Showing posts with label Placido Domingo. Show all posts
Showing posts with label Placido Domingo. Show all posts

October 26, 2015

101 Reel-to-Reel Tapes 110: Victoria de los Ángeles ~ Carmen



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I started the Vinyl LP series because I have a collection of over 20,000 vinyl record albums I am selling; each blog entry is about an album from my collection. The 101 Reel-to-Reel Tapes series is an extension of that collection. Inquire for information here.   

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Victoria de los Ángeles was among the first Spanish-born operatic singers to record the complete opera of Carmen in June, 1958, at the Salle Wagram, Paris, France., with tenor Nicolai Gedda and the Orchestra of the RDF conducted by Sir Thomas Beecham, using the recitatives added by Ernest Guiraud after Bizet's death. This was the only audio recording by her of Bizet's Carmen.    






Victoria de los Ángeles ~ Carmen
reel-to-reel tape box detail
detail photo by Styrous®


Carmen (French pronunciation: ​[kaʁmɛn]; Spanish: [ˈkarmen]) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris, on March 3, 1875.     

As with all things music, there is one song, melody, aria, whatever, that is my very favorite. Carmen is no exception and the two "Top Hits!" are not my favorite. Nope, my favorite is the Quintette from Act 2,  Nous avons en tête une affaire! (We have in mind a bargain!).   

The song starts out like most opera songs do (ho-hum) then it quietly builds up to the speed of a run-away train; staccato, syncopated and rambunctious! The harmonic gymnastics of the singers is stunning! It does quiet down for a bit but takes off again with a vengeance. It is a cross between a French Can-Can, a Gilbert & Sullivan patter song, and a cumbia. Think on that a while. :-)   
(Link to the song on YouTube here, if you'd like to listen to it while you read on)  









The opera bombed because of its breaking of convention and controversial main characters, which shocked and scandalized its first audiences. In its initial run at the Opéra-Comique, Carmen provoked little public enthusiasm; Carmen was often performed to half-empty houses, even when the management gave away large numbers of tickets. Early on June 3, the day after the opera's 33rd performance, Bizet died suddenly of heart disease at the age of 36. It was his wedding anniversary. That night's performance was cancelled. He would never know of its outstanding success in Vienna later that year, or that it would win enduring international acclaim within the next ten years. 

Camille Du Locle brought Carmen back in November of 1875, with the original cast, and it ran for a another 12 performances until February 15, 1876, to give a year's total for the original production of 48. Among those who attended one of these later performances was Tchaikovsky, who wrote to his benefactor, Nadezhda von Meck: "Carmen is a masterpiece in every sense of the word ... one of those rare creations which expresses the efforts of a whole musical epoch". After the final performance, Carmen was not seen in Paris again until 1883.       



Victoria de los Ángeles ~ Carmen
reel-to-reel tape box back details
detail photos by Styrous®




Carmen has since become one of the most popular and frequently performed operas in the classical repertoire; the Habanera from act 1 and the Toreador Song from act 2 are among the best known of all operatic arias. There is a link below to YouTube for the Toreador song from the movie, Carmen, released on  March 14, 1984, with Julia Mingenes-Johnson as Carmen, Placido Domingo as Don Jose and Ruggero Raimondi as El Matador.       
















The libretto

The libretto is the same size printed for regular vinyl LP records. The box for the reel-to-reel tape was smaller, so, they just folded it in half then in half again. It makes for a messy libretto but, oh, well!  
Set in Seville around the year 1830, the opera deals with the love and jealousy of Don José, who is lured away from his duty as a soldier and his beloved Micaëla by the gypsy factory-girl Carmen, whom he allows to escape from custody. He is later induced to join the smugglers with whom Carmen is associated, but is driven wild by jealousy. This comes to a head when Carmen makes clear her preference for the bull-fighter Escamillo. The last act, outside the bull-ring in Seville, brings Escamillo to the arena, accompanied by Carmen, there stabbed to death by Don José, who has been awaiting her arrival (link to complete synopsis below).         

























Victoria de los Ángeles ~ Carmen
reel-to-reel tape label detail
detail photo by Styrous®




Net links: 
          
Carmen ~ complete synopsis     
              ~  musical numbers          
              ~ roles                    
Victoria de los Ángeles at the 1992 Barcelona Olympics               

Carmen on YouTube:  
            
Nous avons en tête une affaire!    
Victoria de los Angles ~ Habanera (film-date unknown)   
Habanera           
Toreador Song
Random Act of Culture Toreador Song             
       




The Victoria de los Ángeles sings Carmen, reel-to-reel tape is for sale on eBay       








Styrous® ~ Monday, October 28, 2015 

September 1, 2014

Rhythmix Cultural Center ~ Café Flamenco – Fin de Verano (Last night when I was in Spain . . .)




. . . I truly felt as if Jan Watten and I had been transported to Barcelona when we attended the Café Flamenco – Fin de Verano held at the Rhythmix Cultural Center!! To be honest, I was sorely tempted to put this entry in the Barcelona Journals section (see link below) but decided I had to honor veracity above fantasy. 

For starters, there was a stupendous paella prepared by Marcos Quezada of Patatas Spanish Tortillas, that knocked my socks off.

photos by Styrous®



the program

What we saw was an exciting presentation by the dance company, Caminos Flamencos, which was founded by Emmy Award-winning dancer and choreographer Yaelisa. Dancers Devon LaRussa, Bianca Rodriguez, Yukie Takahashi and Stephanie Narvarez wowed the audience with pyrotechnic performances that brought it to its feet.

 
Devon LaRussa, Yukie Takahashi 
Bianca Rodriguez & Stephanie Narvarez
video still


Accompanying the dancers was Antonio Triana on guitar and gypsy tradition vocalist, Jose Cortés; both gave extraordinary performances. I had seen Cortés in performance last year with the Theatre Flamenco (link below) and it was a pleasure to hear him sing again.

video still

Antonio Triana is the son of artists Antonio Triana and Rita Vega. He first appeared at the age of 12 in a concert with Placido Domingo and has performed as a soloist at the Getty Museum, the Luckman Theatre, the John Anson Ford Amphitheatre in Los Angeles and the Lobero Theatre in Santa Barbara. He has accompanied Jose Greco I, Jose Greco II, Antonio Granjero, La Tania, Roberto Amaral, Maria Bemudez, Yaelisa, Juan Talavera, La Tati, Jesus Montoya and Antonio De Jerez.


video still
 
José Cortés Fernández, was born in southern France in 1974. His was an important gypsy family from Almería. At the age of 10, he began his career in Jerez de la Frontera where he won the “premio del joven aficionado del cante flamenco,” accompanied on guitar by the great “El Terremoto”.

Cortés was immersed in the world of flamenco with legendary artists such as Pansequito, Camarón de la Isla, Moraito Chico and Tomatito. He has shared the stage with artists including Belen Lopez, Alfonso Losa, Sergio Arranda, Manuel de la Malena, Juan Ogalla, Javier Serrano, Joselito Vega, María del Mar Moreno, Antonio de la Malena, Mara Martínez, Andrés Peña, Pilar Ortega, Antonio “El Titi”, Juan Carmona, Isabel Gazquez and Manuel Gutierrez. In 2010, he moved to the United States and now works with artists Jason McGuire, Ricardo Diaz (and on his record Traversura), Yaelisa “Camino Flamencos”, Carola ZertucheTheatre Flamenco of San Francisco,” Fanny Ara, Melissa Cruz, Cristina Hall, Jesus Muñoz, Jesus Montoya, Antonio de Jerez and Pedro Cortés.


the dancers

Stephanie Narvarez from Boston, Massachusetts, made her debut dancing flamenco at the age of eight under the tutelage of her first teachers Clara y Ramon de Los Reyes. She continued her studies with Omayra Amaya and performed in her student company as well as with the family based group El Arte Flamenco where her father would accompany her on the guitar. Since graduating from NYU, Narvarez has performed with various companies across the nation such as Carlota Santana's Flamenco Vivo in New York City, Theatre Flamenco in San Francisco, the Juan Siddi Flamenco in Santa Fe, New Mexico, and toured nationally. She continues studying and performing in Seville, Spain. She is based in San Francisco.

Yukie Takahashi was born in Tokyo, Japan. She began dancing flamenco in 1999 and performing with the Virginia Iglesias flamenco Dance Company in 2002. She learned the foundation of flamenco under Diana Alejandre and began performing as a member of Virginia Iglesias' flamenco company Alma Flamenca in 2003. She studied in Spain with Rafaela Carrasco, Mercedes Ruiz, Isabel Bayon and Javier Latorre. Takahashi has studied with leading local artists Yaelisa and La Tania. She performs regularly around the Bay Area as a member of Caminos Flamencos and a local cuadro group, Matiz Flamenco.

Devon LaRussa has been dancing since the age of two and began her career with the Oakland Ballet from 1995 - 2006.  She has also been a member of Moving Arts Dance, Black Diamond Ballet, Menlowe Ballet, and performed as the flamenco soloist in Festival Opera's "La Tragedie de Carmen".  LaRussa was recently a featured soloist in "La Traviata" with the San Francisco Opera.  She has been a freelance flamenco dancer since 2005, performing with many distinguished artists and is currently studying and performing with Yaelisa and Caminos Flamencos.

about the artistic director - Yaelisa

During the last twelve years, Yaelisa has spent extensive periods of time living and performing in Spain, presenting her choreography there and in the U.S. Her choreographies have been commissoned by several modern dance companies, including John Malashock & Company, Rose Polsky and Collage Dance Theatre. In 1995 she was one of 11 choreographers in Spain invited to present a piece at the prestigious Certamen de Coreografia in Madrid, and the only American choreographer chosen among them. In 1996 she returned to the U.S. where she continues to choreograph, develop and train dancers for her company. Creating innovative theatrical presentations has established her as a choreographer of merit; she is the recipient of an Emmy Award for Choreography in 1993 for the PBS program, "Desde Cadiz a Sevilla," and a Choreography Fellowship from the National Endowment for the Arts in 1996.

The mission of Caminos Flamencos is to create and present contemporary, traditional and theatrical dance programs showcasing artists from Spain and the U.S.,that reflect the changing face of flamenco in the 21st century. Their programs seek to preserve the legacy of Spain's rich artistic heritage, and bring them to people of all backgrounds, enriching the lives of people with Spanish and Hispanic ancestry, and the community at large.

The Rhythmix venue has become a hotbed of first-class cultural presentations and it is amazing that it has been kept such a little-known gem of the East Bay. Hopefully, that will change.




Caminos Flamencos
510-531-9986

Rhythmix Cultural Center
2513 Blanding Avenue
Alameda, CA 94501 

Patatas
1075 Spruce St.
Berkeley, CA
510-502-1561










Links:
 
Barcelona, España Journals
Theatre Flamenco ~ Con Nombre y Apellido 
Last night at the Rhythmix ~ Wine, Women & Song
Rhythmix ~ Wine, Women & Song: the performances




¡Hopla!


Styrous® ~ Monday, September 1, 2014