Showing posts with label Gene Kelly. Show all posts
Showing posts with label Gene Kelly. Show all posts

April 1, 2019

Debbie Reynolds

~
photo by Allan Warren


Today is the birthday of Debbie Reynolds, the movie star dreams are made of. I remember my first awareness of her was with the 1950 tune, Aba Daba Honeymoon, which she sang in the film, Two Weeks With Love (which I never saw). It was originally written by Arthur Fields and Walter Donovan in 1914. It was the first soundtrack recording to become a top-of-the-chart gold record, reaching number three on the Billboard charts. I was ten or so at the time but I remember thinking it was a stupid song, however, as I heard it everywhere, it stuck in my mind and I drove my mother CRAZY singing it over and over. I forgive her the indiscretion, however, Debbie that is.     


Aba Daba Honeymoon 1914 music sheet cover
with photograph of singer Ed Morton


My next awareness of her was in the 1952 film, Singin' in the Rain, which also starred Gene Kelly and Donald O'Connor. I thought Gene and Don made a terrific dance duo! That movie was when I fell in love with her! She was sweet, innocent and adorable! I've been in love with her ever since.          

In 1955, she married singer Eddie Fisher and had two children, Todd and Carrie Fisher, the latter of Star Wars fame . . . 


photographer unknown 

            
. . . Reynolds & Fisher divorced in 1959 when it was revealed shortly after the death of Mike Todd, the husband of Elizabeth Taylor, that Fisher had been having an affair with Taylor; she and Reynolds were friends at the time. The Fisher – Taylor affair was a public scandal which led to the cancellation of the Eddie Fisher Show. Fisher and Taylor later married. 

In 1957, her recording of the song Tammy (from Tammy and the Bachelor), earned her a gold record, and was the best-selling single by a female vocalist in 1957. It was number one for five weeks on the Billboard pop charts. In the movie (the first of the Tammy film series), she co-starred with Leslie Nielsen.       

In 1964, she starred in The Unsinkable Molly Brown (link below) which led to a nomination for the Academy Award for Best Actress.           
          
In 1966, Reynolds portrayed Jeanine Deckers in The Singing Nun. She once called it the "stupidest mistake of my entire career"     

She was born, Mary Frances "Debbie" Reynolds on April 1, 1932, in El Paso, Texas. Her father, Ray, was a carpenter who worked for the Southern Pacific Railroad. She was of Scottish-Irish and English ancestry and was raised in a Nazarene, an evangelical Christian denomination, church.     

Her mother took in laundry for income, while they lived in a shack on Magnolia Street in El Paso. "We may have been poor," she said in a 1963 interview, "but we always had something to eat, even if Dad had to go out on the desert and shoot jackrabbits."      

Her family moved to Burbank, California in 1939. When Reynolds was a sixteen-year-old student at Burbank High School in 1948, she won the Miss Burbank beauty contest. Soon after, she had a contract with Warner Bros and acquired the nickname "Debbie" via Jack L. Warner.

One of her closest high school friends said:     
"They never found her attractive in school. She was cute, but sort of tomboyish, and her family never had any money to speak of. She never dressed well or drove a car. And, I think, during all the years in school, she was invited to only one dance.    

I say this in all sincerity. Debbie can serve as an inspiration to all young American womanhood. She came up the hard way, and she has a realistic sense of values based on faith, love, work and money. Life has been kind to her because she has been kind to life. She's a young woman with a conscience, which is something rare in Hollywood actresses. She also has a refreshing sense of honesty."    
Reynolds agreed, saying that "when I started, I didn't even know how to dress. I wore dungarees and a shirt. I had no money, no taste and no training.      

On December 23, 2016, Reynolds's daughter—actress and writer Carrie Fisher—suffered a medical emergency on a transatlantic flight from London to Los Angeles, and died on December 27 at the age of 60. The following day, December 28, Reynolds was taken by ambulance to Cedars-Sinai Medical Center in Los Angeles, after suffering a "severe stroke," according to her son, Todd Fisher. Later that afternoon, Reynolds was pronounced dead in the hospital; she was 84 years old. On January 9, 2017, her cause of death was determined to be intracerebral hemorrhage, with hypertension a contributing factor.      

Todd later said that Reynolds had been seriously affected by her daughter's death, and that her grief was partially responsible for her stroke, noting that his mother had stated "I want to be with Carrie" shortly before she died. During an interview for the December 30, 2016 airing of the ABC-TV program 20/20, Todd elaborated on this, saying that his mother had joined his sister in death because Reynolds "didn't want to leave Carrie and did not want her to be alone." He added, that "she didn't die of a broken heart" as some news reports had implied, but rather "just left to be with Carrie.       
     
          
            
             
Viewfinder links:           
       
Carrie Fisher       
Eddie Fisher           
Gene Kelly       
Donald O'Connor       
Debbie Reynolds        
Singin' In the Rain         
Elizabeth Taylor          
            
Net links:     
    
Filmography            
Music career and cabaret          
Stage work         
            
            
Styrous® ~ Monday, April 1, 2019           
             
















December 28, 2018

20,000 vinyl LPs 163: Leonard Bernstein ~ On the Town in 1944

~    
vinyl LP album cover detail
detail photo by Styrous®


On December 28, 1944, the musical On the Town premiered on Broadway at the Adelphi Theater in New York City and ran for 462 performances. It featured the song, New York, New York.               

The production starred John Battles (Gabey), Cris Alexander (Chip), Nancy Walker (Hildy), Sono Osato (Ivy), Betty Comden (Claire), and Adolph Green (Ozzie). The musical director was Max Goberman.     

Although Comden and Green sing some of the songs, this is not an original cast recording and it is on side two of the record. It is a 1950 re-issue of monaural 78 RPM recordings of songs from On the Town. Other singers on the recording are Nancy Walker, Toots Camarata, Lyn Murray and Mary Martin (link below). It featured the Lyn Murray chorus and orchestra.        


vinyl LP album back cover detail
detail photo by Styrous®


Side one of the recording has the music from Lute Song which features songs from that production sung by Mary Martin.  The orchestra was directed by Raymond Scott (link below) who also wrote the music.

         
vinyl LP album cover 
photo by Styrous®


The big hit from the On the Town was, New York, New York, sung by Lyn Murray on this recording; the famous line from the song is, "New York, New York, a helluva town. The Bronx is up but the Battery's down." (link below).               

Frank Sinatra, Gene Kelly and Jules Munshin performed New York, New York in the 1949 MGM musical film version of On the Town (links below). The film was directed and choreographed by Kelly.      


vinyl LP album back cover
photo by Styrous®


The other songs from On the Town never reached the popularity of New York but they are a lot of fun (links below). They are typical of the bebop music, à la the The Andrews Sisters (link below), of the period.        



vinyl LP album back cover detail
detail photo by Styrous®







 

Side 2:    

        On The Town

       
B1a – Lyn Murray Chorus And Lyn Murray Orchestra - On The Town Opening
    –     I Feel Like I'm Not Out Of Bed Yet, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein
   
B1b – New York, New York, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein
   
B2 – Betty Comden And Adolph Green With Lyn Murray Orchestra - I Get Carried Away, Directed By Lyn Murray, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein
   
B3 – Mary Martin With Toots Camarata And His Orchestra - Lucky To Be Me, Directed By Tutti Camarata, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein
   
B4 – Mary Martin With Toots Camarata And His Orchestra - Lonely Town, Directed By Tutti Camarata, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein
   
B5 – Nancy Walker With Leonard Joy Orchestra - I Can Cook Too, Directed By  Leonard Joy, Lyrics By – Betty Comden-Adolph Green, Music By – Leonard Bernstein
   
B6 – Nancy Walker With Leonard Joy Orchestra - Ya Got Me, Directed By Leonard Joy, Lyrics By Betty Comden-Adolph Green, Music By Leonard Bernstein

   
Notes:

Also available in Decca 78 rpm albums: Lute Song: A-445; On The Town: A-416
Barcode and Other Identifiers

    Matrix / Runout (Side A label): (MG 1624)
    Matrix / Runout (Side B label): (MG 1625)

Various ‎– Selections From 'Lute Song' And 'On The Town'
Label: Decca ‎– DL 8030
Format: Vinyl, LP, Compilation
Country: US
Released: 1950
Genre: Stage & Screen
Style: Musical
 
 
    
     
Viewfinder links:            
            
The Andrews Sisters        
Leonard Bernstein
Gene Kelly       
Mary Martin       
Raymond Scott       
Frank Sinatra   
   
Net links:            
           
Plot summary       
    
YouTube links:            
            
Lyn Murray ~ I Feel Like I'm Not Out Of Bed Yet / New York, New York
1949 MGM musical film ~ New York, New York                
Mary Martin ~ Lucky To Be Me     
                     ~ Lonely Town         
Nancy Walker ~ I Can Cook Too    
                       ~ Ya Got Me        
Betty Comden & Adolph Green ~ I Get Carried Away        
     
    
     
       
      

On the Town theater poster ~ 1945
       
      
    
     
Styrous® ~  Friday, December 28. 2018   


 











September 22, 2018

20,000 Vinyl LPs 149: Flower Drum Song & Pat Suzuki

vinyl LP album front cover with signatures
photo by Styrous®

Today is the birthday of Pat Suzuki, an American popular singer and actress, who is best known for her role in the original Broadway production of the musical Flower Drum Song, and her performance of the song I Enjoy Being a Girl in the show.    

I met her on October 2 of 1999 during the production of the Golden Ring Awards (link below) for the Asian American Arts Foundation at the Theater in the Palace of Fine Arts, San Francisco, California. I had been hired by Jeff Adachi, who was later to become the San Francisco Public Defender.    

I wrote the theme music and was music director for the event. There were many art luminaries being honored that evening and I brought the record albums of some the celebrities being honored and had them autograph them. Ms. Suzuki was one of them. She was delightful and very gracious; she signed the front of the album twice because she realized her signature was not legible the first time.  




vinyl LP album front cover details with signatures
detail photos by Styrous®
  
        
       

Suzuki is a Nisei or second-generation Japanese American, and was born Chiyoko Suzuki on September 22, 1930, in Cressey, California. Her father, Aki, was a musician who played traditional Japanese instruments.     
 
In February 1942, a few months after the United States entered World War II, U.S. President Franklin D. Roosevelt signed Executive Order 9066. Under XO 9066, the Suzuki family and more than 110,000 other Japanese American residents of the U.S. Pacific coast states were forced to evacuate their homes and enter American concentration camps. The Suzukis were sent to the Merced Assembly Center and later, the Granada War Relocation Center in Colorado. The Suzuki family left Granada to work on a sugar beet farm and returned to California after the war.   


date & photographer unknown

During the early 1950s, she attended five colleges and graduated from San Jose State University, earning teaching credentials for elementary and secondary schools. After deciding against a career in education, she decided to travel to Europe, but ran out of money in New York, so she obtained a part in a touring production of the play, The Teahouse of the August Moon. While touring with the company, Suzuki took on gigs singing in nightclubs to cover her expenses, and ended up becoming a local celebrity at the Colony Club in Seattle in 1955, appearing for three years and more than 2,000 consecutive performances. Bing Crosby attended one of her shows at the club in 1957. Her singing so impressed him he helped her obtain a recording contract with RCA Victor. She recorded several albums for RCA Victor, including her 1958 debut album, Pat Suzuki. She does a cover version of How High the Moon (music by Morgan Lewis and lyrics by Nancy Hamilton) on the album; it is very slow and kind of south-sea island sounding (link below).


Pat Suzuki ~ Pat Suzuki 
vinyl LP album front cover


She received national exposure after appearances on several network television programs, including her television debut on The Lawrence Welk Show, The Frank Sinatra Show on ABC and Tonight Starring Jack Paar (March 1958).   

After appearing on Jack Paar, Richard Rodgers called Suzuki to offer her the role of Linda Low, one of the leads in the Rodgers and Hammerstein Broadway production of the musical Flower Drum Song in 1958. She actually turned down the role at first ("I thought it was too big for me"), for which she later won the Theatre World Award for an outstanding New York City stage debut performance, in 1959. Suzuki's rendition of I Enjoy Being a Girl is deemed to be the definitive recording. 


vinyl LP album front cover details with signatures
detail photo by Styrous®


Pat Suzuki (left) and Miyoshi Umeki (right) was directed by Gene Kelly (center) for Flower Drum Song on Broadway in 1958.      


© Sony Music Entertainment Courtesy Sony Music Archives


vinyl LP album back cover detail 
detail photo by Styrous®

The music from the show ranges from the lyrically beautiful to the dramatic to the comic. Miyoshi Umeki, as Mei Li, sings the quietly beautiful song, A Hundred Million Miracles. While Juanita Hall and Key Luke sing the wonderfully ironic, The Other Generation, "How will we ever communicate without communication?" (links below)
    

vinyl LP album front cover details with signatures
detail photo by Styrous®


Flower Drum Song was the eighth musical by the team of Richard Rodgers and Oscar Hammerstein II. It is based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Y. Lee. Lee's novel focuses on a father, Wang Chi-yang, a wealthy refugee from China, who clings to traditional values in San Francisco's Chinatown. Rodgers and Hammerstein shifted the focus of the musical to his son, Wang Ta, who is torn between his Chinese roots and assimilation into American culture. The team hired Gene Kelly to make his debut as a stage director with the musical and scoured the country for a suitable Asian – or at least, plausibly Asian-looking – cast.              

After the release of the 1961 film version, when it was put on the stage, lines and songs that might be offensive were often cut.        
       

vinyl LP album back cover
photo by Styrous®


According to Rodgers biographer Meryle Secrest, Rodgers, Hammerstein and Fields had hoped to engage Yul Brynner as director. However, he was busy starring in The Sound and the Fury. Instead, they hired actor and dancer Gene Kelly, who had never directed on stage before. Kelly felt that the work would not be one of Rodgers and Hammerstein's best, but "as long as I crammed the show brim-full of every joke and gimmick in the book, I could get it to work".         

Joshua Logan recommended a young Japanese actress, Miyoshi Umeki, whom he had discovered and cast the previous year opposite Marlon Brando in the film Sayonara (for which she won the Best Supporting Actress Oscar); she was cast as Mei Li. They cast Keye Luke, well known as the Charlie Chan "Number One Son", as Master Wang. Robert Russell Bennett orchestrated the score.      

Flower Drum Song opened on Broadway at the St. James Theatre on December 1, 1958. Sets were designed by Oliver Smith, costumes by Irene Sharaff and lighting by Peggy Clark.      


vinyl LP label, side 1
photo by Styrous®



vinyl LP label, side 2
photo by Styrous®

Tracklist:

Side 1: 

A1 - Overture     4:15
A2 - You Are Beautiful     4:06
A3 - A Hundred Million Miracles     4:29
A4 - I Enjoy Being A Girl     3:40
A5 - I Am Going To Like It Here     3:54
A6 - Like A God     1:37
A7 - Chop Suey     2:41
A8 - Don't Marry Me     4:10



Side 2:  

B1 - Entr'acte     1:36
B2 - Grant Avenue     2:36
B3 - Love, Look Away     3:35
    At The Celestial Bar     (5:07)
B4a - Fan Tan Fanny   
B4b - Gliding Through My Memoree   
B4c - Grant Avenue (Reprise)   
B5 - The Other Generation     3:19
B6 - Sunday     4:25
B7 - The Other Generation (Reprise)     2:05
B8 - Wedding Parade And Finale     2:28

Credits:

    Artwork – Stubis*
    Directed By – Gene Kelly
    Ensemble – Baayork Lee, Betty Kawamura, David Lober, David Toguri, Denise Quan, Fumi Akimoto, George Li, George Minami, George Young (6), Helen Fumai, Jo Anne Miya, Jose Ahumada, Mabel Wing, Marion Jim, Mary Huie, Maureen Tiongco, Pat Griffith, Paula Chin, Robert Lorca, Shawnee Smith (2), Vicki Racimo, Victor Duntiere, Wonci Lui, Yuriko (3)
    Liner Notes – George B. Dale*
    Lyrics By – Oscar Hammerstein 2nd*
    Music By – Richard Rodgers
    Producer [For Records] – Goddard Lieberson
    Screenwriter – Joseph Fields, Oscar Hammerstein 2nd*
    Vocals – Anita Ellis (tracks: B4), Arabella Hong (tracks: B3), Baayork Lee (tracks: B7), Cely Carrillo (tracks: B7), Conrad Yama (tracks: A3), Ed Kenney (tracks: A2, A6), Jack Soo (tracks: B4), Juanita Hall (tracks: A2, A3, A7, B5), Keye Luke (tracks: A3, B5), Larry Blyden (tracks: A8, B6), Linda And Yvonne Ribuca (tracks: B7), Luis Robert Hernandez (tracks: B7), Miyoshi Umeki (tracks: A3, A5, A8), Pat Adiarte (tracks: A7, B7), Pat Suzuki (tracks: A4, B2, B4, B6), Rose Quong (tracks: A3), Susan Lynn (tracks: B7)

Notes:

A New Musical, opened at the Shubert Theater in Boston on October 27, 1958 and in New York at the St. James Theater on December 1, 1958.
Barcode and Other Identifiers

    Matrix / Runout (side A matrix): x"LP"44876
    Matrix / Runout (side B matrix): x"LP"44877
    Matrix / Runout (side A runout stamped): XXLP44876-1FA
    Matrix / Runout (side B runout stamped): XLP44877-1AA
    Matrix / Runout ((var. 1) side A runout stamped): XXLP44876-1FG P Λ
    Matrix / Runout ((var. 1) side B runout stamped): XXLP-44877-1CJ P

Rodgers & Hammerstein In Association With Joseph Fields ‎– Flower Drum Song
Label: Columbia Masterworks ‎– OL 5350
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1958
Genre: Stage & Screen
Style: Musical
      



Viewfinder links:     
        
Bing Crosby        
Gene Kelly     
Richard Rodgers       
Frank Sinatra         
         
Net links:     
        
Pat Suzuki Discography     
Masterworks Broadway ~ Flower Drum Song images - 1958   
UCR ~ Suzuki and Son Take Ride on the Tramway       
         
 YouTube links:     
        
Pat Suzuki -   
       How High The Moon       
Flower Drum Song ~   
       Overture   
       You Are Beautiful      
       A Hundred Million Miracles    
       I Enjoy Being a Girl  
       I Am Going to Like It Here     
       Like a God       
       Chop Suey        
       Don't Marry Me
       Grant Avenue         
       Fan Tan Fannie      
       The Other Generation         
       Sunday                Fan Tan Fannie (movie)               
            
         
     
       
Pat Suzuki
date & photographer unknown
        
         
         
Styrous® ~ Saturday, September 22, 2018
     













June 23, 2017

Gene Kelly articles/mentions

 ~    
     
      
mentions:                
Birth of the 33 1/3 rpm LP             
On the Town         
The Pajama Game           
Singin' In the Rain                
     
       
        
        
        
Gene Kelly - 1943           
publicity photo         
          

     
       
           

~
  ~












June 21, 2017

Birth of the 33 1/3 RPM LP ~ June 18, 1948

This month marks the anniversary of the birth of the modern vinyl LP record developed by Columbia Records almost seventy years ago.


 
photo by Styrous®


CBS Laboratories head research scientist Peter Goldmark led Columbia's team to develop a phonograph record that would hold at least 20 minutes per side. The team included Howard H. Scott, who died September 22, 2012, at the age of 92.

Research began in 1941, was suspended during World War II, and then resumed in 1945. Columbia Records unveiled the LP at a press conference in the Waldorf Astoria on June 18, 1948, in two formats: 10 inches (25 centimetres) in diameter, matching that of 78 rpm singles, and 12 inches (30 centimetres) in diameter.     

The initial release of 133 recordings were: 85 twelve-inch classical LP's (ML4001 to 4085), 26 ten-inch classics (ML2001 to 2026), 18 ten-inch popular numbers (CL6001 to 6018) and 4 ten-inch juvenile records (JL 8001 to 8004).     

According to the 1949 Columbia catalog, issued September 1948, the first twelve-inch LP was the Felix Mendelssohn Violin Concerto in E minor, Op. 64 (1844), conducted by Bruno Walter with Nathan Milstein playing violin and the New York Philharmonic (ML 4001). Milstein made four other recordings of the concerto.       


Violin Concerto in E minor, Op. 64 (1844) 
Nathan Milstein - violin, 
the New York Philharmonic, conducted by Bruno Walter  
September 1948 recording 


Three ten-inch series were released: 'popular', starting with the reissue of The Voice of Frank Sinatra (CL 6001); 'classical', numbering from the Symphony No. 8 by Ludwig van Beethoven (ML 2001), and 'juvenile', commencing with Nursery Songs by Gene Kelly (JL 8001).

September 1948 recording 



Also released at this time were a pair of 2-LP opera sets, La Bohème by Giacomo Puccini, SL-1 and Hansel & Gretel by Engelbert Humperdinck (not the 1960's singer), SL-2.     
When the LP was introduced in 1948, the 78 was the conventional format for phonograph records. The major labels in the United States ceased the manufacturing of 78s for popular and classical releases in 1956.      



"It was so exciting to go to the record shop,
buy a piece of vinyl and hold it, 
read the liner notes, look at the pictures. 
Even the smell of the vinyl."
                                   Martin Gore


Styrous® ~ June 21, 2017