I will mever forget her performance in
The King and I; talk about refined elegance. And especially when she dances with the King, portrayed by
Yul Brynner.
She swiftly but gracefully bounces across the floor with him while her
hoop skirt under her lavender silk dress swings and sways around her like a gigantic
lavender bell; visually, if not sonically, you can almost hear it ringing with each and every movement. Costume designer,
Irene Sharaff, must have been deliriously overjoyed with the final effect.
The film is a beautiful study in fashion history (
link below).When
Sharaff made use of silks from Thailand for stage production of
The King and I (1951), she created a trend in fashion and interior decoration.
The costumes are the biggest reason this film was the second
costliest film in 20th century fox history, which cost four and a half
million dollars. Sharaff won best costume design for
The King and I and it was she who advised Brynner to shave his head for his role as the King of Siam.
photographer & date unknown
The music by
Richard Rodgers with lyrics by
Oscar Hammerstein II is brilliant but of course, I have favorites. One is the song for the above scene,
Shall We Dance? (
link below). But my very favorite is
Something Wonderful (
link below) which is sung by
Terry Saunders who portrays Lady Thiang, the wife of the King. It is a poignant paean
to deep love for an imperfect lover; it is achingly passionate and
beautiful.
Saunders had
understudied the role of Lady Thiang in the Broadway production and in 1952 had taken over the role when it was vacant.
Something Wonderful has been covered by the best:
Bing Crosby,
Doris Day,
Carmen McRae,
Nina Simone,
Shirley Bassey,
Barbra Streisand,
Carly Simon,
Liza Minnelli,
Bernadette Peters and probably many others.
While it's beautiful, but not my favorite, I've always thought
Hello, Young Lovers is an interesting song on several levels. In it, Anna (Kerr) sings of her dead husband as well as
surreptitiously telling two young star-crossed lovers, Lun Tha (
Carlos Rivas) and Tuptim (
Rita Moreno), that all will end well. That doesn't happen but, oh, well, whoever said life was fair.
Marni Nixon actually sang the vocals for Kerr in the film. Nixon was an American
soprano and
ghost singer for many actresses in
movie musicals. In addition to
The King and I, she is now well-known as the real singing voices in
West Side Story, and
My Fair Lady, although this was concealed at the time from audiences. In 1950, Nixon married
Ernest Gold who composed the theme song to the movie
Exodus.
Moreno disliked most of her film work during this period as she felt
the roles she was given were stereotypical. The one exception was her
supporting role of Tuptim in this film version of
The King and I.
The screenplay by
Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical,
The King and I, which was based on the novel
Anna and the King of Siam by
Margaret Landon. That novel in turn was based on memoirs written by
Anna Leonowens, who became school teacher to the children of King
Mongkut of
Siam in the early 1860s.
The film was a critical and commercial success, and was nominated for nine
Academy Awards, winning five, including
Best Actor for Brynner.
This album was released at the time the film was, 1956; stereo recordings were new so albums were releast in
stereo as well as
mono, this origianl issue is a mono
High Fidelity recording.
Deborah Kerr was born in
Glasgow,
Scotland. Her first stage appearance was at Weston-super-Mare in 1937, as "Harlequin" in the mime play
Harlequin and Columbine. She then went to the Sadler's Wells ballet school and in 1938 made her début in the corps de ballet in
Prometheus. After various walk-on parts in
Shakespeare productions at the Open-Air Theatre in
Regent's Park, London, she joined the Oxford Playhouse repertory company in 1940, playing,
inter alia, "Margaret" in
Dear Brutus and "Patty Moss" in
The Two Bouquets.
In 1943, aged 21, she made her West End début as "Ellie Dunn" in a revival of
Heartbreak House at the
Cambridge Theatre, stealing attention from stalwarts such as
Edith Evans and
Isabel Jeans.
"She has the rare gift", wrote critic Beverley Baxter, "of thinking her
lines, not merely remembering them. The process of development from a
romantic, silly girl to a hard, disillusioned woman in three hours was
moving and convincing".
She made clear that her surname should be pronounced the same as "car". To avoid confusion over pronunciation,
Louis B. Mayer of
MGM billed her as "Kerr rhymes with Star!"

She made her Broadway debut in 1953, appearing in the
Robert Anderson play,
Tea and Sympathy, for which she received a
Tony Award nomination. Kerr repeated her role along with her stage partner
John Kerr (no relation) in the
Vincente Minnelli film adaptation of the drama.
She departed from typecasting with a performance that brought out
her sensuality, as "Karen Holmes", the embittered military wife in the
Fred Zinnemann film,
From Here to Eternity (1953), for which she received an
Oscar nomination for
Best Actress. The
American Film Institute acknowledged the iconic status of the scene from that film in which
Burt Lancaster and she romped illicitly and passionately amidst crashing waves on a Hawaiian beach. The organisation ranked it 20th in its
list of the 100 most romantic films of all time.
In 1955, Kerr won the
Sarah Siddons Award. she experienced a career resurgence when she played the role of the nurse, played by
Elsa Lanchester in the 1957 movie,
Witness for the Prosecution, on television in the early 1980s. Later, Kerr rejoined screen partner
Robert Mitchum in
Reunion at Fairborough. She also took on the role of the older Emma Harte, a tycoon, in the adaptation of
A Woman of Substance by
Barbara Taylor Bradford. For this performance, Kerr was nominated for an
Emmy Award.
In 1998, she was honoured in
Hollywood, where she received a star on the
Hollywood Walk of Fame at 1709 Vine Street for her contributions to the motion picture industry.
1709 Vine Street, Los Angeles, California
Deborah Kerr was nominated six times for the
Academy Award for Best Actress, more than any other actress without ever winning. In 1994, however, having already received honorary awards from the
Cannes Film Festival and
BAFTA, she received an
Academy Honorary Award
with a citation recognising her as "an artist of impeccable grace and
beauty, a dedicated actress whose motion picture career has always stood
for perfection, discipline and elegance". She was the ultimate '
Lady'.
She won a
Golden Globe Award for "Best Actress – Motion Picture Musical or Comedy" for
The King and I in 1957 and a Henrietta Award for "World Film Favorite – Female". She was the first performer to win the
New York Film Critics Circle Award for "Best Actress" three times (1947, 1957 and 1960).
Kerr was made a Commander of the
Order of the British Empire (CBE) in 1998, but was unable to accept the honour in person because of ill health.
Deborah Kerr died, aged 86, on the 16th of October, 2007, at
Botesdale, a village in county of
Suffolk, England, from the effects of
Parkinson's disease.
Tracklist:
Side 1:
A1 - Overture
A2 - I Whistle A Happy Tune
A3 - My Lord And Master
A4 - Hello, Young Lovers
A5 - The March Of Siamese Children
A6 - A Puzzlement
Side 2:
B1 - Getting To Know You
B2 - We Kiss In A Shadow
B3 - I Have Dreamed
B4 - Shall I Tell You What I Think Of You?
B5 - Something Wonderful
B6 - Song Of The King
B7 - Shall We Dance?
B8 - Something Wonderful (Finale)
Companies, etc.
Copyright (c) – Twentieth Century Fox Film Corporation
Credits:
Conductor –
Alfred Newman
Directed By – Walter Lang
Executive-Producer – Charles Brackett
Featuring –
Carlos Rivas, Deborah Kerr, Rita Moreno, Terry Saunders, Yul Brynner
Lyrics By – Oscar Hammerstein II
Music By – Richard Rodgers
Musical Assistance – Ken Darby
Screenwriter – Ernest Lehman
Rodgers And Hammerstein* –
The King and I
Label: Capitol Records – W-740
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1956
Genre: Stage & Screen
Style: Musical
Viewfinder links:
Yul Brynner
Golden Globe Award
Deborah Kerr
Rita Moreno
Something Wonderful lyrics
Net links:
Devorah Kerr Filmography
The King and I ~
Plot
Cast
Wonderful World of Cinema ~
Irene Sharaff’s Costumes for The King and I
Fashion & Film ~ The King & I (1956)
YouTube links:
Shall We Dance?
Something Wonderful
The King And I Trailer
"It's [acting] an unbelievable terror, a kind of masochistic madness.