Showing posts with label Jeff Adachi. Show all posts
Showing posts with label Jeff Adachi. Show all posts

February 23, 2019

Jeff Adachi & The Golden Ring

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This morning I heard on the news that San Francisco Public Defender Jeff Adachi had a heart attack and died yesterday; I was dumbfounded to hear this.     
  
I met Jeff in 1999 when I was producing an event for the Asian American Arts Foundation (links below). Jeff was the chair for the event and we worked together for many hours and became friends. I liked him tremendously; he was gentle and soft spoken but when he did speak, it was with authority and certainty. He was polite to everyone and when needed, he could rationally direct them to what was the proper course to take. He was magnificent! 
     
      
Jeff Adachi 
photo by Quint King


It was an experience of a lifetime; while working on the production I met a few celebrities: Charlie Low of the Forbidden City, Rolling Stone journalist Ben Fong-Torres (link below), actress Pat Suzuki (link below), actor Lou Diamond Phillips (link below), Mayor Willie Brown and many others.    

We kept in touch for a while after the event but eventually drifted apart, however, I would watch his career progress over the years. In addition to his many legal activities he was active in social reform, hailed as a warrior for criminal justice reform and praised as a champion “for those who didn’t have a voice.”

On August 1, 2013 He gave a brilliant talk on the ethical dilemma of implicit or unconscious bias in the law at the Criminal Litigation Ethics Seminar at UC Hastings College of the Law (link below). 

He  wrote, produced, and directed The Slanted Screen, a 2006 documentary film about stereotypical depictions of Asian males in American cinema. The film won awards at the New York International Independent Film & Video Festival and at the Berkeley Film Festival. In 2009, he directed You Don't Know Jack: The Jack Soo Story, which won the best documentary film at the Accolade Film Festival

In 2016, he made the film America Needs a Racial Facial, an eight-minute history of racism in the U.S. It won the best short documentary at the Hollywood Independent Documentary Film Festival awards in February of 2016 and earned a distribution deal by the Films for the Humanities and Sciences later that year.    


Jeff Adachi - February 21, 2016 
photographer unknown


His 2017 documentary Defender, co-directed with Jim Choi, won best documentary at the Independent Television Festival. The 70-minute piece followed a racially charged case tried by Adachi as well as a case handled by the office's immigration unit.        

Jeff Adachi is believed to have suffered a heart attack at 46 Telegraph Place near Coit Tower. He was 59 years old. He will be missed by many people.     
     
     
      Viewfinder links:        
   
Jeff Adachi articles/mentions      
Flower Drum Song & Pat Suzuk     
Golden Ring Awards ~ October 2, 1999        
       
Net links:        

SF Public Defender ~ Talk: Implicit Bias - August 1, 2013    
ABC News ~ obit
KQED ~ obit       
LA Times ~ obit
SF Chronicle ~ obit
SF Examiner ~  obit      
        
YouTube links:        
         
Jeff Adachi - Golden Ring Awards 1999       
Lou Diamond Phillips - Golden Ring Awards 1999         
Ben Fong Torres - Golden Ring Awards 1999       


"The history of man has just begun; 
in the aeons which lie before him 
lie limitless hope or limitless despair."
                      ~ Jeff Adachi - 2013


Styrous® ~ Saturday, February 23, 2019    








September 22, 2018

20,000 Vinyl LPs 149: Flower Drum Song & Pat Suzuki

vinyl LP album front cover with signatures
photo by Styrous®

Today is the birthday of Pat Suzuki, an American popular singer and actress, who is best known for her role in the original Broadway production of the musical Flower Drum Song, and her performance of the song I Enjoy Being a Girl in the show.    

I met her on October 2 of 1999 during the production of the Golden Ring Awards (link below) for the Asian American Arts Foundation at the Theater in the Palace of Fine Arts, San Francisco, California. I had been hired by Jeff Adachi, who was later to become the San Francisco Public Defender.    

I wrote the theme music and was music director for the event. There were many art luminaries being honored that evening and I brought the record albums of some the celebrities being honored and had them autograph them. Ms. Suzuki was one of them. She was delightful and very gracious; she signed the front of the album twice because she realized her signature was not legible the first time.  




vinyl LP album front cover details with signatures
detail photos by Styrous®
  
        
       

Suzuki is a Nisei or second-generation Japanese American, and was born Chiyoko Suzuki on September 22, 1930, in Cressey, California. Her father, Aki, was a musician who played traditional Japanese instruments.     
 
In February 1942, a few months after the United States entered World War II, U.S. President Franklin D. Roosevelt signed Executive Order 9066. Under XO 9066, the Suzuki family and more than 110,000 other Japanese American residents of the U.S. Pacific coast states were forced to evacuate their homes and enter American concentration camps. The Suzukis were sent to the Merced Assembly Center and later, the Granada War Relocation Center in Colorado. The Suzuki family left Granada to work on a sugar beet farm and returned to California after the war.   


date & photographer unknown

During the early 1950s, she attended five colleges and graduated from San Jose State University, earning teaching credentials for elementary and secondary schools. After deciding against a career in education, she decided to travel to Europe, but ran out of money in New York, so she obtained a part in a touring production of the play, The Teahouse of the August Moon. While touring with the company, Suzuki took on gigs singing in nightclubs to cover her expenses, and ended up becoming a local celebrity at the Colony Club in Seattle in 1955, appearing for three years and more than 2,000 consecutive performances. Bing Crosby attended one of her shows at the club in 1957. Her singing so impressed him he helped her obtain a recording contract with RCA Victor. She recorded several albums for RCA Victor, including her 1958 debut album, Pat Suzuki. She does a cover version of How High the Moon (music by Morgan Lewis and lyrics by Nancy Hamilton) on the album; it is very slow and kind of south-sea island sounding (link below).


Pat Suzuki ~ Pat Suzuki 
vinyl LP album front cover


She received national exposure after appearances on several network television programs, including her television debut on The Lawrence Welk Show, The Frank Sinatra Show on ABC and Tonight Starring Jack Paar (March 1958).   

After appearing on Jack Paar, Richard Rodgers called Suzuki to offer her the role of Linda Low, one of the leads in the Rodgers and Hammerstein Broadway production of the musical Flower Drum Song in 1958. She actually turned down the role at first ("I thought it was too big for me"), for which she later won the Theatre World Award for an outstanding New York City stage debut performance, in 1959. Suzuki's rendition of I Enjoy Being a Girl is deemed to be the definitive recording. 


vinyl LP album front cover details with signatures
detail photo by Styrous®


Pat Suzuki (left) and Miyoshi Umeki (right) was directed by Gene Kelly (center) for Flower Drum Song on Broadway in 1958.      


© Sony Music Entertainment Courtesy Sony Music Archives


vinyl LP album back cover detail 
detail photo by Styrous®

The music from the show ranges from the lyrically beautiful to the dramatic to the comic. Miyoshi Umeki, as Mei Li, sings the quietly beautiful song, A Hundred Million Miracles. While Juanita Hall and Key Luke sing the wonderfully ironic, The Other Generation, "How will we ever communicate without communication?" (links below)
    

vinyl LP album front cover details with signatures
detail photo by Styrous®


Flower Drum Song was the eighth musical by the team of Richard Rodgers and Oscar Hammerstein II. It is based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Y. Lee. Lee's novel focuses on a father, Wang Chi-yang, a wealthy refugee from China, who clings to traditional values in San Francisco's Chinatown. Rodgers and Hammerstein shifted the focus of the musical to his son, Wang Ta, who is torn between his Chinese roots and assimilation into American culture. The team hired Gene Kelly to make his debut as a stage director with the musical and scoured the country for a suitable Asian – or at least, plausibly Asian-looking – cast.              

After the release of the 1961 film version, when it was put on the stage, lines and songs that might be offensive were often cut.        
       

vinyl LP album back cover
photo by Styrous®


According to Rodgers biographer Meryle Secrest, Rodgers, Hammerstein and Fields had hoped to engage Yul Brynner as director. However, he was busy starring in The Sound and the Fury. Instead, they hired actor and dancer Gene Kelly, who had never directed on stage before. Kelly felt that the work would not be one of Rodgers and Hammerstein's best, but "as long as I crammed the show brim-full of every joke and gimmick in the book, I could get it to work".         

Joshua Logan recommended a young Japanese actress, Miyoshi Umeki, whom he had discovered and cast the previous year opposite Marlon Brando in the film Sayonara (for which she won the Best Supporting Actress Oscar); she was cast as Mei Li. They cast Keye Luke, well known as the Charlie Chan "Number One Son", as Master Wang. Robert Russell Bennett orchestrated the score.      

Flower Drum Song opened on Broadway at the St. James Theatre on December 1, 1958. Sets were designed by Oliver Smith, costumes by Irene Sharaff and lighting by Peggy Clark.      


vinyl LP label, side 1
photo by Styrous®



vinyl LP label, side 2
photo by Styrous®

Tracklist:

Side 1: 

A1 - Overture     4:15
A2 - You Are Beautiful     4:06
A3 - A Hundred Million Miracles     4:29
A4 - I Enjoy Being A Girl     3:40
A5 - I Am Going To Like It Here     3:54
A6 - Like A God     1:37
A7 - Chop Suey     2:41
A8 - Don't Marry Me     4:10



Side 2:  

B1 - Entr'acte     1:36
B2 - Grant Avenue     2:36
B3 - Love, Look Away     3:35
    At The Celestial Bar     (5:07)
B4a - Fan Tan Fanny   
B4b - Gliding Through My Memoree   
B4c - Grant Avenue (Reprise)   
B5 - The Other Generation     3:19
B6 - Sunday     4:25
B7 - The Other Generation (Reprise)     2:05
B8 - Wedding Parade And Finale     2:28

Credits:

    Artwork – Stubis*
    Directed By – Gene Kelly
    Ensemble – Baayork Lee, Betty Kawamura, David Lober, David Toguri, Denise Quan, Fumi Akimoto, George Li, George Minami, George Young (6), Helen Fumai, Jo Anne Miya, Jose Ahumada, Mabel Wing, Marion Jim, Mary Huie, Maureen Tiongco, Pat Griffith, Paula Chin, Robert Lorca, Shawnee Smith (2), Vicki Racimo, Victor Duntiere, Wonci Lui, Yuriko (3)
    Liner Notes – George B. Dale*
    Lyrics By – Oscar Hammerstein 2nd*
    Music By – Richard Rodgers
    Producer [For Records] – Goddard Lieberson
    Screenwriter – Joseph Fields, Oscar Hammerstein 2nd*
    Vocals – Anita Ellis (tracks: B4), Arabella Hong (tracks: B3), Baayork Lee (tracks: B7), Cely Carrillo (tracks: B7), Conrad Yama (tracks: A3), Ed Kenney (tracks: A2, A6), Jack Soo (tracks: B4), Juanita Hall (tracks: A2, A3, A7, B5), Keye Luke (tracks: A3, B5), Larry Blyden (tracks: A8, B6), Linda And Yvonne Ribuca (tracks: B7), Luis Robert Hernandez (tracks: B7), Miyoshi Umeki (tracks: A3, A5, A8), Pat Adiarte (tracks: A7, B7), Pat Suzuki (tracks: A4, B2, B4, B6), Rose Quong (tracks: A3), Susan Lynn (tracks: B7)

Notes:

A New Musical, opened at the Shubert Theater in Boston on October 27, 1958 and in New York at the St. James Theater on December 1, 1958.
Barcode and Other Identifiers

    Matrix / Runout (side A matrix): x"LP"44876
    Matrix / Runout (side B matrix): x"LP"44877
    Matrix / Runout (side A runout stamped): XXLP44876-1FA
    Matrix / Runout (side B runout stamped): XLP44877-1AA
    Matrix / Runout ((var. 1) side A runout stamped): XXLP44876-1FG P Λ
    Matrix / Runout ((var. 1) side B runout stamped): XXLP-44877-1CJ P

Rodgers & Hammerstein In Association With Joseph Fields ‎– Flower Drum Song
Label: Columbia Masterworks ‎– OL 5350
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1958
Genre: Stage & Screen
Style: Musical
      



Viewfinder links:     
        
Bing Crosby        
Gene Kelly     
Richard Rodgers       
Frank Sinatra         
         
Net links:     
        
Pat Suzuki Discography     
Masterworks Broadway ~ Flower Drum Song images - 1958   
UCR ~ Suzuki and Son Take Ride on the Tramway       
         
 YouTube links:     
        
Pat Suzuki -   
       How High The Moon       
Flower Drum Song ~   
       Overture   
       You Are Beautiful      
       A Hundred Million Miracles    
       I Enjoy Being a Girl  
       I Am Going to Like It Here     
       Like a God       
       Chop Suey        
       Don't Marry Me
       Grant Avenue         
       Fan Tan Fannie      
       The Other Generation         
       Sunday                Fan Tan Fannie (movie)               
            
         
     
       
Pat Suzuki
date & photographer unknown
        
         
         
Styrous® ~ Saturday, September 22, 2018
     













February 17, 2014

Golden Ring Awards ~ October 2, 1999

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As I have observed in previous postings, it is interesting that people and events from various periods of my life have been reappearing in the last two or three years. I was surfing through YouTube a few days ago and discovered an event I was involved with in 1999.

It was early in 1999 that Jeff Adachi approached me about scoring the theme song for the Asian American Arts Foundation's awards ceremony to be held on October 2nd of that year. At that time he was a deputy public defender with the San Francisco Public Defender’s Office. He later became Public Defender of the City and County of San Francisco.

While working on and researching the music for the production I had the opportunity to meet many interesting people. It was a role call of luminaries.

The presentation of awards was captured on video and and I found they now can be seen on YouTube. There are 18 videos in all. Below are links to those videos of the honorees, presenters and performers of that event, the 1999 awards ceremony of the Asian American Arts Foundation.

Enjoy, Styrous®


Links to YouTube urls:


1-18 The Mountain Brothers - performance

2-18 Janice Mirikitani & Willie Brown - Lifetime Achievement Award
Amy Hill, Janice Mirikitani, Mayor Willie Brown, Genevieve Lee

3- 18 Jeff Adachi - Chairman & Producer
Amy Hill, Jeff Adachi

4-18 Tatyana Ali - Emerging Artist Award
Amy Hill, Dante Basco, Fakin'the Funk, The Fresh Prince of Bel Air,

5-18 Pearl Ubungen - Film: International Hotel
Amy Hill, Pearl Ubungen, Dance

6-18 Chang Chen Yi - Animation Award
Amy Hill, Gedde Watanabe, Chang Chen-Yi, Mulan

7-18 Ann Carli - Film & Music Producer
Amy Hill, Ben Fong Torres, Jada Pinkett Smith, Will Smith, Ann Carli

8-18 Julie Plug - performance

9-18 "Remembering Charlie Low"
Amy Hill, Kelvin Han Yee, The Forbidden City Tribute, "Remembering Charlie Low"

10-18 "Remembering Charlie Low" Honored Award
Amy Hill, Pat Suzuki, Charlie Low, Joyce Low, The Forbidden City

11-18 Chris Chan Lee - Asian American Filmmakers
James Shigeta, Miiko Taka, Chris Chan Lee, Yellow

12-18 Mia Wu & Dick Gallagher - performance
Amy Hill, Mia Wu, Dick Gallagher

13-18 Phillip Rhee - Best of the Best
Amy Hill, Robin Shou, Phillip Rhee

14-18 Ming Na - Ana Mae Wong Award
Amy Hill, Rick Yune, Ming Na Wen, Mulan

15-18 - One Vo1ce - performance
Amy Hill, One Vo1ce, What you think about me

16-18 Lou Diamond Phillips - Honor Award
Amy Hill, Lou Diamond Phillips




Styrous® ~ Monday, February 17, 2014

January 31, 2011

about Styrous®

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I was raised in San Francisco and have been involved with Jingletown in Oakland for the last 25 or more years. I studied music theory and composition, and danced from 1958 to 1977. I owned and operated my production company for over 20 years, producing live events (company promotions, dance and theater productions, and performance art). I produced fashion shows for over 20 years for Obiko, other fashion stores and art-to-wear designers. I composed music for films, commercials, the San Francisco wearable art store, Cicada, and the theme song for the Asian American Arts Foundation’s 1999 Golden Ring Awards at the Palace of Fine Arts theater in San Francisco. The contacts through these many venues have inspired my photographic development of characters and subjects.

I converted from film to digital in 2001. My work, described as Formalist and "romantic-realist", is represented in private collections in Spain, France, Switzerland, Greece, Mexico and the United States. My work is in the San Jose Museum of Quilts & Textiles and the archives of the Textile Arts Council of the M. H. de Young Museum in San Francisco.

I am now experimenting with "processed" images.

My work can be seen on my website.
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