Showing posts with label RCA Victor. Show all posts
Showing posts with label RCA Victor. Show all posts

July 25, 2026

The Monkees ~ Last Train to Clarksville

 ~     
     
On July 25, 1966, The Monkees recorded their first big hit, Last Train to Clarksville. The song, written by Boyce & Hart (Tommy Boyce and Bobby Hart), was recorded at RCA Victor Studio B in Hollywood on July 25, 1966, and was already on the Boss Radio "Hit Bounds" playlist on August 17, 1966. The song topped the Billboard Hot 100 for the week ending November 5, 1966. Lead vocals were performed by the Monkees' drummer, Micky DolenzLast Train to Clarksville was featured in seven episodes of the band's television series, the most for any Monkees song.        
     
The lyrics, were inspired by Paperback Writer: Hart misheard the end of that song on the radio and thought Paul McCartney was singing "take the last train"; Hart then decided to use the line himself, after he found out that McCartney was actually singing "paperback writer."            
       
The lyrics tell of a man phoning the woman whom he loves, urging her to meet him at a train station in Clarksville before he must leave, possibly forever. There is no explicit reference to war in the song, but its last line, "And I don't know if I'm ever coming home," was an indirect reference to a soldier leaving for the Vietnam War. Hart has denied any connection by the song to the city of Clarksville, Tennessee, near Fort Campbell, home of the 101st Airborne Division that was then serving in Vietnam. According to Hart, "We were just looking for a name that sounded good. There's a little town in northern Arizona I used to go through in the summer on the way to Oak Creek Canyon called Clarkdale. We were throwing out names, and when we got to Clarkdale, we thought Clarksville sounded even better. We didn't know it at the time, [but] there is an Army base near the town of Clarksville, Tennessee — which would have fit the bill fine for the storyline. We couldn't be too direct with the Monkees. We couldn't really make a protest song out of it—we kind of snuck it in."           
     
The Vietnam War was a great inspiration for the arts of every kind, music, dance, sculpture, painting, photography, etc., with music leading the charge; check the .    
     
     
     
     
     
Viewfinder links:       
         
Boyce & Hart        
Micky Dolenz     
Paul McCartney        
The Monkees                         
Vietnam War             
      
Net links:       
        
        
        
        
        
        
        
        
        
        
        
        
        
        
     
YouTube links:       
        
The Monkees ~ Last Train to Clarksville         
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
        
Styrous® ~ Sunday, May 16, 2021        
        

















July 10, 2022

"His Master’s Voice", Nipper & Ermanno Wolf-Ferrari

Vessella's Italian Band
78 RPM label, side B 
photo by Styrous®
 
 
On July 10, 1900, "His Master’s Voice", was registered with the U.S. Patent Office. The logo of the Victor Recording Company, and later, RCA Victor, shows Nipper, looking into the horn of a gramophone machine.      
      

RCA Victor ad
 
 
      
     
     
Viewfinder links:       
         
RCA Victor & Nipper          
Oreste Vessella                 
Ermanno Wolf-Ferrari        
        
        
     
Net links:       
        
        
     
YouTube links:       
        
Ermanno Wolf-Ferrari - Intermezzo [from Jewels of The Madonna]        
        
        
        
        
        
        
        
        
Styrous® ~ Sunday, July 10, 2022        
        















August 22, 2021

RCA Victor & Nipper

 ~      
RCA Victor record sleeve detail 
detail photo by Styrous®
 
      
One hundred and fifteen years ago, on August 22, 1906, The Victor Talking Machine Company of Camden, New Jersey., began to manufacture the Victrola. The hand-cranked unit, with horn cabinet, sold for $200.       
 


In 1929, the Radio Corporation of America (RCA) purchased the Victor Talking Machine Company, then the world's largest manufacturer of phonographs (including the famous "Victrola") and phonograph records. The company then became RCA Victor. In absorbing Victor, RCA acquired the New World rights to the famous Nipper/"His Master's Voice" trademark.        
 
 
RCA Record's Nipper logo
 
 
Nipper was a real dog born in 1884 in Bristol, England, who served as the model for an 1898 painting by Francis Barraud titled His Master's Voice. This image was the basis for one of the world's best known trademarks, the famous dog-and-gramophone that was used by several record companies and their associated company brands.            
 
Nipper was likely a mixed-breed dog, although most early sources suggest that he was a Smooth Fox Terrier, a Jack Russell Terrier, or possibly "part Bull Terrier". He was named Nipper because he would often "nip" at the backs of visitors' legs.         
 
Nipper originally lived with his owner, Mark Henry Barraud, in the Prince's Theatre located on Shaftesbury Avenue, in the London Borough of Camden where Barraud was a scenery designer. When Barraud died in 1887, his brothers Philip and Francis took care of the dog, then Francis took Nipper to Liverpool, and later to Mark's widow in Kingston upon Thames, Surrey.          
 
When he was eleven years old Nipper died of natural causes in September of 1895 and was buried in a small park surrounded by magnolia trees at Kingston upon Thames, Greater London, England. In 1898, three years after Nipper's death, Francis Barraud, his last owner and brother of his first owner, painted a picture of Nipper listening intently to a wind-up Edison-Bell cylinder phonograph.      
     
      
painting by Francis Barraud

Francis Barraud . . . 

"It is difficult to say how the idea came to me beyond the fact that it suddenly occurred to me that to have my dog listening to the phonograph, with an intelligent and rather puzzled expression, and call it 'His Master's Voice' would make an excellent subject. We had a phonograph and I often noticed how puzzled he was to make out where the voice came from. It certainly was the happiest thought I ever had."   
       
date & photographer unknown


Thinking the Edison-Bell Company located in New Jersey, USA, might find it useful, Barraud offered the painting to chairman James E. Hough who replied, "Dogs don't listen to phonographs"! Not a big fan of Thomas Edison, I have more on the failings of him and his company in a blog on Nikola Tesla (link below).    
 
On the 31st of May, 1899, Barraud showed His Master's Voice to the general manager of the Gramophone Company in London. The Company paid £50 for the picture and £50 for the copyright, on condition that Barraud paint a gramophone over the phonograph; it hangs in the EMI London office today and has become one of the most famous trademarks in the world.              
 
Since then, Nipper had been a major image for the RCA Victor company in many ways in addition to the albums and labels.    
 
 

RCA Victor record sleeve 
photo by Styrous®
 
 
 
 
 
Nipper stain glass window
RCA Victor Company, Camden Plant 
Camden, NJ Building 17
 
 
 

Nipper is a globe-trotter:    
 
 Argentina
 
 



Sweden




Germany





France




Canada


      

Russia




The Netherlands by way of England




China




 
 
 
On the subject of China, Spike Jones had his off-beat, not so PC say about it with a parody of a song by Frankie Laine . . .

Spike Jones ~ Chinese Mule Train


Nipper was hot stuff during the Roaring Twenties spinning the latest dances, the Charleston, the Black Bottom and especially the suavay dance invented in the 1910s, reaching its height of popularity in the 1930s and remains practiced today, the Foxtrot . . .    


Victor Arden & Phil Ohman ~ Funny Face (foxtrot)
 
 
 


He spun with Elvis







 
 
Sung with Caruso . . .  




 
 
And encouraged Charles Laughton to narrate the story of The Night of the Hunter on the soundtrack album of the film that he directed.        
 






But wait! There's more!  
Dozens of clocks featuring Nipper were manufactured over the decades.      
     

 
 

 
 
 
 









 
 



 
 
 
 
 
 
 

 
 
 
 
 
 
As time progressed, the area where Nipper was buried built up, and a branch of Lloyds Bank now occupies the site.            
     
      
Time marches on but Nipper lives forever!
     
     
Viewfinder links:       
         
Enrico Caruso        
Thomas Edison        
Spike Jones       
Frankie Laine       
Charles Laughton       
Nikola Tesla        
     
Net links:       
        
American Antiquities ~ His Master’s Voice         
American Kennel Club ~ Once Upon a Dog: Nipper, the RCA dog  
Please Pass the Salt ~ Dogs Don’t Listen to Phonographs         The Streatham Society ~ Nipper the dog         
Vintage News ~ “His master’s voice”        
     
YouTube & audio  links:       
        
Victor Arden & Phil Ohman ~ Funny Face        
Karel Burian ~ Ó Elso        
Ada Jones - Has Anybody Here Seen Kelly?        
Spike Jones ~ Chinese Mule Train    
Frankie Laine ~ Mule Train        
Ed Morton ~ Don't Take Me Home
Elvis Presley ~     
        All Shook Up    
        Don't Be Cruel           
        Heartbreak Hotel     
Jack Smith ~ Ich Küsse ihre Hand, Madame             
Mizzi Zwerenz & Josef KÖNIG ~ Busserl-Walzer        
        
        
        
        
        
        
Dedicated to Lisa who kept Nipper at my  heels.
        
        
        
        
        
        
        
        
Styrous® ~ Sunday, August 22, 2021        
        
 
 
 
 
 
 

November 27, 2020

Spike Jones articles/mentions

 ~  
     
      
     
      
      
     
     
     
      
     
Spike Jones - 1940's     
publicity photo     
      
     
      
     
      
     
      
     
      
     
      
     
      
 
 
 
 
 
 
 
 
 
 
 

February 24, 2020

Enrico Caruso articles/mentions

 ~   
The Best of Enrico Caruso            
Caruso Sings 45 (red vinyl)      
 
mentions:           
George M. Cohan ~ George M!           
Marilyn Horne ~ Carmen reel to reel tape       
RCA Victor & Nipper        
       
       
       
       
       
       
Enrico Caruso - postcard ca. 1910 
photographer unknown 
      
      




~
~










August 23, 2017

Frankie Laine articles/mentions

~      
Command Performance        
The Girl In the Wood        

     
mentions:      
Hue Lee ~ Rose, Rose, I Love You       
     
     
     
     
     
     
     
Frankie Laine       
September 7, 1954     
photographer unknown 
 
 














 
 
 
 
 
 
 

June 25, 2017

Birth of the 45 rpm record ~ March 31, 1949

I must have been 12 or 13 when I bought my first record. It was a 45 RPM; which one I have no recollection. I do remember my first LP (link below).   

Since I had been a kid I had listened to the 78 RPM records my mom and dad had in their collection, classical and big band from mom and Latin music from dad. I had discovered a new kind of record, the 45. The 45s were really cheap, less than a dollar each; that fit my allowance perfectly and I could buy the music I liked. It was my first taste of buying power.  

When I was in Junior High I would go to parties and the kids would play their records which were horribly scratched and sounded terrible. I would never let mine get that way; and I still have them in almost mint condition.    

Dawn of the 45 RPM

The 45 or 7-inch is the most common form of the vinyl single. The names are derived from its play speed, 45 RPM, and the standard diameter, 7 inches (18 cm). 

Recording technology had changed radically since Emile Berliner invented the gramophone record in the 1890s. It had gone from unresponsive acoustic recording horns and direct to disc master recording to full electrical recording and tape masters. But little had changed with the records themselves. They still rotated at 78 RPM, still made of noisy shellac and extremely fragile.   
    
That all changed when the 7-inch 45 RPM record was released on March 31, 1949 by RCA Victor as a smaller, more durable and higher fidelity replacement for the 78 rpm shellac discs. The first 45 RPM records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 RPM records were produced in stereo by the early 1970s.   

Columbia, which had released the 33 ⅓ rpm 12-inch vinyl LP in June 1948 (link below), also released 33 ⅓ rpm 7-inch vinyl singles in March 1949, but they were soon eclipsed by the RCA Victor 45. The first 45 RPM record created was "PeeWee the Piccolo" RCA Victor 47-0146 pressed 7 December 1948 at the Sherman Avenue plant in Indianapolis, Indiana.     

The RCA 7" inch 45 RPM record was cute, VERY small, and RCA's very colorful vinyl (each genre of music had it's own colour of vinyl!) made it an instant hit with young people. Popular releases were on standard black vinyl. Country releases were on green vinyl, Children's records were on yellow vinyl, Classical releases were on red vinyl, "Race" (or R&B and Gospel) records were on orange vinyl, Blue vinyl/blue label was used for semi-classical instrumental music and blue vinyl/black label for international recordings.   

The 45 RPM record and RCA 45 players (link below) had a few problems. First, the players could only play 45 RPM records. Nothing else. Second, classical music fans still had to put up with the same mid-movement breaks that plagued symphonic fans since the dawn of classical recording. Something the 33 1/3 RPM record rarely had.       

This era at the beginning of the '50s was called "The Battle of The Speeds" Some people preferred the 33 1/3 RPM LP, others the new 45 RPM players and old timers who insisted on the 78 RPM speed. The other major labels mostly aligned with the 33 1/3 RPM LP for albums (Capitol however released albums in all three speeds) and 45 and 78 RPM for singles. The 45s were super cheap, less than a dollar each.

The 78 RPM single began disappearing in the early '50s and the 78 RPM speed regulated to children's records through hand-me-down phonographs from their parents. The last American commercially released 78 RPM singles appeared in 1959, however they were still made for children's records and older jukeboxes until 1964.   

And thus began the era of the 45s. An era that lasted 40 wonderful years. Before the cassette tape, CD and MP3 player, 45s were the perfect portable personal music medium. 


Viewfinder links:  
       
My first LP     
Birth of the 33 1/3 RPM LP          
The RCA Victor 45-EY-2 45 RPM record player         
    
       
Styrous® ~ Sunday, June 25, 2017 
~

~