Showing posts with label Samuel Beckett. Show all posts
Showing posts with label Samuel Beckett. Show all posts

October 4, 2023

20,000 vinyl LPs 336: A Funny Thing Happened on the Way to the Forum w/Buster Keaton

 ~   
vinyl LP, front cover detail
detail photo of album cover by Styrous®


Today is the birthday of silent film star, Buster Keaton, born on October 4, 1895, into a vaudeville family in Piqua, Kansas. His father was Joseph Hallie "Joe" Keaton who had a traveling show called the Mohawk Indian Medicine Company, which performed on stage and sold patent medicine on the side. When he was about 18 months old, Keaton fell down a long flight of stairs without injury, an actor friend remarked, "Gee whiz, he's a regular buster!" After that, Keaton's father began to use the nickname to refer to the youngster.       
 
Buster began performing with his parents as The Three Keatons when he was three years old. He first appeared on stage in 1899 in Wilmington, Delaware.
 
 
Buster Keaton ca 1897
 photographer unknown
 
The act was mainly a comedy sketch. His mother, Myra, played the saxophone on one side of the stage, while Joe and Keaton performed center stage. 
 
 
The Three Keatons
 date & photographer unknown
 
 
Keaton goaded his father by disobeying him, and the elder Keaton responded by throwing him against the scenery, into the orchestra pit, or even into the audience. A suitcase handle was sewn into Keaton's clothing to aid with the constant tossing.             
    
The act evolved as Keaton learned to take trick falls safely; he was rarely injured or bruised on stage. This knockabout style of comedy led to accusations of child abuse, and occasionally, arrest. However, Keaton was always able to show the authorities that he had no bruises or broken bones. He was eventually billed as "The Little Boy Who Can't Be Damaged", and the overall act as "The Roughest Act That Was Ever in the History of the Stage". Keaton said he had so much fun that he sometimes began laughing as his father threw him across the stage. Noticing that this caused the audience to laugh less, he adopted his famous deadpan expression when performing            
          
Keaton is best known for his silent film work in which his trademark was physical comedy accompanied by his stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". A Funny Thing Happened On The Way To The Forum was the final screen role for Buster Keaton.    
 
 
A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover detail
detail photo of album cover by Styrous®
 
 
A Funny Thing Happened On The Way To The Forum was inspired by the farce, Pseudolus, by the ancient Roman playwright Plautus (251–183 BC) and tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door.      
 
        
vinyl LP, front cover
photo of album cover by Styrous®


The film plot takes place in the city of Rome during the reign of Emperor Nero, Pseudolus is "the lyingest, cheatingest, sloppiest slave in all of Rome", whose only wish is to buy his freedom from his master's parents, the henpecked Senex and his overbearing wife, Domina.    


 A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover
photo of album cover by Styrous®
 
 
The film is a wonderful essay in raucous humor due to the cast, which was perfect! Zero Mostel was Pseudolus with Phil SilversJack Gilford and Keaton to back him up.         
 

 A Funny Thing Happened On The Way To The Forum 
vinyl LP, back cover detail
detail photo of album cover by Styrous®
 
 
In addition to an accomplished performer, he was a brilliant film maker, director and camera man. He said, "The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life."             
 

vinyl LP, back cover detail
detail photo of album cover by Styrous®


Keaton's career declined when he signed with Metro-Goldwyn-Mayer and lost his artistic independence. His wife divorced him, and he descended into alcoholism. He recovered in the 1940s, remarried, and revived his career as an honored comic performer for the rest of his life, earning an Academy Honorary Award in 1959. Late in his career, he starred in the only cinema work by Samuel Beckett, the silent and VERY surreal, Film (link below). Keaton had some great scenes in the 1965 film, Beach Blanket Bingo which starred Frankie Avalon and Annette Funicello (link below).        
 
 
Beach Blanket Bingo - 1965
 movie still
 
 
Keaton was featured in the 1961 Rod Serling television episode of Twilight Zone, Once Upon a Time, written by Sci-fi author, Richard Matheson. It is the only comedy of the series.   

He made cameos in the Billy Wilder film Sunset Boulevard and The Charlie Chaplin film Limelight  (links below). Keaton is often described as having been ahead of his time; Anthony Lane wrote "He was just too good, in too many ways, too soon."       


 date & photographer unknown


Keaton loved television and he watched everything. Though he never mentioned it by name, among his favorite shows during the 1950s must have been the pioneering sitcom I Love Lucy, starring his friend and onetime MGM protégée Lucille Ball. When asked to name the best comedians of the up-and-coming generation he would often cite Ball as one of his “pets,” calling her timing “impeccable.”          
 
Keaton had had a behind-the-scenes role in getting I Love Lucy on the air. In 1950, when CBS was trying to convince Ball to star in a sitcom based on her successful radio series My Favorite Husband, she agreed to sign on only if the show could costar her real-life husband, Cuban-American bandleader Desi Arnaz. The network balked at the idea of a domestic comedy centered around a couple of mixed race, so the two worked up a vaudeville routine to be filmed as an experimental pilot. 
 
Keaton coached Ball in the big physical comedy scene, an act borrowed from the Spanish clown Pepito that involved Ball as a dimwitted but resourceful cellist auditioning for a spot in Arnaz’s orchestra. This pilot never aired at the time (and was lost until 1989, when it was discovered and aired on CBS as part of a Lucille Ball tribute special). But it was funny enough to convince CBS to give Ball and Arnaz their own prime-time series, which would run for 180 episodes and become perhaps the most influential of all early situation comedies. A pared-down version of the cello sketch found its way into a first-season episode, so although Keaton never guest-starred on I Love Lucy, he is nonetheless there as an influential presence.       

 
Lucille Ball and Keaton - 1965 
 photo: Silver Screen Collection/Getty Images
 
 
20th Century is planning a biopic directed by James Mangold and Warner Bros. Television is in talks to develop a limited series based on the life of Keaton; the project would star Rami Malek as Keaton.        

On May 29, 1940, Keaton married Eleanor Norris. She has been credited with salvaging his life and career. The marriage lasted until his death. Keaton died of lung cancer on February 1, 1966, aged 70, in Woodland Hills, Los Angeles. Despite being diagnosed with cancer in January 1966, he was never told he was terminally ill. Keaton thought that he was recovering from a severe case of bronchitis. Confined to a hospital during his final days, he was restless and paced the room endlessly, desiring to return home. In a British television documentary about his career, his widow Eleanor told producers from Thames Television that Keaton was up out of bed and moving around, and even played cards with friends who came to visit the day before he died. He was buried at Forest Lawn Memorial Park Cemetery in Hollywood Hills, California.         
 
 
 
vinyl LP, record label details side 1 & 2
detail photos of record labels by Styrous® 


 
 
Tracklist:
       
Side 1:
        
A1 - Tiba Solo - Into - Comedy Tonight
Vocals – Zero Mostel
Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Leon Greene, Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker
3:27
A2 - Search For Mare's Sweat    0:39
A3 - Lovely
Vocals – Annette Andre, Michael Crawford
2:47
A4 - Tintinabula's Dance    0:58
A5 - Vibrata's Dance    0:45
A6 - Roman Emissary    0:35
A7 - Everybody Ought To Have A Maid
Vocals – Jack Gilford, Michael Hordern, Phil Silvers, Zero Mostel - 2:51
A8 - Riot At The Funeral    1:24
A9 - Domina Returns (Fanfare) - Into - My Bride, Vocals – Leon Greene, Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker, Zero Mostel - 2:37
       
Side 2:
       
B1 - Erronious Returns - 0:27
B2 - Orgy Music... Roman Style - 1:57
B3 - Lovely (Reprise), Vocals – Jack Gilford, Zero Mostel - 2:16
B4 - In The Arena - 1:38
B5 - The Dirge, Vocals – Leon Greene, Vocals [Company] – Annette Andre, Buster Keaton, Helen Funai, Inga Neilsen, Jack Gilford, Janet Webb, Jennifer Baker (2), Lucienne Bridou, Michael Crawford, Michael Hordern, Myrna White, Patricia Jessel, Phil SIlvers, Susan Baker, Zero Mostel - 3:40
B6 - The Rescue Of Philia - Into - The Chase - 5:57
B7 - Comedy Tonight And Playout - 3:28
       
Companies, etc.
       
    Copyright © – United Artists Records, Inc.
    Pressed By – Columbia Records Pressing Plant, Pitman
    Mastered At – Customatrix
       
Credits:
       
    Directed By [Music Direction], Music By [Incidental Music] – Ken Thorne
    Engineer [Sound] – Eric Tomlinson
    Music By, Lyrics By – Stephen Sondheim
    Vocals [Domina] – Patricia Jessel
    Vocals [Erronius] – Buster Keaton
    Vocals [Fertilla] – Janet Webb
    Vocals [Geminae] – Jennifer Baker (2), Susan Baker
    Vocals [Gymnasia] – Inga Neilsen
    Vocals [Hero] – Michael Crawford
    Vocals [Hysterium] – Jack Gilford
    Vocals [Lycus] – Phil Silvers
    Vocals [Miles] – Leon Greene
    Vocals [Panacea] – Lucienne Bridou
    Vocals [Philia] – Annette Andre
    Vocals [Pseudolus] – Zero Mostel
    Vocals [Senex] – Michael Hordern
    Vocals [Tintinabula] – Helen Funai
    Vocals [Vibrata] – Myrna White
       
Notes:
       
    Written by K. Thorne* (tracks: A1, A2, A4 to A6, A9 to B2, B4, B6), S. Sondheim* (tracks: A1, A3, A7 to A9, B3, B5 to B7)
       
Barcode and Other Identifiers
       
    Matrix / Runout (Side A Label): UAL 4144 A
    Matrix / Runout (Side B Label): UAL 4144 B
    Matrix / Runout (Side A Runout Etched): UAL 4144A 1A
    Matrix / Runout (Side A Runout Stamped): o B P 2
    Matrix / Runout (Side B Runout Etched): UAL 4144 B 1A
    Matrix / Runout (Side B Runout Stamped): o B I P 2
 
Stephen Sondheim – A Funny Thing Happened On The Way To The Forum (Original Motion Picture Soundtrack)
Label:    United Artists Records – UAL 4144
Format:    Vinyl, LP, Album, Mono
Country: US
Released: 1966
Genre: Stage & Screen
Style: Soundtrack

         
Viewfinder links:        
         
Desi Arnaz              
Frankie Avalon               
Lucille Ball           
Samuel Beckett         
Charlie Chaplin              
Roger Ebert           
Annette Funicello             
Buster Keaton            
Rami Malek           
James Mangold           
Richard Matheson       
Zero Mostel                       
Rod Serling                          
Phil Silvers        
The Twilight Zone          
        
Net links:        
         
BAM/PFA ~ Camera Man: Buster Keaton      
Cabinet Magazine ~ Buster Keaton's Cure       
International Buster Keaton Society~ Buster Keaton            
Buster Keaton website       
LARB ~ Buster Keaton: A Timeless Comedian        
LA Times ~ Buster Keaton      
Library of Congress ~ Remembering Buster Keaton & The Navigator    
Military.com ~ Famous Veteran: Buster Keaton        
PBS ~ Buster Keaton: A Hard Act to Follow         
TSPDT ~ Buster Keaton         
UPM ~ Buster Keaton Interviews       
        
YouTube links:        
         
Beach Blanket Bingo           
Samuel Beckett ~ Film (1 hr. 4 Min.)         
Best of Buster Keaton's stunts           
Best of Buster Keaton's greatest stunts               
CBS Sunday Morning ~ the "Great Stone Face"           
Forgotten Sound Films of Buster Keaton (19 min.)           
A Funny Thing Happened on the Way to the Forum -    
              Comedy Tonight
              Keaton speaks         
              The Soothsayer Scene    
Limelight ~  (Chaplin and Keaton Violin and Piano Duet)            
Sunset Boulevard (card scene)                      
Twilight Zone ~ Once Upon a Time          
Twilight Zone ~ Once Upon a Time (review)                  
        
         
         
 
"...stuntmen don't get you laughs," 
          ~ Buster Keaton
 
 
 
        
        
Styrous® ~ Wednesday, October 4, 2023       
       
 
 
































December 7, 2020

1,000,001 CDs 18: Gavin Bryars With Tom Waits ‎~ Jesus' Blood Never Failed Me Yet

~      

Two things happened on a December 7th; the bombing of Pearl Harbor in Honolulu, Hawaii, in 1941 and the birth of Tom Waits in Pomona, California in 1949. Both changed my life forever and we would never see the world the same way again.          
           
I first became aware of Waits when I was dancing on Broadway at the hungry i in San Francisco (link below). Janice, one of the girls who danced there, loved his songs and used them regularly. Then one night he actually came into the club; Janice was in heaven and I got to meet him. He is an easy going, down-to-earth guy and I liked him a lot.    

In 1971, Gavin Bryars composed a work based on a loop of an unknown homeless man in a Lambeth church in London, England, in 1975, singing a brief improvised stanza. The loop was the singer's recollection of the chorus of a Gospel hymn, by James M Black, published in 1911.      
 
 
 
 Lambeth church - 1975
homeless man - London
Photograph: Evening Standard/Getty Images
 
 
Bryars made a loop of 13 bars; he was by that time teaching at Leicester Polytechnic and was able to make use of a small sound studio there. To preserve the delicate original, he recorded it on to a second machine, leaving the loop running while he went to fetch a coffee. When he returned, he found that the painting students in the various rooms around the studio had fallen silent and were listening sombrely to the old man’s voice. Someone was weeping in a corner. It’s an effect that audiences have been experiencing ever since.        
 
Recognizing that his piano was in tune with the singer, began to work on harmonization. He made a simple chordal arrangement, which in later versions has developed into a rich ensemble sound with strings and brass, weighted to the low end of the harmonic scale. There have been several versions of the work from 1972 to 2019. This is the 1993 version and the CD has Tom Waits singing the hymn.  
              
Bryars was deeply interested in using “found material”. He spent significant time away from composition, studying the work of Marcel Duchamp, whose “readymades” are key works of high modernism, and he had already experimented with found material in the 1969 indeterminate piece The Sinking of the Titanic (link below).        
 
 

CD front & back 
Design – David Lau 
cover photos by Nick White 
photo of CD cover by Styrous®

 
 
The piece was first recorded for use in a documentary which chronicles street life in and around Elephant and Castle and Waterloo, in London. When later listening to the recordings, Bryars noticed the clip was in tune with his piano and that it conveniently looped into 13 bars. For the first LP recording, he was limited to a duration of 25 minutes; later he completed a 60-minute version of the piece for cassette tape; and with the advent of the CD, this is a 74-minute version.       


  

This is a very strange recording in so many ways, which is not unusual for neither Bryars nor Waits. I have a favorite track on any album; I don't on this one because although there are six tracks, the music runs from one track to the next. The tape loop of the homeless man (called The Tramp) plays with orchestral variations on the first four tracks but Waits doesn't actually come in until the fifth track when he accompanies the tape loop of "The Tramp". Waits then takes over on the sixth track which is VERY quiet and dreamy but his whiskey-and-cigarette flavored voice is unmistakable.       


       

Gavin Bryars is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music.           


    

Tom Waits is an American singer, songwriter, musician, composer, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres.        


 
 
Jesus' Blood Never Failed Me Yet was shortlisted for the 1993 Mercury Prize, an annual music prize awarded for the best album released in the United Kingdom by a British or Irish act created by Jon Webster. The prize when to Suede for their self-titled album.   
    

          
          
           
Tracklist:

1 - Tramp With Orchestra I (String Quartet) - 27:05
2 - Tramp With Orchestra II (Low Strings) - 15:16
3 - Tramp With Orchestra III (No Strings) - 4:48
4 - Tramp With Orchestra IV (Full Strings) 6:06
5 - Tramp And Tom Waits With Full Orchestra - 19:38
6 - Coda: Tom Waits With High Strings - 1:47

Companies, etc.

    Phonographic Copyright (p) – Point Music
    Copyright (c) – GB Records (2)
    Copyright (c) – Mnemonic Records
    Copyright (c) – Point Music-
    Produced For – Euphorbia Productions Ltd.
    Produced For – Philips Classics Productions
    Manufactured By – PolyGram Classics & Jazz
    Marketed By – PolyGram Classics & Jazz
    Made By – UML
    Recorded At – Prairie Sun Recording Studios
    Engineered At – The Looking Glass Studios
    Mixed At – The Looking Glass Studios
    Produced At – Dave Hunt Studio
    Produced At – Cedar
    Published By – Island Records Inc.

Credits:

    Alto Vocals [Chorus] – Elsa Higby, Katie Geissinger, Margo Grib*
    Art Direction – Margery Greenspan
    Baritone Vocals [Chorus] – Gregory Purnhagen, Jeffrey Kensmoe*, Peter Stewart (2)
    Bassoon [Orchestra] – Kim Laskowski
    Cello [Hampton String Quartet] – John Reed (3)
    Cello [Orchestra] – Beverly Lauridsen, Clay Ruede, Jeanne LeBlanc, Jesse Levy, Mark Shuman, Semyon Fridman
    Clarinet [Orchestra] – Allen Blustine, Steven Hartman
    Composed By [Music] – Gavin Bryars
    Conductor, Producer – Michael Riesman
    Contrabassoon [Orchestra] – Jeffrey Marchand
    Design – David Lau (2)
    Double Bass [Bass] [Orchestra] – Barbara Wilson (2), Homer Mensch, John Beal
    Engineer, Mixed By – Chris Ekers, Dante DeSole
    Executive-Producer – Kurt Munkacsi, Philip Glass, Rory Johnston
    Flute [Orchestra] – Michael Parloff
    French Horn [Orchestra] – Ann Yarborough*, Ron Sell, Sharon Moe, Tony Miranda
    Guitar [Orchestra] – Brian Koonin
    Harp [Orchestra] – Karen Lindquist, Nina Kellman
    Oboe [Orchestra] – Dorothy Darlington
    Organ [Orchestra] – Michael Riesman
    Percussion [Orchestra] – Frank Cassara
    Photography By [Cover Photo] – Nick White (4)
    Photography By [Photos (Inlay Card & Inside) Except Tom Waits] – Alastair Thain
    Recorded By [Tom Waits' Vocals] – Mark "Mooka" Rennick*
    Soprano Vocals [Chorus] – Kristin Norderval, Lisa Bielawa, Marion Beckenstein, Michele Eaton
    Tenor Vocals [Chorus] – Eric Lamp*, Jeffrey Johnson, John Koch
    Trombone [Orchestra] – James Pugh*, Keith O'Quinn
    Trumpet [Orchestra] – Neil Balm, Wilmer Wise
    Tuba [Orchestra] – Alan Ralph*
    Viola [Hampton String Quartet] – Richard Maximoff
    Viola [Orchestra] – Alfred Brown, Juliet Haffner, Olivia Koppel*, Paul Peabody
    Violin [1st] [Hampton String Quartet] – Regis Iandiorio
    Violin [2nd] [Hampton String Quartet] – Richard Henrickson
    Violin [Orchestra] – Dale Stuckenbruck, David Nadien, Donna Tecco, Elena Barere, Eriko Sato-Oei*, Jan Mullen, Jean Ingraham, Laura Seaton, Matthew Raimondi, Max Ellen, Mayuki Fukuhara, Nancy McAlhany, Richard Sortomme, Sanford Allen
    Vocals [Additional] – Tom Waits

Notes:

Original version © 1971 Gavin Bryars.
Current version © 1993 Mnemonic/(MCPS/PRS).
℗ © 1993 Point Music / a joint venture of Euphorbia Productions, Ltd. and Philips Classics Productions.

Manufactured and marketed by PolyGram Classics and jazz, a division of PolyGram Records, Inc., New York, NY.
Printed in the U.S.A.

Engineered and mixed at The Looking Glass Studios, NYC.
Tom Waits' vocals recorded at Prairie Sun Recording, Cotatti, CA.
Pre-Production/Tape Preparation: Dave Hunt Studio, London; Cedar Audio, Cambridge; Nick Gilpin, Autograph.

Tom Waits appears courtesy of Island Records, Inc.

Total Time - 74:43

Barcode and Other Identifiers

    Barcode (Scanned): 028943882323
    Barcode (Text): 0 289-438823-2 3Tom Waits
    Matrix / Runout (Burned on Master): 438 823-2 02@
    Matrix / Runout (Pressed on Stamper - Variant 1): E
    Matrix / Runout (Pressed on Stamper - Variant 2): D
    Label Code: LC 6042
    Rights Society: MCPS/PRS
    Other: PG 925
    Other: PTH
    Matrix / Runout (Pressed on Stamper - Variant 3): G

Gavin Bryars With Tom Waits ‎– Jesus' Blood Never Failed Me Yet
Label: Point Music ‎– 438 823-2
Format: CD, Album, Reissue
Country: US
Released: 
Genre: Electronic, Classical
Style: Abstract, Contemporary, Minimal          
 
 
          
Viewfinder links:        
         
Samuel Becket        
Gavin Bryars        
Philip Glass         
Hungry i articles        
Kurt Munkacsi        
      
Net links:        
         
The Cross-Eyed Pianist ~ A mesmerising musical experience     
The Guardian ~ Anthem for the homeless         
Opuszine ~ Jesus’ Blood Never Failed Me Yet        
Pitchfork ~ Jesus' Blood Never Failed Me Yet        
Gramophone ~ Jesus' Blood Never Failed Me Yet                 
      
YouTube links:        
        
Jesus' Blood Never Failed Me Yet (1 hr., 14 mins., 43 sec.)       
Jesus' Blood Never Failed Me Yet (edit w/Tom Waits)       
Jesus' Blood Never Failed Me Yet (interview)       
        
        
         
         
“ . . . the tears of the world are a constant quality. 
For each one who begins to weep, 
someone somewhere else stops.”
            ~ Samuel Beckett
 
 
Tom Waits (front), Gavin Bryars (rear) 

         
        
        
         
Styrous® ~ Monday, December 7, 2020