Showing posts with label Ed Sullivan. Show all posts
Showing posts with label Ed Sullivan. Show all posts

December 27, 2024

The Supremes on the Ed Sullivan Show in 1964

   ~     
     
On December 27, 1964, exactly sixty years ago today, three high-schoolers growing up in the Detroit projects appeared on the Ed Sullivan Show
 
Originally known as The Primettes, Diana RossMary Wilson and Florence Ballard would go on to become the most successful “girl group” in history, The Supremes.

The Supremes first appeared on the Sullivan stage on December 27, 1964 to perform their smash single, Come See About Me which I wrote about earlier this year (link below). In the early black and white TV performance, the girls wore simple dresses and matching bouffant hair-dos, and the audience fell in love with their infectious charm and appeal. 
 
 
 
     
     
     
December 27, 1964

     
     
Viewfinder links:       
         
Florence Ballard           
Come See About Me            
Diana Ross         
Mary Wilson        
     
Net links:       
        
Ed Sullivan Show ~ The Supremes        
      
YouTube links:       
        
The Supremes ~ Come See About Me - 1964      
        
        
        
        
        
                        
        
Styrous® ~ Friday, December 27, 2024        
        















Florence Ballard articles/mentions



 ~        
      
    
     
mentions:     
      
The Supremes     
     
     
Florence Ballard     
date & photographer unknown     
     
     
     
     
     
     
     
     
     
 
 
 
 
 
 

July 13, 2024

45 RPMs 82: The Supremes – Come See About Me

   ~   
45 RPM record  
photo by Styrous®
 
    
On Monday, July 13, 1964, Diana RossFlorence Ballard and Mary Wilson (The Supremes), walked into the studios of Motown records and recorded one of their biggest hits, Come See About Me, written by the Motown main production team, Holland–Dozier–Holland.             
 
The Supremes and Motown were the first to record the song but not to release it; it was recorded after them but released earlier by Wand Record  and Nella Dodds. Her version started selling, climbing to No. 74 on the Billboard Hot 100, but Motown rushed to released the Supremes' version as a single, which killed the sales of Dodds's version. The Supreme's version fades in whereas the Dodds' version starts normally and is not as fast.          
 
In the gay bars of the pre-disco period, I loved to dance to See About Me with it's infectious beat but it was only decades later that I realized it's actually a sad song about a woman whose lost her lover.       
 
Before they became famous, the girls were in a group called The Primettes with none other than the Temptations and they appeared on the Ed Sullivan show on November 19, 1967 (YouTube link below).   



        
Tracklist:

Side 1:

A - Come See About Me - 2:39

Side 2:

B - Always In My Heart - 2:26

Companies, etc.

    Copyright © – Motown Record Corporation
    Published By – Jobete
    Mastered At – Nashville Matrix
    Pressed By – American Record Pressing Co.

 Credits:
 
    Producer [Produced By] – Holland & Dozier
    Written-By – Holland, Dozier, Holland*

 Personelle:

    •    Lead vocals by Diana Ross
    •    Background vocals by Florence Ballard and Mary Wilson
    •    All instruments by the Funk Brothers[10]
    ◦    Earl Van Dyke – piano
    ◦    Joe Messina – guitar
    ◦    James Jamerson – bass
    ◦    Uriel Jones – drums
    ◦    Jack Ashford – vibraphone
    ◦    Hank Cosby – tenor saxophone
    ◦    Andrew "Mike" Terry – baritone saxophone
    •    Footstomps by Mike Valvano
 
Notes:

Label / pressing plant variant: No bottom scroll text on labels.

© 1964
Jobete BMI

© 1964 Motown Record Corporation

Side A: Taken from Album "Where Did Our Love Go" MT 621

Barcode and Other Identifiers
        
        
    Rights Society: BMI
    Pressing Plant ID (Stamped in runouts): ARP
    Matrix / Runout (Label Side A): DM HVV-097205
    Matrix / Runout (Label Side B): DM HVV-099202
    Matrix / Runout (Runout, Side A, Variant 1): RK4M-2604-1-S HVV - 097205 ARP Nashhville Matirx 10
    Matrix / Runout (Runout, Side B, Variant 1): RK4M -2686-1 G Nashville Matrix DMHVV-0922 D2 ARP
    Matrix / Runout (Runout, Side A, Variant 2): RK4M-2604-1-G HVV - 097205 Nashhville Matirx 10 ARP
    Matrix / Runout (Runout, Side B, Variant 2): RK4M -2686-1 G ARP Nashville Matrix DMHVV-0922 D2
        
The Supremes – Come See About Me
Label:    Motown – M-1068
Format:    Vinyl, 7", 45 RPM, Single, American Record Pressing
Country: US
Released: Oct 27, 1964
Genre:    Funk / Soul
Style:    Soul, Vocal        
        
        
Viewfinder links:       
         
Ed Sullivan            
The Supremes         
Temptations
     
Net links:       
         
         
         
        
     
YouTube links:      
        
Nella Dodds ~  Come See About Me        
The Supremes ~ Come See About Me        
        
        

Styrous® ~ Monday, September 7, 2020






      

 

 

 

 

 

 

 

 

September 15, 2021

Music Note: Ed Sullivan & the Sulli-Gulli

  ~     
One of the joys/perks of doing the blog is the off the wall, odd ball stuff I come across while researching for an article. This particular item is a case in point.   
 
Every Sunday at 7 PM our family would turn on the television to watch the Ed Sullivan Show; practically EVERYONE in America did. It was a big influence on my life as I saw and heard some great acts, not only music but many of the standup comedians I came to love I first heard on the Sullivan Show.      
 
There were lots of acrobat, ventriloquists, music, animal and comedy acts he introduced but a fun act was one he was involved in. On May 11th of 1969, he appeared with The Ed Sullivan Singers And Orchestra with choreography by Hal Grego doing the Sulli-Gulli (link below).         
     
On Monday, September 15, 1969, Ed Sullivan released his first and only Rock 'n' Roll record, Sulli-Gulli, credited to The Ed Sullivan Singers And Orchestra, choreography by Hal Grego, music by Ray Bloch with saxophonist Teo Macero producing.    

With this tune Sullivan was hoping to create a new dance. Perhaps he was counting on the popularity of the song Hully Gully by The Olympics as a reference; however, he was ten years too late. Sulli-Gulli, failed to even crack the Billboard Hot 100.                  
     

Ed Sullivan & Teo Macero recording Sulli-Gulli
 photographer unknown 


In any event, the video of the one and only performance of the song on the Ed Sullivan Show (link below) is fun to watch; it is pretty dated and maybe only I like it.    


Sulli-Gulli front cover
45 RPM record sleeve



Sulli-Gulli back cover
45 RPM record sleeve


Sulli-Gulli Video
5-11-69 featuring Hal Grego
Produced by Bob Precht
Directed by John Moffitt
Music by Ray Bloch
Set design by Bill Bohnert
Choreography by Peter Cennaro
Production Manager - Tony Jordan
Associate Director - Bob Schwarz
Assistant to Producer - Ken Campbell
Technical Director - Charles Grenier
Audio - Art Shine
Lighting Director - Bill Greenfield
Production Supervisor - Herb Benton
Stage Managers - Ed Brinkmann & Don Mayo
Special Effects - Neal Schatz
Set Decorator - Ed Pasternak
Costumes by Leslie Renfield
Graphic Arts - Sam Cecere
Talent Coordinator - Vince Calandra
Music Coordinator - Robert Arthur
A Presentation of Sullivan Productions, Inc.



Sulli-Gulli side 1
45 RPM record label


   
Tracklist:
       
Side 1:
        
A        Sulli-Gullli Part I    2:24
       
Side 2:
       
B        Sulli-Gullli Part II    2:26
       
Credits:
       
    Arranged By – Warren Vincent
    Conductor – Teo Macero
    Producer – Teo Macero
    Written By – F. Glenn, M. Bliss
       
Ed Sullivan Singers & Orchestra* – Sulli-Gulli
Label: Columbia – 4-44940
Format: Vinyl, 7", 45 RPM, Promo
Country: US
Released:
Genre: Jazz, Funk / Soul     
     
      
     
     
     
Viewfinder links:       
         
Ray Bloch        
Teo Macero         
The Olympics        
Ed Sullivan        
     
Net links:       
         
Forgotten Hits ~ The Sulli-Gulli       
Hal Grego - Born to dance (interview) (42 mins,19 secs)        
     
YouTube links:       
         
DoYouRemember? ~ Sullivan performances that changed history (11 mins.)   
The Ed Sullivan Singers ~ The Sulli-Gulli        
        
        
        
        
        
        
        
        
        
Styrous® ~ Wednesday, September 15, 2021        
        















 

Ray Bloch articles/mentions

  ~         
    
     
      
     
      
     
      
     
     
      
     
      
     
     
      
     
Ray Bloch - 1958
date & photographer unknown     
     
 
 
 
 
 
 
 
 
 
 
 
 

August 19, 2021

Philo T. Farnsworth ~ Nuclear Fusion & Captain Kangaroo

  ~        
Philo T. Farnsworth with TV statue
 
Today is the birthday of Philo Taylor Farnsworth. I can just hear you say, “Who the hell is Philo Farnsworth?” Ok, I’ll tell you. He is the father of what we now call The Television! His invention ushered in a new way of living as well as many characters that everyone came to love, the loveable Howdy Doody . . .
 

Howdy Doody -1947 - 1960





. . . Ed Sullivan . . . 
 

Ed Sullivan Show - 1948 - 1971 



 
, , ,  Desi and Lucy, . . . 
 
 
 I Love Lucy - 1951 -1957
 
 
 
 
 
 
The Honeymooners - 1955 - 1956  
 

 
 
 
. . . and, of course, Captain Kangaroo.    
 
 
 From left: Dancing Bear, Bunny Rabbit,
Grandfather Clock, Mister Moose
 
 
Farnsworth is best known for his 1927 invention of the first fully functional and complete all-electronic television system complete with receiver and camera—which he produced commercially through the Farnsworth Television and Radio Corporation from 1938 to 1951, in Fort Wayne, Indiana.        
 
 
Philo T. Farnsworth - 1928
 Bettmann Archives/Getty Images
 

However, he invented the tube in his laboratory at the foot of Telegraph Hill (link below), right here in San Francisco, California
 
 
Plaque at the location of Farnsworth's 
San Francisco laboratory on Green Street 
photo by Adam Kliczek
 
 
I almost met him but we missed each other by 35 years; he was in his studio in the late twenties and I got there in the early sixties (Wilder link below). Timing is everything!   
 
 
Farnsworth’s 202 Green Street lab - San Francisco
Philo T. Farnsworth Archives


In his later life, Farnsworth invented a small nuclear fusion device, the Farnsworth–Hirsch fusor, employing inertial electrostatic confinement (IEC). The design of this device has been the inspiration for other fusion approaches, including the Polywell reactor concept. Farnsworth held 300 patents, mostly in radio and television.        
         
Farnsworth was born in a small log cabin that was built by his granfather in Indian Springs near Beaver, Utah.     
 
 
log cabin 
Indian Springs ~ Beaver, Utah.    
 
 
When he was a kid he began tinkering with machines and developed an early interest in electronics after his first telephone conversation with a relative and after he discovered a large cache of technology magazines in the attic of a house they moved into. He won $25 in a pulp-magazine contest for inventing a magnetized car lock.      
 
Farnsworth conceived of the idea for electronic television at the age of 14 while working on a farm. He observed the straight rows created by the horses as he plowed, and thought “he could build the image like a page of print and paint the image line after line . . . with the speed of the electron, this could be done so rapidly the eye would view it as a solid picture.”

According to his wife Pem, Farnsworth reasoned that by using an image dissector tube, he could manipulate electrons to “change a visual image into a stream of electrical current, transmit that to another vacuum tube at the receiver, and on a fluorescent screen turn the current back into the visual image again.” Farnsworth sketched his idea on the blackboard of his high school chemistry teacher, Justin Tolman, and presented him with a drawing of it, which would prove invaluable years later during a 1935 patent suit ruling.    


Farnsworth’s sketch for Justin Tolman 

 
When his family moved to Salt Lake City he became acquainted with Leslie Gorrell and George Everson, a pair of San Francisco philanthropists, They agreed to fund his early television research with an initial $6,000 in backing, and set up a laboratory in Los Angeles for Farnsworth to carry out his experiments. In 1974, Everson wrote a book, The Story of Television; The Life of Philo T. Farnsworth
 
In 1926 he and his wife, Elma "Pem" Gardner, rented a house at 2910 Derby Street in Berkeley. He applied for his first television patent, which was granted on August 26, 1930. By that time they had moved across the bay to San Francisco, where Farnsworth set up his new lab at 202 Green Street.         
 
Many inventors had built electromechanical television systems before his seminal contribution, but Farnsworth designed and built the world's first working all-electronic television system, employing electronic scanning in both the pickup and display devices. He first demonstrated his system to the press on September 3, 1928, and to the public at the Franklin Institute in Philadelphia on August 25, 1934.   
 
 
 
 
From the 1950s until his death, his major interest was nuclear fusion. In 1965 he patented an array of tubes, called "fusors," that produced a 30-second fusion reaction.   

Philo T. Farnsworth died in Salt Lake City, Utah, of pneumonia on March 11, 1971, before he could complete his fusion work. He was 64 years old.       

Farnsworth's wife, Pem, fought for decades after his death to assure his place in history. Farnsworth always gave her equal credit for creating television, saying, "my wife and I started this TV." She died on April 27, 2006, at age 98.      
    
 
Farnsworth Television Model - 1936 
 
 
The "Farnsworth Steps" in San Francisco are named after him; they lead from Willard Street (just above Parnassus) up to Edgewood Avenue.         


Farnsworth Steps, San Francisco - 2021 
photo by Styrous®
 


 
Viewfinder links:           
           
Desi Arnaz          
Lucille Ball             
Hugh Brannum         
Philo T. Farnsworth           
Jackie Gleason          
Howdy Doody         
Bob Keeshan          
Audrey Meadows          
Ed Sullivan           
           
Net links:           
          
Arizona Archives ~ Farnsworth and Everson Papers - 1914 -1999     
Indiana History ~   
         “THE DAMNED THING WORKS!”           
          The Father of Television Part II     
Cohesion Arts ~ Philo in the Hall of Fame          
Sound & Communications ~ Farnsworth, The Father Of TV       
          
YouTube links:           
           
Captain Kangaroo         
The Honeymooners           
I Love Lucy        
          
           
          
          
          
           
          
           
          
          
Styrous® ~ Thrusday, August 19. 2021        

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

March 23, 2019

Dick Dale ~ Magician of the guitar

~   
Dick Dale, "The King of the Surf Guitar", died a week ago on Saturday, March 16th. At the time of his death, he had tour dates scheduled into November, 2019. He was 81 years old.

Dale was born Richard Anthony Monsour in Boston, Massachusetts, on May 4, 1937. He was of Lebanese descent from his father, James, and of Polish-Belarusian descent from his mother, Fern. He learned the piano when he was nine, was given a trumpet in seventh grade, and later acquired a ukulele (for $6 part exchange), after having become influenced by Hank Williams. The first song he played on it was Tennessee Waltz; a 1950 recording of the song by Patti Page would become a Top 40 Hit. He was also influenced by his uncle, who taught him how to play the tarabaki and the oud.
      

Dick Dale - 1970 
photographer unknown


According to Fender (link below), while in the ukulele phase, Dale originally wanted to be a country singer; fortunately he graduated to the guitar which he bought from a friend for $8, paying him back on installments. He learned to play it, using a combination of styles incorporating both lead and rhythm styles, so that the guitar filled the place of drums. His early tarabaki drumming later influenced his guitar playing, particularly his rapid alternate picking technique. Dale referred to this as "the pulsation", noting all instruments he played derived from the tarabaki.

He was raised in Quincy, Massachusetts until he completed the eleventh grade at Quincy High School in 1954, when his father, a machinist, took a job working for Hughes Aircraft Company in the Southern California aerospace industry in El Segundo, California. Dale spent his senior year at and graduated from Washington Senior High School. He retained a strong interest in Arabic music, which later played a major role in his development of surf rock music. He learned to surf at the age of 17.




Dale did a cover of the 1927 Greek rebetiko / tsifteteli composition Miserlou which had been a big hit in the 40's; Dale updated it to a surf rock hit in the 60's and performed it on the Ed Sullivan show in 1963; he sings as well. Dick Dale and the Del-Tones also performed it in the 1963 film, A Swingin Affair (links below). The song was the opening for the 1994 Quentin Tarantino film, Pulp Fiction (link below). 




Dick Dale and the Del-Tones also appeared in the 1964 film, Muscle Beach Party, with Stevie Wonder who was thirteen years old at the time and billed as "Little Stevie Wonder." Frankie Avalon, Annette Funicello and Don Rickles were also in the film.  




He has been called the "Father of Heavy Metal". This is admirably demonstrated with videos of him performing Nitro during a broadcast on KEXP (link below), when he performed with Stevie Ray Vaughn in 1987. He influenced the The Beach Boys, The Cure, Eddie Van Halen and Jimi Hendrix, among others.       


Dick Dale - 1962


His interests spread far beyond music. He was a licensed pilot and had an air strip at his property in Wonder Valley. He recollected training under martial arts masters; speeding on a motorcycle at 170 mph and fearlessly going into the cages of tigers and lions.


 
Dick Dale astride his 1941 WLD 45 Flathead Harley-Davidson 
date & photographer unknown 
 

However, he admitted playing a gig at Disneyland in 1998 made him a little nervous — he performed atop Space Mountain without a safety harness.   

            
          
          
       
Viewfinder links:         
   
Dick Dale articles/mentions            
Jimi Hendrix       
Patti Page           
The Beach Boys           
Hank Williams          
         
Net links:         
    
AARP obit         
The Mercury News obit       
NPR obit         
NY Times obit       
Phoenix New Times obit         
Surfline obit        
Washington Post obit       
        
YouTube links:         
   
Dick Dale ~ Nitro  (Live on KEXP)       
                 ~ Smoke on the Water     
Dick Dale & Stevie Ray Vaughan ~ Pipeline (1987)      
Ed Sullivan Show ~ Miserlou (1963)          
A Swingin Affair, with the Del Tones ~ Miserlou (1963)         
Pulp Fiction - Opening Credits   
   
     
        
     
date & photographer unknown
    
       
     
 
           
Styrous® ~ Saturday, March 16, 2019              
         

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