Showing posts with label John Barry. Show all posts
Showing posts with label John Barry. Show all posts

April 20, 2021

20,000 vinyl LPs 285: John Barry ~ King Kong & Jessica Lange

 ~       


Today is the birthday of Jessica Lange, born on April 20, 1949, in Cloquet, Minnesota. As I have loved  the original 1933 King Kong film with Fay Wray (links below) my whole life, I had to see the 1976 Dino De Laurentiis remake of the action-adventure classic. The bonus was, it was my introduction to Jessica Lange.    
 
 

vinyl LP back cover detail
detail photo by Styrous®
 
 
Her role as Dwan, in the "Beauty and the Beast" love story, won her the Golden Globe Award for New Star of the Year and made her a star!     
          

vinyl LP front cover 
photo of cover by Styrous®


The film's production values were terrific; the special effects with dinosaurs (a favorite subject of mine (link below), giant snakes, etc., were great and it was a lot of fun. At one point Kong puts Dwan (Lange) under a waterfall, filmed in Brazil, dunks her into a pool then blows on her to dry her off; a bit racey (link below). Lange's role is basically the typical "brainless beauty"; she's a great actress and she fit the bill perfectly! She was gorgeous and I fell totally in love with her.             
 
 



But I would discover many years later that in reality, she actually has a brilliant mind behind those beautiful looks.    

Jessica Lange is the 13th actress to achieve the Triple Crown of Acting, having won two Academy Awards, three Primetime Emmy Awards, and a Tony Award, along with a Screen Actors Guild Award and five Golden Globe Awards. Additionally, she is the second actress to win the Academy Award for Best Actress after winning the Academy Award for Best Supporting Actress, the third actress and first performer since 1943 to receive two Oscar nominations in the same year, the fifth actress and ninth performer to win Oscars in both the lead and supporting acting categories, and tied for the sixth most Oscar-nominated actress. Lange holds the record for most nominations for the Golden Globe Award for Best Actress – Miniseries or Television Film. She is the only performer ever to win Primetime Emmy Awards in both the Outstanding Supporting Actress and Outstanding Lead Actress categories for the same miniseries. Lange has also garnered a Critics Choice Award and three Dorian Awards, making her the most honored actress by the Gay and Lesbian Entertainment Critics Association. In 1998, Entertainment Weekly listed Lange among the 25 Greatest Actresses of the 1990s. Not bad for a "brainless" beauty!   

Lange was not the only consideration for the lead role of Dwan; Meryl Streep, Bette Midler, Farrah Fawcett, Bo Derek (who turned it down), and, would you believe, Barbra Streisand were in the running. 
 
In a 2008 interview with David Letterman, Meryl Streep revealed that she auditioned for the role of Dwan. De Laurentiis turned to his son, describing Streep as "Troppo brutta per King Kong" ("Too ugly for King Kong"). Not knowing Streep understood the language, she responded in perfect Italian that she was very sorry to have disappointed him, and left De Laurentiis stunned (link below).               
 
Kim Basinger tried out for the role of Dwan for her first film audition and Melanie Griffith did a screen test for the role. According to her autobiography, De Laurentiis approached Britt Ekland for the role but she turned him down.  Fay Wray was offered a cameo in the film, however, she refused the role because she didn't like the script.  (link below).       
 
Roman Polanski, Michael Winner, and Sam Peckinpah were offered the chance to direct, but all of them turned it down.        

Ray Harryhausen was considered to provide the stop-motion effects for Kong. Harryhausen turned it down as he felt that 12 months wasn't sufficient time to deliver on such a detailed shoot.      
     

Trivia
 
In a Time magazine cover story on the production, Dino De Laurentiis said "No one cried when Jaws died, but when the monkey dies, people are gonna cry. Intellectuals are gonna love Kong. Even film buffs who love the first Kong are gonna love ours. Why? Because, I don't give a crap."        
 
At a breakfast press conference held on the Paramount backlot to celebrate the launch of the film's principal photography, de Laurentiis promised to "blow away" members of the media by unveiling both of his "stars" - blonde newcomer Lange and the giant mechanical ape created to play the title role. Lange gamely posed in a huge rubber gorilla "hand," but disappointed photographers when she refused to scream for them.         

For shots of Kong holding Jessica Lange, the filmmakers built giant hydraulic gorilla arms. The hands were six feet across, and the arms weighed 1,650 lbs. (750 kg.) each. They weren't ready until shooting was well underway. When they were finally built, De Laurentiis was invited to the set to witness a test. He walked into the studio, and a giant arm extended in his direction. Then the middle finger slowly uncurled and extended itself. De Laurentiis broke up. So did the arm; it was frozen, finger up, for a week (link below).      


date & photographer unknown


King Kong and A Star is Born were the subject of a popular industry joke at the time. Kong producer Dino De Laurentiis and Star is Born producer Jon Peters encounter one another at a Hollywood party and begin to argue about which film will be a bigger hit. After a few rounds of back-and-forth de Laurentiis says "I forgot, your monkey, she sings!" (referring to Streisand).      



 
For the first six weeks of pre-production, in late 1975, De Laurentiis had Rick Baker and Carlo Rambaldi construct competing Kong concept suits. Rambaldi designed his to fit African-American Albert Popwell, who was originally cast as Kong, while Baker single-handedly designed his with himself in mind as Kong. When Baker and Rambaldi presented their semi-finished suits to De Laurentiis, he chose Baker's over Rambaldi's, which he called a "disaster". At the beginning of November 1975, several contemporary sources reported complaints from African-American actors, who were called to Dino's Los Angeles, California, office, and asked to perform the characteristics of a gorilla, in a casting call for the title role. The production decided that casting an African-American as a gorilla would be racially insensitive. PC thirty-five  years ago!     

In his 1989 autobiography It Would Be So Nice If You Weren't Here..., Charles Grodin recounts that his character was originally going to survive the picture, and that De Laurentiis was already planning a sequel and asked him if he would be interested in reprising the role. But when a test audience didn't like the scene in which Kong tried to stomp on Fred Wilson (Grodin) and misses, it was re-edited to make it look like Wilson was squashed.       
 
When Dwan explains how she came to be on the yacht that sank, she mentions that her friend Harry was going to take her to Singapore to put her in a movie. She also mentions that when the yacht sank, everyone but her was below deck, watching the 1972 adult movie Deep Throat. It's mentioned more than once, indicating that Dwan was going to star in a pornographic movie, and that "Harry" was Harry Reems, the star of Deep Throat (link below).      


Deep Throat poster 

 
The score for the film was written by John Barry; it was typical Hollywood music and it was ok. My favorite section is, Sacrifice - Hail To The King, which is the entrance of Kong to claim his bride. It is wonderfully and totally over the top Hollywood "jungle drama"!              


vinyl LP front cover detail
detail photo of cover by Styrous®


vinyl LP back cover 
photo of cover by Styrous®


Rotten Tomatoes as well as many other film critics have not been very kind in their reviews of the film: 
 "King Kong represents a significant visual upgrade over the original, but falls short of its classic predecessor in virtually every other respect."        
I don't care what the critics might have said, I love the film! As well as the jungle effects, it nicely chronicles the "smash hit" Kong becomes in The Big Apple when Kong destroys an elevated train (the Astoria El in Queens, New York was used). The filming of the New York City climax scene was filmed in June 1976, with a casting call for 5,000 extras. Over 30,000 people showed up, (link below).      


vinyl LP back cover detail
detail photo by Styrous®


The ancestry of Jessica Lange is German, Finnish and Dutch; her father was a teacher and traveling salesman; the family moved dozens of times in her youth, which probably sent her on the trajectory her life took. In 1967, she received a scholarship to study art and photography at the University of Minnesota, where she met and began dating Spanish photographer Paco Francisco Grande.   
 
The history of their lives together is right out of a romantic adventure film. For eight years from 1968 to 1976, Lange lived the life of the artiste bohémien. They met Russian show-business photographer Maurice Seymour, she got tear-gassed in Paris during the 1968 student revolution. She drank in cafes with fashion designer Karl Lagerfeld before he was famous (Lagerfeld favored high heels and furs for his daily outings). Lange pantomimed in Washington Square Park in New York City for loose change and she had a romantic relationship with Mikhail Baryshnikov.     
 
During filming, tabloids speculated that Jeff Bridges and Lange were having an on-set affair. The rumors were false; Lange was in a relationship with Russian ballet dancer Mikhail Baryshnikov, and Bridges was engaged to Susan Geston (Susan Bridges). Lange and Bridges have remained friends since making this film (link below).     
 
 


They met Peter Wynne-Willson who was on tour with Pink Floyd as the band’s lighting designer, performance artist Ellie Klein, lived with Swiss photographer Robert Frank. They entertained John Lennon and Yoko Ono in New York and in San Francisco they hung out with blues musicians Michael Bloomfield and Mark Naftalin of the Paul Butterfield Blues Band. All of this is delightfully documented in Artful Living (link below). After the two married in 1971, Lange left college to pursue a more bohemian lifestyle, traveling in the United States and Mexico in a minivan with Grande.    
 
 
Jessica Lange & Paco Grande 
photo: Paco Grande
 
 
The couple then moved to Paris, where they drifted apart. While there, Lange studied mime theatre under the supervision of Étienne Decroux and joined the Opéra-Comique as a dancer. She later studied acting at HB Studio in New York City.     


vinyl LP front cover detail 
detail photo of cover by Styrous®
        
 
A great bonus of the album is that it includes a gigante 23" X 46" poster that catches the scene when Kong is enraged at the theft of his "Bride" . . .
 

vinyl LP front cover detail
detail photo of cover by Styrous®


vinyl LP record album King Kong poster - 1976

 

vinyl LP front cover detail
detail photo of cover by Styrous®













 
   
Tracklist:

Side 1:

A1 - The Opening - 2:13
A2 - Maybe My Luck Has Changed - 1:48
A3 - Arrival On The Island - 2:33
A4 - Sacrifice - Hail To The King - 7:04
A5 - Arthusa - 2:18
A6 - Full Moon Domain - Beauty Is A Beast - 4:21
A7 - Breakout To Captivity - 4:07

Side 2:

B2 - Kong Hits The Big Apple - 2:32
B3 - Blackout In New York / How About Buying Me A Drink - 3:20
B4 - Climb To Skull Island - 2:17
B5 - The End Is At Hand - 1:41
B6 - The End - 4:22

Companies, etc.

    Record Company – Warner Bros. Records Inc.
    Record Company – Warner Communications Inc.
    Copyright © – Dino De Laurentiis Corporation
    Pressed By – Capitol Records Pressing Plant, Winchester

Credits:

    Composed By, Conductor – John Barry
    Engineer [Recording, Mixing] – Dan Wallin
    Producer – Federico De Laurentiis, John Barry

Notes:

 "----<" etched in run-outs denotes a Capitol, Winchester pressing.

Includes a poster.

Reprise Records, a division of Warner Bros. Records Inc.
Copyright (c) 1976 Dino De Laurentiis Corporation
Made in U.S.A.
 
Barcode and Other Identifiers

    Matrix / Runout (A run-out, etched): MS-1-2260 WWI #2 ---<
    Matrix / Runout (B run-out, etched): MS-2-2260 WWI ----<
 
John Barry – King Kong (Original Sound Track)
Label: Reprise Records – MS 2260
Format: Vinyl, LP, Album, Winchester Pressing
Country: US
Released: 1976
Genre: Classical, Stage & Screen
Style: Soundtrack, Score, Theme
   
         
Viewfinder links:        
         
John Barry          
Mikhail Baryshnikov          
Kathy Bates       
A boy & his dinosaurs         
Dino De Laurentiis          
Bo Derek        
Farrah Fawcett         
Robert Frank           
Ray Harryhausen        
King Kong         
King Kong & Fay Wray          
Jessica Lange                  
Karl Lagerfeld            
Bette Midler      
Sam Peckinpah        
Maurice Seymour           
Meryl Streep           
Fay Wray        
        
Net links:        
        
imdb ~ King Kong trivia        
        
Rotten Tomatoes ~ reviews        
        
        
YouTube links:         
        
King Kong (1976) ~  
     Official Trailer    
     Sacrifice - Hail To The King        
     Kong vs Snake fight    
     Love Theme - Arthusa 
     Violent Encounter           
     Waterfall    
     end scene         
The Story of ... King Kong (review) (22 mins.)   
         
        
        
        
         
        
         

 
         
"Acceptance and tolerance and forgiveness, 
those are life-altering lessons."
                ~ Jessica Lange 


If you're really in the process of photographing, 
you are absolutely aware. You are looking.
        
        
        
Styrous® ~ Tuesday, April 20, 2021       
       
















 

Kathy Bates articles/mentions

 ~       
     
John Barry ~ King Kong & Jessica Lange  
Tammy Grimes ~ The Unsinkable Molly Brown  
Thornton Wilder, Grace Wilder, Telegraph Hill & ButohDrawing    
Titanic     
     
     
     
     
     
     
     
     
     
Kathy Bates - 1967
photographer unknown
     
     
     
      
     















October 14, 2020

20,000 vinyl LPs 246: Live And Let Die & Roger Moore

~       
vinyl LP front cover detail 
Artwork by Bob McGinnis
detail photo of album cover by Styrous®


Today is the birthday of Roger Moore who was an English actor who began his career as British secret agent James Bond with the film, Live and Let Die. He would star in seven more Bond films up to 1985 when he reprized the role for the last time in A View to a Kill.      

Live And Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings.       
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover detail 
Artwork by Bob McGinnis 
detail photo of album cover by Styrous®
 
 
The music for most of the Bond films through Diamonds Are Forever had been written by John Barry, however, due to his working on a musical, and having fallen out with Bond producer Harry Saltzman, he did not score the film.        
 
George Martin, who wrote the score for Live And Let Die, was an English record producer, arranger, composer, conductor, audio engineer, and musician. He was referred to as the "Fifth Beatle" because of his involvement on each of the Beatles' original albums. The orchestra was conducted by Martin and recorded at AIR Studios.                 
 
Live And Let Die was the first time a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969.   
 
 
Live And Let Die ~ soundtrack
vinyl LP front cover
Artwork by Bob McGinnis 
photo of album cover by Styrous®

 
Bob McGinnis is a world-renowned painter whose prolific, award-winning artwork spans more than six decades. In recognition of the excellence of his paintings, in 1993 he was elected to the Society of Illustrators Hall of Fame which includes Norman Rockwell, N. C. Wyeth, Winslow Homer, Robert Peak, Frederic Remington, Frank McCarthy and Maxfield Parrish who's work was used on the cover of The Waking Hour by Dali's Car (link below).        
 
 
 
 
Live and Let Die is a 1973 spy film and the eighth film in the James Bond series produced by Eon Productions and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman. The producers had wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, Connery declined, sparking a search for a new actor to play Bond; Moore was signed for the lead role.    
 
The film is based on the Ian Fleming 1954 novel of the same name. It  was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film. It was the first James Bond film featuring an African-American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry (links to cast & plot below).     
 
 
 
 
 Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 
 
 
 
 
 
The film has two versions of the title song, Live And Let Die, in addition to the version by the  McCartneys, B. J. Arnau did a soul, sort of rock cover. My favorite cover is by Guns N' Roses, which appears on their 1991 album Use Your Illusion I; their version was nominated for the Grammy Award for Best Hard Rock Performance at the 35th Annual Grammy Awards in 1993.     
 
Live And Let Die was the first Bond theme song to be nominated for the Academy Award for Best Original Song, but lost the award to The Way We Were by Barbra Streisand. I wasn't too upset because I loved The Way We Were, it's one of my favorite, beautiful but nostalgic, songs. Live And Let Die was also nominated for the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awards in 1974.    

In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.         
         
 

 
Live And Let Die ~ soundtrack
vinyl LP back cover details
detail photos by Styrous® 



Roger Moore was born on October 14, 1927 in Stockwell, London. His father was a policeman, his mother was born in Calcutta, India; however, she was not Indian. He was evacuated to Holsworthy in Devon during the Second World War, and attended Launceston College in Cornwall. He studied acting then, at 18, shortly after the end of the Second World War, he was conscripted for national service. On 21 September 1946, he was commissioned into the Royal Army Service Corps as a second lieutenant. He was an officer in the Combined Services Entertainment section, eventually becoming a captain commanding a small depot in West Germany. There he looked after entertainers for the armed forces passing through Hamburg.     





He did a series of minor films. In the early 1950s Moore worked as a model, appearing in print advertisements in the UK for knitwear (earning him the nickname "The Big Knit") and a wide range of other products such as toothpaste. For some reason, I find this remarkable!!!!      
 
He started his MGM contract with a small role in The Last Time I Saw Paris (1954), flirting with Elizabeth Taylor. He appeared in Interrupted Melody, a biographical movie about the recovery from polio of opera singer Marjorie Lawrence, in which he was billed third under Glenn Ford and Eleanor Parker as Lawrence's brother Cyril. That same year, he played a supporting role in the swashbuckler The King's Thief starring Ann Blyth, Edmund Purdom, David Niven and George Sanders.         




Moore's first success was playing the hero, Sir Wilfred of Ivanhoe, in the 1958–59 series, a loose adaptation of the 1819 romantic novel by Sir Walter Scott set in the 12th century during the era of Richard the Lionheart,            
 
 
 
 
 
In the sixites, Moore was cast as Beau Maverick, an English-accented cousin of frontier gamblers Bret Maverick (James Garner), Bart Maverick (Jack Kelly), and Brent Maverick (Robert Colbert) in the much more successful ABC/WB Western series Maverick. Sean Connery was flown over from Britain to test for the part, but turned it down (link below).        
 
Lew Grade cast Moore as Simon Templar in a new adaptation of The Saint, based on the novels by Leslie Charteris. The television series was broadcast by ITV in the UK between 1962 and 1969. NBC picked up the show in 1966. By early 1967, Moore had achieved international stardom.    
 
 
 
 
 
Lew Grade lured Moore to star alongside Tony Curtis in The Persuaders! in 1971. The show featured the adventures of two millionaire playboys across Europe. Moore was paid the then-unheard-of sum of £1 million for a single series, making him the highest-paid television actor in the world.        
 
Moore did not consider the possibility of taking on the role of 007 until it seemed clear that Connery had stepped down as Bond for good. At that point, Moore was approached, and he accepted the  offer by producer Albert Broccoli in August 1972. In his autobiography, Moore writes that he had to cut his hair and lose weight for the role. Although he resented having to make those changes, he was finally cast as James Bond in Live and Let Die (1973).       
          
 
 
  

Moore's family announced his death in Switzerland, on 23 May 2017 from liver cancer. He died at his home in Crans-Montana, in the presence of his family, five months short of his 90th birthday.         
      






  


   
Tracklist:

Side 1:

A3 – George Martin - Bond Meets Solitaire - 2:15
A4 – George Martin - Whisper Who Dares - 1:42
A5 – George Martin - Snakes Alive - 2:24
A6 – George Martin - Baron Samedi's Dance Of Death - 1:15
A7 – George Martin - San Monique - 1:57
    – Medley - (3:18)

Side 2:

B1-1 – George Martin - Fillet Of Soul - New Orleans - 1:07
B1-2 – BJ Arnau - Live And Let Die, Composed By – Paul & Linda McCartney - 1:07
B1-3 – George Martin - Fillet Of Soul - Harlem - 1:04
B4 – George Martin - Trespassers Will Be Eaten - 2:45
B5 – George Martin - Solitaire Gets Her Cards - 1:52
B6 – George Martin - Sacrifice - 2:30
B7 – George Martin - James Bond Theme, Composed By – Monty Norman - 1:28

Companies, etc.

    Record Company – United Artists Records, Inc.
    Manufactured By – United Artists Records, Inc.
    Phonographic Copyright (p) – United Artists Records, Inc.
    Published By – Unart Music Corp.

Credits:

    Artwork [Uncredited] – Bob McGinnis
    Composed By [Music Score] – George Martin (tracks: A3 to A7, B1 to B6)
    Conductor [Music Score], Producer – George Martin (tracks: A3 to B7)

Notes:

 Label variation combining these features:
- no spacing between "United Artists Records" and "Live And Let Die"
- equal spacing between Side & Stereo & UA-LA100-G (unlike Various - Live And Let Die (Original Motion Picture Soundtrack) or Various - Live And Let Die (Original Motion Picture Soundtrack))
- "1973" is totally under the "Unart" (unlike Various - Live And Let Die (Original Motion Picture Soundtrack))

All Compositions published by Unart Music Corporation (BMI)
Paul and Linda McCartney and Wings appear by courtesy of EMI Records.
BJ Arnau appears by courtesy of RCA Records.

Manufactured by United Artists Records, Inc., Los Angeles, California 90028. Printed in U.S.A.
Also available on United Artists Stereo-Tape Cartridge UA-EA-100-H and Cassette UA-CA-100-H.

Gatefold cover.
 
Barcode and Other Identifiers

    Matrix / Runout (runout Side A, etched): UA-LA100-G-1 X DINO 3
    Matrix / Runout (runout Side B, etched): UA-LA100-G-2 X DL 3
    Rights Society: BMI
 
Various ‎– Live And Let Die (Original Motion Picture Soundtrack)
Label: United Artists Records ‎– UA-LA 100-G, United Artists Records ‎– UA-LA100-G, United Artists Records ‎– UA-LA 100-G-698
Format: Vinyl, LP, Album
Country: US
Released: 1973
Genre: Jazz, Rock, Stage & Screen
Style: Soul-Jazz, Soundtrack, Smooth Jazz, Score, Easy Listening, Lounge, Dixieland, Jazz-Funk, Classic Rock
   
         
Viewfinder links:        
        
John Barry       
all things Beatles         
Sean Connery      
Dalis Car ~ The Waking Hour        
Tony Curtis            
Glenn Ford       
George Martin          
Paul McCartney        
Roger Moore        
Elizabeth Taylor        
        
Net links:        
         
Cast         
Plot         
        
YouTube links:        
         
B J Arnau ~ Live And Let Die        
Guns N' Roses  ~ Live And Let Die          
Paul McCartney ~ Live And Let Die (film opening & credits)       
        
        
         
       
“You can either grow old gracefully or begrudgingly. I chose both.”
                                   ~ Roger Moore 
 
        
        
        
Styrous® ~ Wednesday, October 14, 2020