liked the sound
of it."
Morton Subotnick – Silver Apples of the Moon
Tracklist:
A Silver Apples Of The Moon (Part One) 16:30
B Silver Apples Of The Moon (Part Two) 15:00
Companies, etc.
Copyright (c) – Nonesuch
Credits:
Composed & produced by
Morton Subotnick, Synthesizer [Buchla]
Coordinator –
Teresa Sterne
Cover [Cover Art] –
Anthony Martin*
Cover, Design –
William S. Harvey
Notes:
© 1967 Nonesuch Records
Barcode and Other Identifiers
Matrix / Runout: H-71174 A
Matrix / Runout: H-71174 B
Label:
Nonesuch – H-71174
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1967
Genre: Electronic
Style: Modern Classical, Experimental
Net links:
Morton Subotnick website
NY Times Buchla obit
KQED Buchla obit
The Guardian Buchla obit
NPR Music ~ Buchla
Buchla Electronic Musical Instruments
Links to YouTube:
Buchla 200 Modular Synth
Morton Subotnick: Silver apples of the Moon
Morton Subotnick: Silver apples of the Moon (complete album)
Styrous® ~ Monday, September 19, 2016