The Styrous® Viewfinder: Peter Weir

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June 12, 2026

Peter Weir articles/mentions

Peter Weir - 1984

photographer unknown

mentions:

Tomaso Albinoni ~ Adagio in G minor

Whole Lotta Love & Beethoven

Music People

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June 9, 2026

Tomaso Albinoni ~ Adagio in G minor

On Monday, June 8, this exact date, in 1671, the Italian composer, Tomaso Giovanni Albinoni, was born. He is now only famous for his instrumental works, in particular the Adagio in G minor, which may NOT be his. However, Albinoni was famous in his day as an opera composer as well; his output included operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas; all lost to posterity!

In my first music article, Day Dreams, I stated I may never write another blog on a "Pop" tune unless there was something more to it other than "Pop". In the pantheon of "Pop" classical music, the Adagio fits right in with the Intermezzo from Cavaleria Rustican, the Humming Chorus from Madama Butterfly, Der König in Thule from La Damnation de Faust and many, many others, for sheer emotion evoking melodies.

In the case of the Adagio, it wrenches extreme emotion from a person whether it is used in a wedding or a funeral; both uses are of equal intensity. In the former, tears of utter joy, in the latter tears of the deepest grief.

The Adagio in Sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni (Mi 26) (Adagio in G minor for strings and organ, on two thematic ideas and a figured bass by Albinoni), also known as "Albinoni's Adagio", is a 1958 neo-Baroque composition often attributed to the 18th-century Venetian composer Tomaso Albinoni. In fact, the work was composed by a 20th-century musicologist and Albinoni biographer named Remo Giazotto. The piece was purportedly based on the discovery of a bass line by Albinoni in a manuscript fragment.

The Adagio is thought by some to be a musical hoax composed by Remo Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, has cast some doubt on that belief. Among Giazotto's papers, Mangano discovered a modern but independent manuscript transcription of the figured bass portion, and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". This provides support for Giazotto's account that he did base his composition on an earlier source. The ascription to Albinoni rests upon Giazotto's purported discovery of a manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.

According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection, although its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708. Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958 under a title which, translated into English, reads "Adagio in G minor for strings and organ, on two thematic ideas and on a figured bass by Tomaso Albinoni". Giazotto never produced the manuscript fragment, and no official record has been found of its presence in the collection of the Saxon State Library.

The Adagio has been used in many films, television programmes, advertisements, recordings, and books. It was used in 1961 as the main theme of the Alain Resnais film Last Year at Marienbad, the 1962 Orson Welles film The Trial, in 1974 the Werner Herzog film, The Enigma of Kaspar Hauser, the original 1975 version of the Norman Jewison film Rollerball, the 1981 Peter Weir film Gallipoli, the 1983 film Flashdance and the 1991 film The Doors.

In music, the Renaissance 1974 album Turn of the Cards, the Richard Clayderman 1979 recording Sentimental Medley for his album Medley Concerto, in 1984 Yngwie Malmsteen in the Icarus Dream Suite Op. 4, the 1998 song Anytime, Anywhere from the album Eden by Sarah Brightman and Wolf Hoffmann recorded a neo-classical metal version, released in his Headbangers Symphony album in 2016.

There is a brilliant recording of the Adagio by Stjepan Hauser of Two Cellos as well as the "heavy Metal" version by Wolf Hoffmann on YouTube (links below).

Viewfinder links:

2cellos

2cellos ~ Whole Lotta Love & Beethoven

Tomaso Albinoni

Doris Day ~ Day Dreams

Stjepan Hauser

Wolf Hoffmann

Orson Wells

Net links:

Head Butler ~ Albinoni (or is it Giazotto?): Adagio in G Minor

YouTube links:

2cellos ~ Whole Lotta Love & Beethoven

Berlioz ~ Der König in Thule

Sarah Brightman ~ Anytime, Anywhere

Sarah Brightman ~ Anytime, Anywhere (live)

Richard Clayderman ~ Sentimental Medley

Stjepan Hauser ~ Adagio in G minor

Wolf Hoffmann ~ Adagio in G minor

Werner Herzog ~ The Enigma of Kaspar Hauser

Norman Jewison ~ Rollerball

Yngwie Malmsteen ~ Icarus Dream Suite Op. 4

Pietro Mascagni ~ Intermezzo

Puccini ~ Humming Chorus

Renaissance ~ Turn of the Cards

Julian Lloyd Webber ~ Albinoni Adagio

Orson Wells ~ The Trial

Styrous® ~ Monday, June 8, 2026

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Music Notes

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October 25, 2020

20,000 Vinyl LPs 247: Georges Bizet ~ Les pêcheurs de perles

Georges Bizet ~ Les pêcheurs de perles

vinyl LP box set front cover detail

cover design by Anne Marie Gille

detail photo by Styrous®

October 25 is the birthday of Georges Bizet (French: [ʒɔʁʒ bizɛ], who was born in 1838, with the name Alexandre César Léopold Bizet.

Bizet was a French composer of the Romantic era and is best known for his operas in a career that was cut short by his death on June 3, 1875, at the age of thirty-six. For most of his life, Bizet had suffered from a recurrent throat complaint. A heavy smoker, he may have further undermined his health by overwork during the mid-1860s, when he toiled over publishers' transcriptions for up to 16 hours a day. In 1868, he informed his music student and friend, Edmond Galabert, that he had been very ill with abscesses in the windpipe: "I suffered like a dog". In 1871, and again in 1874, while completing Carmen, he had been disabled by severe bouts of what he described as "throat angina", and suffered a further attack in late March 1875.

Georges Bizet -1875

photo by Étienne Carjat

He achieved very little success before his final work Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.

However, my very favorite piece of music by him is from his first significant opera, Les pêcheurs de perles. According to musicologist Winton Dean, "Although it has a dull libretto and a laborious plot, the music rises at times "far above the level of contemporary French opera".

Georges Bizet ~ Les pêcheurs de perles

front cover of vinyl LP box set

cover design by Anne Marie Gille

photo by Styrous®

From Wikipedia:

Its many original flourishes include the introduction to the cavatina Comme autrefois dans la nuit sombre played by two French horns over a cello background, an effect which in the words of analyst Hervé Lacombe, "resonates in the memory like a fanfare lost in a distant forest". While the music of Les pêcheurs is atmospheric and deeply evocative of the opera's Eastern setting, in La jolie fille de Perth, Bizet made no attempt to introduce Scottish colour or mood, though the scoring includes highly imaginative touches such as a separate band of woodwind and strings during the opera's Act III seduction scene. (links to background, roles and synopsis below)

Georges Bizet ~ Les pêcheurs de perles

interior of vinyl LP box set with libretto

photo by Styrous®

Georges Bizet ~ Les pêcheurs de perles

vinyl LP libretto illustration

photo of illustration by Styrous®

For me, the duet, (C'est toi!) Au fond du temple saint, sung by Nadir (Nicolai Gedda), a tenor role, and Zurga (Ernest Blanc), a baritone role, has to be the most sublime male duet in the entire operatic repertoire (link below).

The aria occurs in the first act of the opera; Nadir and Zurga have run into each other after many years. They reminisce about their friendship having been derailed because of their love for the same woman, Leila, sung by Janine Micheau, and how they had each renounced their love for this woman and had sworn to remain true to each other. Now reunited, accompanied by music that is intensely dramatic and emotional, they once again affirm that they will be faithful until death. Though nothing is stated (links below), the homo-erotic undertones are astounding!!!

The aria was used in the film Gallipoli, with Roberto Servile singing baritone, (Zurga) and Bruno Lazzaretti singing tenor (Nadir). It is an Australian war drama, directed by Peter Weir, about rural Western Australian young men who enlist in the Australian Army during the First World War (link below).

Gallipoli - 1981

Australian film poster

Gallipoli starred Mel Gibson and Mark Lee; Gibson later said that Gallipoli is, "Not really a war movie. That's just the backdrop. It's really the story of two young men." The film studies the concept of Mateship which is regarded as an Australian military virtue.

The Australian Army Recruit Training Centre lists the "soldierly qualities" it seeks to instill as including "a will to win, dedication to duty, honour, compassion and honesty, Mateship and teamwork, loyalty, and physical and moral courage."

Au fond du temple saint, by Bizet, is heard playing on Major Barton's gramophone before the final attack, drawing a parallel between the bond shared by the ill-fated soldiers of the film and the fishermen in Bizet's opera. In spite of Gibson's animosity to the gay community, which is ironic since one of the large fan bases that brought him to stardom was gay, (links below), the aria is the perfect choice for the situation. The film helped to further Gibson's career; he won the award for Best Actor in a Leading Role from the Australian Film Institute.

Georges Bizet ~ Les pêcheurs de perles

vinyl LP libretto illustration

photo of illustration by Styrous®

In 1993 another film used music from Les pêcheurs de perles. Opéra imaginaire (translates as "an opera for the imagination"). It is a 1993 French live-action animated musical anthology film, made for television. It has been compared to films like Fantasia and Allegro Non Troppo, and consists of 12 different segments, most of which are based on different popular operas (link below).

The introduction as well as the end credits utilize the Je crois entendre encore from Les pêcheurs de perles while screenshots from each of the 12 segments appear; and segment six uses Au fond du temple saint also from Les pêcheurs de perles which is sung by Nicolai Gedda and Ernest Blanc in the film as well as this recording. It is a wispy, black-and-white, rotoscoped animation depicting a condensed version of the opera's plot to its famous aria. It is directed by Jimmy T. Murakami. Opéra imaginaire was nominated for best production at the CableACE Awards in 1994.

Georges Bizet ~ Les pêcheurs de perles

vinyl LP libretto page

photos by Richard de Grab (top)

& Claude Poirier (bottom)

photo of page by Styrous®

During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857 and he was recognized as an outstanding pianist. After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to the Alphonse Daudet play, L'Arlésienne, was instantly popular. This is a brilliant work that will be a topic in a future article.

The production of Bizet's final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success.

Georges Bizet ~ Les pêcheurs de perles

vinyl LP libretto illustration

photo of illustration by Styrous®

After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre.

Tracklist:

Side 1:

A     Act I (Part 1)

Side 2:

B1     Act I (Conclusion)
B2     Act II (Part 1)

Side 3:

C     Act II (Conclusion)

Side 4:

D1     Act III, First Part
D2     Act III, Second Part

Companies, etc.

    Manufactured By – Capitol Records

Credits:

    Baritone Vocals – Ernest Blanc
    Bass Vocals – Jacques Mars
    Choir – Chorus Of The Théâtre National De L'Opéra-Comique*
    Conductor – Pierre Dervaux (2)
    Libretto By – Cormon*, Carré*
    Orchestra – Orchestra Of The Théâtre National De L'Opéra-Comique*
    Soprano Vocals – Janine Micheau
    Tenor Vocals – Nicolai Gedda

Notes:

Recorded in France. Includes 12-page booklet in French and English.
Barcode and Other Identifiers

    Other (Label Record 1): SBL 3603-1
    Other (Label Record 2): SBL 3603-2
    Other (Label Record 1): S. 35700
    Other (Label Record 2): S. 35701
    Other (Label Side A): YLX-X-1066
    Other (Label Side B): YLX-X-1067
    Other (Label Side C): YLX-X-1068
    Other (Label Side D): YLX-X-1069
    Matrix / Runout (Runout Side A): YLX-X-1066-B16
    Matrix / Runout (Runout Side B): YLX-1067-B16
    Matrix / Runout (Runout Side C): YLX-1068-B20
    Matrix / Runout (Runout Side D): YLX-1069-B15

Bizet* | Janine Micheau, Nicolai Gedda, Ernest Blanc, Jacques Mars | Chorus* And Orchestra Of The Théâtre National De L'Opéra-Comique* Conducted By Pierre Dervaux (2) ‎– The Pearl Fishers
Label: Angel Records ‎– 3603
Format: Box Set, Album, Stereo 2 × Vinyl, LP, Stereo
Country: US
Released:
Genre: Classical
Style: Opera

Viewfinder links:

Georges Bizet

Ernest Blanc

Étienne Carjat
Nicolai Gedda
Mel Gibson
Janine Micheau

Net links:

Les pêcheurs de perles (The Pearl Fishers) ~

Background
Roles

Synopsis

Classical Inquiries ~ Comments on The Pearl Fishers by Bizet

Mel Gibson's Anti-gay History

Hollywood Reporter ~ Mel Gibson's father calls pope homosexual

Huffpost ~ Celebrity Homophobic Rants

Medicine Opera ~ The Pearl Fishers (Duet lyrics)

NY Daily News ~ Ledger Brokeback Mountain role miffed Gibson