Showing posts with label Janet Leigh. Show all posts
Showing posts with label Janet Leigh. Show all posts

April 2, 2019

Jack Webb ~ More than a Friday

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Today is the birthday of John Randolph Webb aka Jack Webb or Sgt. Joe Friday, who created the phenomenal television series, Dragnet and founder of his own production company, Mark VII Limited. However, his talents ran deeper than the Dragnet character.     

He was born in Santa Monica, California, on April 2, 1920, and grew up in the Bunker Hill section of Los Angeles. He was raised a Roman Catholic by his mother, who was of Irish and Native American descent, and served as an altar boy. Webb attended St. John's University, Minnesota, where he studied art.


date & photographer unknown 


Webb moved to San Francisco, where a wartime shortage of announcers led to a temporary appointment to his own radio show on ABC's KGO Radio. The Jack Webb Show was a half-hour comedy that had a limited run on ABC radio in 1946. Prior to that, he had a one-man program, One Out of Seven, on KGO in which he dramatized a news story from the previous week.


Jack Webb - 1946 
photographer unknown

By 1949, he had abandoned comedy for drama, and starred in Pat Novak for Hire, a radio show originating from KFRC about a man who worked as an unlicensed private detective. The program co-starred Raymond Burr. Pat Novak was notable for writing that imitated the hard-boiled style of such writers as Raymond Chandler, with lines such as: "She drifted into the room like 98 pounds of warm smoke. Her voice was hot and sticky--like a furnace full of marshmallows."


Jack Webb - 1950
photographer unknown


His radio shows included Johnny Madero, Pier 23, Jeff Regan, Investigator, Murder and Mr. Malone, Pete Kelly's Blues and One Out of Seven. Webb provided all of the voices on One Out of Seven.  


Jack Webb - 1950
photographer unknown


In 1951, Webb introduced a short-lived radio series, Pete Kelly's Blues, in an attempt to bring the music he loved to a broader audience. That show became the basis for a 1955 movie of the same name. The film featured major stars such as Janet Leigh, Edmond O'Brien, Peggy Lee, Lee Marvin, Martin Milner, and Jayne Mansfield. Ella Fitzgerald makes a cameo as singer Maggie Jackson.



 photographer unknown



In 1959, a television version was made. Neither was very successful. Pete Kelly was a cornet player who supplemented his income from playing in a nightclub band by working as a private investigator.


Jack Webb & Ray Anthony on trumpets 
photographer unknown


Webb's most famous motion-picture role was as the combat-hardened Marine Corps drill instructor at Parris Island in the 1957 film The D.I., with Don Dubbins as a callow Marine private. Webb's hard-nosed approach to this role, that of Drill Instructor Technical Sergeant James Moore, would be reflected in much of his later acting. But The D.I. was a box-office failure.


Jack Webb - 1957 






Jack Webb - 1957 


     
Webb was approached to play the role of Vernon Wormer, Dean of Faber College, in National Lampoon's Animal House, but he turned it down, saying "the movie didn't make any damn sense".


photographer unknown 

       
Webb had a featured role as a crime-lab technician in the 1948 film He Walked by Night, based on the real-life murder of a California Highway Patrolman by Erwin Walker. The film was produced in semidocumentary style with technical assistance provided by Detective Sergeant Marty Wynn of the Los Angeles Police Department (LAPD). The film's thinly veiled fictionalized recounting of the 1946 Walker crime spree gave Webb the idea for Dragnet: a recurring series based on real cases from LAPD police files, featuring authentic depictions of the modern police detective, including methods, mannerisms, and technical language.  


Jack Webb - Los Angeles, 1952 
photo by John Vachon

       
Dragnet premiered on NBC Radio in 1949 and ran till 1957. It was also picked up as a television series by NBC, which aired episodes each season from 1952 to 1959. Webb played Sgt. Joe Friday and Barton Yarborough co-starred as Sgt. Ben Romero. After Yarborough's death, Ben Alexander joined the cast. In his vision of Dragnet, Webb said he intended to perform a service for the police by showing them as low-key working-class heroes.    

In 1951 the television series, Dragnet, based on the radio series, made its debut. The ominous, four-note introduction to the brass and tympani theme music (titled Danger Ahead), composed by Walter Schumann, is instantly recognizable. It is derived from the Miklós Rózsa score for the 1946 film The Killers.     

On  July 31, 1955, the film, Pete Kelly's Blues, was released. It was directed by and starred Jack Webb in the title role of a bandleader and musician. It featured Janet Leigh, Edmond O'Brien and Peggy Lee, with Ella Fitzgerald, Lee Marvin, Martin Milner, and Jayne Mansfield in cameo roles.    


John Glen & Jack Webb -1962 
photographer unknown 
           
In 1963, Webb teamed with actor Jeffrey Hunter to form Apollo Productions. They produced a failed television series, Temple Houston, with Hunter in the title role. In the summer of 1963, Webb pushed Temple Houston to production. The series was loosely based on the life of the frontier lawyer Temple Lea Houston, the youngest son of the legendary Texan Sam Houston.       


Time magazine - March 1, 1954  
illustration by Boris Chaliapin
       

Webb's personal life was defined by his love of jazz. He had a collection of more than 6,000 jazz recordings. His lifelong interest in the cornet allowed him to move easily in the jazz culture, where he met singer and actress Julie London. They married in 1947 and had daughters Stacy (1950–1996) and Lisa, born 1952. They divorced in 1954.


photographer unknown


He was married three more times after that, to actress Dorothy Towne for two years beginning in 1955 . . . 


Jack Webb & Dorothy Towne - 1955
photographer unknown


. . . to former Miss USA Jackie Loughery for six years beginning in 1958,



and to his longtime associate, Opal Wright, for the last two years of his life.     

Webb died on December 23, 1982, of an apparent heart attack at age 62. He is interred at Sheltering Hills Plot 1999, Forest Lawn, Hollywood Hills Cemetery in Los Angeles, and was given a funeral with full Los Angeles police honors. On Webb's death, Chief Daryl Gates announced that badge number 714, which was used by Joe Friday in Dragnet, would be retired. Los Angeles Mayor Tom Bradley ordered all flags lowered to half staff in Webb's honor for a day, and Webb was buried with a replica LAPD badge bearing the rank of sergeant and the number 714.


Dragnet logo 


Jack Webb has two stars on the Hollywood Walk of Fame, one for radio (at 7040 Hollywood Boulevard) and the other for television (at 6728 Hollywood Boulevard).


6728 Hollywood Boulevard, Los Angeles


Jack Webb was posthumously inducted into the Television Hall of Fame in 1993 (link to video of the induction ceremony below).               
        
      

Viewfinder links:           
    
Ray Anthony         
Raymond Burr         
Ella Fitzgerald           
Janet Leigh      
Julie London      
Jayne Mansfield      
Jack Webb           
           
Net links:           
           
Jack Webb Films           
Jack Webb on Television  
        
Video link:           
           
Jack Webb Television Hall of Fame induction ceremony      
       
       
       
     
            
           
            
Styrous® ~ Wednesday, April 2, 2019            
            
       

Just the facts, Jack!
















January 9, 2018

20,000 Vinyl LPs 123: Edward Hopper ~ The House by the Railroad in film

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The House by the Railroad - 1925 
by Edward Hopper      
            



Art has always had a major influence on film; possibly the most famous example has been The House by the Railroad, by Edward Hopper. It is a fanciful portrait of the Second Empire Victorian home at 18 Conger Avenue in Haverstraw, New York.

The House by the Railroad has been cited as being an influence on the home in the Terrence Malick 1978 film Days of Heaven. It featured Richard Gere, Brooke Adams, Sam Shepard and Linda Manz. The photograpy is stunning and the film won an Academy Award for Best Cinematography.  

The score for Days of Heaven was written by Ennio Morricone who received his first Academy Award nomination in his soundtrack composing career for his work on this film. It astounds me that this is his first nomination (think Spaghetti Western or Dollars Trilogy) and that he has never received an award, period (link below).          



   
In 1910, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. It has been translated in many languages.       







Days of Heaven poster


Days of Heaven has been translated into french and spanish . . .        



Days of Heaven french & spanish posters 





The look of the Bates house in the Alfred Hitchcock film Psycho was inspired by The House by the Railroad. The film starred Anthony Perkins and Janet Leigh. There are two excellent analyses of the film and the film score, Understanding Psycho and How Music Tells The Story, on YouTube (links below).    


Alfred Hitchcock & the Bates house set 
photographer unknown

Psycho has been translated into almost every language on Earth and there is a soundtrack recording of the film (link below).     












Psycho original movie poster


The House by the Railroad is now at the Museum of Modern Art (MoMA) in Midtown Manhattan in New York City, on 53rd Street between Fifth and Sixth Avenues.         
         
        
         
  
Viewfinder links:       
             
Janet Leigh articles/mentions         
             
      
Net links:       
            
New York History ~ The House That Inspired Hitchcock    
Alfred Hitchcock Geek ~ Hitchcock's Most Hopperesque Film: "Psycho"    
      
YouTube links:       
             
           Happiness ~ Days of Heaven soundtrack         
           Harvest ~ Days of Heaven soundtrack                  
Understanding Psycho: The Uncanny (12 min, 17 sec.)         
Psycho - How Music Tells The Story (7 min, 6 sec.)              
           
          
      
         


















September 9, 2017

Tony Curtis articles/mentions

 ~   
 
 
 
mentions:
Sammy Davis Jr. – Six Bridges To Cross   
Live & Let Die & Roger Moore               
Chuy Reyes ~ Rumba de Cuba       
Some Like It Hot              
      
      
      
 Tony Curtis ~ 1958
 publicity photo
      
     
      











Janet Leigh articles/mentions

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mentions:       
Bernard Herrmann ~ Psycho       
Edward Hopper ~ The House by the Railroad   
Chuy Reyes ~ Rumba de Cuba    


    
 
  
   
  
       
Janet Leigh      
date & photographer unknown       
  
   











June 29, 2017

20,000 Vinyl LPs 94: Bernard Herrmann ~ Psycho

Psycho vinyl LP record
front cover detail
detail photo by Styrous®


Today, June 29th, is the birthday of Bernard Herrmann, an American composer best known for his work in composing scores for motion pictures. And he is one of the greats! The list of films he has scored contains one exceptional film after the other (link below). To me, his score for Psycho is tied with that of The Day the Earth Stood Still. As a Sci-Fi nerd, I tend more to Day but I can't decide which one is the greatest. I decided to leave Day for another blog.     

There can be no argument that Psycho is one of the great psychological horror films of all time. Directed by Alfred Hitchcock, the tension and suspense generated by camera work, lighting and innuendo are brilliant. The score by Bernard Herrmann utilized only a string orchestra, unusual at the time; it completed the final project and insured it got there. Herrmann & Hitchcock teamed on other films to achieve terrific results but for me, this film is at the top!    


Psycho vinyl LP record
front cover detail
detail photo by Styrous®
  



Psycho vinyl LP record
front cover
cover design ~ Philip Warr
photo by Styrous®


The shower scene has to be one of the most shrewdly filmed sequences in movie history. The screeching violins are like finger nails on a black board that make the hair on the back of your neck and arms stand on end. Hitchcock originally intended to have no music for the sequence but Herrmann insisted he try his composition. Afterward, Hitchcock agreed it vastly intensified the scene, and nearly doubled Herrmann's salary.       

Any one who has ever seen the film and this scene in particular will never forget it. And the remarkable thing about it is, it's all innuendo; nothing graphic is depicted. The quick cuts and music say it all (link below). I think if Hitchcock had shown the real thing (well, it is a film) it would not have had as much impact.     

Psycho vinyl LP record
back cover 
photo by Styrous®




But that is not the only scene that is adroitly scored. Marion's (Janet Leigh) drive from the city to the final destination, the Bates Motel, is a sterling model of tension building. As her car plows through the pummeling rain at night, the events leading up to the drive are played through her mind and backed up by staccato strings overlaid by swirling ones. It is a study in churning waves of confusion! Brilliant! (link below)   

Psycho vinyl LP record
back cover detail
detail photo by Styrous®



The opening of the film (I know I'm going in reverse) doesn't give you a chance to prepare for what you are about to see. The orchestra immediately bursts into the theater auditorium with a determined, jagged-paced orchestra overlaid by sweeping strings and wipes of credit graphics accentuating them (link below). 



Psycho movie poster





The trailer for the film is actually hilarious; Hitchcock plays it for laughs and makes it look like it might be a comedy. The music by Herrmann is dorky and silly which reinforces the effect. Nothing could be further from the truth. It is six and a half minutes long and worth taking the time to watch every minute of it (link below). 



 Theatre poster providing notification 
of "no late admission" policy

The poster reads:  
The manager of this theatre has been instructed at the risk of his life, not to admit to the theatre any persons after the picture starts.

Any spurious attempts to enter by side doors, fire escapes or ventilating shafts will be met by force.
The entire objective of this extraordinary policy, of course, is to help you enjoy PSYCHO more.



Until I started researching for this blog, I didn't realize that the film is based on real-life events. It was based on the book of the same name, written by Robert Bloch, which, in turn, was loosely based on the true story of serial killer Ed Gein. Gein was known as The Butcher of Plainfield, an American murderer and body snatcher. His crimes, committed around his hometown of Plainfield, Wisconsin, gathered widespread notoriety after authorities discovered that Gein had exhumed corpses from local graveyards and fashioned trophies and keepsakes from their bones and skin. His story also inspired The Texas Chain Saw Massacre in 1974 and The Silence of the Lamb in 1991.     

 Ed Gein, circa 1958
police crime photo




The Bates Motel is based on a painting, House by the Railroad (1925), by Edward Hopper. House depicts an isolated Victorian wood mansion, partly obscured by the raised embankment of a railroad. Lloyd Goodrich praised the work as "one of the most poignant and desolating pieces of realism."  There is other art work that inspired the film with more info on Alfred Hitchcock Geeks (link below).
   
Edward Hopper  ~ House by the Railroad  1925



Anthony Perkins was uncanny and properly creepy as Norman Bates, the owner of the Bates Motel. It was the best role of his life. The success of Psycho jump-started his career, but he suffered from typecasting. However, when Perkins was asked whether he would have still taken the role knowing that he would be typecast afterwards, he replied with a definite "yes".     



Perkins made his film debut in The Actress (1953). He received the Golden Globe Award for New Star of the Year – Actor and an Academy Award nomination for his second film, Friendly Persuasion (1956). Perkins portrayed the Boston Red Sox baseball player Jimmy Piersall in the 1957 biopic Fear Strikes Out. Perkins reprised the role of Norman Bates in three sequels to Psycho.    

He performed in the Frank Loesser musical Greenwillow (1960), for which he was nominated for a Tony Award for Best Actor in a Musical,       

Perkins released three pop music albums in 1957 and 1958 on Epic and RCA Victor as "Tony Perkins". His single Moon-Light Swim was a hit in the United States, peaking at number 24 on the Billboard Hot 100 in 1957. He showcased his musical talents in The Matchmaker (1958) with Shirley Booth and Shirley MacLaine.        


 shower scene
movie still


Janet Leigh was perfectly cast as Marion Crane, the heroine (briefly) of Psycho, as was John Gavin, her amazingly handsome boyfriend, Sam Loomis.   

        
Until her death, Leigh continued to receive strange and sometimes threatening calls, letters, and even tapes detailing what they would like to do to Marion Crane. One letter was so "grotesque" that she passed it along to the FBI, two of whose agents visited Leigh and told her the culprits had been located and that she should notify the FBI if she received any more letters of that type.     




Psycho vinyl LP record
back cover detail
detail photo by Styrous®

Psycho, independently produced and financed by Hitchcock, was filmed at Revue Studios, the same location as his television show, Alfred Hitchcock Presents. It had a budget of $807,000. Nearly the whole film was shot with 50 mm lenses on 35 mm cameras. This trick closely mimicked normal human vision, which helped to further involve the audience. There are videos about and of how Psycho was made on YouTube (links below).   


Psycho vinyl LP record
back cover detail
detail photo by Styrous®


 
Before his collaboration with Alfred Hitchcock, Herrmann had written several scores for radio and film. His music was also heard on dozens of television programs, including The Twilight Zone. He died in 1975, just after completing the score to Taxi Driver. His most enduring and best-known work was done with Hitchcock, and his score for Psycho has come to epitomize suspense and terror.     















 Psycho vinyl LP record, side 1
photo by Styrous®



















Psycho vinyl LP record, side 2
photo by Styrous®







Amazingly, Psycho did not get good reviews when it was released. It is now considered one of Hitchcock's best films and praised as a major work of cinematic art by international film critics and scholars. Often ranked among the greatest films of all time, it set a new level of acceptability for violence, deviant behavior and sexuality in American films, and is widely considered to be the earliest example of the slasher film genre.

In 1992, the US Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.         


Bernard Herrmann ‎– Psycho
Label: Unicorn Records (3) ‎– UN1-75001
Format: Vinyl, LP, Album
Country: UK
Released: 1975
Genre: Classical, Stage & Screen
Style: Contemporary, Neo-Classical, Score, Soundtrack

Credits:       

    Artwork – Philip Warr
    Conductor – Bernard Herrmann
    Engineer [Recording] – Bob Auger
    Orchestra – The National Philharmonic Orchestra*
    Producer – Christopher Palmer

Notes:       

Recorded at Barking Assembly Hall on 2nd October 1975.
Newly Recorded



Viewfinder links:        
        
     
Net links:       
       
Bernard Herrmann film scores    
NPR ~ Bernard Herrmann's Score to 'Psycho'     
Psycho ~ Full Cast & Crew      
Psycho ~ Synopsis      
The Lineup ~ 
Was Ed Gein the Most Misunderstood Killer in American History?
House of Horrors ~ American Psycho
Alfred Hitchcock Geeks ~ Hitchcock's Most Hopperesque Film: "Psycho"               
  
Psycho (1960) links on YouTube:        
      
    Theatrical Trailer (6:30 minutes)            
    Opening           
    drive to the Bates Motel           
    the shower scene            
    How Hitchcock Got People To See "Psycho"         
    The Making of "Psycho" (1 hr 29 min)        
    The making of the Shower Scene             
    
     
     
     
Psycho scared the bejeezez out of me in 1960;
it still does! 
        
     
          
Styrous® ~ Thursday, June 29, 2017