Showing posts with label T. S. Eliot. Show all posts
Showing posts with label T. S. Eliot. Show all posts

October 6, 2021

20,000 vinyl LPs 312: Andrew Lloyd Webber ~ Cats

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vinyl LP gatefold cover interior 
artwork by John Napier 
photo of album cover interior by Styrous®


On October 6, 1982, The musical Cats opened at the Wintergarden Theatre located at 1634 Broadway between 50th and 51st streets in Midtown Manhattan, New York City. In 1997 the show became the longest running show in Broadway history and as of 2019, it remains the fourth-longest-running Broadway show and the sixth-longest-running West End show.          




The London production ran for 21 years and 8,949 performances, while the Broadway production ran for 18 years and 7,485 performances, making Cats the longest-running musical in both theatre districts for a number of years. There are many foreign productions which include a 15-year run at the Operettenhaus in Hamburg that played over 6,100 performances, as well as an ongoing run in a purpose-built theatre in Japan that has played over 10,000 performances since it opened in 1983.         
 
Cats turned out to be an unprecedented commercial success, with a worldwide gross of US$3.5 billion by 2012.        


vinyl LP back cover
photo by Styrous®


Cats is a sung-through musical composed by Andrew Lloyd Webber, based on the 1939 poetry collection Old Possum's Book of Practical Cats by T. S. Eliot. It tells the story of a tribe of cats called the Jellicles and the night they make the "Jellicle choice" by deciding which cat will ascend to the Heaviside layer and come back to a new life. 
 
 
 
One of the cats, Grizabella, “the Glamour Cat” who once led a more glamorous life and now that she is older, she struggles to be accepted back into the tribe of Jellicle cats. The role is played by Elaine Paige, who sings the show-stopper, Memory, written by Cats director Trevor Nunn and lyricist Richard Stilgoe; one of the most beautiful and bittersweet songs ever written (link below).           
 
 
 
 

Memory

Daylight
See the dew on the flower
And a rose that is fading
Roses whither away
Like the sunflower
I yearn to turn my face to the dawn
I am waiting for the day . . .

Midnight
Not a sound from the pavement
Has the moon lost her memory?
She is smiling alone
In the lamplight
The withered leaves collect at my feet
And the wind begins to moan

Memory
All alone in the moonlight
I can smile at the old days
I was beautiful then
I remember the time I knew what happiness was
Let the memory live again

Every streetlamp
Seems to beat a fatalistic warning
Someone mutters
And the streetlamp gutters
And soon it will be morning

Daylight
I must wait for the sunrise
I must think of a new life
And I musn't give in
When the dawn comes
Tonight will be a memory too
And a new day will begin

Burnt out ends of smoky days
The stale cold smell of morning
The streetlamp dies, another night is over
Another day is dawning

Touch me
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me
You'll understand what happiness is

Look
A new day has begun







         
































vinyl LP labels, side 1 & 2
photos by Styrous®







vinyl LP labels, side 3 & 4
photos by Styrous®











   

Tracklist:
       
Side 1:
        
        Act One "When Cats Are Maddened By The Midnight Dance"   
A1 - Overture - 2:26
A2 - Prologue: Jellicle Songs For Jellicle Cats, written by [Additional Material] – Richard Stilgoe, Trevor Nunn - 5:41
A3 - The Naming Of Cats - 2:19
A4 - The Invitation To The Jellicle Ball/The Old Gumbie Cat - 5:56
A5 - The Rum Tum Tugger - 3:07
A6 - Grizabella - 3:26
A7 - Bustopher Jones - 3:26
       
Side 2:
       
B1 - Mungojerrie And Rumpleteazer - 3:51
B2 - Old Deuteronomy - 4:53
B3 - The Jellicle Ball - 8:42
B4 - Grizabella, The Glamour Cat - 4:24
B5 - Memory, written by [Additional Material] – Trevor Nunn - 5:16
       
Side 3:
       
        Act Two "Why Will The Summer Day Delay - When Will Time Flow Away"   
C1 - The Moments Of Happiness/Memory - 3:12
C2 - Gus: The Theatre Cat - 6:41
C3 - Growltiger's Last Stand Including "The Ballad Of Billy McCaw" - 9:42
C4 - Skimbleshanks: The Railway Cat - 4:44
       
Side 4:
       
D1 - Macavity - 6:58
D2 - Mr. Mistoffelees - 3:38
D3 - Memory, written by [Additional Material] – Trevor Nunn - 5:16
D4 - The Journey To The Heaviside Layer - 1:55
D5 - The Ad-Dressing Of Cats - 5:18

       
Companies, etc.

       
    Phonographic Copyright ℗ – The Really Useful Company Ltd.
    Copyright © – The Really Useful Company Ltd.
    Copyright © – Faber Music Ltd.
    Lacquer Cut at – Tape One
    Pressed By – PRS Ltd.
       
Credits:
       
    Acoustic Guitar, Guitar [Electric] – John Maskell
    Arranged By [Orchestrations] – Andrew Lloyd Webber, David Cullen (4)
    Artwork By – John Napier
    Baritone Vocals, Clarinet – Barry Graham
    Bass, Double Bass – John Mole
    Cello – John Franca
    Conductor [Deputy] – Tony Stenson
    Design [Lighning] – David Hersey
    Directed By – Trevor Nunn
    Directed By [Associate], Choreography – Gillian Lynne
    Drums – Jon Hiseman
    Engineer – David Hamilton-Smith
    Flute – Barbara Thompson, Barry Graham
    Horns [First] – Daniel Edmond
    Horns [Second] – Ann Barnard
    Keyboards – Peter Lemer, Rod Argent, Tony Stenson
    Lacquer Cut By – BilBo (3)
    Music Director – Harry Rabinowitz
    Music Director [Production] – David Firman
    Oboe, English Horn – Stephen Nye
    Percussion – Dave Locke
    Producer, Written-By [Music] – Andrew Lloyd Webber
    Soprano Vocals – Barbara Thompson, Barry Graham
    Sounds – Abe Jacob
    Tenor Vocals – Barbara Thompson
    Trombone, Euphonium – Billy Graham
    Trumpet [First, Piccolo] – Ralph Izen
    Trumpet [Second], Flugelhorn – Steve Jenner
       
Notes:
       
Music By Andrew Lloyd Webber Based On 'Old Possum's Book Of Practical Cats' By T. S. Eliot.
       
Barcode and Other Identifiers
       
    Matrix / Runout (Label, sides A and B): 2478 149
    Matrix / Runout (Label, sides C and D): 2478 150
    Matrix / Runout (Runout, etched, sides A and D): BILBO ‧ TA1PE 2
    Matrix / Runout (Runout, etched, sides B and C): BILBO ‧ TA1PE
    Matrix / Runout (Runout, stamped, side A ): 2478149 A // 2 ∇ 1 E TO 12 6
    Matrix / Runout (Runout, stamped, side B): 2 478149 B // 4 ∇ (crossed out)1E TO 1 1 3
    Matrix / Runout (Runout, stamped, side C): 2478150 A // 2 ∇ E TO 1 2 3
    Matrix / Runout (Runout, stamped, side D): 2478150 B // 2 ∇ E TO 1 2 3
 
Andrew Lloyd Webber – Cats
Label: Polydor – CATX 001
Format: 2 x Vinyl, LP
Country: UK
Released: Jun 30, 1981
Genre: Stage & Screen
Style: Musical

         
Viewfinder links:        
        
T. S. Eliot        
Elaine Paige                 
Andrew Lloyd Webber        
        
Net links:        
        
Elaine Paige ~ Memory from Cats        
Playbill ~ Paige's Memory Lives Again           
Polygon ~ What the hell is Cats?        
        
YouTube link:        
        
Elaine Paige ~ Memory        
        
        
         
        
        
        
Styrous® ~ Wednesday, October 6, 2021       
       
 
 





















T. S. Eliot articles/mentions

~     
        
     
     
Cats     
The Art of Amy Sollins          
Sir Michael Kemp Tippett ~ Praeludium  
     
     
     
     
     
     
T. S. Eliot - 1898
photographer unknown



        
       
       
       
        
       
















January 2, 2019

1,000,001 CDs 13: Sir Michael Kemp Tippett ~ Praeludium

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photos by Styrous®






Sir Michael Kemp Tippett ~ Praeludium   
CD cover photo by Jason Shenai 






Today is the birthday of Michael Tippett who was born in 1905 and is known as a composer of modern vocal music. But he wrote some fine works for orchestra (link below) such as his Praeludium for brass.   




The Praeludium for brass, bells and percussion, written in 1962, is atonal, dissonant and clamorous, a true child of the 60's, but it is celebratory. It is a wonderful exposition for trumpet, trombone, French horn, saxophone and tuba accompanied by percussion and bells. This is a recording of a performance conducted by Tippett himself.    
      



Tippett was born in Eastcote, a part of the London Borough of Hillingdon, but raised in Wetherden in Suffolk.                 

He attended Brookfield Preparatory School in Swanage, Dorset where he earned notoriety by writing an essay that challenged the existence of God; a precursor of things to come.   

In 1918 he won a scholarship to Fettes College, a boarding school in Edinburgh, where he studied the piano, sang in the choir, and began to learn to play the pipe organ. The school was not a happy place; sadistic bullying of the younger pupils was commonplace. When he revealed to his parents in March 1920 that he had formed a homosexual relationship with another boy, they removed him. He transferred to Stamford School in Lincolnshire, where a decade previously Malcolm Sargent had been a pupil.     

In mid-1932 his friendships with David Ayerst and Francesca Allinson had opened up new cultural and political vistas. Through Ayerst he met W. H. Auden, who in due course introduced him to T. S. Eliot. Although no deep friendship developed with either poet, Tippett came to consider Eliot as his "spiritual father".

Ayerst also introduced him to a young artist, Wilfred Franks. By this time Tippett was coming to terms with his homosexuality, while not always at ease with it. Franks provided him with what he described as "the deepest, most shattering experience of falling in love".   


 


In November 1940 Tippett had formalised his pacifism by joining the Peace Pledge Union and applying for registration as a conscientious objector. His case was heard by a tribunal in February 1942, when he was assigned to non-combatant duties. Tippett rejected such work as an unacceptable compromise with his principles and in June 1943, after several further hearings and statements on his behalf from distinguished musical figures, he was sentenced to three months' imprisonment in HM Prison Wormwood Scrubs. He served two months, and although thereafter he was technically liable to further charges for failing to comply with the terms set by his tribunal, the authorities left him alone.               




Tippett formed a fruitful musical friendship with Benjamin Britten and Peter Pears, for whom he wrote the cantata Boyhood's End for tenor and piano. Encouraged by Britten, Tippett made arrangements for the first performance of A Child of Our Time, at London's Adelphi Theatre on 19 March 1944.      

In 1946 Tippett organised the first British performance of Monteverdi's Vespers, adding his own organ Preludio for the occasion. His compositions in the immediate postwar years included his First Symphony, performed under Sargent in November 1945, and the String Quartet No. 3, premiered in October 1946 by the Zorian Quartet.[59] His main creative energies were increasingly devoted to his first major opera, The Midsummer Marriage.[60] During the six years from 1946 he composed almost no other music, apart from the Birthday Suite for Prince Charles (1948).      






In November of 1997 he made his last overseas trip, to Stockholm for a festival of his music. After suffering a stroke he was taken home, where he died on 8 January 1998, six days after his 93rd birthday. He was cremated on 15 January, at Hanworth crematorium in London.     
  
      
        

Tracklist:

    Ritual Dances — From The Midsummer Marriage

    Bass Vocals – Matthew Best (2)Mezzo-soprano Vocals – Margaret McDonaldSoprano Vocals – Rita CullisTenor Vocals – Mark Curtis (2)

    (24:27)
1 - Prelude —     2:49
2 - Transformation And Preparation For — 1:42
3 - The First Dance: The Earth In Autumn — 2:14
4 - Transformation And Preparation For — 1:51
5 - The Second Dance: The Waters In Winter —     2:59
6 - Transformation And Preparation For — 2:22
7 - The Third Dance: The Air In Spring — 3:37
8 - Preparation And The Fourth Dance: Fire In Summer - 6:53

9 - Sosostris's Aria — From The Midsummer Marriage, Contralto Vocals – Alfreda Hodgson - 10:31

10 - Praeludium For Brass, Bells And Percussion - 7:29

    Suite For The Birthday Of Prince Charles (Suite In D) - (18:09)

11 - I Intrada    - 3:41
12 - II Berceuse - 3:06
13 - III Procession And Dance    - 3:03
14 - IV Carol - 4:07
15 - V Finale - 4:12

Companies, etc.

    Recorded By – Nimbus Records Limited
    Mastered At – Nimbus Records Limited
    Manufactured By – Nimbus Records Limited
    Phonographic Copyright (p) – Nimbus Records Limited
    Copyright (c) – Nimbus Records Limited
    Distributed By – A&M Records, Inc.

Credits:

    Chorus – Chorus Of Opera North*
    Composed By – Tippett*
    Conductor – Sir Michael Tippett
    Orchestra – English Northern Philharmonia

Notes:

Recorded, Mastered and Manufactured in England by Nimbus Records Limited.
Distributed by A&M Records Inc.
℗ 1990 Nimbus Records Limited
© 1990 Nimbus Records Limited

Made in England
Distributed by
A&M Records Inc
Stereo Ambisonic
UHJ encoded
Barcode and Other Identifiers

    Barcode: 0 8360-35217-2 1

Tippett* - Alfreda Hodgson, Chorus Of Opera North*, English Northern Philharmonia, Sir Michael Tippett ‎– Ritual Dances
Label: Nimbus Records ‎– NI 5217
Format: CD, Stereo, Ambisonic
Country: US
Released: 1990
Genre: Classical
Style: Contemporary

     
       
        
Viewfinder link:     
     
Michael Tippett    
    
Net links:     
      
List of Tippett compositions     
Music Web ~ Tippett CD review    
       
YouTube links:     
       
Michael Tippett ~ Praeludium  
    
    
 
     
 
 
Styrous® ~ Wednesday, January 2, 2019