Showing posts with label The Beach Boys. Show all posts
Showing posts with label The Beach Boys. Show all posts

March 23, 2019

Dick Dale ~ Magician of the guitar

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Dick Dale, "The King of the Surf Guitar", died a week ago on Saturday, March 16th. At the time of his death, he had tour dates scheduled into November, 2019. He was 81 years old.

Dale was born Richard Anthony Monsour in Boston, Massachusetts, on May 4, 1937. He was of Lebanese descent from his father, James, and of Polish-Belarusian descent from his mother, Fern. He learned the piano when he was nine, was given a trumpet in seventh grade, and later acquired a ukulele (for $6 part exchange), after having become influenced by Hank Williams. The first song he played on it was Tennessee Waltz; a 1950 recording of the song by Patti Page would become a Top 40 Hit. He was also influenced by his uncle, who taught him how to play the tarabaki and the oud.
      

Dick Dale - 1970 
photographer unknown


According to Fender (link below), while in the ukulele phase, Dale originally wanted to be a country singer; fortunately he graduated to the guitar which he bought from a friend for $8, paying him back on installments. He learned to play it, using a combination of styles incorporating both lead and rhythm styles, so that the guitar filled the place of drums. His early tarabaki drumming later influenced his guitar playing, particularly his rapid alternate picking technique. Dale referred to this as "the pulsation", noting all instruments he played derived from the tarabaki.

He was raised in Quincy, Massachusetts until he completed the eleventh grade at Quincy High School in 1954, when his father, a machinist, took a job working for Hughes Aircraft Company in the Southern California aerospace industry in El Segundo, California. Dale spent his senior year at and graduated from Washington Senior High School. He retained a strong interest in Arabic music, which later played a major role in his development of surf rock music. He learned to surf at the age of 17.




Dale did a cover of the 1927 Greek rebetiko / tsifteteli composition Miserlou which had been a big hit in the 40's; Dale updated it to a surf rock hit in the 60's and performed it on the Ed Sullivan show in 1963; he sings as well. Dick Dale and the Del-Tones also performed it in the 1963 film, A Swingin Affair (links below). The song was the opening for the 1994 Quentin Tarantino film, Pulp Fiction (link below). 




Dick Dale and the Del-Tones also appeared in the 1964 film, Muscle Beach Party, with Stevie Wonder who was thirteen years old at the time and billed as "Little Stevie Wonder." Frankie Avalon, Annette Funicello and Don Rickles were also in the film.  




He has been called the "Father of Heavy Metal". This is admirably demonstrated with videos of him performing Nitro during a broadcast on KEXP (link below), when he performed with Stevie Ray Vaughn in 1987. He influenced the The Beach Boys, The Cure, Eddie Van Halen and Jimi Hendrix, among others.       


Dick Dale - 1962


His interests spread far beyond music. He was a licensed pilot and had an air strip at his property in Wonder Valley. He recollected training under martial arts masters; speeding on a motorcycle at 170 mph and fearlessly going into the cages of tigers and lions.


 
Dick Dale astride his 1941 WLD 45 Flathead Harley-Davidson 
date & photographer unknown 
 

However, he admitted playing a gig at Disneyland in 1998 made him a little nervous — he performed atop Space Mountain without a safety harness.   

            
          
          
       
Viewfinder links:         
   
Dick Dale articles/mentions            
Jimi Hendrix       
Patti Page           
The Beach Boys           
Hank Williams          
         
Net links:         
    
AARP obit         
The Mercury News obit       
NPR obit         
NY Times obit       
Phoenix New Times obit         
Surfline obit        
Washington Post obit       
        
YouTube links:         
   
Dick Dale ~ Nitro  (Live on KEXP)       
                 ~ Smoke on the Water     
Dick Dale & Stevie Ray Vaughan ~ Pipeline (1987)      
Ed Sullivan Show ~ Miserlou (1963)          
A Swingin Affair, with the Del Tones ~ Miserlou (1963)         
Pulp Fiction - Opening Credits   
   
     
        
     
date & photographer unknown
    
       
     
 
           
Styrous® ~ Saturday, March 16, 2019              
         

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November 15, 2013

101 Reel-To-Reel Tapes 25: Chicago III

 
album detail photo by Styrous®

In addition to my vinyl collection I'm selling, I have hundreds of reel-to-reel, pre-recorded tapes I'm selling. This is an entry about the Chicago III reel-to-reel tape which was for sale on eBay (see link below for others). I have the vinyl LP version as well. Interested? Contact me by email, please, not by a comment.

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Chicago was formed in 1967 in Chicago, Illinois. The group had hits throughout the 1970s and 1980s. Only The Beach Boys beat them out for the number one spot for Billboard singles and albums chart success. They have had five number-one albums and 21 top-ten singles. Chicago is one of the longest-running and most successful rock groups in history with their signature brass sound.

Originally they called themselves, The Chicago Transit Authority, but when the actual Chicago Transit Authority threatened legal action soon after they released their first self-titled album, the band's name was shortened to Chicago (a pretty good move, it seems to me, as the former name was a bit unwieldy).

Chicago III was a studio album released in 1971. It is a mixture of jazz, rock, funk, country and experimentation; it was produced by James William Guercio. The principal songwriters were, Robert Lamm, Terry Kath and James Pankow. It was less brassier and it had a more serious tone than their first two albums; it was conceived during a grueling road tour. Lamm documented the homesickness he felt on the tour in the Travel Suite; the Free Country section of which is fantastic.

The hesitant, dissonant piano of Free Country from the Travel Suite could have been written by Schoenberg but a beautiful flute enters to lighten up the scene temporarily until it too gets a bit quirky when it goes into a great slow and very quietly trippy duet with the piano after which a trio ensues when a harp joins in supported by miscellaneous percusson instruments. At the end, the flute goes off into an echoey, trippy feeling reminiscent of 1977's, Another Green World by Stan Getz, which was to follow six years later. Great stuff here.

The Motorboat To Mars section of the Travel Suite is a drum solo that is short (1:30 seconds) but sweet.

The Happy 'Cause I'm Going Home ending piece from the Travel Suite reflects the joy of having the grueling tour finally over.  The flute playing by Walter Parazaider is sublime jazz at its very best.
Progress, is another experimental piece on the album with its dissonant brass, jackhammer and city sounds; no dance song here but it's pretty interesting to listen to.
Loneliness Is Just A Word, with the group's signature brassy sound, is a syncopated jazz-waltz that merrily bounces along with the vocal of lead singer, Peter Cetera.

Lowdown is a gentle kind of rock-samba that is nice for up close dancing even though the lyrics are not romantic.  Some great instrumental breaks on it.

Sing A Mean Tune Kid is out 'n out jazz-funk, whereas, I Don't Want Your Money is that but has a more rock feel to it.

Once Upon A Time... is a quiet and beautiful intrumental featuring Walter Parazaider on flute again with brass backup.

Near the bottom of this post there are links to the songs mentioned on YouTube so you can hear them for yourself, if you'd like.


Chicago III
photo by Styrous®


Chicago III
cover back
photo by Styrous®


Chicago III
reel-to-reel tape
photo by Styrous®


Chicago III
reel-to-reel label detail
detail photo by Styrous®


Track Listing:

Side 1:

1. Sing A Mean Tune Kid - 9:13
2. Loneliness Is Just A Word - 2:36
3. What Else Can I Say - 3:12
4. I Don't Want Your Money - 4:47
5. Travel Suite - 22:30
   a. Flight 602
   b. Motorboat To Mars
   c. Free
   d. Free Country
   e. At The Sunrise
   f. Happy 'Cause I'm Going Home

Side 2:

1. Mother - 4:30
2. Lowdown - 3:35
3. An Hour In The Shower - 5:30
   a. A Hard Risin' Morning Without Breakfast
   b. Off To Work
   c. Fallin' Out
   d. Dreamin' Home
   e. Morning Blues Again
4. Elegy - 15:27
   a. When All The Laughter Dies In Sorrow
   b. Canon
   c. Once Upon A Time...
   d. Progress?
   e. The Approaching Storm
   f. "Man vs. Man: The End"

Total Time 71:29

Personnel:

Peter Cetera - bass and vocals
Terry Kath - guitars and vocals
Robert Lamm - keyboard and vocals
Lee Loughnane - trumpet
James Pankow - trombone
Walter Parazaider - woodwinds
Danny Seraphine - drums


Music links:


Travel Suite:
Free Country on YouTube
The Motorboat To Mars on YouTube
The Happy 'Cause I'm Going Home on YouTube

Loneliness Is Just A Word on YouTube
Progress on YouTube
Lowdown on YouTube
Sing A Mean Tune Kid on YouTube


reel-to-reel listings on eBay

more reel-to-reel tapes on the Styrous® Viewfinder:
                                             reel-to-reel tape archive



Styrous®
~ Friday, November 15, 2013
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