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Following in the footsteps of 19th century artists who sought the out-of-doors for leisure, renewal and expression, Wayside
artists explore this idyllic notion in the framework of our modern
society. Hakim’s blurry and beautiful landscapes, shot from a moving
car, resonate with questions of progress, while Parsons’s charcoal
gestures capture the essence of Monet’s pastoral scenes, glimpsed
through the anxious lens of the Trump #MeToo era.
For Hakim, sharply focused details can be false gods, often
obfuscating a true, “real” nature of things – like “missing the forest
for the trees”. By emphasizing atmosphere, color, light, and movement
over detail and form, these images make the viewer feel it is not so
much time that is passing, but they themselves speeding by the wayside.
(click on any image for slideshow)
The exhibition will run until September 1, 2018
Viewfinder links:
Ginny Parsons articles/mentions
Net links: