Showing posts with label Nat 'King' Cole. Show all posts
Showing posts with label Nat 'King' Cole. Show all posts

December 18, 2021

Aurora ~ Christmas, December 28, 2017

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photographer unknown
     
     
I like Christmas and some of the songs associated with it, but not all. I hate Christmas compilations and concerts as they tend to feature most of the tunes I hate. I found an incredible exception with a concert given by Norwegian subger Aurora Aksnes, who goes simply by the name Aurora, in 2017 in Nidaros Cathedral, Trondheim, Norway.                
 
It is a stunning musical as well as acoustic spectacular! She performed in front of a sold-out audience with the group, TrondheimSolistene (ensemble/orchestra), Oslo Fagottkor (choir), Petra Bjørkhaug (organist) and Ruth Potter (harpist). This concert was recorded on the 2nd of November, 2017 and was broadcast by NRK (Norwegian Broadcasting Corporation) on the 28th of December, 2017.            

None of the songs have anything to do with Christmas and, with a couple of exceptions, most of the songs I have never heard of. What Aurora has said about the concert:
"There’s a lot of Christmas music out there that brings joy to the heart. Songs that give you a boost of happy energy. That can be nice.

But I think that if Christmas is a difficult time for you, it can be very hard to get in that mindset. It’s not that I ONLY make sad music, but I have a couple of sad songs. So, I hope that someone who's missing someone or feeling down this Christmas can find some comfort in that music and feel like it’s okay to feel that way they feel too.      

It’s important that we tolerate both of these feelings during Christmas.

I’m very eager to find out how my music will sound like in such a big, magic, old room. It’s so beautiful here and it feels really special to be here. I feel like I’m obligated to do this show in a proper and respectable way."
The exceptions I mentioned above are her wonderful rendition of Nature Boy, which opened the concert with her singing, accompanied by a string bass then joined by harp for a delicate trio. An incredible way to open a concert. Nature Boy was written by George Alexander Aberle, aka eden ahbez, and made poplular by Nat King Cole in 1948.       
 
The other work I am familiar with was her song, Runaway, which has nothing to do with the song by the same name by Del Shannon. It is a dreamy, very slow and wistful tune with a bouncy beat.     
 
Winter Song is the closest she comes to anything Christmasy; is there such a word? The song begins with the organ of the cathedral, played grandly by Petra Bjørkhaug; it's a grand intro! It goes into a slow, gentle and beautiful rock ballad. However, as beautiful as the song is, it has a pretty dismal mesage: "My tears are always frozen . . . All I need is to remember how it was to feel alive." (lyrics link below)  
 
One of the songs, Soft Universe, has an upbeat tempo with a gorgeous choral backup by the Norwegian gay choir, Oslo Fagottkor. The choir's name literally means Oslo Bassoon Choir, a word-play on the similarity between the Norwegian word "fagott" (which means "bassoon") and the English slang term "faggot". Ya gotta have a sense of humor to get through life!       
 
Near the end of the concert is a song with the title, Murder Song, it is a VERY quiet tretsie on mercy killing with grim lyrics (link below) accompanied by a gentle harp played by Ruth Potter and pizzicato strings; it is deceptively beautiful but grim and not what one would expect in a Christmas concert.           
Well, in spite of the negative feeling I seem to have evoked, the concert is an incredible experience to watch and listen to and should not be missed.
     
     
     
     
Viewfinder links:       
        
Aurora         
Petra Bjørkhaug        
Christmas 2021     
Nat "King" Cole        
Runaway lyrics        
Del Shannon        
     
Net links:       
         
Aurora ~ The Gods We Touch        
Aurora ~ song lyrics:
          Murder Song   
          Runaway     
          Winter Bird
Reverberate Music ~ Norwegian Singer-Songwriter and Music Magic 
     
Audio & YouTube links:       
        
Soundcloud ~ Nidarosdomen (audio)       
Youtube ~ Nidarosdomen (complete concert)                
        
        
        
        
        
        
        
        
 
        
        
        
        
        
        
        
        
        
        
        
Styrous® ~ Saturday, December 18, 2021        
        

August 12, 2017

Norman Granz ~ Jazz at the Philharmonic series

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The historic Jazz at the Philharmonic (JATP) concert series started by Verve impresario Norman Granz debuted at the Philharmonic Auditorium, Los Angeles, California on July 2, 1944. It was a star-studded affair, featuring legends such as Buddy Rich, Lester Young, Nat 'King' Cole, Illinois Jacquet, Les Paul, J.J. Johnson, and others. The fascinating thing about the recordings from this show is they serve as an excellent document of the bridge period between the late Swing era and the dawn of Bebop.    
   
    
  
     
   
Norman Granz - July 2, 1944   
holding 'Jazz at the Philharmonic Volume 1' record        
photo by Gjon Mili  



Granz organised desegregated jam sessions at the Trouville Club in Los Angeles, which he later expanded when he staged a memorable concert at the Philharmonic Auditorium in Los Angeles on Sunday, July 2, 1944, under the heading of "Jazz at the Philharmonic".    

The title of the concert, "A Jazz Concert at the Philharmonic Auditorium", had been shortened by the printer of the advertising supplements to "Jazz at the Philharmonic". Only one copy of the very first concert program is known to exist. Granz had organised the first Jazz at the Philharmonic concert with about $300 of borrowed money.          

Later known as JATP, the ever-changing group recorded and toured extensively, with Granz producing some of the first live jam session recordings to be distributed to a wide market.        

After several JATP concerts in Los Angeles in 1944 and 1945, Granz began producing JATP concert tours, from late fall of 1945 to 1957 in USA and Canada, and from 1952 in Europe. They featured swing and bop musicians and were among the first high-profile performances to feature racially integrated bands. Granz actually cancelled some bookings rather than have the musicians perform for segregated audiences. He recorded many of the JATP concerts, and from 1945 to 1947 sold/leased the recordings to Asch/Disc/Stinson Records (the labels of record producer, Moses Asch).      

in 1948 Granz signed an agreement with Mercury Records for the promotion and the distribution of the JATP recordings and other recordings. After the agreement expired in 1953 he issued the JATP recordings and other recordings on Clef Records (founded 1946) and Norgran Records (founded 1953). Down Home Records was intended for traditional jazz works. Jazz at the Philharmonic ceased touring the United States and Canada, after the JATP concerts in the fall of 1957, apart from a North American Tour in 1967.   
 
          
Viewfinder link:              
            
Norman Granz articles/mentions         
          
Net links:              
            
NPR ~ Jazz Genius Behind The Scenes      
            The Man Who Used Jazz For Justice      
Jazz Times ~ Ella Fitzgerald: She Was His Star  
New York Times obit        
The Guardian obit          
          
YouTube links:              
            
Norman Granz ~ jazz at the Philharmonic series          
          
          
         
          
Styrous® ~ Saturday, August 12, 2017            
           








         
           
            
















March 6, 2015

20,000 Vinyl LPs 36: Stan Getz ~ Another World

Stan Getz ~ Another World
 album cover photo by Guiseppe Pino
photo of album by Styrous® 

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I started the Vinyl LP series because I have a collection of over 20,000 vinyl record albums I am selling; each blog entry is about an album from my collection. Inquire for information here.   

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Another World is my favorite jazz album of all time simply because of one piece of music on it, Another World. The other works on the album are pretty traditional jazz renderings but Another World is something else!

In 1972, Getz recorded with Chick Corea Tony Williams and Stanley Clarke, and during this period experimented with an Echoplex on his saxophone.  

Another World is a result of this experimentation; it is a venture into a previously unknown sonic world. It is a sax solo by Getz that goes nowhere and everywhere. It is sparse, echoey, distant and near, mysterious, vibrant but quiet, harsh and delicate. It is ethereal and dreamy but can turn into nightmare at the drop of a hat. It clocks in at over six minutes (plenty of time to fool around in) and it is magnificent. The work was written by Getz as an exercise in acoustic exploration that was unknown at that time.

It's a stunner! 

Another World can be heard on YouTube (link at the bottom or you can listen to it while you read the rest of this article by clicking here)
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Stan Getz ~ Another World
 album back cover photo by Jacques Straessli
photo of album by Styrous® 


Stan Getz was born Stanley Getz on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania. He was an American jazz saxophonist who primarily played the tenor saxophone. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". 

In 1943 at the age of 16, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in "The Second Herd", and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with Early Autumn and after Getz left "The Second Herd" he was able to launch his solo career. He was the leader on almost all of his recording sessions after 1950.

His reputation was greatly enhanced by his featured status on Johnny Smith's 1952 album Moonlight in Vermont, that year's top jazz album. The single of the title tune became a hit that stayed on the charts for months.  

Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, with the worldwide hit single The Girl from Ipanema (1964), one of the most well-known latin jazz tracks which won a Grammy Award


Stan Getz ~ Another World
gatefold album
album cover photos by
Jacques Straessli & Guiseppe Pino
photo of album by Styrous® 


The many artists he has performed with is a roster of the Who's Who of the jazz world: Horace Silver, Johnny Smith, Oscar Peterson, Charlie Parker, Charlie Byrd, Gary McFarland, Roy Haynes, Herb Ellis, Ray Brown, Max Roach, Chick Corea, Tony Williams, Stanley Clarke, Al Haig, Tommy Potter.; and last but certainly not least, Antonio Carlos Jobim, João Gilberto and his wife, Astrud Gilberto, on the afore mentioned bossa nova works.

A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go (1964), a live recording at the Cafe Au Go Go. Getz's love affair with Astrud Gilberto brought an end to his musical partnership with her and her husband, and he began to move away from bossa nova and back to cool jazz.

He had a cameo in the film The Exterminator (1980).


Stan Getz ~ Another World
gatefold album interior detail
album photos by
Jacques Straessli & Guiseppe Pino
detail photo by Styrous® 


Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, his wife, Beverly, gave birth to their third child one floor below.

Getz died of liver cancer on June 6, 1991. His body was cremated and his ashes were scattered at sea, off the coast of Marina del Rey, California.

In 1998, the Stan Getz Media Center and Library at Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.


Stan Getz ~ Another World
record label detail
detail photo by Styrous® 



Tracklist:

Side 1:

A1     Pretty City     10:25
A2     Keep Dreaming     7:49

Side 2:

B1     Sabra     9:34
B2     Anna     3:06
B3     Another World (written by S. Getz*)   6:10

Side 3: 

C1     Sum Sum     7:06
C2     Willow Weep For Me  (written by A. Ronell*)   11:21

Side 4:  

D1     Blue Serge (written by M. Ellington*)    3:38
D2     Brave Little Pernille     7:15
D3     Club 7 And Other Wild Places     9:02


Credits:   


Recorded and mixed at Mountain Recording Studios, Montreux, Switzerland.


Original Release Date: 1978
Label: Columbia Records - 35513
Total Time: 60:15 min




Stan Getz discography 
Giuseppe Pino photography discography    




Another World on YouTube  
Keep Dreaming on YouTube


What an amazing adventure!



Styrous® ~ Friday, February 27, 2015