Herrmann is known for his collaborations with director
Alfred Hitchcock, most famously
North by Northwest,
The Man Who Knew Too Much, and
Vertigo; his scores are brilliant. He also composed scores for many other films, including
Citizen Kane for
Orson Welles,
The Ghost and Mrs. Muir,
Cape Fear,
Fahrenheit 451 for
François Truffaut, and
Taxi Driver for
Martin Scorsese. He worked extensively in
radio drama (composing for
Orson Welles), composed the scores for several fantasy films by
Ray Harryhausen and many
TV programs, including the
Rod Serling Twilight Zone series, and
Have Gun – Will Travel. At the top of these film scores is the one that has never been matched for sheer terror and suspense,
Psycho (
link below).
After seeing the film who will ever forget the themes he composed for the soundtrack with his signature use of the
theremin? However, he did not rely entirely on a
theremin or synthesizers; his use of the piano on
Radar is brilliant (
link below). This recording of four of his film scores includes
The Day the Earth Stood Still.
art direction: Glenn Ross
illustration: Richard Krieger
photo of album cover by Styrous®
Then there is, "Klaatu Barada Nikto"; seems to me it's one of THE most well-known film lines EVER delivered (link below)!
front cover detail
art direction: Glenn Ross
illustration: Richard Krieger
And last, but certainly NOT least, there are the spectacular special effects! You could say they were ahead of their time, however, even by today's high-tech standards, they are stunning!!!!
front cover detail
art direction: Glenn Ross
illustration: Richard Krieger
One of the special effects was the robot "bodyguard",
Gort, that spews forth laser-like death rays when danger threatens
Klaatu, the extraterrestrial (back then they were called aliens) portrayed by
Michael Rennie. What an amazing creature! It is the very best rendition of a robot EVER created which has never been surpassed.
Gort was portrayed by seven-foot, seven-inch (231 cm)-tall actor
Lock Martin
wearing a thick foam-rubber suit designed and built by Addison Hehr.
Two suits were created, fastened alternately from the front or back so
that the robot would appear seamless from any angle in the completed
scenes.
The Day the Earth Stood Still was based on the
story
Farewell to the Master by
Harry Bates (
link below), which was first published in the October 1940 issue of
Astounding Science Fiction.
As with most films
Day follows the story line of the book somewhat, with some major changes, it diverges radically in that in the book the major character is Cliff Sutherland, a free-lance
picture reporter.
Klaatu is killed right off the bat and the robot is "Gnut" and green.
Also, at the end, when Gnut is implored by Sutherland to tell his masters that the death of
Klaatu was an accident, Gnut replies, "You misunderstand,
I am the master!"

In 1973 a Canadian progressive rock group, formed by John Woloschuk and Dee Long, named themselves
Klaatu after the extraterrestrial, in the film
The Day the Earth Stood Still. The band released the singles
Anus Of Uranus /
Sub-Rosa Subway and
Dr. Marvello. More on them in a future article.
date & photographer unknown
The band struggled to get radio recognition. By 1975 Davies, along with producer Terry Brown, managed to land the band a deal with Capitol Records in the US and worldwide. Then, on February 17, 1977, a feature headlined ‘Could Klaatu Be Beatles? Mystery Is A Magical Tour’, written by Steve Smith, he asked, "Why did the album sound
so much like the Fab Four? “It struck me almost immediately,” he says. “The track
Sub-Rosa Subway is completely Beatlish.”

The Day the Earth Stood Still has aged better than almost all of its peers. The ideal of a society based on the predication of universal peace with a
benevolent police state is a dream yet to be realized, if ever. The special effects are still effective, and the
eerie
Bernard Herrmann score sets the mood perfectly. Decades later, it
remains a thought-provoking, worthwhile parable.