Showing posts with label Victoria de los Angeles. Show all posts
Showing posts with label Victoria de los Angeles. Show all posts

March 1, 2018

Victoria de los Ángeles articles/mentions

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Victoria de los Ángeles (1 November 1923 – 15 January 2005) was a Spanish operatic lyric soprano and recitalist whose career began after the Second World War and reached its height in the years from the mid-1950s to the mid-1960s.           

Viewfinder links:   
  
Carmen       
at the 1992 Barcelona Olympics    
Leontyne Price ~ the ultimate Aida     
     
       
  
  
        
   
                
Victoria de los Ángeles         
photographer unknown          


          
     













October 26, 2015

101 Reel-to-Reel Tapes 110: Victoria de los Ángeles ~ Carmen



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I started the Vinyl LP series because I have a collection of over 20,000 vinyl record albums I am selling; each blog entry is about an album from my collection. The 101 Reel-to-Reel Tapes series is an extension of that collection. Inquire for information here.   

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Victoria de los Ángeles was among the first Spanish-born operatic singers to record the complete opera of Carmen in June, 1958, at the Salle Wagram, Paris, France., with tenor Nicolai Gedda and the Orchestra of the RDF conducted by Sir Thomas Beecham, using the recitatives added by Ernest Guiraud after Bizet's death. This was the only audio recording by her of Bizet's Carmen.    






Victoria de los Ángeles ~ Carmen
reel-to-reel tape box detail
detail photo by Styrous®


Carmen (French pronunciation: ​[kaʁmɛn]; Spanish: [ˈkarmen]) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris, on March 3, 1875.     

As with all things music, there is one song, melody, aria, whatever, that is my very favorite. Carmen is no exception and the two "Top Hits!" are not my favorite. Nope, my favorite is the Quintette from Act 2,  Nous avons en tête une affaire! (We have in mind a bargain!).   

The song starts out like most opera songs do (ho-hum) then it quietly builds up to the speed of a run-away train; staccato, syncopated and rambunctious! The harmonic gymnastics of the singers is stunning! It does quiet down for a bit but takes off again with a vengeance. It is a cross between a French Can-Can, a Gilbert & Sullivan patter song, and a cumbia. Think on that a while. :-)   
(Link to the song on YouTube here, if you'd like to listen to it while you read on)  









The opera bombed because of its breaking of convention and controversial main characters, which shocked and scandalized its first audiences. In its initial run at the Opéra-Comique, Carmen provoked little public enthusiasm; Carmen was often performed to half-empty houses, even when the management gave away large numbers of tickets. Early on June 3, the day after the opera's 33rd performance, Bizet died suddenly of heart disease at the age of 36. It was his wedding anniversary. That night's performance was cancelled. He would never know of its outstanding success in Vienna later that year, or that it would win enduring international acclaim within the next ten years. 

Camille Du Locle brought Carmen back in November of 1875, with the original cast, and it ran for a another 12 performances until February 15, 1876, to give a year's total for the original production of 48. Among those who attended one of these later performances was Tchaikovsky, who wrote to his benefactor, Nadezhda von Meck: "Carmen is a masterpiece in every sense of the word ... one of those rare creations which expresses the efforts of a whole musical epoch". After the final performance, Carmen was not seen in Paris again until 1883.       



Victoria de los Ángeles ~ Carmen
reel-to-reel tape box back details
detail photos by Styrous®




Carmen has since become one of the most popular and frequently performed operas in the classical repertoire; the Habanera from act 1 and the Toreador Song from act 2 are among the best known of all operatic arias. There is a link below to YouTube for the Toreador song from the movie, Carmen, released on  March 14, 1984, with Julia Mingenes-Johnson as Carmen, Placido Domingo as Don Jose and Ruggero Raimondi as El Matador.       
















The libretto

The libretto is the same size printed for regular vinyl LP records. The box for the reel-to-reel tape was smaller, so, they just folded it in half then in half again. It makes for a messy libretto but, oh, well!  
Set in Seville around the year 1830, the opera deals with the love and jealousy of Don José, who is lured away from his duty as a soldier and his beloved Micaëla by the gypsy factory-girl Carmen, whom he allows to escape from custody. He is later induced to join the smugglers with whom Carmen is associated, but is driven wild by jealousy. This comes to a head when Carmen makes clear her preference for the bull-fighter Escamillo. The last act, outside the bull-ring in Seville, brings Escamillo to the arena, accompanied by Carmen, there stabbed to death by Don José, who has been awaiting her arrival (link to complete synopsis below).         

























Victoria de los Ángeles ~ Carmen
reel-to-reel tape label detail
detail photo by Styrous®




Net links: 
          
Carmen ~ complete synopsis     
              ~  musical numbers          
              ~ roles                    
Victoria de los Ángeles at the 1992 Barcelona Olympics               

Carmen on YouTube:  
            
Nous avons en tête une affaire!    
Victoria de los Angles ~ Habanera (film-date unknown)   
Habanera           
Toreador Song
Random Act of Culture Toreador Song             
       




The Victoria de los Ángeles sings Carmen, reel-to-reel tape is for sale on eBay       








Styrous® ~ Monday, October 28, 2015 

October 25, 2015

Victoria de los Ángeles at the 1992 Barcelona Olympics

Portrait by Allan Warren



Coming up next month is the anniversary of the birth of the brilliant operatic soprano, Victoria de los Angeles. She was born Victoria de los Ángeles López García on November 1, 1923, in the porter's lodge of the University of Barcelona in Barcelona, Catalonia, España.

In 1992, when she was 70 years old, she sang the beautiful Catalan song, El cant dels ocells (Carol of the Birds), for the Barcelona Olympics Closing Ceremony (link below to the performance on YouTube) accompanied by cellist, Lluís Claret.       

I was in Barcelona for the first time in 1989 and the city was feverishly preparing for the games; it was an incredibly exciting time for art and music. I am eternally grateful I was there before the games as it was to be the beginning of the transformation of Barcelona; the games introduced the city to the hundreds of thousands who attended and the city would never be the same.   

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Victoria de los Angeles was a Spanish operatic lyric coloratura soprano and recitalist whose career began after the Second World War and reached its height in the years from the mid-1950s to the mid-1960s.

She was among the first Spanish-born operatic singers to record the complete opera of Carmen in June, 1958, at the Salle Wagram, Paris, France, with tenor Nicolai Gedda and the Orchestra of the RDF conducted by Sir Thomas Beecham (link below).          

In 1941, while still a student, she made her operatic debut as Mimì in La bohème at the Liceu, afterwards resuming her musical studies. In 1945, she returned to the Liceu to make her professional debut as the Countess in The Marriage of Figaro.

In 1949, Victoria de los Angles made her first appearance in the Paris Opéra as Marguerite. The following year, she made her debut in Salzburg and at the Royal Opera House, Covent Garden as Mimì, and in the United States with a recital at Carnegie Hall. In March 1951, she made her Metropolitan Opera debut in New York as Marguérite, and she went on to sing with the company for ten years. In 1952, she became an instant favourite in Buenos Aires at the Teatro Colón as the title role in Madama Butterfly. She returned to Buenos Aires many times until 1979. She sang at La Scala in Milan from 1950 to 1956 and, in 1957, she sang at the Vienna State Opera.     

After making her debut at the Bayreuth Festival as Elisabeth in Tannhäuser in 1961, she devoted herself principally to a concert career. However, for the next twenty years, she continued to make occasional appearances in one of her favourite operatic roles, Bizet's Carmen.
     
She died on 15 January 2005 of heart failure in her native Barcelona, aged 81. Her obituary in The Times (London) noted that she must be counted “among the finest singers of the second half of the 20th century". James Hinton, Jr. praised her "meltingly lovely middle voice" in Opera Magazine. Elizabeth Forbes, writing in London's The Independent also noted that "It is impossible to imagine a more purely beautiful voice than that  of Victoria de los Ángeles at the height of her career in the 1950s and early 1960s". She was ranked number 3, after Maria Callas and Dame Joan Sutherland, in the BBC Music Magazine List of The Top Twenty Sopranos of All Time (2007).




Net links:       

Victoria de los Angeles sings Carmen               

Victoria de los Angles on YouTube:            
       
1992 Barcelona Olympics                 
Habanera (film-date unknown) 
Links to more music by Victoria de los Angles on YouTube                      


Per molts anys, Victoria!

Llarg Catalunya en viu!


 Styrous® ~ Sunday, October 25, 2015