Showing posts with label Richard Rodgers. Show all posts
Showing posts with label Richard Rodgers. Show all posts

March 28, 2021

78 RPMs 9: Paul Whiteman ~ King of Jazz

  ~    
 
It is the birthday of Paul Whiteman today. One of his hits was Together, a 1928 pop song with music by Ray Henderson and lyrics by Buddy G. DeSylva and Lew Brown. The most popular version of the tune was by Whiteman with Bix Beiderbecke on cornet.              
 
 
12" 78 rpm record, side 1
photo by Styrous®


Together has a radically varying waltz tempo from traditional 1-2-3, with a vocal by Jack Fulto and an echoey vibraphone; then it goes into a 1920's jazzy dance beat with a muted trumpet arrangement played by Henry Busse. It swings back and forth for a delightfully enjoyable change of pace.     
 
    
12" 78 rpm record label, side 1
photo by Styrous®


The song was included in the 1944 movie, Since You Went Away. This gave rise to a revival of the song, and it was recorded as a duet by Dick Haymes and Helen Forrest. Their recording was released by Decca Records as catalog number 23349. It first reached the Billboard magazine Best Seller chart on October 5, 1944 and lasted 10 weeks on the chart, peaking at #3. This recording was paired on a single with It Had to Be You, a #4 hit, producing a big two-sided hit.     
 
 
Helen Forrest & Dick Haymes - 1943
 photographer unknown
 

Together became a Top Ten hit in the summer of 1961 with a recording by Connie Francis cut in New York City on 3 June 1961 with Cliff Parman arranging and conducting.      
 
In 1930, Whiteman starred in the film King of Jazz with his orchestra. At the time the film was made, "jazz", to the general public, meant the jazz-influenced syncopated dance music which was being heard everywhere on phonograph records and through radio broadcasts. It was filmed entirely in the early two-color Technicolor process and was produced by Carl Laemmle Jr. for Universal Pictures. The film featured several songs sung on camera by the Rhythm Boys (Bing Crosby, Al Rinker and Harry Barris), as well as off-camera solo vocals by Crosby during the opening credits and, very briefly, during a cartoon sequence.    

King of Jazz was the first feature-length film to use a pre-recorded soundtrack made independently of the actual filming. Whiteman insisted that musical numbers featuring his orchestra should be pre-recorded to obtain the best sound, avoiding the poor recording conditions and extraneous noises typical of a movie studio sound stage. Universal opposed the idea, but Whiteman prevailed over the reluctant studio executives. After the sound was recorded, it was played back through a loudspeaker while the scene was being filmed and the performers matched their actions to the recording. Later, the resulting film was synchronized with the soundtrack. This also allowed the scene to be shot in the same manner as a silent film, with the director free to shout out instructions during the filming and the camera unrestricted by any need to silence its noises with bulky soundproofing.

Delbert Cobain, one of the singers in the film, is notable as being the great-uncle of musician Kurt Cobain (the late vocalist and guitarist of Nirvana).      
 
In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant"       

 
 
 
My Heart Stood Still was composed by Richard Rodgers with lyrics by Lorenz Hart and recorded on January 24, 1928; it featured a vocal introduction by Jack Fulton and vibraphone with Charles Gaylord, Austin Young and Al Rinker joining in for a fantastic quartet start, then it goes into a bouncy dance beat with sax played by Jimmy Dorsey.         
          
         
         

 
12" 78 rpm record, side 2
photos by Styrous®
         
    
   
Tracklist:

Side 1:

A - Together      

Side 2:

B - My Heart Stood Still, written by Lorenz Hart-Richard Rodgers*

Companies, etc.

    Record Company – Victor Talking Machine Co.
    Recorded At – Liederkranz Hall, New York – 35883A
    Recorded At – Victor's Church Studio in Camden, New Jersey – 35883B

Credits:

    Alto Saxophone [Uncredited] – Chester Hazlett
    Alto Saxophone [Uncredited], Baritone Saxophone [Uncredited] – Nye Mayhew
    Alto Saxophone [Uncredited], Bassoon [Uncredited] – Rube Crozier
    Alto Saxophone [Uncredited], Clarinet [Uncredited] – Hal McLean, Jack Mayhew, Jimmy Dorsey
    Banjo [Uncredited] – Mike Pingitore
    Baritone Saxophone [Uncredited], Clarinet [Uncredited] – Charles Strickfaden
    Bass [Uncredited] – Steve Brown (2)
    Cornet [Uncredited] – Bix Beiderbecke, Bob Mayhew
    Drums [Uncredited] – Harold McDonald
    Music Director – Paul Whiteman
    Piano [Uncredited] – Harry Perella, Tom Satterfield
    Saxophone [C-Melody Saxophone, Uncredited] – Frankie Trumbauer
    Trombone [Uncredited] – Bill Rank, Boyce Cullen, Wilbur Hall
    Trombone [Uncredited], Vocals [Uncredited] – Jack Fulton
    Trumpet [Uncredited] – Charlie Margulis, Henry Busse
    Tuba [Uncredited] – Mike Trafficante
    Violin [Uncredited] – Charles Gaylord, Kurt Dieterle, Mario Perry, Matty Malneck, Mischa Russell
    Vocals by Jack Fulton, Charles Gaylord, Austin Young and Al Rinker on My Heart Stood Still

Notes:

A: take 3 recorded 1/21/1928 New York, New York. Liederkranz Hall
B: take 3 1/24/1928 Camden, New Jersey. Church Bldg.; (From "A Connecticut Yankee")

Barcode and Other Identifiers

    Matrix / Runout (Side A runout): ᶻ35883A 4 (V.E.) 3
    Matrix / Runout (Side B runout): ᴵ35883B (V.E.) 3

Paul Whiteman And His Concert Orchestra* – Together / My Heart Stood Still
Label: Victor – 35883
Format: Unknown, 12", 78 RPM
Country: US
Released: Apr 1928
Genre: Jazz





Viewfinder links:       
        
Bix Beiderbecke        
Henry Busse         
Jimmy Dorsey     
Helen Forrest         
Connie Francis          
Jack Fulton       
Charles Gaylord         
Lorenz Hart        
Dick Haymes         
Al Rinker       
Richard Rodgers       
Paul Whiteman       
        
Net links:       
        
King of Jazz Plot       
        
        
        
        
        
       
YouTube links:       
        
Paul Whiteman ~   
       Together       
       My Heart Stood Still    
        
        
        
        
       
        
        
        
        
        
        
Styrous® ~ Sunday, March 28, 2021       
       
 
 
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February 15, 2021

45 RPMs 57: The Marcels ~ Blue Moon & John Dillinger

 ~      

The Marcels - 1961
photographer unknown

 
Sixty years ago today, The Marcels recorded one of my very favorite doo-wop songs, Blue Moon. I will never forget the first time I heard the introduction to it with Fred Johnson belting out, "bomp-baba-bomp-ba-bomp-ba-bomp-bomp... vedanga-dang-dang-vadinga-dong-ding...".   
          
I thought to myself, "This is interesting!" Then it went into the tune which I had been familiar with for decades and thought, "WOW!"   
 
The original version is a beautiful, slow ballad for solo female with orchestral backup and the one I was hearing was totally different. It was fast, syncopated, had great harmony sung by a male group with Ron Mundy singing "moon,  moon,  moon,  moon,  moon," in the background; it was just fantastic!       

 
45 RPM record, side 1
photo by Styrous®


The introduction to Blue Moon was from an original song that The Marcels had in its act, a cover of Zoom by the Cadillacs. Colpix A&R director Stu Phillips transferred the introduction to Blue Moon to give the song additional flair. The Marcels recorded the song in two takes.       
 
Blue Moon was written by Richard Rodgers and Lorenz Hart for the 1934 American pre-Code crime film, Manhattan Melodrama, produced by MGM and directed by W. S. Van Dyke.     
 
 

It featured a very young and very handsome Clark Gable, a devastatingly beautiful Myrna Loy and made both of them major stars.    


film still

 



 
Notorious criminal John Dillinger attended a showing of the film at the Chicago Biograph Theater on July 22, 1934. After leaving the theater, he was shot to death by federal agents.     
 
 
 Biograph Theater - July 22, 1934 
just after John Dillinger was shot
photographer unknown


Myrna Loy was one of many who expressed distaste at the studio's willingness to exploit this event for the financial benefit of the film. Scenes from Manhattan Melodrama, in addition to Dillinger's death, are depicted in the 2009 film Public Enemies






45 RPM label, side 1
photo by Styrous®


The Marcels formed in 1959 in Pittsburgh, Pennsylvania and signed to Colpix Records with lead Cornelius Harp, bass Fred Johnson, Gene Bricker, Ron Mundy, and Richard Knauss. The group was named after a popular hair style of the day, the marcel wave.               
 
 
Edna Fearon - Marcel Wave, circa 1930
photographer unknown 
 
 
Blue Moon sold over one million copies, and was awarded a gold disc. It is featured in The Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll. The disc went to number one in the U.S. Billboard Hot 100, and the UK Singles Chart.      
 
The Marcels were inducted into the Vocal Group Hall of Fame in 2002.    
 
      
 
 The Marcels - Goodbye To Love
45 RPM record, side 2
photo by Styrous®
 
 
Over the years, Blue Moon has been covered by various artists, including versions by Frank Sinatra, Billie Holiday, Sam Cooke, The Platters, The Mavericks, Dean Martin, The Supremes, Bob Dylan and Rod Stewart. Cyndi Lauper sings an off-key version of it. Even Yvonne De Carlo, of the Munsters, took s shot at it in 1957 and does a pretty good job of it. Bing Crosby included the song in a medley on his album On the Happy Side (1962). The Cowboy Junkies recorded a slow, c/w flavored version of the song on their album The Trinity Sessions; it's really beautiful.         
 
 
 
 The Marcels - Goodbye To Love
45 RPM label, side 2
photo by Styrous®
 

The 'B' side has Goodbye To Love, a slow dance song that is really quite wonderful. I remember dancing to this type of song in the mid-fifties with a dance we called the Richmond; however, I couldn't find any reference to it on the Net, so, it might have been called another name or it's what our crowd call it.    
 
 
   
        
Tracklist:

Side 1:

A - Blue Moon, written by Rodgers-Hart* - 2:15

Side 2:

B - Goodbye To Love, written by Mann*, Shapiro* - 2:30

Companies, etc.

    Published By – Robbins Music
    Published By – Gil Music
    Record Company – Columbia Pictures Corporation
    Pressed By – RCA Records Pressing Plant, Rockaway

Credits:

    Producer – Danny*, Stu*

Barcode and Other Identifiers
        
      
    Rights Society (Side A): ASCAP
    Rights Society (Side B): BMI
    Matrix / Runout (A-side label): M8OW-4136
    Matrix / Runout (B-side label): M8OW-4137
    Matrix / Runout (A-Side Runout Etching): M8 0W4136--1 A1 R
    Matrix / Runout (B-Side Runout Etching): M8 0W4137--1 A2 R       
 
The Marcels – Blue Moon / Goodbye To Love
Label:  Colpix Records – CP 186
Format: Vinyl, 7", 45 RPM, Single, Rockaway Pressing
Country: US
Released: 1961
Genre: Rock
Style: Doo Wop
      
  
Viewfinder links:       
         
Jimmy Butler          
Cowboy Junkies       
Bing Crosby         
Yvonne De Carlo      
Bob Dylan       
Clark Gable         
Lorenz Hart        
Billie Holiday         
Fred Johnson       
Cyndi Lauper           
Myrna Loy     
Dean Martin        
Music & Mayhem       
The Platters       
Richard Rodgers        
Mickey Rooney        
Frank Sinatra        
The Supremes       
     
Net links:       
         
Manhattan Melodrama plot        
The Marcels ~ Discography   
     
YouTube links:      
         
Cowboy Junies ~ Blue Moon        
Yvonne De Carlo ~ Blue Moon       
Ella Fitzgerald ~ Blue Moon       
Cyndi Lauper ~ Blue Moon        
The Marcels ~   
      Blue Moon        
      Goodbye to Love         
        
        
        
        
        
        
Styrous® ~ Monday, February 15, 2021    







      

 

 

 

 

 

 

 

 

September 30, 2018

20,000 Vinyl LPs 150: The King and I ~ when Deborah danced


~
Today, September 30, is the birthday of Deborah Jane Kerr-Trimmer, known professionally as Deborah Kerr, who was born in 1921. She was a Scottish film, theatre and television actress who won a Golden Globe Award for her performance as Anna Leonowens in the 1956 musical film, The King and I.     

    
The King and I soundtrack 
vinyl LP album cover detail
 detail photo of album cover by Styrous®


I will mever forget her performance in The King and I; talk about refined elegance. And especially when she dances with the King, portrayed by Yul Brynner. She swiftly but gracefully bounces across the floor with him while her hoop skirt under her lavender silk dress swings and sways around her like a gigantic lavender bell; visually, if not sonically, you can almost hear it ringing with each and every movement. Costume designer, Irene Sharaff, must have been deliriously overjoyed with the final effect.         




The film is a beautiful study in fashion history (link below).When Sharaff made use of silks from Thailand for stage production of The King and I (1951), she created a trend in fashion and interior decoration. The costumes are the biggest reason this film was the second costliest film in 20th century fox history, which cost four and a half million dollars. Sharaff won best costume design for The King and I and it was she who advised Brynner to shave his head for his role as the King of Siam.   


photographer & date unknown




The music by Richard Rodgers with lyrics by Oscar Hammerstein II is brilliant but of course, I have favorites. One is the song for the above scene, Shall We Dance? (link below). But my very favorite is Something Wonderful (link below) which is sung by Terry Saunders who portrays Lady Thiang, the wife of the King. It is a poignant paean to deep love for an imperfect lover; it is achingly passionate and beautiful.

Saunders had understudied the role of Lady Thiang in the Broadway production and in 1952 had taken over the role when it was vacant.    

Something Wonderful has been covered by the best: Bing Crosby, Doris Day, Carmen McRae, Nina Simone, Shirley Bassey, Barbra Streisand, Carly Simon, Liza Minnelli, Bernadette Peters and probably many others.


The King and I soundtrack 
vinyl LP album back cover detail
 detail photo of album cover by Styrous®



While it's beautiful, but not my favorite, I've always thought Hello, Young Lovers is an interesting song on several levels. In it, Anna (Kerr) sings of her dead husband as well as surreptitiously telling two young star-crossed lovers, Lun Tha (Carlos Rivas) and Tuptim (Rita Moreno), that all will end well. That doesn't happen but, oh, well, whoever said life was fair. 

Marni Nixon actually sang the vocals for Kerr in the film. Nixon was an American soprano and ghost singer for many actresses in movie musicals. In addition to The King and I, she is now well-known as the real singing voices in West Side Story, and My Fair Lady, although this was concealed at the time from audiences. In 1950, Nixon married Ernest Gold who composed the theme song to the movie Exodus.      


top photo: Terry Saunders (Lady Thiang )  
bottom photo:
Carlos Rivas (Lun Tha) left &
Rita Moreno (Tuptim) right
The King and I soundtrack 
vinyl LP album back cover detail
 detail photo of album cover by Styrous®


Moreno disliked most of her film work during this period as she felt the roles she was given were stereotypical. The one exception was her supporting role of Tuptim in this film version of The King and I.     

    
Rita Moreno (Tuptim)


The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical, The King and I, which was based on the novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s.          
       
    
The King and I film poster 


The film was a critical and commercial success, and was nominated for nine Academy Awards, winning five, including Best Actor for Brynner.        
           

 
The King and I soundtrack 
vinyl LP album cover
 photo of album cover by Styrous®


This album was released at the time the film was, 1956; stereo recordings were new so albums were releast in stereo as well as mono, this origianl issue is a mono High Fidelity recording.   


The King and I soundtrack
vinyl LP album cover detail
 detail photo of album cover by Styrous®


Deborah Kerr was born in Glasgow, Scotland. Her first stage appearance was at Weston-super-Mare in 1937, as "Harlequin" in the mime play Harlequin and Columbine. She then went to the Sadler's Wells ballet school and in 1938 made her début in the corps de ballet in Prometheus. After various walk-on parts in Shakespeare productions at the Open-Air Theatre in Regent's Park, London, she joined the Oxford Playhouse repertory company in 1940, playing, inter alia, "Margaret" in Dear Brutus and "Patty Moss" in The Two Bouquets.

In 1943, aged 21, she made her West End début as "Ellie Dunn" in a revival of Heartbreak House at the Cambridge Theatre, stealing attention from stalwarts such as Edith Evans and Isabel Jeans. "She has the rare gift", wrote critic Beverley Baxter, "of thinking her lines, not merely remembering them. The process of development from a romantic, silly girl to a hard, disillusioned woman in three hours was moving and convincing".  

She made clear that her surname should be pronounced the same as "car". To avoid confusion over pronunciation, Louis B. Mayer of MGM billed her as "Kerr rhymes with Star!"       


The King and I soundtrack
vinyl LP album back cover
 photo of album back cover by Styrous®


She made her Broadway debut in 1953, appearing in the Robert Anderson play, Tea and Sympathy, for which she received a Tony Award nomination. Kerr repeated her role along with her stage partner John Kerr (no relation) in the Vincente Minnelli film adaptation of the drama.   

She departed from typecasting with a performance that brought out her sensuality, as "Karen Holmes", the embittered military wife in the Fred Zinnemann film, From Here to Eternity (1953), for which she received an Oscar nomination for Best Actress. The American Film Institute acknowledged the iconic status of the scene from that film in which Burt Lancaster and she romped illicitly and passionately amidst crashing waves on a Hawaiian beach. The organisation ranked it 20th in its list of the 100 most romantic films of all time.       

In 1955, Kerr won the Sarah Siddons Award. she experienced a career resurgence when she played the role of the nurse, played by Elsa Lanchester in the 1957 movie, Witness for the Prosecution,  on television in the early 1980s. Later, Kerr rejoined screen partner Robert Mitchum in Reunion at Fairborough. She also took on the role of the older Emma Harte, a tycoon, in the adaptation of A Woman of Substance by Barbara Taylor Bradford. For this performance, Kerr was nominated for an Emmy Award.    

In 1998, she was honoured in Hollywood, where she received a star on the Hollywood Walk of Fame at 1709 Vine Street for her contributions to the motion picture industry.    


1709 Vine Street, Los Angeles, California 


Deborah Kerr was nominated six times for the Academy Award for Best Actress, more than any other actress without ever winning. In 1994, however, having already received honorary awards from the Cannes Film Festival and BAFTA, she received an Academy Honorary Award with a citation recognising her as "an artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance". She was the ultimate 'Lady'.        

She won a Golden Globe Award for "Best Actress – Motion Picture Musical or Comedy" for The King and I in 1957 and a Henrietta Award for "World Film Favorite – Female". She was the first performer to win the New York Film Critics Circle Award for "Best Actress" three times (1947, 1957 and 1960).

 Kerr was made a Commander of the Order of the British Empire (CBE) in 1998, but was unable to accept the honour in person because of ill health.     

Deborah Kerr died, aged 86, on the 16th of October, 2007, at Botesdale, a village in county of Suffolk, England, from the effects of Parkinson's disease.   



The King and I soundtrack
vinyl LP side 1
 photo by Styrous®







 

The King and I soundtrack
vinyl LP side 2
 photo by Styrous®

   



Tracklist:

Side 1: 

A1 - Overture    
A2 - I Whistle A Happy Tune    
A3 - My Lord And Master    
A4 - Hello, Young Lovers    
A5 - The March Of Siamese Children    
A6 - A Puzzlement



Side 2: 

B1 - Getting To Know You    
B2 - We Kiss In A Shadow    
B3 - I Have Dreamed    
B4 - Shall I Tell You What I Think Of You?    
B5 - Something Wonderful    
B6 - Song Of The King    
B7 - Shall We Dance?    
B8 - Something Wonderful (Finale)    

Companies, etc.

    Copyright (c) – Twentieth Century Fox Film Corporation

Credits:
    Conductor – Alfred Newman
    Directed By – Walter Lang
    Executive-Producer – Charles Brackett
    Featuring – Carlos Rivas, Deborah Kerr, Rita Moreno, Terry Saunders, Yul Brynner
    Lyrics By – Oscar Hammerstein II
    Music By – Richard Rodgers
    Musical Assistance – Ken Darby
    Screenwriter – Ernest Lehman

Rodgers And Hammerstein* ‎– The King and I
Label: Capitol Records ‎– W-740
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1956
Genre: Stage & Screen
Style: Musical




     
Viewfinder links:     
       
Yul Brynner           
Golden Globe Award          
Deborah Kerr      
Rita Moreno               
Something Wonderful lyrics       
             
Net links:     
       
Devorah Kerr Filmography 
The King and I ~    
           Plot   
           Cast     
Wonderful World of Cinema ~    
           Irene Sharaff’s Costumes for The King and I      
Fashion & Film ~ The King & I (1956)            
      
YouTube links:     
       
Shall We Dance? 
Something Wonderful 
The King And I Trailer 
 
      
      
    
     
"It's [acting] an unbelievable terror, a kind of masochistic madness. 
The older you get, the easier it should be but it isn't." 
                       ~ Deborah Kerr 


         

Styrous® ~ Sunday, September 30, 2018