Showing posts with label Bert Kaempfert. Show all posts
Showing posts with label Bert Kaempfert. Show all posts

October 13, 2021

78 RPMs 10: Frank Sinatra & Harry James On a Little Street In Singapore

 ~  
78 RPM record
 
    
On October 13, 1939, I can’t believe that was 82 years ago, Harry James and his band, with Frank Sinatra singing, recorded On a Little Street in Singapore. This recording is a reissue as the original issue gave James top billing over Sinatra.          

The trumpet of James is beautiful, of course, as it soars through the song and Sinatra is suave and sexy as he always was back then.        
     
I have loved On a Little Street in Singapore with its gentle and slow but bouncy beat and romantic lyrics all my life (link below). 
 
 
 On A Little Street In Singapore

On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace

My sails tonight are filled with perfume of Shalimar
With temple bells that guide me to her shore
And then I hold you in my arms
And love the way I loved before
On a little street in Singapore

On a little street in Singapore
With me - beside a lotus covered door
A veil of moonlight on her lovely face
How pale the hands that held me in embrace
 
 
It is a jazz song written by Peter DeRose and Billy Hill. Though it's obscure now, the song was popular in the 1930s and 1940s. Other artists who covered the tune included crooner Kenny Baker, Glenn Miller with tenor Ray Eberle and Jimmy Dorsey with Bob Eberle (Ray's brother).      
 
Baker's version is slower than the Sinatra/James rendition and it is oriental sounding with minor key modulations not in the original version and when Miller and Eberle covered the song, their tempo was faster and a bit livelier.  
 
 

Glenn Miller & Ray Eberle
 date & photographer unknown
 
 
In the fifties it was The Three Suns, slow, smooth and dreamy with xylophone, accordion, slide guitar and electric organ, also with an oriental flavor. Then there was Dave Brubeck with Paul Desmond on sax (jazzy, of course) with no vocal, as was Harold Land with sax and Kenny Dorham on trumpet with their version.      
 
In the seventies Bert Kaempfert pizzscatoed his way through it, the Manhattan Transfer and even Bob Dylan covered it! (link below) Dylan! Can you believe it?         
 
The Manhattan Transfer (Tim Hauser, Laurel MasséAlan Paul and Janis Siegel) 1978 cover is faster than the Sinatra/James rendition and it is my favorite version of the song; it is up to date, well, in 1978 it was (link below). The harmonizing by the group is flawless and Alan Paul has the type of tenor voice and killer looks that teenage girls swooned over in the forties.             
 
 
photo by Nancy Clendaniel 
 
 
Harry James was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his tone, and was an influence on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band.                 
     
      
Harry James and his band 
date & photographer unknown
 
 
Harry James was a heavy smoker, drinker and gambler. In 1983 he was diagnosed with lymphatic cancer, but continued to work. He played his last professional job, with the Harry James Orchestra, on June 26, 1983 in Los Angeles, dying just nine days later in Las Vegas, Nevada on July 5, 1983; he was 67 years old. Frank Sinatra gave the eulogy at his funeral, held in Las Vegas.         
          
         
         
   
    
   
   
Tracklist:

Side 1:

A - On A Little Street In Singapore, written by Hill*, De Rose*

Side 2:

B - Every Day Of My Life, written by Hays*, James*, Beck*

Credits:

    Alto Saxophone [Uncredited] – Claude Lakey, Dave Matthews (2)
    Bass [Uncredited] – Thurman Teague
    Directed By – Harry James (2)
    Drums [Uncredited] – Mickey Scrima (tracks: B), Ralph Hawkins (tracks: A)
    Guitar [Uncredited] – Bryan Kent
    Piano [Uncredited] – Jack Gardner
    Tenor Saxophone [Uncredited] – Bill Luther, Drew Page
    Trombone [Uncredited] – Bruce Squires (tracks: B), Dalton Rizzotto (tracks: B), Russell Brown (tracks: A), Truett Jones
    Trumpet [Uncredited] – Claude Bowen, Harry James (2), Jack Palmer, Jack Schaeffer
    Vocals – Frank Sinatra

Notes:

Obviously re-released, giving Frank top billing. He only sings toward the end of each song.
A side originally recorded Chicago, Oct. 13, 1939; B side originally recorded Hollywood, Nov. 8, 1939.

Performance credits from Jazz and Ragtime Records (1897-1942): A-K

Barcode and Other Identifiers

    Matrix / Runout (Side A Label): WC 2798
    Matrix / Runout (Side B Label): LA 2047
    Matrix / Runout (A side stamped variant 1): W2798A
    Matrix / Runout (B side stamped variant 1): LA2047A
    Matrix / Runout (A side stamped variant 2): WC2798A B 18 H
    Matrix / Runout (B side stamped variant 2): LA2047A B J

Frank Sinatra With Harry James And His Orchestra – On A Little Street In Singapore / Every Day Of My Life
Label: Columbia – 36700
Format: Shellac, 10", 78 RPM
Country: US
Released: Apr 1944
Genre: Jazz, Pop
Style: Big Band, Vocal





Viewfinder links:       
        
Dave Brubeck        
Jimmy Dorsey         
Bob Dylan          
Bob Eberly        
Ray Eberle         
Harry James         
Bert Kaempfert          
Manhattan Transfer        
Glenn Miller        
Alan Paul        
Frank Sinatra        
       
Net links:       
        
        
        
        
        
        
        
       
YouTube links:       
        
On a Little Street in Singapore ~                 
        
Kenny Baker        
Dave Brubeck & Paul Desmond            
Bob Dylan           
Bert Kaempfert      
Manhattan Transfer      
Manhattan Transfer (TV)     
The Three Suns     
        
       
        
        
        
        
        
        
Styrous® ~ Wednesday, February 17, 2021       
       
 
 
 
 
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April 11, 2021

45 RPMs 60: Frank Sinatra ~ Strangers in the Night

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Strangers in the Night is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. Actually, there are considerable legal issues as to WHO really wrote it, Avo Uvezian, Ivo Robić or Philippe-Gérard (link below). Kaempfert originally used it under the title Beddy Bye as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra. It was initially offered to Melina Mercouri but she thought a man's vocal would better suit the melody and therefore declined to sing it.     
 
Strangers in the Night was recorded on April 11, 1966, one month before the rest of the vinyl LP with the same title (link below). Glen Campbell played rhythm guitar and Hal Blaine was on drums with his backup group, The Wrecking Crew; Don Randi, Al De Lory, Carol Kaye, Bill Pitman, Tommy Tedesco, Irving Rubins, Roy Caton, Jay Migliori, Hal Blaine, Steve Douglas, and Ray Pohlman. According to Blaine, he reused the drum beat from Be My Baby by the Ronettes in a slower, softer arrangement.   


The Wrecking Crew - Gold Star Studios - 1960's
 photographer unknown

 
One of the most memorable and recognizable features of the song is Sinatra's scat improvisation of the melody (on take two) with the syllables "doo-be-doo-be-doo" as the song fades to the end. In 1968, CBS television executive Fred Silverman was inspired by the scat while listening to the tune on a red-eye flight to a development meeting for a Saturday morning cartoon show and decided to rename the dog character to "Scooby-Doo".          
 
Actually, Sinatra despised the song, calling it at one time "a piece of shit" and "the worst fucking song that I have ever heard." He was not afraid to voice his disapproval of singing it live. In spite of his contempt for the song, for the first time in 11 years he had a #1 hit, and it remained on the charts for 15 weeks.               
 
 
photo by Styrous®

 
The "B" side has a great song, Oh, You Crazy Moon, that is really nice. Chet Baker does a cover of it that is slower than Sinatra's with some nice trumpet work by him (link below).
     

Frank Sinatra ~ Oh, You Crazy Moon
45 rpm record, side 2
photo by Styrous®


        
Tracklist:

Side 1:

A - Strangers In The Night
Arranged By – Ernie Freeman
Producer – Jimmy Bowen
Written by Kaempfert*, Singleton*, Snyder*
Arranged By – Ernie Freeman
Producer – Jimmy Bowen - 2:35

Side 2:

B - Oh, You Crazy Moon
Arranged By – Nelson Riddle
Producer – Sonny Burke
Written by Burke-Van Heusen* - 3:12

Companies, etc.

    Published By – Champion Music Corp.
    Published By – Brown Music Co.
    Published By – M. Witmark & Sons
    Pressed By – Columbia Records Pressing Plant, Santa Maria

Notes:

Strangers In The Night (From The Universal-International Film "A Man Could Get Killed")
Published By – Champion Music Corp. / Brown Music Co.

Oh, You Crazy Moon - Published By – M. Witmark & Sons ASCAP
From the Reprise Album F/FS 1018 Moonlight Sinatra

Barcode and Other Identifiers
        
        
    Matrix / Runout (Label Side A): J4195
    Matrix / Runout (Label Side B): H3900
    Rights Society: BMI
    Rights Society: ASCAP
    Matrix / Runout (Side A (etched)): S J4195-2 #0470
    Matrix / Runout (Side B (etched)): S H 3900 #0470
        
Frank Sinatra – Strangers In The Night / Oh, You Crazy Moon
Label: Reprise Records – 0470
Format: Vinyl, 7", 45 RPM, Single, Santa Maria Pressing
Country: US
Released: 1966
Genre: Jazz, Pop
Style: Easy Listening, Swing, Vocal        
        
        
Viewfinder links:       
         
Chet Baker         
Hal Blaine           
Glen Campbell         
Klaus Doldinger          
Steve Douglas        
Bert Kaempfert         
Carol Kaye       
Melina Mercouri         
Ray Pohlman          
Don Randi       
The Ronettes         
Frank Sinatra         
Tommy Tedesco    
     
Net links:       
         
Authorship disputes        
        
     
YouTube links:      
         
Frank Sinatra ~      
                Oh, You Crazy Moon        
                Strangers in the Night                 
        
        
         
        
        

Styrous® ~ Sunday, April 11, 2021    






      

 

 

 

 

 

 

 

 

October 17, 2020

Music & Mayhem ~ 2008 Universal fire

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Universal Studio Fire - June 1, 2008 
photographer unknown
 
 
From Wikipedia:
 
On June 1, 2008, a fire broke out on the backlot of Universal Studios Hollywood, an American film studio and theme park in the San Fernando Valley area of Los Angeles County, California. The fire began when a worker used a blowtorch to warm asphalt shingles that were being applied to a facade. He left before checking that all spots had cooled, and a three-alarm fire broke out. Nine firefighters and a Los Angeles County sheriffs' deputy sustained minor injuries. The fire was completely extinguished after 24 hours.     
 
Universal Pictures claimed that the fire destroyed a three-acre (1.2 ha) portion of the Universal backlot, including the attraction King Kong Encounter and 40,000 to 50,000 archived digital video and film copies.        
 
A 2019 New York Times Magazine exposé asserted that the fire also destroyed 118,000 to 175,000 audio master tapes belonging to Universal Music Group (UMG). This included original recordings belonging to some of the best-selling artists worldwide. UMG initially disputed the story, but CEO Lucian Grainge later confirmed that there had been a significant loss of musical archives.         
 
The Viewfinder articles about those artists whose work was destroyed in the fire are:   

Bert Kaempfert     
Kay Starr     
     
     
     
     
     
     
     
     
Styrous® ~ Saturday, October 17, 2020    
      
 
 
 
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Floyd Cramer articles/mentions

  ~         


Bert Kaempfert ~ Wonderland By Night  
Elvis Presley ~ Heartbreak Hotel     
     
     
     
     
     
     
     
     
Floyd Cramer - 1965     
photo: Jac. de Nijs / Anefo - Nationaal Archief     
     
 

 


     
    















     

Johnny Mathis articles/mentions

   ~         

Lucille Ball ~ Wildcat          
Debbie Harry - KooKoo         
Home for Xmas - Vol 1        
Bert Kaempfert ~ Wonderland By Night  
     
     

     
     
     
Johnny Mathis - 1960     
publicity photo     
     
 

 


     
    















     

Melina Mercouri articles/mentions

~
   
       
Bert Kaempfert ~ Wonderland by Night   
Frank Sinatra ~ Strangers In the Night  
       
       
     
     
     
     
     
     
date & photographer unknown 


     
      
     













 
   

James Garner articles/mentions

~   
       
Bert Kaempfert ~ Wonderland by Night   
       
       
     
     
     
     
     
     
James Garner - March 18, 1959
Maverick. "Two Tickets to Ten Strike" 
photo: Warner Brothers Studios 


     
      
     













 
   
   

October 16, 2020

45 RPMs 50: Bert Kaempfert ~ Wonderland By Night

~      
 45 RPM record
photo by Styrous®
 
 
Bert Kaempfert (born Berthold Heinrich Kämpfert, 16 October 1923 – 21 June 1980) was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including  Moon Over Naples, which was sung by Al Martino, and Strangers in the Night, which was used in the score for the movie A Man Could Get Killed (which starred James Garner and Melina Mercouri) and was made famous and became a major hit for Frank Sinatra in 1966.                
 
 
 
 45 RPM record in sleeve
photo by Styrous®
 

Wonderland By Night (German title Wunderland bei Nacht), with its haunting solo trumpet by Charles Tabor, muted brass, and lush strings, topped the American pop charts and turned Kaempfert and his Orchestra into international stars. Tabor was an Austrian jazz trumpeter, born 5 January 1919 in Vienna, Austria, died 29 July 1999 in Griesstätt, Bavaria, Germany.          
 
 


Wonderland By Night was written by Klaus Günter Neumann with English lyrics by Lincoln Chase who wrote, Jim Dandy, which was recorded by American R&B singer, LaVern Baker.     

A cover, recorded and released by Louis Prima, also charted in the same year, reaching #15 on the Billboard charts. A vocal version by Anita Bryant, which included orchestrations by Lew Douglas, reached #18 on the US Pop Chart. Engelbert Humperdinck and Johnny Mathis also recorded vocal versions, while Floyd Cramer did a great cover on piano, with his "Nashville sound", of course.     
 
 
 45 RPM record label
photo by Styrous®
 
 
Kaempfert was born in Hamburg, Germany. He was hired by Hans Busch to play with his orchestra, before serving as a bandsman in the German Navy during World War II. He later formed his own big band and toured with them,       
 
His first hit with his orchestra was Wonderland By Night. Recorded in July 1959, the song could not get released in Germany, so he took the track to Decca Records in New York, which released it in America in the fall of 1960.       

Wonderland By Night was a Billboard number one hit for three weeks, starting January 9, 1961. It was recorded in July 1959.     
       

Bert Kaempfert ~ Dreaming the Blues
 45 RPM record
photo by Styrous®
 

In his capacity as record producer, Kaempfert played a part in the rise of The Beatles. In 1961, he hired the Beatles to back Tony Sheridan on an album called My Bonnie. Sheridan had been performing in Hamburg, and needed to recruit a band to play behind him on the proposed tracks. Kaempfert auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: Ain't She Sweet (sung by rhythm guitarist John Lennon) and Cry for a Shadow (an instrumental written by Lennon and lead guitarist George Harrison). The album and its singles, released by Polydor Records, were the Beatles' first commercially-released recordings.

On October 28, 1961, a man walked into the Liverpool music store owned by Brian Epstein and asked for a copy of My Bonnie, a song recorded by the Beatles but credited to Tony Sheridan. The store did not have it, but Epstein noted the request. He was so intrigued by the idea of a Liverpool band releasing a record that he investigated. That event led to his discovery of the Beatles and, through his efforts, their signing by George Martin to Parlophone Records after Kaempfert helped them avoid any contractual claim from Polydor.    

           

 

 
The "B" side, Dreaming the Blues, is a languid, New Orleans, ragtime, tune that is a perfect vamp song! I used it for one of the girls at the Hungy i on Broadway (link below).
 
 

 

Bert Kaempfert ~ Dreaming the Blues
 45 RPM record
photos by Styrous®

 

 

I have always enjoyed reading the artists who recorded for a label that were advertised on the record sleeves: I'd count to see which were the ones listed I had.     



 
Bert Kaempfert died suddenly on June 22, 1980, at the age of 56, following a stroke at his home in Majorca, the largest island in the Balearic Islands, which are part of Spain.            
 
On June 25, 2019, The New York Times Magazine listed Kaempfert among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.        
 
   
 
           
Tracklist:

Side 1:

A - Wonderland By Night (Wunderland Bei Nacht), written by Klaus Gunter-Neumann* - 3:12

Side 2:

B - Dreaming The Blues, written by Bert Kaempfert - 3:00

Companies, etc.

    Manufactured By – Decca Records, Inc.
    Published By – Roosevelt Music Co., Inc.
    Pressed By – Decca Records Pressing Plant, Gloversville

Credits:

    Soloist [Trumpet] – Charly Tabor

Notes:

Recorded in Europe by Deutsche Grammophon/Polydor (R) Series
 
Barcode and Other Identifiers

    Pressing Plant ID (B side label): ✤
    Matrix / Runout (A side matrix code - label): (DGG 24 086 A)
    Matrix / Runout (B side matrix code - label): (DGG 24 086 B)✤
    Matrix / Runout (A side matrix code - runout (stamped)): 45 DGG24086A 7
    Matrix / Runout (B side matrix code - runout (stamped)): 45 DGG24086B 3
    Matrix / Runout (A side matrix code (variation 1) - runout (stamped)): 45 DGG24086A 2
    Matrix / Runout (B side matrix code (variation 1) - runout (stamped)): 45 DGG24086B 5
    Matrix / Runout (A side matrix code (variation 2) - runout (stamped)): 45 DGG24086A 10
    Matrix / Runout (B side matrix code (variation 2) - runout (stamped)): 45 DGG24086B 2
    Rights Society: BMI

Bert Kaempfert And His Orchestra* ‎– Wonderland By Night (Wunderland Bei Nacht)
Label: Decca ‎– 9-31141
Format: Vinyl, 7", 45 RPM, Single, Gloversville Pressing
Country: US
Released: 1960
Genre: Jazz, Pop
Style: Big Band, Easy Listening


       
  
Viewfinder links:       
         
all things Beatles          
Anita Bryant       
Engelbert Humperdinck        
Pillow (She-Beast) & The Hungry i       
Frank Sinatra        
     
Net links:       
         
Stereogum ~ Bert Kaempfert ~ Wonderland By Night (review)        
Way Back Attack ~ Wonderland by Night (review)      
     
YouTube links:                 
             
Anita Bryant ~ Wonderland By Night       
Floyd Cramer ~ Wonderland By Night       
Engelbert Humperdinck ~ Wonderland By Night       
Bert Kaempfert ~ Dreaming the Blues        
Bert Kaempfert ~ Wonderland By Night         
Johnny Mathis ~ Wonderland By Night       
        
              
      
Styrous® ~ Friday, October 16, 2020