Showing posts with label John Cage. Show all posts
Showing posts with label John Cage. Show all posts

February 20, 2024

20,000 vinyl LPs 355: Jean Erdman ~ The Coach with the Six Insides

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vinyl LP back cover detail
 back cover photo by Deborah Berman
photo of album cover by Styrous®


Today is the birthday of American dancer and choreographer of modern dance as well as an avant-garde theater director, Jean Erdman who was born on February 20, 1916, in Honolulu, Hawaii, to John Piney Erdman, a doctor of divinity and missionary from New England, who settled in Honolulu as a minister at the non-denominational Protestant Church of the Crossroads where he preached, in both English and Japanese, to a multi-ethnic congregation. Her mother, Marion Dillingham Erdman, was a member of one of the founding industrialist families of Hawaii.        
 
Erdman's earliest dance experience was the hula. She attended the Punahou School in Honolulu where she learned, as a form of physical education, Isadora Duncan interpretive dance. Reflecting on her early dance training, Erdman said these two influences taught her that "dancing is an expression of something meaningful to the dancer, not a mere series of lively steps".        
 
 
vinyl LP front cover
photo of album cover by Styrous®
 
 
Erdman worked with the greats of Avant-Guard and experimental musicians and performers; John Cage, Martha Graham, Louis Horst, Merce Cunningham, Lou Harrison, Alan Hovhaness and many others.   
  

vinyl LP back cover
 back cover photo by Deborah Berman
photo of album cover by Styrous®
 
 
The Coach with the Six Insides is an adaptation of the James Joyce book, Finnegans Wake. While Joyce's story is told from the perspective of the male barkeeper Humphrey Chimpden Earwicker, Erdman's work a combination of dance, mime, and Joycean stream of consciousness language focuses on the female psyche, as seen through the many incarnations of the main female character Anna Livia Plurabelle. Erdman danced all the aspects of Anna Livia from young woman, to old crone, to the rain itself that becomes the River Liffey flowing through the heart of Dublin. Teiji Ito was the musical director and composed the musical score on a vast array of instruments from around the world including among others, Japanese bass drums, Tibetan cymbals, a violin and an accordion.         
 
The Coach with the Six Insides premiered at the Village South Theatre in Greenwich Village on November 26, 1962. It ran for 114 performances and received the Obie and Vernon Rice Awards for Outstanding Achievement in theater. She choreographed a few Broadway musicals, one was Two Gentlemen of Verona, a delightful send up of the Shakespeare comedy.                 
 
The Coach with the Six Insides was performed on CBS  anthology series "Camera Three" in December of 1964 and there is a video of that performance on YouTube (link below).                

In 1943, Erdman choreographed Creature On a Journey with, Counterdance in the Spring, composed by Lou Harrison. There is an excellent video of it performed by movement artist, Stephanie Liapis, with a documentary about the costumes, artists and music. The work  demonstrates the influence hula and Duncan movement was incorporated into Erdman's work.       
 
In 1945 she choreographed Daughters of the Lonesome Isle with a commissioned solo prepared piano score by John Cage; it premiered in Bronxville, New York, on  February 27, 1946 (link below).       
 
In the mid-thirties, Erdman met Joseph Campbell and Martha Graham: both would be immensely influential in her life.


date & photographer unknown

 
In 1972 Erdman collaborated with Campbell, they had married by that time, to form the Theater of the Open Eye performance group.        
 
 
Theater of the Open Eye
 date & photographer unknown

 
The album included a libretto.             
            
 

libretto cover (below)
 libretto photo by Deborah Berman
photo of libretto by Styrous®
 
 
 
 
There are cover variations as well as label variations in the pressings: The German pressing has text on the labels. 
 

 German label pressing, side 2 & side 1
 
 
This version, the US pressing, does not have any text, just artwork printed on the labels.          
 

vinyl LP record label, side 1
photo of record label by Styrous®
 
 

vinyl LP record label, side 2
photo of record label by Styrous®
 
`   
Tracklist:
       
Side 1:
        
A1 - Act I Scene 2
A2 - Act I Scene 6
A3 - Act II Scene 5
A4 - Act II Scene 6
       
Side 2:
       
B1 - Act II Scene 7
B2 - Act III Scene 1, 3 & 4
B3 - Act III Scene 5
       
Companies, etc.
       
    Copyright © – ESP-Disk' Ltd.
       
Credits:
       
    Art Direction – Stephen I. Levitt
    Composed By, Performer – Teiji Ito
    Cover – Howard Bernstein
    Directed By, Choreography – Miss Erdman*
    Lacquer Cut By – DBH*
    Performer – Genji Ito, Peter Berry
    Photography By [Back Cover] – Deborah Berman
    Voice Actor [Anna Livia Plurabelle], Written-By – Jean Erdman
    Voice Actor [Daughter Iseult] – Sheila Roy
    Voice Actor [Shaun, The Older Twin] – Leonard Frey
    Voice Actor [Shem, The Younger Twin] – Van Dexter
    Voice Actor [Wife And Chairwoman] – Anita Dangler
       
Notes:
       
Label variation: This version does not have any text printed on the labels,
just artwork.

Includes an eight page booklet with original lines of the play.
which was Inspired by James Joyce's "Finnegans Wake".
       
Barcode and Other Identifiers
        
    Matrix / Runout (Side A runout): ESPS 1019 A ORT-2 DBH
    Matrix / Runout (Side B runout): ESPS 1019 B ORT-2 DBH

Jean Erdman – The Coach With The Six Insides (Original Cast Album)
Label: ESP Disk – ESP 1019
Format:    Vinyl, LP, Album
Country: US
Released: 1966
Genre: Non-Music, Stage & Screen
Style: Soundtrack, Musical, Avantgarde, Poetry, Experimental

         
Viewfinder links:        
         
John Cage          
Joseph Campbell          
Merce Cunningham                    
Isadora Duncan         
Martha Graham      
Lou Harrison      
Louis Horst     
Alan Hovhaness        
James Joyce         
        
Net links:        
         
Stephanie Liapis        
NY Times ~ Jean Erdman, a Dancer Moved by Myth           
Northwestern University ~ Cage and Contemporary Choreographers 
        
         
University of Washington ~ Creature on a Journey        
        
YouTube links:        
        
Creature on a Journey (56 mins., 52 secs.)       
Daughters of the Lonesome Isle             
Hamadryad         
Ophelia         
        
        
         
 
       
       
        
Styrous® ~ Tuesday, February 20, 2024   
       
 
 
















September 9, 2022

Tom White ~ Drawn & Quartered tumblers

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I can't remember who said it, but almost every work of visual art becomes invisible with the repetition of viewing it. Familiarity breeds contempt?     

Artist, Tom White may have, in essence, found a remedy for that with his series, Tumblers, one of several different series in his new work he has called Drawn & Quartered (link to info below).         
 
The tumblers are collages that are not glued or fixed so that when turned in any direction the parts of it fall in random patterns; basically forming an infinite variety of images. It's Chance Operation - Aleatoric music made visual. 
 
He has framed some that hang on a wall as usual (image at top) but some are freestanding so they can be placed on a table or shelf. Two samples, Kaleidoscape and Alice's Looking Glass are shown below.        
 
Tom White and his studio assistant, Isaac Amala, will be demonstrating what they do at the K Gallery in the Rhythmix Cultural Works in Alameda tomorrow, Saturday, September 10, from 1 to 3 PM
 
The first work is titled, Kaleidoscape, the photos are of this one piece rotated and turned in different directions so the pieces inside the frame fall where they may.     
 
 
photos by Styrous®
 
 


 
 

 
 

 


The second sample is titled, Alice's Looking Glass; I only used three different positions as the demos above give you gist of it all.             


 

 



 

If you missed the opening, it's a chance to see all the marvelous work in the exhibition, Drawn, Quartered, Repurposed, which also features the work of Ginny Parsons, until October 28, 2022.       
 
Ginny is presenting her Bike series on one side of the gallery . . .          
 
 
Ginny Parsons ~  Bike series
photo by Styrous®


 . . . while Tom is showing his new work, Drawn & Quartered, on the opposite side of the gallery.       


Tom White ~ Drawn & Quartered - 2022
photo by Styrous®
 
 
Tom White with Minoo Hamzvi & Danielle at the entrance of the K Gallery during the opening of the exhibition, Drawn, Quartered, Repurposed. Minoo will be presenting her event, The Vote (link below), at the Gray Loft Gallery the following weekend on Saturday, September 17, 2022, from 3 to 6 PM.       
 
 

 Minoo Hamzvi, Tom White & Danielle 
 
 
The Gray Loft Gallery will be presenting it's next exhibition, Jingletown Originals, which will also feature the work of Tom White, from September 24, 2022, until October 29, 2022.           

 

Tom White & his studio assistant, Isaac Imala

 

. . . and of course, the stars at the opening of the exhibition, Drawn, Quartered, Repurposed, Ginny Parsons & Tom!

 

 

Drawn, Quartered, Repurposed is a two for one experience that makes for a pretty dynamic exhibition. Leave it to the Rhythmix Cultural Works to set up a doozy of a show like this!     

So, remember, tomorrow, Saturday, September 10, from 1 to 3 PM at the K Gallery.       


K Gallery          
Rhythmix Cultural Works             
2513 Blanding
Alameda, CA 94501 
510.865.5060

2889 Ford Street
Third Floor
Oakland, CA
94601     

      
Viewfinder links:       
         
Isaac Amala          
Drawn & Quartered           
Gray Loft Gallery        
Minoo Hamzavi ~ The Vote            
K Gallery           
Ginny Parsons              
Rhythmix Cultural Works                 
Tom White                          
     
Net links:       
         
Gray Loft Gallery        
K Gallery          
Ginny Parsons              
Rhythmix Cultural Works 
Tom White        
        
        
        
        
        
        
        
Styrous® ~ Thusrsday, August 18, 2022        
        















June 14, 2021

J. M. Golding & Al Brydon ~ Tales from a Non-Existent Land

  ~      

 
 
A collaboration between photographers Al Brydon and J. M. Golding, Tales from a Non-Existent Land, is being featured on the Ilford Photo online magazine.      

The project is fascinating; each expose a roll of film in a plastic Holga camera, send it to the other, and re-expose it -  not knowing what is already present in the latent image. A perfect example of what John Cage described as "Chance Operation" in music.      
 
 
photo by Mark Wheeler
 
 
Golding describes the process as, "The random magic of two unconscious processes and two Holgas." The results are quite astounding.             
   
     
 












   
     
     
     



      
The pair started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and they found that both saw the potential of the landscape to resonate with inner experience and make it visible.     

Both photographers were using a camera called a Holga; an incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting. These image characteristics, and the simplicity of this lo-fi process of making images, attracted each of them to using it in the first place.   

Each start with one roll of film and expose the roll as normal. Then the film is rewound and the exposed roll is sent to the other. Each then re-exposes the film through their own cameras, creating a double exposure. Golding is based in the San Francisco Bay Area in California while Brydon is based in the North of the UK; he is also a co-founder of the Inside the Outside collective (link below).    
 
They never plan the photographs, relying on serendipity and knowing each other’s work. This is likely to influence the exposures they make, whether or not with conscious intent. Over the years they’ve become better at predicting what the other might do. Yet there's still a glorious element of surprise once the films have been developed.          


     
      
      
      
  
Viewfinder links:       
         
John Cage       
J. M. Golding        
     
Net links:       
         
Al Brydon         
J. M. Golding        
Ilford Photo ~ Tales from a Non-Existent Land        
        
      
        
Good job, Guys!       
        
        
        
Styrous® ~ Monday, June 14, 2021        

May 15, 2021

SF MOMA: Nam June Paik

  ~          
Nam June Paik lying among televisions, Zürich, 1991
photo by Timm Rautert


May 8 – October 3, 2021


 PRESS RELEASE
 
SAN FRANCISCO, CA (October 30, 2020; updated April 15, 2021) — Nam June Paik has continued to electrify the art world ever since his 1963 debut of television experiments in Exposition of Music – Electronic Television, his first solo exhibition. Paik challenged visitors to participate by activating modified TV sets and playing radically transformed instruments — blurring the distinction between performer and audience. Playful and interactive, Paik’s immersive environment expanded the boundaries of art, music and technology, and laid the groundwork for his career as the founder of video art.

The San Francisco Museum of Modern Art (SFMOMA) will present the exclusive U.S. exhibition of Nam June Paik, a major retrospective of Paik’s radical and experimental art, on view from May through October 2021. One of the first truly global artists, Paik (1932–2006) foresaw the importance of mass media and new technologies, coining the phrase ‘electronic superhighway’ in 1974 to predict the future of communication in an internet age. The exhibition will celebrate his multidisciplinary and collaborative practice that encompassed art, music, performance and technology, all in dialogue with philosophies and traditions from both Eastern and Western cultures.

Bringing together over 200 works across all media spanning a five-decade career, from early compositions and performances to large-scale video installations and global satellite projects, Nam June Paik offers an in-depth understanding of the artist’s trailblazing practice. Paik’s innovative, irreverent and entertaining works were informed by his musical background and his vision of an interconnected future. Organized by SFMOMA and Tate Modern, London, with additional presentations at the Stedelijk Museum Amsterdam and the National Gallery Singapore, the retrospective will be the first major Paik show in the U.S. in over 20 years and the first ever large-scale survey of his work on the West Coast.

“Nam June Paik is famous for being the historic father of video art, but his groundbreaking and contemporary influence is even more based on his crossover between all media,” said Rudolf Frieling, curator of media arts at SFMOMA. “Paik’s radical visual and musical aesthetic has a natural home here on the West Coast as a place for global connectivity.”

Organized thematically, the exhibition will unite many of Paik’s most iconic and provocative works from throughout his career. In TV Buddha (1974), an 18th-century wooden Buddha appears to watch itself on a modern television, typifying the influence of Zen Buddhist philosophies on Paik’s approach to art and technology. Also on view will be TV Garden (1974–77/2002), an immersive installation featuring dozens of TV sets alongside lush foliage in a futuristic landscape where technology is an integral part of the natural world.

Nam June Paik will partially restage the artist’s pivotal 1963 solo exhibition, Exposition of Music – Electronic Television, and his concept of “action music” (as Paik said, “Why is it music? Because it is not ‘not music’”) will be demonstrated via musical interfaces and some of Paik’s earliest manipulated televisions.

Unique to SFMOMA’s presentation will be two robots, one each dedicated to composer John Cage and choreographer Merce Cunningham, two of Paik’s key collaborators along with artist Joseph Beuys and cellist Charlotte Moorman. John Cage Robot II (1995) and Merce / Digital (1988), among many other works, will highlight Paik’s creative partnerships and collaborative artistic practice.

The retrospective will culminate in the dazzling installation Sistine Chapel (1993), a mesmerizing riot of sound and images from dozens of projectors, taken from the German pavilion which won the Golden Lion award at the Venice Biennale in 1993. Presented in its largest scale of any venue at SFMOMA, and exceeding that of all other works in the exhibition, Sistine Chapel will envelop the audience in an audio-visual remix of Paik’s past videos and collaborators seen throughout the exhibition.
 
Born in Seoul during the Japanese occupation of Korea, Nam June Paik lived and worked in Japan, Germany and the U.S., reflecting a global connectedness that transcended borders and cultural differences. He studied music theory and trained as a musician before experimenting with performance and technology in the 1960s as a means of expanding his artistic production. He developed a multidisciplinary practice across media, and has become synonymous with the electronic image through a prodigious output of manipulated TV sets, live performances, global television broadcasts, single-channel videos and video installations.

Paik collaborated with a community of avant-garde artists and musicians, and played a pivotal role in Fluxus, an international network of artists, composers and poets who engaged in experimental art performances. His groundbreaking work has influenced art, media, music and popular culture for decades, including musicians such as David Bowie, Laurie Anderson and Devo’s Mark Mothersbaugh, among many others.

In conjunction with Nam June Paik, SFMOMA will present Paik’s work Video Commune online. Originally broadcast on live TV in 1970, Video Commune was an improvised montage of distorted TV imagery accompanied by songs by the Beatles. At the time, Paik invited random passersby into the studio and let them remix video images as they aired. The presentation in the exhibition galleries is a condensed videotape of the broadcast filmed from a TV screen.    


Nam June Paik
Still from Video Commune: Beatles from Beginning to End 1970
Video, colour, sound
240 min
© Nam June Paik Estate 
 
 
Video Commune will be made accessible as a participatory work on SFMOMA’s Nam June Paik exhibition webpage: visitors to the webpage will be invited to watch the silent video from the comfort of their home and create a soundtrack of their choice from a selection of Beatles songs. A second video, Electronic Opera #1, combines abstract electronic patterns with an invitation to the audience to close and open their eyes. 

Virtual Public Programs

SFMOMA is proud to present the online film series Dances for Camera: Nam June Paik, Merce Cunningham, Charles Atlas on the museum website from June through August. Dances for Camera features three key works from 1960s San Francisco, 1970s New York, and 1980s London that exemplify the dance film genre. In addition, SFMOMA will host a virtual public performance and streaming program in collaboration with the National Gallery Singapore on September 24.
Catalogue

The exhibition is accompanied by an illustrated catalogue from Tate Publishing. Edited by Sook-Kyung Lee and Rudolf Frieling, it features essays by the editors and contributions from Leontine Coelewij, Grace Deveney, Rachel Jans, Susanne Neuburger, Andrea Nitsche-Krupp, Valentina Ravaglia and David Toop, as well as excerpts of Paik’s own writings. 



Venues + Dates

Tate Modern: October 17, 2019–February 9, 2020

Stedelijk Museum Amsterdam: March 14–October 4, 2020

SFMOMA: May 8–October 3, 2021

National Gallery Singapore: December 2021–March 2022
     
     
     
     
     
     
     
     
         
         
         
        
        
        
Viewfinder links:       
         
Mark Mothersbaugh          
Nam June Paik        
     
Net links:       
         
Smithsonian American Art Museum ~ Nam June Paik: Global Visionary      
    
YouTube links:       
         
Electronic Superhighway        
Music for all Senses        
        
        
        
         
         
         
        
        
        
         
Styrous® ~ Saturday, May 15, 2021