November 21, 2019

Tom White ~ Escaparates mios

~ 
Tom White (link below) has opened his solo exhibition, Escaparates mios (My Windows), at the RollUp Project near Jack London Square in Oakland.        

The exhibition is in the windows of the Project and resemble the display windows of a department store, thus the title of the show.   

Part of the installation is on Harrison Street and is a representation of his work studio in the Jingletown section of Oakland adjacent to the Oakland Estuary.       
      
  
Tom White ~ Escaparates mios 
The RollUp Project 
Harrison Street
Oakland CA 
photo by Styrous®
         

The second part of the installation is on the Third Street side of the building. This window features monotypes on nautical maps and  watercolor drawings referencing Tom’s Life in Jingletown and its situation in the larger geographic of the World.        
    

Tom White ~ Escaparates mios 
The RollUp Project 
3rd Street
Oakland CA 
photo by Styrous®

 
The exhibition is located at the intersection of Third Street and Harrison Street in Oakland and will run until December 18, 2019.         
   

 
    

Viewfinder link:      
 
Tom White       
 
Net links:
           
Butohdrawing Blog           
RollUp Project            
   
             
  
   
Styrous® ~ Thursday, November 21, 2019     
         





















November 17, 2019

20,000 vinyl LPs 196: John Lennon & Yoko Ono ‎~ Double Fantasy

~
John Lennon & Yoko Ono ‎~ Double Fantasy
vinyl LP front cover
cover photo by Kishin Shinoyama
photo of album cover by Styrous®


Double Fantasy is the fifth album by John Lennon and Yoko Ono, released on November 17, 1980. It is also the seventh and final studio album released by Lennon during his lifetime.    




















































  
Tracklist:

Side 1:

A1 - (Just Like) Starting Over, Written By John Lennon - 3:55
A2 - Kiss Kiss Kiss, Written By Yoko Ono - 2:41
A3 - Cleanup Time, Written By John Lennon - 2:57
A4 - Give Me Something, Written By Yoko Ono - 1:34
A5 - I’m Losing You, Written By John Lennon - 3:58
A6 - I’m Moving On, Written By Yoko Ono - 2:19
A7 - Beautiful Boy (Darling Boy), Written By John Lennon - 4:01

Side 2:

B1 - Watching The Wheels, Written By John Lennon - 3:59
B2 - I’m Your Angel, Written By Yoko Ono - 3:08
B3 - Woman, Written By John Lennon - 3:32
B4 - Beautiful Boys, Written By Yoko Ono - 2:54
B5 - Dear Yoko, Written By John Lennon - 2:33
B6 - Every Man Has A Woman Who Loves Him, Written By Yoko Ono - 4:02
B7 - Hard Times Are Over, Written By Yoko Ono - 3:20

Companies, etc.

    Manufactured By – Warner Bros. Records Inc.
    Phonographic Copyright (p) – The David Geffen Company
    Copyright (c) – The David Geffen Company
    Pressed By – Allied Record Company
    Published By – Lenono Music
    Mastered At – Sheffield Lab Matrix – ∆530
    Mastered At – Sterling Sound

Credits:

    Backing Vocals – Benny Cummings Singers, Cassandra Wooten, Cheryl Mason Jacks, Eric Troyer, Kings Temple Choir, Michelle Simpson
    Bass – Tony Levin
    Concertina – Randy Stein
    Drums – Andy Newmark
    Dulcimer – Matthew Cunningham (tracks: B1)
    Engineer – Lee DeCarlo
    Guitar – Earl Slick, Hugh McCracken, John Lennon
    Horn – David Tofani*, George "Young" Opalisky*, Grant Hungerford, Howard Johnson (3), John Parran*, Roger Rosenberg, Ronald Tooley*, Seldon Powell
    Keyboards – George Small
    Lead Vocals [Uncredited] – John Lennon (tracks: A1, A3, A5, A7, B1, B3, B5), Yoko Ono (tracks: A2, A4, A6, B2, B4, B6-B7)
    Percussion – Arthur Jenkins, Jr.*, Robert Greenidge (tracks: B4)
    Producer – Jack Douglas, John Lennon, Yoko Ono
    Synthesizer – Ed Walsh

Notes:

This is the first US pressing, which has the incorrect track order on the back cover (correct order is on the labels).
Small pressing ring.

Issued with lyric inner sleeve.
Barcode and Other Identifiers

    Matrix / Runout (Side A Etched): GHS-1-2001-SH1 RT +[Dots in all four quadrants] +[Dot in top-left] +[No dots] ∆530 B-15413 +[Dot in top-left]
    Matrix / Runout (Side A Stamped): STERLING SLM
    Matrix / Runout (Side B Etched): GHS-2-2001-RE1-SH7 +[Dot in top-left] SLM +++[Dots in all four quadrants in all three] +[Dot in top-left] ∆530X MN
    Matrix / Runout (Side B Stamped): STERLING
    Rights Society: BMI

John Lennon & Yoko Ono ‎– Double Fantasy
Label: Geffen Records ‎– GHS 2001
Format: Vinyl, LP, Album, Allied Pressing
Country: US
Released: 17 Nov 1980
Genre: Rock
Style: Pop Rock
        
        
  
Viewfinder links:             
      
John Lennon    
Yoko Ono        
all things Beatles    
      
Net links:             
      
Rolling Stone ~ 100 Best Albums of the Eighties        
Ultimate Classic Rock ~ Revisiting Double Fantasy      
udiscovermusic ~ John Lennon’s Tragic Rebirth On Double Fantasy   
        
YouTube links:             
      
(Just Like) Starting Over  
Kiss Kiss Kiss        
Cleanup Time   
Give Me Something      
I’m Losing You       
I’m Moving On  
Beautiful Boy (Darling Boy)        
Watching The Wheels        
I’m Your Angel         
Woman      
Beautiful Boys       
Every Man Has A Woman Who Loves Him    
Hard Times Are Over        
  
     
      
Styrous® ~ Sunday, November 17, 2019            





         
















Yoko Ono articles/mentions

~    
Double Fantasy      
Wedding Album      
     
     
mentions:       
all things Beatles      
John Lennon ~ 35 years ago today      
     
     
     
Yoko Ono       
photo by Craig Mcdean       
     
     
     
     
     
     










John Lennon articles/mentions

~     
35 years ago today     
Double Fantasy
John & Yoko ~ Wedding album   

 mentions:   
all things Beatles    
  
 
     
      
  
John Lennon - Hamburg - 1961














Madonna articles/mentions

~   
     
       
         
mentions:       
Beastie Boys ~ License to Ill    
The Latin Rascals ~ Macho Mozart  
     

 

     
       


Madonna, Rebel Heart Tour
Stockholm - 2015        
photographer unknown    
  
   
     



















November 15, 2019

20,000 vinyl LPs 195: Beastie Boys ~ License to Be Ill

~    
vinyl LP front cover
Cover Art by World B. Omés 
photo of album cover by Styrous®


On November 15, 1986, the Beastie Boys released their first album, License to Ill, and as they say, the rest is history. It became the first rap LP to top the Billboard album chart. It is one of Columbia Records' fastest-selling debut records to date and was certified Diamond by the Recording Industry Association of America in 2015 for shipping over ten million copies in the United States.      

I wasn't, and still am not, into rap but the song, Fight For Your Right inflamed my hard rock appetite and I LOVED it! There is a surreal video on YouTube, Fight For Your Right (Revisited), that is an epic of inane insanity running at 30 minutes. With it's beer drinking orgy, golden shower innuendo and police brutality, it verges on disgusting but it's fun to watch (link below).      

When I saw the album cover I had to have it. it is a gatefold format and the full album cover, front to back, features the Beastie Boys' private jet crashing head-on into the side of a mountain, appearing as an extinguished joint.     
   

vinyl LP gatefold cover
Cover Art by World B. Omés
photo of gatefold cover  by Styrous®
 

The idea for the album's cover came from the album's producer, Rick Rubin, after reading the Led Zeppelin biography, Hammer of the Gods. The artwork was created by Stephen Byram and World B. Omes.       


Rick Rubin (w/boombox) w/the Beastie Boys - 1985 
photographer unknown


The album cover was featured in the Storm Thorgerson and Aubrey Powell book, 100 Best Album Covers. The cover design has since been appropriated by fellow rapper, Eminem, for the cover of his 2018 album, Kamikaze.  

An interesting fact: if the album cover is held up to a mirror, the plane’s tail number, 3MTA3, reads ‘Eat Me.         


vinyl LP front cover (reversed)
Cover Art by World B. Omés
photo of album cover by Styrous®


vinyl LP gatefold interior
photo by Sunny Bak
photo of gatefold interior  by Styrous®


When they started out, they were just a bunch of Jewish kids trying to make each other laugh with nonsensical dorm-room-raps.           
     
Fight For Your Right, written by Adam Yauch and band friend Tom "Tommy Triphammer" Cushman (who appears in the video), was intended as an ironic parody of "party" and "attitude"-themed songs, such as Smokin' in the Boys Room and I Wanna Rock. However, the irony was lost on most listeners. Mike D commented that, "The only thing that upsets me is that we might have reinforced certain values of some people in our audience when our own values were actually totally different. There were tons of guys singing along to 'Fight for Your Right' who were oblivious to the fact it was a total goof on them."           

 
 Beastie Boys ~ 1987
photographer unknown


The group originally wanted to title the album Don't Be a Faggot, but Columbia Records refused to release the album under this title—arguing that it was homophobic—and pressured Russell Simmons, the Beastie Boys' manager and head of Def Jam Recordings at the time, into forcing them to choose another name. Adam Horovitz has since apologized for the album's earlier title.       
     
In 1998, the album was selected as one of The Source's 100 Best Rap Albums. It is the only album by a Jewish hip-hop act to receive 5 mics from The Source. In 2003, the album was ranked number 217 on Rolling Stone magazine's list of the 500 greatest albums of all time and 219 in a 2012 revised list. In 2013 the magazine named it the best debut album of all time. Vibe included it in Vibe's 100 Essential Albums of the 20th Century. Q gave the album four out of five stars, saying "Licensed to Ill remains the world's only punk rock rap album, arguably superior to Never Mind the Bollocks ... knowing that apathy and slovenliness were just around the corner." Melody Maker gave the album a positive review, saying "There's lots of self-reverential bragging, more tenuous rhymes than are usually permitted by law and, most importantly of all, an unshakably glorious celebration of being alive ... A surprisingly enduring classic." In 2002, Pitchfork ranked the album at #41 in its list of the "Top 100 Albums of the 1980s", despite their prior unflattering review of the album. In the 2018 edition of the "Top 200 Albums of the 1980s", the album placed #103.     


vinyl LP, side 1
photo by Styrous® 


A year before the album was released, the Beastie Boys toured with Madonna, it didn’t work. Her fans were bewildered by the pairing, and the trio spent most of the tour being heckled and booed off stage. Not that they cared, especially Ad-Rock who made out with Madonna in a backstage bathroom (link below).          
           

vinyl LP label, side 1
photo by Styrous®



vinyl LP label, side 2
photo by Styrous®
 
Tracklist:
Side 1:

A1 - Rhymin & Stealin - 4:08
A2 - The New Style - 4:36
A3 - She's Crafty - 3:36
A4 - Posse In Effect - 2:27
A5 - Slow Ride, Horns, Percussion – Danny*, Keene*, Tony* - 2:56
A6 - Girls - 2:14
A7 - Fight For Your Right - 3:28

Side 2:

B1 - No Sleep Till Brooklyn, Lead Guitar – Kerry King - 4:07
B2 - Paul Revere - 3:42
B3 - Hold It Now, Hit It - 3:29
B4 - Brass Monkey - 2:38
B5 - Slow And Low - 3:37
B6 - Time To Get Ill - 3:37

Companies, etc.

    Distributed By – CBS Records
    Distributed By – CBS Disques S.A.
    Phonographic Copyright (p) – CBS Inc.
    Copyright (c) – CBS Inc.
    Made By – Shorewood Packaging Co. Ltd.
    Pressed By – CBS Pressing Plant, Aston Clinton
    Published By – Def Jam Music
    Published By – Brooklyn Dust Music

Credits:

    Art Direction – Stephen Byram
    Artwork [Cover Art] – World B. Omés
    Co-producer – Beastie Boys
    Engineer [Head] – Steve Ett
    Mastered By – Howie Weinberg
    Photography By [Gatefold] – Sunny Bak
    Photography By [Sleeve] – Ricky Powell (2)
    Producer – Rick Rubin
    Written-By – A. Horovitz* (tracks: B2), Beastie Boys (tracks: A1 to B1, B3, B4, B6), D. McDaniels* (tracks: B2, B5), J. Simmons* (tracks: B2, B5), Rick Rubin

Notes:

Copies may include a poster.

Issued with printed inner sleeve.

The labels are slightly different from this similar version, specifically:
• Artist name and album title are listed on the same line:
Beastie Boys - Licensed To Ill [on both sides]
• Below the track list includes the text:
(1-7) Def Jam Music/Brooklyn Dust Music [on side A]
(1-6) Def Jam Music/Brooklyn Dust Music [on side B]

'This album is dedicated to Doris Keefe Horovitz'

Made In England.
Barcode and Other Identifiers

    Barcode: 5 099745 006212
    Matrix / Runout (Runout side A, etched): DEF 450062-1 A1 1 ü <
    Matrix / Runout (Runout side B, etched): DEF 450062-1 B1 5 B
    Label Code: LC 8427
    Rights Society: MCPS
    Rights Society: BIEM
    Distribution Code: CB 281
    Price Code: 58

Beastie Boys ‎– Licensed To Ill
Label: Def Jam Recordings ‎– 450062 1, CBS ‎– 450062 1
Format: Vinyl, LP, Album, Gatefold
Country: UK & Europe
Released: 1986
Genre: Hip Hop, Rock
      
The album was certified Platinum by the Recording Industry Association of America (RIAA) on February 2, 1987 and eventually was certified Diamond on March 4, 2015. The single Brass Monkey was certified Gold for shipment of 500,000+ sales. In 2012, in the week following the death of Adam Yauch, which subsequently resulted in a surge in sales of Beastie Boys albums, Licensed to Ill reached number 1 on the Billboard Catalog Albums chart. The album also re-entered the Billboard 200 chart at number 18.          

In 2012, the Beastie Boys were inducted into the Rock and Roll Hall of Fame.         


       
      
Viewfinder links:      
            
Led Zeppelin      
     
Net links:      

Beastie Boys blog  
AV Club ~ 30 years later, how does Licensed To Ill hold up?
Cue Point ~ Licensed to Ill: A Complicated Legacy     
Hip Hop DX ~ Beastie Boys' License To Ill Impact       
MoshCam ~ 8 Things You Didn’t Know About Licensed To Ill 
NY Daily News ~ Licensed to Ill, first rap album to reach No. 1   
Pitchfork ~ License to Ill review      
Punk News ~ Licensed to Ill review      
Rolling Stone ~ License to Ill review      
Sputnik Music ~ License to Ill review             
         
YouTube links:       
     
Rhymin & Stealin      
The New Style     
She's Crafty         
Posse In Effect            
Slow Ride           
Girls (Album Version)              
(You Gotta ) Fight For Your Right (To Party)       
No Sleep Till Brooklyn 
Paul Revere
Hold It Now, Hit It                
The Beastie Boys ~  
          Fight For Your Right (Revisited) Full Length (30 min.)   
          The Story Behind LIcense to Ill      
The History of the Beastie Boys     
   
     
Styrous® ~ Friday, November 15, 2019            




        








November 14, 2019

Aaron Copland ~ Fanfare for the Common Man

~
Today, November 14, is the birthday of American composer Aaron Copland who was born in Brooklyn, New York, in 1900.       
 
Copland has written so much dynamic and exciting music for orchestra and ballet that I love dearly so it was hard for me to decide which to feature, then it occurred to me his Fanfare for the Common Man has been a favorite of mine from the first moment I heard it.     
     

        
Aaron Copland - 1962      
photo by Erich Auerbach       

The work is stark, regal, intensely dramatic yet terse with brass (4 horns, 3 trumpets, 3 trombones, tuba, timpani, and tam-tam) being the main instrumentation, and bass drum added for good measure. It is emotionally rousing and imbues grandeur, dignity and power to the "Human Spirit". No other musical work has achieved this (links below or click HERE to listen to it while reading the rest of this article).     

Fanfare for the Common Man was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens.          


date & photographer unknown


Fanfare was inspired in part by a speech made earlier that year during WWII by United States Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the "Century of the Common Man".     

Goossens asked Copland to compose a fanfare for the 1942–43 concert season. A total of 18 fanfares were written by American composers at Goossens' behest, but Copland's is the only one which remains in the standard repertoire.            

Goossens had suggested titles such as Fanfare for Soldiers, or sailors or airmen, and he wrote that "[i]t is my idea to make these fanfares stirring and significant contributions to the war effort....". Copland considered several titles including Fanfare for a Solemn Ceremony and Fanfare for Four Freedoms; to Goossens' surprise, however, Copland titled the piece Fanfare for the Common Man. Goossens wrote, "Its title is as original as its music, and I think it is so telling that it deserves a special occasion for its performance. If it is agreeable to you, we will premiere it 12 March 1943 at income tax time". Copland's reply was "I [am] all for honoring the common man at income tax time."              

Copland later used the fanfare as the main theme of the fourth movement of his Third Symphony (composed between 1944 and 1946).          

The theme was used for the television program You Are There as well as many other television presentations. It has also been performed in the pop venue, the most famous version by Emerson, Lake and Palmer.        


Emerson, Lake and Palmer - ca early 1970's 
photographer unknown


There is an excellent video on YouTube of the group performing with the Neue Philharmonie Frankfurt (link below) as well as their performance in the early seventies; also, a great flash mob.    
     
                   
New York crowd celebrates VE Day at the end of WWII 
photo:  A. E. French/Getty Images
   
       
Viewfinder link:          
      
Aaron Copland      

Net links:          
        
Catalyst ~ Legacy of Emerson, Lake & Palmer        
NPR ~ On Fanfare For The Common Man      
     
        

YouTube links:      
            
Fanfare For The Common Man ~         
Andrew Davis            
Emerson, Lake & Palmer          
Emerson, Lake & Palmer with Neue Philharmonie Frankfurt  
U.S. Marine Band     
     
     
   
Styrous® ~ Thursday, November 14, 2019