Showing posts with label Sean Connery. Show all posts
Showing posts with label Sean Connery. Show all posts

June 6, 2024

20,000 vinyl LPs 363: Maurice Jarre ~ The Longest Day

 ~  
vinyl LP front cover 
 cover photo by 
photo of album cover by Styrous®


In commemoration of the thousands of men who fought and died in the turning point in World War II to protect the freedom we may now be in danger of losing, this is my tribute.              
 

vinyl LP back cover 
 cover photo by 
photo of album cover by Styrous®


The Longest Day is a 1962 American epic war film based on the Cornelius Ryan 1959 non-fiction book of the same name about the D-Day landings in Normandy on June 6, 1944. The film was produced by Darryl F. Zanuck for 20th Century Fox. This is the soundtrack from the film.       


vinyl LP back cover detail
detail photo of album cover by Styrous®


The The Longest Day featured a galaxy of movie stars many of whom appeared in cameo roles and was narrated by American broadcaster, Lowell Thomas.        


vinyl LP back cover detail
detail photo of album cover by Styrous®


 

vinyl LP back cover detail
detail photo of album cover by Styrous®


The score for The Longest Day was written by Maurice Jarre and orchestrated by head of A&R at Columbia Records, Mitch Miller.         


vinyl LP back cover detail
detail photo of album cover by Styrous®


The Longest Day premiered in France on September 25, 1962, and in the United States on October 4. It received positive acclaim from critics and was a significant commercial success, becoming the highest-grossing black-and-white movie at the time. At the 35th Academy Awards, the film was nominated for five Oscars, including Best Picture, and won awards for Best Cinematography (Black-and-White) and Best Special Effects.         
 








   
Tracklist:
       
Side 1:
        
            Part 1
       
Side 2:
       
            Part 2
       
Credits:
       
    Narrator – Lowell Thomas
    Presenter – Darryl F. Zanuck
    Vocals – Paul Anka
       
Notes:
       
"This Album Contains A Condensed Version Of The Original Film Story With The Actual Stars."

Theme song sung by Paul Anka.

Black label with gold rim and gold logo.
        
Lowell Thomas / Paul Anka / Darryl F. Zanuck – The Longest Day (The Original Film Sound Track)
Label: 20th Century Fox Records – SXG 5007
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1963
Genre: Stage & Screen
Style: Soundtrack       

         
Viewfinder links:        
        
Paul Anka         
Richard Burton        
Red Buttons          
Sean Connery      
Henry Fonda                    
Leo Genn             
Jeffrey Hunter           
Mitch Miller             
Robert Mitchum          
Rod Steiger                 
Lowell Thomas        
Robert Wagner           
John Wayne                          
        
Net links:        
        
20th Century Studios ~ The Longest Day        
Common Sense Media ~ Parents' Guide to The Longest Day        
USA Today ~ D-Day films you can watch on 80th anniversary             
        
YouTube links:        
        
Paul Anka ~ The Longest Day        
The Ed Sullivan Show ~ Paul Anka ft. The Winged Victory Chorus   
The Longest Day (complete film) (2hrs., 58 min., 21 sec.)          
The Longest Day (end credits)          
         
        
        
        
Styrous® ~ Thursday, June 6, 2024       
       
 
 














October 14, 2020

20,000 vinyl LPs 246: Live And Let Die & Roger Moore

~       
vinyl LP front cover detail 
Artwork by Bob McGinnis
detail photo of album cover by Styrous®


Today is the birthday of Roger Moore who was an English actor who began his career as British secret agent James Bond with the film, Live and Let Die. He would star in seven more Bond films up to 1985 when he reprized the role for the last time in A View to a Kill.      

Live And Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings.       
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover detail 
Artwork by Bob McGinnis 
detail photo of album cover by Styrous®
 
 
The music for most of the Bond films through Diamonds Are Forever had been written by John Barry, however, due to his working on a musical, and having fallen out with Bond producer Harry Saltzman, he did not score the film.        
 
George Martin, who wrote the score for Live And Let Die, was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle" because of his involvement on each of the Beatles' original albums. The orchestra was conducted by Martin and recorded at AIR Studios.                 
 
Live And Let Die was the first time a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969.   
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover
Artwork by Bob McGinnis 
photo of album cover by Styrous®

 
Bob McGinnis is a world-renowned painter whose prolific, award-winning artwork spans more than six decades. In recognition of the excellence of his paintings, in 1993 he was elected to the Society of Illustrators Hall of Fame which includes Norman Rockwell, N. C. Wyeth, Winslow Homer, Robert Peak, Frederic Remington, Frank McCarthy and Maxfield Parrish who's work was used on the cover of The Waking Hour by Dali's Car (link below).        
 
 
 
 
Live and Let Die is a 1973 spy film and the eighth film in the James Bond series produced by Eon Productions and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman. The producers had wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, Connery declined, sparking a search for a new actor to play Bond; Moore was signed for the lead role.    
 
The film is based on the Ian Fleming 1954 novel of the same name. It  was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film. It was the first James Bond film featuring an African-American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry (links to cast & plot below).     
 
 
 
 
 Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 
 
 
 
 
 
The film has two versions of the title song, Live And Let Die, in addition to the version by the  McCartneys, B. J. Arnau did a soul, sort of rock cover. My favorite cover is by Guns N' Roses, which appears on their 1991 album Use Your Illusion I; their version was nominated for the Grammy Award for Best Hard Rock Performance at the 35th Annual Grammy Awards in 1993.     
 
Live And Let Die was the first Bond theme song to be nominated for the Academy Award for Best Original Song, but lost the award to The Way We Were by Barbra Streisand. I wasn't too upset because I loved The Way We Were, it's one of my favorite, beautiful but nostalgic, songs. Live And Let Die was also nominated for the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awards in 1974.    

In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.         
         
 

 
Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 



Roger Moore was born on October 14, 1927 in Stockwell, London. His father was a policeman, his mother was born in Calcutta, India; however, she was not Indian. He was evacuated to Holsworthy in Devon during the Second World War, and attended Launceston College in Cornwall. He studied acting then, at 18, shortly after the end of the Second World War, he was conscripted for national service. On 21 September 1946, he was commissioned into the Royal Army Service Corps as a second lieutenant. He was an officer in the Combined Services Entertainment section, eventually becoming a captain commanding a small depot in West Germany. There he looked after entertainers for the armed forces passing through Hamburg.     





He did a series of minor films. In the early 1950s Moore worked as a model, appearing in print advertisements in the UK for knitwear (earning him the nickname "The Big Knit") and a wide range of other products such as toothpaste. For some reason, I find this remarkable!!!!      
 
He started his MGM contract with a small role in The Last Time I Saw Paris (1954), flirting with Elizabeth Taylor. He appeared in Interrupted Melody, a biographical movie about the recovery from polio of opera singer Marjorie Lawrence, in which he was billed third under Glenn Ford and Eleanor Parker as Lawrence's brother Cyril. That same year, he played a supporting role in the swashbuckler The King's Thief starring Ann Blyth, Edmund Purdom, David Niven and George Sanders.         




Moore's first success was playing the hero, Sir Wilfred of Ivanhoe, in the 1958–59 series, a loose adaptation of the 1819 romantic novel by Sir Walter Scott set in the 12th century during the era of Richard the Lionheart,            
 
 
 
 
 
In the sixites, Moore was cast as Beau Maverick, an English-accented cousin of frontier gamblers Bret Maverick (James Garner), Bart Maverick (Jack Kelly), and Brent Maverick (Robert Colbert) in the much more successful ABC/WB Western series Maverick. Sean Connery was flown over from Britain to test for the part, but turned it down (link below).        
 
Lew Grade cast Moore as Simon Templar in a new adaptation of The Saint, based on the novels by Leslie Charteris. The television series was broadcast by ITV in the UK between 1962 and 1969. NBC picked up the show in 1966. By early 1967, Moore had achieved international stardom.    
 
 
 
 
 
Lew Grade lured Moore to star alongside Tony Curtis in The Persuaders! in 1971. The show featured the adventures of two millionaire playboys across Europe. Moore was paid the then-unheard-of sum of £1 million for a single series, making him the highest-paid television actor in the world.        
 
Moore did not consider the possibility of taking on the role of 007 until it seemed clear that Connery had stepped down as Bond for good. At that point, Moore was approached, and he accepted the  offer by producer Albert Broccoli in August 1972. In his autobiography, Moore writes that he had to cut his hair and lose weight for the role. Although he resented having to make those changes, he was finally cast as James Bond in Live and Let Die (1973).       
          
 
 
  

Moore's family announced his death in Switzerland, on 23 May 2017 from liver cancer. He died at his home in Crans-Montana, in the presence of his family, five months short of his 90th birthday.         
      






  


   
Tracklist:

Side 1:

A3 – George Martin - Bond Meets Solitaire - 2:15
A4 – George Martin - Whisper Who Dares - 1:42
A5 – George Martin - Snakes Alive - 2:24
A6 – George Martin - Baron Samedi's Dance Of Death - 1:15
A7 – George Martin - San Monique - 1:57
    – Medley - (3:18)

Side 2:

B1-1 – George Martin - Fillet Of Soul - New Orleans - 1:07
B1-2 – BJ Arnau - Live And Let Die, Composed By – Paul & Linda McCartney - 1:07
B1-3 – George Martin - Fillet Of Soul - Harlem - 1:04
B4 – George Martin - Trespassers Will Be Eaten - 2:45
B5 – George Martin - Solitaire Gets Her Cards - 1:52
B6 – George Martin - Sacrifice - 2:30
B7 – George Martin - James Bond Theme, Composed By – Monty Norman - 1:28

Companies, etc.

    Record Company – United Artists Records, Inc.
    Manufactured By – United Artists Records, Inc.
    Phonographic Copyright (p) – United Artists Records, Inc.
    Published By – Unart Music Corp.

Credits:

    Artwork [Uncredited] – Bob McGinnis
    Composed By [Music Score] – George Martin (tracks: A3 to A7, B1 to B6)
    Conductor [Music Score], Producer – George Martin (tracks: A3 to B7)

Notes:

 Label variation combining these features:
- no spacing between "United Artists Records" and "Live And Let Die"
- equal spacing between Side & Stereo & UA-LA100-G (unlike Various - Live And Let Die (Original Motion Picture Soundtrack) or Various - Live And Let Die (Original Motion Picture Soundtrack))
- "1973" is totally under the "Unart" (unlike Various - Live And Let Die (Original Motion Picture Soundtrack))

All Compositions published by Unart Music Corporation (BMI)
Paul and Linda McCartney and Wings appear by courtesy of EMI Records.
BJ Arnau appears by courtesy of RCA Records.

Manufactured by United Artists Records, Inc., Los Angeles, California 90028. Printed in U.S.A.
Also available on United Artists Stereo-Tape Cartridge UA-EA-100-H and Cassette UA-CA-100-H.

Gatefold cover.
 
Barcode and Other Identifiers

    Matrix / Runout (runout Side A, etched): UA-LA100-G-1 X DINO 3
    Matrix / Runout (runout Side B, etched): UA-LA100-G-2 X DL 3
    Rights Society: BMI
 
Various ‎– Live And Let Die (Original Motion Picture Soundtrack)
Label: United Artists Records ‎– UA-LA 100-G, United Artists Records ‎– UA-LA100-G, United Artists Records ‎– UA-LA 100-G-698
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: Jazz, Rock, Stage & Screen
Style: Soul-Jazz, Soundtrack, Smooth Jazz, Score, Easy Listening, Lounge, Dixieland, Jazz-Funk, Classic Rock
   
         
Viewfinder links:        
        
John Barry       
all things Beatles         
Sean Connery      
Dalis Car ~ The Waking Hour        
Tony Curtis            
Glenn Ford       
George Martin          
Paul McCartney        
Roger Moore        
Elizabeth Taylor        
        
Net links:        
         
Cast         
Plot         
        
YouTube links:        
         
B J Arnau ~ Live And Let Die        
Guns N' Roses  ~ Live And Let Die          
Paul McCartney ~ Live And Let Die (film opening & credits)       
        
        
         
       
“You can either grow old gracefully or begrudgingly. I chose both.”
                                   ~ Roger Moore 
 
        
        
        
Styrous® ~ Wednesday, October 14, 2020       














       
         
        
      
          
           
 
   
        
   

September 12, 2020

20,000 vinyl LPs 239: On Her Majesty's Secret Service ~ James & Diana

~       
vinyl LP front cover detail
detail photo by Styrous®


My two favorite actors who portrayed the British spy, James Bond, were  Sean Connery and Daniel Craig. However, my favorite Bond film was On Her Majesty's Secret Service which had neither of them. The James Bond (George Lazenby) love interest in this film was Diana Rigg, an English stage and screen actress whose notable roles were as Emma Peel in the TV series The Avengers and as Olenna Tyrell in Game of Thrones (link below).       

I am partial to the film On Her Majesty's Secret Service for a couple of reasons; Rigg was the ONLY Bond woman to actually marry the British spy and the love theme from the film was incredibly beautiful (I'm always a sucker for a pretty tune) (link below). Her Majesty is also considered by many the best of the Bond films (links below).    


vinyl LP front cover 
art work by Bob McGinnis
photo by Styrous®


The illustration on the album cover was created by Bob McGinnis who also did the artwork for another Bond film, Thunderball


a
vinyl LP front cover detail
detail photo by Styrous®


The love theme, We Have All the Time in the World was composed by John Barry with bittersweet lyrics by Hal David and sung by Louis Armstrong




Armstrong was too ill to play his trumpet, therefore it was played by another musician but I can't find out who it was. It was Armstrong's last recorded song (he died of a heart attack two years later), and at the time of release it barely made an impact on the charts.         


Lyrics:

We have all, the time in the world
Time enough for life, to unfold
All the precious things
Love has in store
We have all the love in the world
If that's all we have, you will find
We need nothing more

Every step of the way
Will find us
With the cares of the world
Far behind us
We have all the time in the world
Just for love
Nothing more, nothing less, only love...

Every step of the way
Will find us
With the cares of the world
Far behind us, yes...

We have all the time in the world
Just for love, nothing more, nothing less, only love...

Only love...
   
The song title, We Have All the Time in the World, is taken from Bond's final words in both the novel and the film. Barry chose Armstrong because he felt he could "deliver the title line with irony." When asked for his favorite Bond composition, Barry cited both We Have All... and Goldfinger, sung by Shirley Bassey. Goldfinger because it perfected the "Bond Sound", and We Have All... because it was the finest piece of music he had written for a Bond movie and because of the pleasure of working with Armstrong. " How much time do we have?" :-)        

We Have All the Time in the World was covered by My Bloody Valentine (link below) an experimental rock, shoegazing band formed in Dublin in 1983; All the time had not been rediscovered yet as the classic it is now.   
        

vinyl LP back cover 
art work by Bob McGinnis
photo by Styrous®


The "James Bond" theme was written by Monty Norman and was used as the opening of two Bond films, Dr. No and On Her Majesty's Secrect Service, as well as several times in other Bond films. 
  

vinyl LP back cover detail
detail photo by Styrous®


The score for the film was composed by Barry as well as the love song We Have All the Time in the World sung by Louis Armstrong, with lyrics by Hal David, who was regular lyricist for Burt Bacharach.     


vinyl LP back cover detail
detail photo by Styrous®


We Have All the Time . . . is often mistakenly referred to as the opening credits theme, when in fact the song is played within the film, during the Bond–Tracy courtship montage, bridging Draco's birthday party in Portugal and Bond's burglary of the Gebrüder Gumbold law office in Bern, Switzerland.           




Eon Productions, a British film production company, selected an unknown actor and model, George Lazenby, to play the part of James Bond. During the making of the film, Lazenby announced that he would play the role of Bond only once. He rescues a woman, Contessa Teresa "Tracy" di Vicenzo, portrayed by Diana Rigg.          





photographer unknown


In 1968, after Sean Connery had left the role of James Bond, producer Albert R. Broccoli met George Lazenby for the first time while they were getting their hair cut at the same barbershop. Broccoli offered Lazenby an audition. The position was consolidated when Lazenby accidentally punched a professional wrestler, who was acting as stunt coordinator, in the face, impressing Broccoli with his ability to display aggression. Director Peter R. Hunt later claimed:
"We wanted someone who oozed sexual assurance, and we think this fellow has that. Just wait til the women see him on screen ... I am not saying he is an actor. There is a great deal of difference between an actor and a film star. Didn't they find Gary Cooper when he was an electrician?       
By November 1969, and prior to the release of On Her Majesty's Secret Service, Lazenby said he no longer wished to play another James Bond role, saying, "The producers made me feel like I was mindless. They disregarded everything I suggested simply because I hadn't been in the film business like them for about a thousand years."    
        
His co-star Diana Rigg was among many who commented on this decision:
"The role made Sean Connery a millionaire. It made Sean Connery ... I truly don't know what's happening in George's mind so I can only speak of my reaction. I think it's a pretty foolish move. I think if he can bear to do an apprenticeship, which everybody in this business has to do – has to do – then he should do it quietly and with humility. Everybody has to do it. There are few instant successes in the film business. And the instant successes one usually associates with somebody who is willing to learn anyway." 
Rigg was also quoted as saying, "I can no longer cater for his obsession with himself. He is utterly, unbelievably ... bloody impossible".        
       
Ah, Love!
















                     
Tracklist:

Side 1:

A1 - We Have All The Time In The World, lyrics by Hal David, Vocals – Louis Armstrong - 3:08
A2 - This Never Happened To The Other Feller    - 4:25
A3 - Try - 3:24
A4 - Ski Chase - 2:52
A5 - Do You Know How Christmas Trees Are Grown?, lyrics by Hal David, Vocals – Nina* - 3:19

Side 2:

B1 - Main Theme "On Her Majesty's Secret Service" - 2:33
B2 - Journey To Blowfeld's Hideaway - 3:25
B3 - We Have All The Time In The World, lyrics by Hal David - 2:56
B4 - Over And Out - 2:40
B5 - Battle At Piz Gloria - 4:00
B6 - We Have All The Time In The World - James Bond Theme, Composed By [James Bond Theme] – Monty Norman, Lyrics By [We Have All The Time In The World] – Hal David - 4:32

Companies, etc.



Credits:

    Arranged By, Composed By, Conductor – John Barry
    Artwork [Uncredited] – Bob McGinnis
    Producer – Phil Ramone

Notes:

Label Variant
-Title split in two lines, "On Her Majesty's" "Secret Service"
-Track times are listed
-Different font and arrangement
-Does not have Phil Ramone production credit on labels
-Spelling of tracks A2 and B2 differ on cover
Barcode and Other Identifiers

    Matrix / Runout (Side 1 Etching): UAS-5204-A
    Matrix / Runout (Side 2 Etching): UAS-5204-B 

John Barry ‎– On Her Majesty's Secret Service (Original Motion Picture Soundtrack)
Label: United Artists Records ‎– UAS 5204
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1969
Genre: Jazz, Stage & Screen
Style: Big Band, Easy Listening, Soundtrack


   
         
Viewfnder links:        
   
Louis Armstrong       
John Barry     
Shirley Bassey               
Sean Connery        
Gary Cooper        
Diana Rigg                
        
Net links:        
        
NY Times ~ 50 Years Later, This Bond Film Should Get Its Due (review)  
Roger & Ebert ~ On Her Majesty's Secret Service (review)       
Ultimate Classic Rock ~ 'Secret Service' Tells the Best Bond Story (review)     
        
YouTube links:        
    
Movies & documentarys:     
    
On Her Majesty's Secret Service ~ 
      Official Trailer (1969)   
      Opening (This never happened to the other fellow!)  (Movie clip)     
      Attacking Piz Gloria (Movie clip)                    
      Ending  (Movie clip)      Rigg, Lazenby & the controversy behind On Her Majesty's Secret Service    
Diana Rigg 2011 interview: Garlic and George Lazenby     
        
Music:        
        
Louis Armstrong ~ We Have All the Time in the World        
John Berry ~   
    James Bond Theme         
    On Her Majesty's Secret Service Opening Theme Song     
My Bloody Vanentine ~ We Have All the Time in the World           
The Specials ~ We Have All the Time in the World          
The Ten Tenors ~ We Have All the Time in the World          
        
         
        
        
        
Styrous® ~ Saturday, September 12, 2020